Take your girlie to the movies (0:00-2:11) -- If I had a talking picture of you (2:12-4:50) -- Let yourself go (4:51-6:15) -- I'd rather be blue over you (Than be happy with somebody else) (6:16-9:05) -- Laugh, clown, laugh (9:06-12:08) -- I nearly let love go slipping through my fingers (12:09-13:35) -- Everything's in rhythm with my heart (13:36-15:18) -- Glad rag doll (15:19-18:11) -- Arthur Murray taught me dancing in a hurry (18:12-20:45) -- It might as well be spring (20:46-22:45) -- Lady in red (22:46-25:02) -- Changing my tune (25:03-27:19) -- My baby just cares for me (27:20-30:18)
Call number
*LT-10-A 3064
Note
Title, performers, date and song list provided by cataloger based on audition and consultation with David Vaughan in 2014.
Motion picture songs was originally performed at Judy's Chelsea Cabaret on September 16 and 23, 1992.
Motion picture songs, volume 2, is available for separate streaming at http://link.nypl.org/JpURII1MTtiSxQIn5wfSFAL.
Access (note)
Patrons can access streaming audio only on site at NYPL Research Libraries.
Source (note)
Merce Cunningham Dance Foundation
Linking entry (note)
Forms part of the Merce Cunningham Dance Foundation Collection.
Title
Motion picture songs : Al Carmines and David Vaughan. Volume 1.
Production
[October 7, 1992].
Playing time
003018
Type of content
performed music
Type of medium
audio
Type of carrier
audiotape reel
online resource
Digital file characteristics
audio file
Performer
David Vaughan, singer; Al Carmines, singer and piano.
Event
Recorded at Seltzer Sound in New York, New York, [1992 October 7] ; (Recording location and date based on consultation with David Vaughan).
Patrons can access streaming audio only on site at NYPL Research Libraries.
Linking entry
Forms part of the Merce Cunningham Dance Foundation Collection.
Local note
Transferred from original open tape reel by the New York Public Library's Audio and Moving Image Preservation (PAMI) sound engineering staff at the Library for the Performing Arts on February 27, 2014. To create the streaming file, the sound engineers edited out the recording silences in the preservation file, thus the discrepancies in length between the preservation file and the streaming file.