Research Catalog

Details

Additional authors

1. Burns, Lori
2. Lacasse, Serge
3. Burkholder, J. Peter (James Peter)

Description

1. xx, 360 pages : illustrations, music; 24 cm

Summary

1. "Within popular music there are entire genres (jazz "standards"), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality--the shaping of one text by another--in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners." -- Publisher's description

Series statement

1. Tracking pop

Uniform title

1. Tracking pop.

Subject

1. Popular music -- History and criticism
2. Intertextuality
3. Popular music

Genre/Form

1. Criticism, interpretation, etc.

Contents

1. Foreword: the intertextual network / J. Peter Burkholder -- Introduction / Lori Burns and Serge Lacasse -- Toward a model of transphonography / Serge Lacasse -- Genettean hypertextuality as applied to the music of genesis: intertextual and intratextual approaches / Roger Castonguay -- The bitter taste of praise: singing "hallelujah" / Allan Moore -- The electric light orchestra and the anxiety of the Beatles' influence / Mark Spicer -- "If you're gonna have a hit": intratextual mixes and edits of pop recordings / Walter Everett -- Someone and someone: dialogic intertextuality and Neil Young / William Echard -- Intertextuality in nineteenth-century French Vaudeville / Mary S. Woodside -- Rap gods and monsters: words, music, and images in the hip-hop intertexts of Eminem, Jay-Z, and Kanye West / Lori Burns and Alyssa Woods -- Performative strategies and musical markers in the eurythmics "I need a man" / Stan Hawkins -- Timbre as text: the cognitive roots of intertextuality / Simon Zagorski-Thomas -- Intertextuality and lineage in The Game's "We Ain't" and Kendrick Lamar's "m.A.A.d City" / Justin A. Williams -- Mix tapes, memory, and nostalgia: an introduction to phonographic anthologies / Serge Lacasse and Andy Bennett.

Call number

1. *LE 18-2689

Bibliography (note)

1. Includes bibliographical references, discographies and index.

Title

1. The pop palimpsest : intertextuality in recorded popular music / Lori Burns and Serge Lacasse, editors ; foreword by J. Peter Burkholder.

Publisher

1. Ann Arbor : University of Michigan Press, 2018.

Copyright date

1. ©2018

Type of content

1. text

Type of medium

1. unmediated

Type of carrier

1. volume

Series

1. Tracking pop
2. Tracking pop.

Bibliography

1. Includes bibliographical references, discographies and index.

Added author

1. Burns, Lori, editor.
2. Lacasse, Serge, editor.
3. Burkholder, J. Peter (James Peter), writer of foreword.

LCCN

1. 2017044585

ISBN

1. 9780472130672 hardcover
2. 0472130676 hardcover

Research call number

1. *LE 18-2689