Research Catalog
Rose McClendon scrapbooks
- Title
- Rose McClendon scrapbooks, 1919-1935.
- Author
- McClendon, Rose, 1884-1936.
- Supplementary Content
- Finding aid
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2 Items
Status | Container | Format | Access | Call Number | Item Location |
---|---|---|---|---|---|
Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person. | r. 2: v. 2 (1932-1934) | Mixed material | Use in library | Sc Micro R-6634 r. 2: v. 2 (1932-1934) | Schomburg Center - Research & Reference |
Available - Can be used on site. Please visit New York Public Library - Schomburg Center to submit a request in person. | r. 1: v. 1 (1919-1932) | Mixed material | Use in library | Sc Micro R-6634 r. 1: v. 1 (1919-1932) | Schomburg Center - Research & Reference |
Details
- Description
- 2 reels.
- 2 vols.
- Summary
- The Rose McClendon Scrapbooks consist of two volumes dating from 1916 to 1934 that were donated in 1950 by the estate of her husband, Dr. Henry Pruden McClendon. Volume 1, 1919 to 1931, consists of telegrams, newspaper articles and reviews for the following plays: "Roseanne," "Deep River," "In Abraham's Bosom," "The Cat and the Canary" and "Porgy." The latter play garnered the most reviews due to its extensive run. There are also articles about McClendon, programs, letters, telegrams, photographs, and poems dedicated to her. Similarly, Volume 2, 1932 to 1935, contains newspaper and magazine reviews documenting McClendon's roles in the following productions prior to her death in 1936: "House of Connelly," "Never No More," "Black Souls," "Brain Sweat," "Roll Sweet Chariot," "Panic," the radio adaptation of "John Henry: Black River Giant," and "Mulatto."
- Donor/Sponsor
- Schomburg NEH Blacks on Stage: African-American Theater Arts Collections Project.
- Subjects
- Genre/Form
- Scrapbooks.
- Photographic prints.
- Access (note)
- Researchers are restricted to microfilm copy.
- Additional Formats (note)
- Microfilmed
- Source (note)
- eMicro R-6634
- Estate of Dr. Henry Pruden McClendon
- Biography (note)
- Rose McClendon was one of the most important and well-known black actresses of the 1920s and 1930s. Although she did not become a professional actor until she was in her thirties, she consistently won critical acclaim for her acting and influenced the careers of many aspiring black actors of the period.
- Processing Action (note)
- Processed
- Cataloged
- Cataloging updated
- microfilmed
- Cataloging updated
- Call Number
- Sc MG 524
- OCLC
- NYPW89-A149
- Author
- McClendon, Rose, 1884-1936.
- Title
- Rose McClendon scrapbooks, 1919-1935.
- Additional Formats
- Microfilmed Northeast Document Conservation Center Sc Micro R-6634
- Access
- Researchers are restricted to microfilm copy.
- Biography
- Rose McClendon was one of the most important and well-known black actresses of the 1920s and 1930s. Although she did not become a professional actor until she was in her thirties, she consistently won critical acclaim for her acting and influenced the careers of many aspiring black actors of the period.McClendon made her professional debut in "Justice" (1919) and four years later appeared in "Roseanne" (1924) with Charles Gilpin (and later Paul Robeson). In 1926 she gained prominence for her acting in "Deep River," where she earned rave reviews, and in Paul Green's Pultizer Prize-winning folk tragedy, "In Abraham's Bosom" that starred Jules Bledsoe in the title role. In 1927 she received the Morning Telegraph Acting Award (along with Ethel Barrymore and Lynn Fontanne) for her portrayal of Serena in Dubose and Dorothy Heyward's "Porgy." Other plays McClendon appeared in include "House of Connelly," "Canary," "Brain Sweat," "Roll Sweet Chariot," and "Panic." Her last starring role was as Cora in Langston Hughes' "Mulatto" (1935) which ran for 375 performances on Broadway, the second-longest run by a black playwright at that time. McClendon was also a director for the Negro (Harlem) Experimental Theatre located at the 135th Street Branch of the New York Public Library and, in addition, worked in a supervisory capacity with the Federal Theatre Project.
- Connect to:
- Research Call Number
- Sc MG 524Sc Micro R-6634