Research Catalog

The early years: The heritage of Isadora Duncan

Title
The early years: The heritage of Isadora Duncan [electronic resource]
Publication
1981.

Available Online

NYPL Digital Collections

Details

Additional Authors
  • Kendall, Elizabeth, 1947-
  • Bardsley, Kay.
  • Levien, Julia.
  • Ross, Patty Kerr.
  • Pennebaker, D. A.
  • Labeille, Daniel.
  • Early years (1981 : Purchase, N.Y.)
  • State University of New York College at Purchase.
Description
3 streaming video files (NTSC) (50 min.) : sd., col.
Subjects
Note
  • Video documentation of the festival The early years: American modern dance from 1900 through the 1930s, hosted by SUNY College at Purchase, New York, on April 9-12, 1981, under the sponsorship of State University of New York, University-Wide Programs in the Arts. Festival director: Patricia Kerr Ross. Video producer: Daniel Labeille.
  • For printed program of the festival, see: *MGZB The early years (1981 : Purchase, N.Y.) [Programs].
Access (note)
  • Patrons can access streaming video file only at the Library for the Performing Arts.
Contents
  • SUMMARY: Videotaped on April 9, 1981 by D. A. Pennebaker. Presentation on The heritage of Isadora Duncan by Elizabeth Kendall with Kay Bardsley and Julia Levien. For another recording of this session, see: *MGZIC 9-950 cassettes 8 and 9. CONTENTS: Lecture by Kendall on Isadora Duncan's life, career, and significance, particularly her role as exponent of a classical revival paralleling the Orientalism of Ruth St. Denis, and as a catalyst for a new approach to dance in Europe and Russia. She decries the film The loves of Isadora and Kenneth MacMillan's ballet Isadora for perpetuating an image of Duncan as an artistic and intellectual lightweight. -- Panel discussion between Kendall (moderator), Bardsley, and Levien. Brief gap in recording at about 40 min. into the tape; for the missing material, see: *MGZIC 9-950 cassette 9. Bardsley and Levien recall their studies of Duncan dancing with, respectively, Maria Theresa Duncan, and Anna Duncan and Irma Duncan. They compare the different methodologies of the three teachers, all of whom drew upon the technique developed by Elizabeth Duncan, and the stylistic differences that have evolved in Europe and the U.S. Levien comments upon the choreography in The loves of Isadora, and notes Isadora's great achievement in changing dance from entertainment to an art experience. She and Bardsley describe some special qualities of Duncan dancing, particularly its fluidity and phrasing, and
  • its sense of humanism.
Call Number
*MGZIDF 3546
OCLC
NYPY916055800-F
Title
The early years: The heritage of Isadora Duncan [electronic resource]
Imprint
1981.
Restricted Access
Patrons can access streaming video file only at the Library for the Performing Arts.
Local Note
Former call number: *MGZIC 9-950 cassette 43.
Connect to:
NYPL Digital Collections
Local Subject
Duncan dancing.
Motion pictures. The loves of Isadora.
Dance -- Congresses -- New York (State) -- New York -- 1981.
Local Subject
Television. Early years.
Added Author
Kendall, Elizabeth, 1947- Speaker
Bardsley, Kay. Speaker
Levien, Julia. Speaker
Ross, Patty Kerr. Director
Pennebaker, D. A. Videographer
Labeille, Daniel. Producer
Early years (1981 : Purchase, N.Y.)
State University of New York College at Purchase.
Research Call Number
*MGZIC 9-950 cassette 43 (former)
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