Research Catalog

New Yorker records

Title
New Yorker records, ca.1924-1984.
Author
New Yorker Magazine, Inc.
Supplementary Content
Finding Aid

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Angell, Roger.
  • Gibbs, Wolcott, 1902-1958.
  • Hamburger, Philip.
  • Irvin, Rea, 1881-1972.
  • Ingersoll, Ralph, 1900-
  • McKelway, St. Clair, 1905-1980.
  • MacKenzie, Rachel.
  • Maxwell, William.
  • Moss, Howard, 1922-1987.
  • Nash, Ogden, 1902-1971.
  • Ross, Harold Wallace, 1892-1951.
  • Ross, Lillian, 1918-2017.
  • Shawn, William.
  • Thurber, James, 1894-1961.
  • White, E. B. (Elwyn Brooks), 1899-1985.
  • White, Katharine Sergeant Angell.
  • Wilson, Edmund, 1895-1972.
  • Woollcott, Alexander, 1887-1943.
Description
875.8 linear feet (2509 boxes).
Summary
New Yorker records consist of correspondence, interoffice memoranda, edited and corrected manuscripts and typescripts, drawings, statistical reports, lists of story and art ideas, photographs, and sound recordings and printed materials created during the foundation and day-to-day operations of the magazine from 1924-1984. This material documents the production of every issue of the magazine and provides insight on the careers of its staff and contributors. The files of founding Editor Harold Ross include memoranda and correspondence that document his meticulous attention to every aspect of the magazine's production. The collection includes only a few files from the office William Shawn, Ross' successor, but Shawn's influence is well evidenced by material included in other records series from his tenure. "Run and Killed" manuscripts files contain edited drafts of non-fiction articles. "Copy and Source" files contain typescripts of all items published from 1951-1981. Editorial Business files include letters to the editor, staff replies, and reprint and permissions requests. Log books, lists, and files of ideas for articles and art document how the magazine generated editorial content, and how writers chose their subjects. Administrative records include accounts of contributor payments and staff salaries, memoranda concerning writer and artist contracts, and legal files.
Uniform Title
New Yorker (New York, N.Y. : 1925)
Subject
  • New Yorker (New York, N.Y. : 1925)
  • American literature > Periodicals
  • American literature > New York (State) > New York
  • American periodicals
  • Authors, American
  • Caricatures and cartoons
  • Cartoonist > United States
  • Editors > United States
  • Journalism > United States
  • Journalism > Editing
  • Literature > United States
  • Magazine covers
  • Magazine design
  • Magazine illustration
  • Periodical editors > United States
  • Periodicals > United States
  • Periodicals > Publishing
  • New York (N.Y.) > Newspapers, periodicals and journalism
Access (note)
  • Restricted access;
  • Microfilm must be used in lieu of originals when available.
Additional Formats (note)
  • available on microfilm;
Source (note)
  • New Yorker Magazine, Inc.
Biography (note)
  • Weekly magazine founded in New York City in 1925 by Harold W. Ross, Jane Grant, Alexander Woollcott and Raoul Fleischman. Ross, a former newspaper writer, convinced Fleischman, heir to a fortune derived from yeast and bakery businesses, to provide funds to establish a sophisticated, humorous publication aimed at a cosmopolitan audience. The first issue appeared on February 17, 1925. The New Yorker's signature editorial style was defined during the late 1920s by Ross, Grant, fiction editor Katharine White, and art director Rea Irvin, who designed the layout, typeface, and famous Eustace Tilley symbol. Prominent authors associated with the magazine's early years include E. B. White, James Thurber, Wolcott Gibbs, Edmund Wilson and Dorothy Parker. During the early 1930s, The New Yorker maintained an aloof, casual tone towards social issues associated with the economic depression, remaining primarily a humor magazine. Stronger emphasis was placed on serious journalism beginning in 1936, as non-fiction editor St. Clair McElway cultivated the talent of such writers as Joseph Mitchell, A. J. Liebling, Brendan Gill, Philip Hamburger and Emily Kahn. McKelway's successor, William Shawn, convinced Harold Ross to devote much attention to World War II.
Processing Action (note)
  • Cataloged.
Call Number
MssCol 2236
OCLC
NYPW00-A8
Author
New Yorker Magazine, Inc.
Title
New Yorker records, ca.1924-1984.
Additional Formats
Letters from Ernest Hemingway available on microfilm; New York Public Library; *ZL-224
Restricted Access
Restricted access; Manuscripts and Archives Division; Permit must be requested at the division indicated.
Access
Microfilm must be used in lieu of originals when available.
Biography
Weekly magazine founded in New York City in 1925 by Harold W. Ross, Jane Grant, Alexander Woollcott and Raoul Fleischman. Ross, a former newspaper writer, convinced Fleischman, heir to a fortune derived from yeast and bakery businesses, to provide funds to establish a sophisticated, humorous publication aimed at a cosmopolitan audience. The first issue appeared on February 17, 1925. The New Yorker's signature editorial style was defined during the late 1920s by Ross, Grant, fiction editor Katharine White, and art director Rea Irvin, who designed the layout, typeface, and famous Eustace Tilley symbol. Prominent authors associated with the magazine's early years include E. B. White, James Thurber, Wolcott Gibbs, Edmund Wilson and Dorothy Parker. During the early 1930s, The New Yorker maintained an aloof, casual tone towards social issues associated with the economic depression, remaining primarily a humor magazine. Stronger emphasis was placed on serious journalism beginning in 1936, as non-fiction editor St. Clair McElway cultivated the talent of such writers as Joseph Mitchell, A. J. Liebling, Brendan Gill, Philip Hamburger and Emily Kahn. McKelway's successor, William Shawn, convinced Harold Ross to devote much attention to World War II.
After the war, circulation increased dramatically as The New Yorker became a truly national publication. Harold Ross died in 1951 and was succeeded as Editor by William Shawn, who continued to broaden the magazine's outlook and raise its standards for literary and investigative journalism. Shawn maintained Ross' meticulous editorial standards, reading every word of each issue before appeared. Even the copy and content of advertisements was subject to editorial review. Advertising sales peaked in the late 1960s, then gradually declined through the 1970s and 1980s, despite the magazine's formidable literary reputation. In 1985 The New Yorker was purchased by Advance Publications, Inc., owner of the Conde Nast magazine.
Finding Aids
Collection guide available at repository and on Internet.
Connect to:
NYPL Digital Collections
Finding Aid
Added Author
Angell, Roger.
Gibbs, Wolcott, 1902-1958.
Hamburger, Philip.
Irvin, Rea, 1881-1972.
Ingersoll, Ralph, 1900-
McKelway, St. Clair, 1905-1980.
MacKenzie, Rachel.
Maxwell, William.
Moss, Howard, 1922-1987.
Nash, Ogden, 1902-1971.
Ross, Harold Wallace, 1892-1951.
Ross, Lillian, 1918-2017.
Shawn, William.
Thurber, James, 1894-1961.
White, E. B. (Elwyn Brooks), 1899-1985.
White, Katharine Sergeant Angell.
Wilson, Edmund, 1895-1972.
Woollcott, Alexander, 1887-1943.
Added Title
New Yorker (New York, N.Y. : 1925)
Research Call Number
MssCol 2236
View in Legacy Catalog