Interview with Jerome Robbins.
- Title
- Interview with Jerome Robbins. May 22, 1988 [sound recording]
- Published by
- 1988.
- Author
Items in the library and off-site
Displaying all 2 items
Status | Vol/date | Format | Access | Call number | Item location |
---|---|---|---|---|---|
Status Not available - Please for assistance. | Vol/datedisc 2 | FormatSpoken word recording | AccessPermit needed | Call number*MGZTL 4-3100 JRC disc 2 | Item locationPerforming Arts Research Collections - Dance |
Status Not available - Please for assistance. | Vol/datedisc 1 | FormatSpoken word recording | AccessPermit needed | Call number*MGZTL 4-3100 JRC disc 1 | Item locationPerforming Arts Research Collections - Dance |
Details
- Additional authors
- Description
- 2 sound discs (ca. 112 min.) : digital; 4 3/4 in.
- Summary
- Disc 1 (ca. 64 min.) [Begins abruptly; disc contains numerous interruptions for Guare and Robbins to attend to their dogs.] Robbins discusses his upcoming retrospective, Jerome Robbins' Broadway, including researching and reconstructing the dances; the lack of existing documentation on these works; his efforts to restage various dances including the Mack Sennett ballet in High button shoes (1947); the relationship between the worlds of ballet and Broadway; changes in the dance profession since his early years on Broadway; the choreography for Two's company (1952); innovations in Broadway musical choreography brought about by the work of Agnes De Mille in Oklahoma! (1943) and by others; brief discussion of his early work with George Balanchine at Ballet Society; his method of remembering his choreography in order to reconstruct it; his experience directing an opera, (The tender land by Aaron Copland, 1954); his upcoming show in comparison with the original choreography, set designs, costumes, etc.; videotaping compared with dance notation as a means of preserving dance; his work as show doctor for A funny thing happened on the way to the forum (1962); possible titles for his show; the various creative functions he has served in shows such as Call me madam (1950), West side story (1957) and The King and I (1951). [Disc ends abruptly.]
- Disc 2 (ca. 48 min.) [Disc begins abruptly.] Robbins discusses the structure of Jerome Robbins' Broadway; the lack of documentation of the musical theater; the nature of memory in recreating theatrical work; his objective for an accurate portrayal of his life's work; more on restaging the dances included in the show; the possible use of a narrator; the inclusion of newly staged dance numbers in the show. Robbins and Guare discuss possible actors for the narrator role.
- Donor/Sponsor
- Oral History Archive.
- Series statement
- Jerome Robbins Collection
- Subject
- Call number
- *MGZTL 4-3100 JRC
- Note
- Interview conducted by John Guare on May 22, 1988 for his article, "Robbins: back to Broadway," New York times Sunday magazine, Sept. 11, 1988, p. 22+.
- Access (note)
- Permission required.
- Funding (note)
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Author
- Robbins, Jerome, interviewee.
- Title
- Interview with Jerome Robbins. May 22, 1988 [sound recording]
- Imprint
- 1988.
- Series
- Jerome Robbins Collection
- Access
- Permission required.
- Funding
- Preservation made possible in part with public funds from the National Endowment for the Humanities.
- Local note
- Archive original: *MGZTCO 3-3100 JRC
- Preservation master: *MGZTP 10-3100 JRC
- Dubbing master: *MGZTD 4-3100 JRC
- Partial, edited transcript: *MGZMT 3-3100 JRC
- Local subject
- Choreography -- Reconstruction.
- Musical comedies. Jerome Robbins' Broadway.
- Audiotapes -- Robbins, J.
- Added author
- Guare, John. Interviewer
- Research call number
- *MGZTL 4-3100 JRC