Research Catalog

Interview with Eugene Loring.

Title
  1. Interview with Eugene Loring. December 11, 1976, 1976.
Published by
  1. 1976
Author
  1. Loring, Eugene, 1911-1982

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Available by appointment at Performing Arts Research Collections - Dance

Vol/datedisc 4FormatAudioAccessUse in libraryCall number*MGZTL 4-2978 disc 4Item locationPerforming Arts Research Collections - Dance
StatusVol/datedisc 3FormatAudioAccessUse in libraryCall number*MGZTL 4-2978 disc 3Item locationPerforming Arts Research Collections - Dance
StatusVol/datedisc 2FormatAudioAccessUse in libraryCall number*MGZTL 4-2978 disc 2Item locationPerforming Arts Research Collections - Dance
StatusVol/datedisc 1FormatAudioAccessUse in libraryCall number*MGZTL 4-2978 disc 1Item locationPerforming Arts Research Collections - Dance

Details

Additional authors
  1. Cohen-Stratyner, Barbara Naomi
Description
  1. 4 sound discs (approximately two hours and 31 minutes): digital; 4 3/4 in.
Summary
  1. Disc 1 (approximately 47 minutes). Eugene Loring speaks with Barbara Naomi Cohen-Stratyner (briefly) about the motion picture The 5000 fingers of Dr. T.; the circumstances of how he came to study at the School of American Ballet and to dance with Ballet Caravan; the origins of Ballet Caravan; his work Harlequin for president; Lincoln Kirstein and his fostering of young American artists like Loring; Loring's keen observing of Balanchine in order to learn how to choreograph; Loring's work Yankee clipper, including Kirstein's role in its creation; Loring's thoughts on modern arts including the artists Keith Martin, Jerry French, and Paul Cadmus; his thoughts on Aaron Copland's music; very briefly, his thoughts on [Igor Stravinsky's] music for Apollo, Rite of spring, Jeu de cartes, and Baiser de la fée; his central choreographic principle; more on Kirstein as an educator; the underlying social commentary in all of Loring's works; his preference to have a motivation for movement; more on Yankee clipper; his work City portrait in particular the earlier and reworked versions; the influence of film on his work; the unionization of Ballet Caravan; dancing for [Michel] Fokine [ends abruptly but continues on disc 2].
  2. Disc 2 (approximately 47 minutes). Eugene Loring continues to speak with Barbara Naomi Cohen-Stratyner (briefly) about dancing for Fokine; Loring's avoidance of involvement with politics; political interpretations of his work Billy the Kid; Lincoln Kirstein as a person; touring with Ballet Caravan; Loring's interest in modern dance even while a student at The School of American Ballet; more on touring; the masks in Harlequin [for President]; his work Billy the Kid including his collaboration with Aaron Copland and the acting required of the dancers [ends abruptly but continues on disc 3].
  3. Disc 3 (approximately 47 minutes). Eugene Loring continues to speak with Barbara Naomi Cohen-Stratyner about his time with Ballet Caravan; briefly, more on Lincoln Kirstein; the varying styles of the works created for Ballet Caravan even in the case of works created by the same choreographer, for example [Michel] Fokine; the audience response in the various cities visited on tour, including to Billy the Kid and to City portrait; the motion picture Yolanda the thief; other motion pictures he has worked on, including The 5000 fingers of Dr. T. and Meet me in Las Vegas; dance in motion pictures; seeing vaudeville as a child; some of his film performances, for example as a jockey in National Velvet; his role as Owen Webster in [William] Saroyan's The beautiful people; founding his own school in order to create well-rounded dancers; more on Ballet Caravan [Cohen-Stratyner shows list of names to Loring, and they speak about those he or she knows; ends abruptly but continues on disc 4].
  4. Disc 4 (approximately 11 minutes). Eugene Loring continues to speak with Barbara Naomi Cohen-Stratyner about various people on the Cohen-Stratyner's list.
Subject
  1. Loring, Eugene, 1911-1982
  2. Audiotapes > Loring, E
  3. Billy the Kid (Choreographic work : Loring)
  4. Ballet Caravan, Inc. (New York, N.Y.)
  5. Harlequin for president (Choreographic work : Loring)
  6. Kirstein, Lincoln, 1907-1996
  7. Dance in motion pictures, television, etc
  8. Yankee clipper (Choreographic work : Loring)
  9. City portrait (Choreographic work : Loring)
  10. Motion pictures > Yolanda and the thief
Call number
  1. *MGZTL 4-2978
Note
  1. Interview with Eugene Loring conducted by Barbara Naomi Cohen-Stratyner, on December 11, 1976 at Loring's office at the University of California, Irvine, in Irvine, California.
  2. Title supplied by cataloger.
  3. Sound quality is fair. The recording is marred by extraneous noise including "tape hiss." However, for the most part, the speakers' voices are easily audible.
Funding (note)
  1. The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
Author
  1. Loring, Eugene, 1911-1982, interviewee.
Title
  1. Interview with Eugene Loring. December 11, 1976, 1976.
Production
  1. 1976
Type of content
  1. spoken word
Type of medium
  1. audio
Type of carrier
  1. audio disc
Event
  1. Recorded by Barbara Naomi Cohen-Stratyner 1976, December 11 Irvine (Calif.)
Funding
  1. The conservation and cataloging of this recording was made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.
Original version
  1. Original format: two sound cassettes (approximately two hours and 31 minutes); 1 7/8 ips., originally recorded on December 11, 1976; transferred to wav file and compact disc formats in 2013.
Added author
  1. Cohen-Stratyner, Barbara Naomi, interviewer.
  2. Cohen-Stratyner, Barbara Naomi, donor
Research call number
  1. *MGZTL 4-2978
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