Research Catalog

FINDING AID AVAILABLE

Fredi Washington papers

Title
  1. Fredi Washington papers, 1922-1981, 1922-1941 (bulk) [microform]
Author
  1. Washington, Fredi, 1903-1994

Collection information

Finding aid

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StatusContainerFormatAccessCall numberItem location
Status
Request for on-site use

Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person.

Containerr. 3FormatMicroformAccessUse in libraryCall numberSc Micro R-5002Item locationSchomburg Center - Research & Reference
Status

Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person.

Containerr. 2FormatMicroformAccessUse in libraryCall numberSc Micro R-5002Item locationSchomburg Center - Research & Reference
Status

Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person.

Containerr. 1FormatMicroformAccessUse in libraryCall numberSc Micro R-5002Item locationSchomburg Center - Research & Reference

Details

Description
  1. 1.3 lin. ft.
Summary
  1. The Fredi Washington Papers, 1922-1941, 1981, n.d., reflect both her private life and her professional career as an actress and activist.
  2. The collection consists of letters between Washington and her first husband Lawrence Brown, fan letters, telegrams to Washington on the opening of several of her plays; contracts, 1927-1950; papers from her tenure as an officer with the Negro Actors Guild; programs and newspaper clippings documenting her career; play scripts; and scrapbook relating primarily to the 1926 theatrical production of "Black Boy" and her cabaret act "Fredi and Moiret." Also, her files on the Cultural Division of the National Negro Congress.
Subject
  1. Washington, Fredi, 1903-1994
  2. Brown, Lawrence, 1907-1988
  3. Negro Actors Guild of America
  4. National Negro Congress (U.S.). Cultural Division
  5. African American actors -- Societies, etc
  6. African Americans in the performing arts
  7. African American entertainers
  8. African Americans -- Social life and customs
  9. Music-halls (Variety-theaters, cabarets, etc.) -- United States
  10. African American actresses
  11. African American dancers
Genre/Form
  1. Scrapbooks.
  2. Scripts.
Call number
  1. Sc Micro R-5002
Language
  1. English
Note
  1. Photographs transferred to Photographs and Prints Division.
  2. SC MG 184
Access (note)
  1. Researchers are restricted to microfilm copy.
Source (note)
  1. Bell, Fredi Washington
Biography (note)
  1. Fredi Washington began her career in show business in 1921 as a chorus girl at the Alabam Club, and later won a spot in the landmark play "Shuffle Along." In 1926, she obtained an acting role in the play "Black Boy," starring Paul Robeson, and at the closing of that show sailed to Europe with Al Moiret as part of a dance act called "Fredi and Moiret." Upon her return to the U.S. in 1928, her career accelerated and she appeared in three movies: "Black and Tan Fantasy," a short feature with Duke Ellington (1930); "Emperor Jones" with Paul Robeson (1933); "Drum in the Night" (1933); and an equal number of plays, "Singing the Blues" (1930), "Sweet Chariot" (1930) and "Run Lil' Chillun" (1933), within a five year span.
  2. During this period, Ms Washington married Lawrence Brown, a trombonist in Duke Ellington's band (1933). Her career took a leap with her highly successful roles in the movies "Imitation of Life" (1934) and "One Mile from Heaven" with Bill Robinson (1937), and the play "Mamba's Daughters" with Ethel Waters and Georgette Harvey (1939).
  3. In the 1930s, Washington actively participated in the boycott campaigns and the picket lines organized on 125th Street by her brother-in law, the Reverend Adam Clayton Powell, Jr. (who had married her sister Isabel), to force Harlem stories, utility companies and bus lines to hire blacks. In 1938, she was a co-founder and subsequently executive director of the Negro Actors Guild. Washington also wrote a regular feature "Headlines and Footlights" (1944) and "Fredi Speaks" for "The People's Voice," a weekly paper founded by Adam Clayton Powell, Jr. in 1938. In the 1940s and '50s, she actively participated in the Cultural Division of the National Negro Congress and the Committee for the Negro in the Arts, two organizations dedicated to the equality of opportunity for black artists and the eradication of racial stereotypes in all forms of American culture.
Processing action (note)
  1. Surveyed
  2. Processed
  3. Cataloging updated
Author
  1. Washington, Fredi, 1903-1994.
Title
  1. Fredi Washington papers, 1922-1981, 1922-1941 (bulk) [microform]
Access
  1. Researchers are restricted to microfilm copy.
Biography
  1. Fredi Washington began her career in show business in 1921 as a chorus girl at the Alabam Club, and later won a spot in the landmark play "Shuffle Along." In 1926, she obtained an acting role in the play "Black Boy," starring Paul Robeson, and at the closing of that show sailed to Europe with Al Moiret as part of a dance act called "Fredi and Moiret." Upon her return to the U.S. in 1928, her career accelerated and she appeared in three movies: "Black and Tan Fantasy," a short feature with Duke Ellington (1930); "Emperor Jones" with Paul Robeson (1933); "Drum in the Night" (1933); and an equal number of plays, "Singing the Blues" (1930), "Sweet Chariot" (1930) and "Run Lil' Chillun" (1933), within a five year span.
  2. During this period, Ms Washington married Lawrence Brown, a trombonist in Duke Ellington's band (1933). Her career took a leap with her highly successful roles in the movies "Imitation of Life" (1934) and "One Mile from Heaven" with Bill Robinson (1937), and the play "Mamba's Daughters" with Ethel Waters and Georgette Harvey (1939).
  3. In the 1930s, Washington actively participated in the boycott campaigns and the picket lines organized on 125th Street by her brother-in law, the Reverend Adam Clayton Powell, Jr. (who had married her sister Isabel), to force Harlem stories, utility companies and bus lines to hire blacks. In 1938, she was a co-founder and subsequently executive director of the Negro Actors Guild. Washington also wrote a regular feature "Headlines and Footlights" (1944) and "Fredi Speaks" for "The People's Voice," a weekly paper founded by Adam Clayton Powell, Jr. in 1938. In the 1940s and '50s, she actively participated in the Cultural Division of the National Negro Congress and the Committee for the Negro in the Arts, two organizations dedicated to the equality of opportunity for black artists and the eradication of racial stereotypes in all forms of American culture.
Connect to:
  1. NYPL Digital Collections
  2. Finding Aid
Added author
  1. Washington, Fredi, 1903-1994.
Research call number
  1. Sc Micro R-5002
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