Research Catalog

American Theology, Superhero Comics, and Cinema : The Marvel of Stan Lee and the Revolution of a Genre

Title
American Theology, Superhero Comics, and Cinema : The Marvel of Stan Lee and the Revolution of a Genre / By Anthony R. Mills.
Author
Mills, Anthony R., 1978-
Publication
New York : Routledge, 2014.

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TextUse in library JFE 14-1462Schwarzman Building - Main Reading Room 315

Details

Description
205 pages; 24 cm.
Summary
"Stan Lee, who was the head writer of Marvel Comics in the early 1960s, co-created such popular heroes as Spider-Man, Hulk, the X-Men, the Fantastic Four, Iron Man, Thor, and Daredevil. This book traces the ways in which American theologians and comic books of the era were not only both saying things about what it means to be human, but, starting with Lee they were largely saying the same things. Author Anthony R. Mills argues that the shift away from individualistic ideas of human personhood and toward relational conceptions occurring within both American theology and American superhero comics and films does not occur simply on the ontological level, but is also inherent to epistemology and ethics, reflecting the comprehensive nature of human life in terms of being, knowing, and acting. This book explores the idea of the "American monomyth" that pervades American hero stories and examines its philosophical and theological origins and specific manifestations in early American superhero comics. Surveying the anthropologies of six American theologians who argue against many of the monomyth's assumptions, principally the staunch individualism taken to be the model of humanity, and who offer relationality as a more realistic and ethical alternative, this book offers a detailed argument for the intimate historical relationship between the now disparate fields of comic book/superhero film creation, on the one hand, and Christian theology, on the other, in the United States. An understanding of the early connections between theology and American conceptions of heroism helps to further make sense of their contemporary parallels, wherein superhero stories and theology are not strictly separate phenomena but have shared origins and concerns. "--
Series Statement
Routledge studies in religion and film ; 2
Uniform Title
Routledge studies in religion and film ; 2.
Subjects
Bibliography (note)
  • Includes bibliographical references (p. 192-203) and index.
Contents
The Historical and Theological Background of the Anthropology of the American Monomyth -- The Anthropology of the American Monomyth in Golden Age Superhero Comics (1938-1961) -- The "Turn to Relationality" in American Theological Anthropology -- The "Turn to Reality" in Silver Age Superhero Comics and Beyond (1961-present) -- Subverting the Anthropology of the American Monomyth in Marvel Comics Superhero Films (1998-2012) -- Conclusion: Anthropological Proposals.
Call Number
JFE 14-1462
ISBN
  • 9780415843584 (hardback)
  • 0415843588 (hardback)
LCCN
  • 2013022303
  • 40022723962
OCLC
847246531
Author
Mills, Anthony R., 1978-
Title
American Theology, Superhero Comics, and Cinema : The Marvel of Stan Lee and the Revolution of a Genre / By Anthony R. Mills.
Publisher
New York : Routledge, 2014.
Type of Content
text
Type of Medium
unmediated
Type of Carrier
volume
Series
Routledge studies in religion and film ; 2
Routledge studies in religion and film ; 2.
Bibliography
Includes bibliographical references (p. 192-203) and index.
Other Standard Identifier
40022723962
Research Call Number
JFE 14-1462
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