Research Catalog

Durthro Dagmo Chezhi.

Title
Durthro Dagmo Chezhi. Dzongdrakha Tsechu: First and Final Day [Close shot] [electronic resource].
Publication
2005.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Core of Culture (Organization)
  • Core of Culture. dnr
Description
1 digital video file (7 min.) : digital, stereo., H.264 file.
Uniform Title
Bhutan Dance Project, Core of Culture.
Alternative Title
  • Dance of the Four Lords of the Charnel Grounds. Dzongdrakha Tsechu: First and Final Day [Close shot]
  • Durdag
Subjects
Genre/Form
  • Dance.
  • Filmed dance.
  • Filmed performances.
  • Video.
Note
  • For wide shot version, see: *MGZIDF 671A.
  • The title Durthro Dagmo (Charnel Ground) Che (Lord) Zhi (Four) is generally shortened to Durdag when referring to this skeleton dance. These four Lords are protectors of the religion who inhabit the eight large cremation grounds situated on the external edges of Mount Sumeru.This Durdag takes place within the context of the longer Zhanag (Dance of the Black Hats) shown in the previous record. The Four Lords of the Charnel Ground are instrumental in carrying out the linga to the centre of the arena - which the Black Hat dancers need to perform the subjugation ritual that their dance re-enacts. As at Paro - the Durdags dance is at a fairly frenetic pace.
  • The Festival at Dzongdrakha Lhakhang is very particular in that it takes place only for one day - and that day is fixed as the day after the ending of the Paro Tsechu. Dzongdrakha Tsechu First and Final Day, 3/26/2005. The first part of the festival takes place around the Lhakhang before moving in procession to a more open space for the dances. Chhoe Zhey - Dharma Song ; Berkor Cham - Circumambulatory Procession ; Gyuan Drug Pawo - Dance of the Heroes with six kinds of ornaments ; Jipai Pawo - Dance of the Honor Guards ; Shinjey - Dance of the Lord of Death and his Consort ; Durdag - Dance of the Four Lords of the Charnel Grounds ; Pa Cham - Dance of the Heroes ; Dramitse Nga Cham - The Drum Dance of Dramitse ; Raksha Mangcham - Dance of the Judgement of the Dead.
  • According to Chhojugun Lhosar Ngagyen, in the 13th century, a Ngingmapa lama, Karzhi Rinchen Samten Pelzang dreamt of a khandrum, instructing him to go to a place called Zhungphug in Moen Yuel, where the treasures of Ugyen Rinpoche were hidden. Lam Karzhi Rinchen Samten Pelzang then shared his dream with a dedicated disciple, Drupthog Gyenpo Dorji from Latoet Jangdrog Taktsheit who later followed the instruction given to Lam Krzhi Rinchen Samten Pelzang by the khandrum in his dream. Drubthog Gyenpo Dorji then proceeded towards Moen Yuel in 1428, in Earth Bird Year, in search of the place called Zhungphug in Paro. It is said that when he reached a riverside and didn t know where to go, a jackal came and showed him the direction to Zhungphug. Thus, this particular place came to be known as Wachu , the place presently known as Woochu . The Drubthog along with the jackal, however, followed the right side of the river and reached near a cave where they met a dumb boy who miraculously spoke for the first time as soon as he saw the Drubthog . It was then, when the Drubthog saw the extreme joy of the family that he named it the Ghadrak. The mother as gratitude to the Drubthog sponsored him food and clothes during his meditation period. A day came, while meditating, when he had a spiritual vision of Guru Rinpoche giving him a crystal sword, with which he hit the cave and a huge rock fell in front of him. It is believed that from this rock, he found a crystal stupa (chorten) which was as long as an arrow and three egg-shaped relics of Sangay Youelsum (karshapa). Two of the three relics are said to have flown away at that very instant. Drubthog Gyenpo Dorji then took the remaining one relic and the stupa in a sack and reached a valley. The people in this valley, having known about the treasure inside the sack claimed it to be theirs. They said that it belonged to them and also said that it was only them, who had the rights over the treasure. Because of this, this valley came to be known as Bangdey which is known as Bondue today. The Drubthog later constructed a Lhakhang and installed this treasure (the crystal stupa and the relic) as a sacred monument inside it and named it as Dzongdrakha Lhakhang. Damchhoen Dorji Legpa was the deity of the Lhakhang, who protected the Lhakhang and the sacred monument inside it. It is believed that the relic used to shake on the auspicious days, because of which the people named the crystal stupa Chorten Karmogyel. The Drubthog, who had spent all his life in this Lhakhang ultimately died there. After the death of Drubthog Gyenpo Dorji, his reincarnations started the lineage of Dzongdra Chhoeje and also built many Lhakhangs and Monasteries in and around the place. It is also said that sometimes later the Rinpung Ngeteng (the head lama of a dratshang) Jangchung Zangpo, renovated the Lhakhang and built a new chorten in front of the Lhakhang.
  • This Tsechu takes place on the 16th day of the Second Month of the Bhutanese calendar and lasts for just one day. It marks the final day of the Paro Tsechu which starts on the 11th day of the Second Month.
Access (note)
  • Open.
Event (note)
  • Videotaped in performance at the small courtyard, Dzongdrakha Lhakhang (ground level), Paro Valley, on Mar. 26, 2005.
Source (note)
  • Core of Culture.
Call Number
*MGZIDF 671B
OCLC
828105967
Title
Durthro Dagmo Chezhi. Dzongdrakha Tsechu: First and Final Day [Close shot] [electronic resource].
Imprint
2005.
Country of Producing Entity
Bhutan.
Series
Bhutan Dance Project, Core of Culture.
Access
Open.
Event
Videotaped in performance at the small courtyard, Dzongdrakha Lhakhang (ground level), Paro Valley, on Mar. 26, 2005.
Source
Gift; Core of Culture. NN-PD
Connect to:
NYPL Digital Collections
Local Subject
Ritual and ceremonial dancing -- Bhutan.
Added Author
Core of Culture (Organization)
Core of Culture. Donor
Research Call Number
*MGZIDF 671B
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