La tête d'une femme ou la girouette à tout vent portrait fidèle dessiné d'après nature.
- Title
- La tête d'une femme ou la girouette à tout vent [graphic] : portrait fidèle dessiné d'après nature.
- Published by
- Paris : Charon : Martinet, [18--?]
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Status | Format | Access | Call number | Item location |
---|---|---|---|---|
Status Available by appointment at Performing Arts Research Collections - Dance | FormatStill image | AccessSupervised use | Call number*MGZFX Anon Tet 1 | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 1 print : etching, engraving, hand-colored; 34 x 31 cm., plate mark 29 x 20 cm.
- Summary
- Full-length figure of a woman, poised on the tip of her left foot in a dance-like posture. Arranged around her head like the rays of the sun are nine small cupid heads with wings, blowing "vents" or winds of various emotions, among them vengeance, jealousy, coquetry, and inconstance. Immediately over her head is a moon face labeled "Mauvaise Lune."
- Subject
- Genre/Form
- Cartoons (Commentary)
- Etchings.
- Call number
- *MGZFX Anon Tet 1
- Note
- Caption title.
- At top of print: Anecdote francaises.
- Biography (note)
- The title of this print paraphrases lines from Moliere's comedy Le dépit amoureux of 1656: "La tête d'une femme est comme la girouette / Au haut d'une maison, qui tourne au premier vent." The unflattering comparison to a weathervane swayed by every breath of wind implies that women are flighty and capricious, affected by every passing emotion. The precarious balance of the woman in this print underscores the implication that she is easily moved and unstable.
- Title
- La tête d'une femme ou la girouette à tout vent [graphic] : portrait fidèle dessiné d'après nature.
- Imprint
- Paris : Charon : Martinet, [18--?]
- Biography
- The title of this print paraphrases lines from Moliere's comedy Le dépit amoureux of 1656: "La tête d'une femme est comme la girouette / Au haut d'une maison, qui tourne au premier vent." The unflattering comparison to a weathervane swayed by every breath of wind implies that women are flighty and capricious, affected by every passing emotion. The precarious balance of the woman in this print underscores the implication that she is easily moved and unstable.
- Local note
- Cataloging funds provided by Friends of Jerome Robbins Dance Division.
- Connect to:
- Added author
- Molière, 1622-1673. Dépit amoureux. Author in quotations or text abstracts
- Maison Martinet (Paris, France) Publisher
- Research call number
- *MGZFX Anon Tet 1