Interview with Keith Lee
- Title
- Interview with Keith Lee [sound recording].
- Published by
- 2010.
- Author
Items in the library and off-site
Displaying all 2 items
Status | Vol/date | Format | Access | Call number | Item location |
---|---|---|---|---|---|
Status Available by appointment at Performing Arts Research Collections - Dance | Vol/dateDiscs 1-2 | FormatAudio | AccessSupervised use | Call number*MGZTL 4-2711 Discs 1-2 | Item locationPerforming Arts Research Collections - Dance |
Status Available by appointment at Performing Arts Research Collections - Dance | Vol/date | FormatAudio | AccessSupervised use | Call number*MGZMT 3-2711 | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 2 sound discs (ca. 85 min.): digital; 4 3/4 in. +
- Summary
- Disc 1 (ca. 49 min.). Keith Lee speaks with Barbara Cole about his personal background and early dance training; while still in high school working with George Balanchine; the abundance of opportunities that came to him early in his career including working with Harkness Youth Ballet, American Ballet Theatre, and Alvin Ailey American Dance Theatre; his younger students performing Doris Humphrey's The shakers; dancing José Limón's The moor's pavane; his experience as the first African American man to sign a permanent contract with American Ballet Theatre; more on the issue of race in dance; working with Antony Tudor, in particular in connection with his work Dark elegies; working with Agnes de Mille when he danced in her Fall river legend.
- Disc 2 (ca. 35 min.). Keith Lee speaks with Barbara Cole about his decision to leave American Ballet Theatre; working with Alvin Ailey at American Ballet Theatre on Ailey's The river; auditioning successfully for the workshop production of Jelly's last jam; working on the filming of Harald Lander's Etudes while at American Ballet Theatre; his first experiences teaching and the developing of his teaching skills; the progression of his career towards the founding of the Dance Theatre of Lynchburg; other aspects of his creative life; his book On the threshold of the dream (c2007); combining work and family; the role he sees himself for in the world.
- Alternative title
- Dance Oral History Project.
- Dance Audio Archive.
- Subject
- Call number
- *MGZTL 4-2711
- Note
- Interview with Keith Lee conducted by Barbara Cole on Aug. 12, 2010 at The New York Public Library for the Performing Arts in New York City as part of the Oral History Project.
- For transcript see: *MGZMT 3-2711.
- Access (note)
- Transcripts may not be photographed or reproduced without permission.
- Funding (note)
- The assistance of the New York State Council on the Arts and the National Endowment for the Arts is gratefully acknowledged
- Author
- Lee, Keith, interviewee.
- Title
- Interview with Keith Lee [sound recording].
- Imprint
- 2010.
- Funding
- The assistance of the New York State Council on the Arts and the National Endowment for the Arts is gratefully acknowledged
- Restricted access
- Transcripts may not be photographed or reproduced without permission.
- Added author
- Cole, Barbara, 1928- interviewer.
- Research call number
- *MGZTL 4-2711
- *MGZMT 3-2711