Research Catalog

Shazam.

Title
Shazam. Nyimalung Trenda: Chamjug, Rehearsal Day [Close shot] [electronic resource].
Publication
2005.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Core of Culture (Organization)
  • Core of Culture. dnr
Description
1 digital video file (19 min.) : digital, stereo., H.264 file.
Summary
A subjugation dance attributed to the first Namkhai Nyingpo. It commemorates the story from the life of Guru Rinpoche who subjugated the God of Wind - who had been creating much unhappiness and dissatisfaction amongst men. Having conquered the spirit, the Guru then rode his mount of a White Stag and gave blessings to people throughout the country, thus restoring peace and harmony to all. The dance thus subdues evil and creates benefits for all who witness it. Shazam: The Dance of the Four Stags is a re-enactment of an auspicious incident in the life of Guru Rinpoche, the great 8th Century sage who is credited with introducing Buddhism to Bhutan as he journeyed through the country to and from Tibet. Guru Rinpoche (Padmasambhava) is also known as the great subjugator of those local deities and spirits who resisted the spread of Buddhism, and, having subdued them to his will, he forced them to take an oath that henceforth they would become protectors of the Dharma, thus turning his one-time opponents into staunch allies of the faith. The Dance of the Four Stags refers to one such contest in which Guru Rinpoche subdued the King of the Wind, the ruler of the Earth-Spirits (sadag) who dominated the North-western direction and who had been causing much trouble and strife amongst the people of those times. Having subdued and conquered this powerful spirit Guru Rinpoche took possession of his mount, a great Stag, and rode around the land bestowing blessings upon the people and restoring a period of peace and prosperity for all. The dance of the Four Stags was revealed by the first incarnation of Nam Nying (Namkhai Nyingpo) who created the Stag masks as a way to commemorate this event. As well as being a subjugation dance having the effect of warding off evil influences in the place where it is performed, the dance is also seen as having the beneficial effect of restoring peace and harmony in the lives of those who witness its performance.
Uniform Title
Bhutan Dance Project, Core of Culture.
Alternative Title
Dance of the Four Stags. Nyimalung Trenda: Chamjug, Rehearsal Day [Close shot]
Subjects
Genre/Form
  • Dance.
  • Filmed dance.
  • Filmed performances.
  • Video.
Note
  • For wide shot version, see: *MGZIDF 679A.
  • Nyimalung Trenda is held for three days on the 8th to the 10th day of the 5th Bhutanese month. The final blessing day coincides with the anniversary of the Birth of Guru Rinpoche. A Chamjug or rehearsal day is held on the 7th day of the Lunar month.
  • Nyimalung Trenda in 2005, Day One: 15th/6/2005, Chamjug Rehearsal Day: Shinjey Phomo - Dance of the Lord of Death and his Consort ; Shazam - Dance of the Four Stags ; Chipdril - Entry Procession ; Zhanag Cham - Dance of the Black Hats ; Durdag - Dance of the Four Lords of Charnel ; Dramitse Nga Cham.
Access (note)
  • Open.
Event (note)
  • Videotaped in rehearsal at the Nyimalung Dratsang (ground floor/right diagonal across arena), in Bumthang, on June 15, 2005.
Source (note)
  • Core of Culture.
Call Number
*MGZIDF 679B
OCLC
828532881
Title
Shazam. Nyimalung Trenda: Chamjug, Rehearsal Day [Close shot] [electronic resource].
Imprint
2005.
Country of Producing Entity
Bhutan.
Series
Bhutan Dance Project, Core of Culture.
Access
Open.
Event
Videotaped in rehearsal at the Nyimalung Dratsang (ground floor/right diagonal across arena), in Bumthang, on June 15, 2005.
Source
Gift; Core of Culture. NN-PD
Connect to:
NYPL Digital Collections
Local Subject
Ritual and ceremonial dancing -- Bhutan.
Added Author
Core of Culture (Organization)
Core of Culture. Donor
Research Call Number
*MGZIDF 679B
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