Research Catalog

Details

Additional authors

1. University of Arkansas, Fayetteville

Description

1. 27 linear ft. (49 boxes)

Summary

1. The Eleanor King papers extensively document this modern dance innovator's rich and varied personal and professional life between the years 1921 and 1991.
2. Included is correspondence with Doris Humphrey, Charles Weidman, José Limón, Gertrude Lawton Lippincott, Joann Kealinohomoku, George Kernodle, Thomas Leabhart, Martha Nishitani, A. J. Pischl, Andrea Seidel, Grace Stevenson, and Ernestine Stodelle, among others.

Donor/Sponsor

1. Portions of the collection are a gift of Cross-Cultural Dance Resources, Inc.

Subject

1. Dance teachers
2. Choreographers
3. Sketches
4. Correspondence
5. Programs
6. Lecture notes
7. Limón, José
8. Kealinohomoku, Joann
9. Kernodle, George Riley, 1907-
10. Humphrey, Doris, 1895-1958
11. Dance teachers > United States > 20th century
12. Stodelle, Ernestine
13. Humphrey-Weidman Company
14. Scores
15. Clippings
16. Lippincott, Gertrude, 1913-1996
17. Pischl, A. J
18. Choreographers > United States > 20th century
19. Seidel, Andrea
20. Leabhart, Thomas
21. Stevenson, Grace
22. University of Arkansas, Fayetteville
23. Sketchbooks
24. Weidman, Charles
25. King, Eleanor, 1906-1991
26. Nishitani, Martha

Genre/Form

1. Clippings.
2. Correspondence.
3. Lecture notes.
4. Programs.
5. Scores.
6. Sketchbooks.
7. Sketches.

Call number

1. (S) *MGZMD 96

Source (note)

1. Eleanor King.
2. Estate of Eleanor King.
3. Cross-Cultural Dance Resources.
4. King, Eleanor

Biography (note)

1. A pioneer in the field of modern dance, Eleanor King was a noted choreographer and a teacher.

Language (note)

1. The Dance material and Programs series contain some material in Dutch, Japanese, or Korean.

Indexes/finding aids (note)

1. Finding aid available in repository and on internet.

Provenance (note)

1. Some of King's original correspondence is a gift of Cross-Cultural Dance Resources, Inc., which has retained copies.
2. Correspondence between Eleanor King and Joann W. Kealiinohomoku was supplied in photocopy by Cross-Cultural Dance Resources, Inc.; that institution retains the originals of the King-Kealiinohomoku correspondence.

Author

1. King, Eleanor, 1906-1991.

Title

1. Eleanor King papers, 1916-1991, 1951-1991 (bulk)

Local note

1. *MGZMD 58, Eleanor King papers, 1930-1974 combined with this collection, Nov. 2004.
2. Many additional materials, including over 600 over King's books and other publications, can be found in the Eleanor King Archive, Cross-Cultural Dance Resources, Inc., 518 South Agassiz St., Flagstaff, AZ 86001-5711, USA, http://www.ccdr.org.

Biography

1. A pioneer in the field of modern dance, Eleanor King was a noted choreographer and a teacher. She was born Eleanor Campbell King on February 8, 1906, in Middleton, Pennsylvania. Eleanor, who was one of six children, moved with her family to Brooklyn, New York in 1926. King lived at home until age 28, when she moved to an apartment in Manhattan. King did not begin dance lessons at age 20. Her first teacher was Priscilla Roineau, who taught at Clare Tree Major's School of the Theatre in New York City. Her professional dance training and performing began with her enrollment in Denishawn in 1927. An original dancer of the Humphrey-Weidman group, King was with the company from 1928 through 1935. King worked as an independent dancer and choreographer in New York from 1935 to 1942. Her first choreographed large scale work was Icaro, based upon a poem by Lauro de Bosis, with music created by David Diamond and Franziska Boas. Jack Cole danced the role of Icarus. Icaro premiered at the Brooklyn Museum Dance Center in May 1937.
2. King became one of the first academic dance instructors in the United States. After leaving New York City, she went to Northfield, Minnesota to teach at Carleton College for the 1942-1943 school year. In the summer of 1943, King moved to Seattle, Washington, where she taught at the Cornish School of the Arts. For the next eight years, King taught, choreographed, and traveled throughout the Pacific Northwest, as a soloist and with her own dance company. In 1951 King began teaching dance and mime at the University of Arkansas, Fayetteville. She retired from teaching at the University of Arkansas in the spring of 1971 and later moved to Santa Fe, New Mexico where she became involved with the burgeoning dance and theater culture of the area.
3. A prolific writer, King authored numerous journal articles and three books. Her research interests included Asian dance. King, who received several grants for study, traveled periodically to Japan between 1958-1967. She also studied in Bali, Burma, Sri Lanka, Thailand, and Korea during the 1970s. In 1978, King's autobiography, Transformations: the Humphrey-Weidman Era was published. She also completed a second volume, Transformations II: To the West, which has not been published. In addition, King wrote The Way of the Japanese Dance, which was optioned by Shambhala Press, but never published; though it was issued later in a special limited edition. She also possessed a talent for sketching. During her lifetime, she produced several thousand sketches, many of which were included in The Way of Japanese Dance. Early sketches were of still lifes and nudes. Sketches from her middle years were nearly all from her many trips to Asia. Later sketches were inspired by her visits to the museums of the Santa Fe area.
4. In 1989, King moved to the Actor's Home in Haddonfield, New Jersey, where she died on February 27, 1991. At the time of her death, she was a co-director of the American Dance Repertory Theater with Mino Nicholas. The American Dance Repertory Theater created revivals of Miss King's dances, as well as the dances of Doris Humphrey and Charles Weidman.

Language

1. The Dance material and Programs series contain some material in Dutch, Japanese, or Korean.

Indexes

1. Finding aid available in repository and on internet.

Provenance

1. Some of King's original correspondence is a gift of Cross-Cultural Dance Resources, Inc., which has retained copies.
2. Correspondence between Eleanor King and Joann W. Kealiinohomoku was supplied in photocopy by Cross-Cultural Dance Resources, Inc.; that institution retains the originals of the King-Kealiinohomoku correspondence.

Source

1. Former *MGZMD 58 Gift, Eleanor King.
2. Gift, Estate of Eleanor King.
3. Portions of the collection gift of Cross-Cultural Dance Resources.

Connect to:

1. Request Access to Special Collections (Dance Division) material
2. Finding Aid

Occupation

1. Choreographers.
2. Dance teachers.

Added author

1. King, Eleanor, 1906-1991. Transformations: the Humphrey-Weidman era.
2. University of Arkansas, Fayetteville.

Research call number

1. (S) *MGZMD 96