- Additional Authors
- Found In
- Jelko Yuresha papers.
- 1 streaming video file (58 min.) : sound, color.
- Alternative Title
- Boys at the Barre
- Jelko Yuresha papers. Moving image materials.
- Filmed dance.
- Filmed interviews.
- Title from original VHS cassette label.
- Access (note)
- Patrons can access streaming video online only at the Library for the Performing Arts.
- Source (note)
- donated by Jelko Yuresha and Belinda Wright,
- Interview with Joaquin De Luz (soloist, ABT) (conclusion of interview from *MGZIDVD 5-7556) (1 min.) -- Interview with Angel Corella (principal dancer, ABT) (15 min.) -- Interview with Jelko Yuresha (restager & coach) (37 min.) -- Interview with José Manuel Carreño (principal dancer, ABT) (ends abruptly, continues on *MGZIDVD 5-7557) (5 min.).
- Call Number
- *MGZIDVD 5-7559
Boys @ the Barre : Raw footage, 1998 / interviewees, Joaquin De Luz, Angel Corella, Jelko Yuresha, and José Manuel Carreño.
- Country of Producing Entity
- Type of Content
two-dimensional moving image
- Type of Medium
- Type of Carrier
Patrons can access streaming video online only at the Library for the Performing Arts.
Videotaped during interviews at ABT studio, New York, N.Y., 1998.
Joaquin De Luz (conclusion of interview from *MGZIDVD 5-7556) discusses the pros of being a male dancer today. Angel Corella talks about becoming a dancer; the difficulty being a child ballet dancer in Spain; how he started dancing with American Ballet Theatre (ABT) and his audition for the company; why he wanted to dance with ABT; dancing different roles; his experience dancing Variations for Four originally choreographed by Anton Dolin; the changes Jelko Yuresha made to the choreography; his love of dancing/rehearsing and how it is not work for him; difference between being a male and female ballet dancer; no difference between male and female coaches; he would like to do a role on stage as himself; his father enjoys ballet now that Angel and his sister are both dancing; how happy he is dancing in America with ABT. Jelko Yuresha talks about Variations for Four and the changes he is making to the choreography; becoming assistant to Anton Dolin for Giselle after learning all the roles, and Dolin leaving the Giselle rights to Yuresha; developing new dimensions of dance/choreography with different dancers and companies; the difference in male dancers today compared to the past, including the increase in the number of dancers and the advanced technique; working with men dancers at ABT and going beyond technique; how Yuresha chose each dancer for their main strengths but also needs them to transform into other beings; ballet has collapsed against modern dance because of the original image of classical dancers; humbleness being the most important quality in a dancer; the importance of music in ballet; Dolin knew what the audience liked when he choreographed; classical ballet has a great reponsibility to dance and the traditional male roles being widened for the general public; view to the future but not forgetting the past; ballet is a young art compared to modern dance; experimenting and being allowed to be ones self; putting ballet on the same level as other art forms including viewing on television. José Manuel Carreño discusses becoming a ballet dancer in Cuba; being teased as a child ballet dancer; how he began dancing with ABT; why he always wanted to dance with ABT; and the opportunities to dance different roles and styles (ends abruptly, continues on *MGZIDVD 5-7557).
- Original Version
Original format: 1 videocassette (VHS) ; 1/2 in.
- Connect to:
- Added Author
De Luz, Joaquin, 1976- interviewee.
Corella, Ángel, 1975- interviewee.
Yuresha, Jelko, interviewee.
Carreño, José Manuel Torres, interviewee.
Yuresha, Jelko, donor.
Wright, Belinda, 1929-2007, donor.
- Added Title
Boys at the Barre
Jelko Yuresha papers. Moving image materials.
- Found In:
Jelko Yuresha papers.
- Research Call Number