First interview with Carl Wolz: Martha Hill reminisces about the first year of the Hong Kong Academy for Performing Arts (HKAPA) and her impressions; how the students are looked at by the international dance community; remembering their production of Fandango set by Antony Tudor; the Metropolitan Opera Ballet; Juilliard's training and what the students need to learn in order to get professional work; creating the Juilliard Dance Program which opened in 1951/1952; planning the degree curriculum at the HKAPA beginning in 1992; the Hong Kong and Juilliard connection with the HKAPA being modeled after Juilliard; the preparatory division at Juilliard which no longer exists; the beautiful facitities at the HKAPA; and how the International Dance Festival started at the HKAPA in 1986. Second interview with Janice Meaden: Martha Hill discusses the early days of the HKAPA; when and how Meaden and Hill met; the creation of dance programs at NYU, Bennington, Juilliard, and HKAPA; Hill observing the first class of students at the HKAPA and her memories and perception of the building and program; the difference between the temporary quarters and the new permanent structure of the HKAPA; Hills memories of Hong Kong and the Typhoon. Third interview with Muriel Topaz: How Topaz and Hill meet at NYU when Topaz took dance classes with Martha Hill as an Elementary Education major; how Topaz ended up in New York and how NYC felt when she first moved here; about Topaz living in Greenwich House and studying dance in the village when social commentary in Dance was often explored; how Juilliard got started with an invite from William Schuman; meeting Schuman for a drink the day the trustees voted to accept Dance as a professional program at Juilliard; Topaz and Hill seeing each other regularly on the train back and forth from NYC to Philadelphia; establishing the Juilliard curriculum; and the early faculty at Bennington and Juilliard [ends abruptly].