Research Catalog

Amiri Baraka collection of unpublished poetry

Title
Amiri Baraka collection of unpublished poetry, 1959-1965.
Author
Baraka, Amiri, 1934-2014.

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2 Items

StatusContainerFormatAccessCall NumberItem Location
Box 1Mixed materialUse in library Sc MG 280 Box 1Schomburg Center - Manuscripts & Archives
Box 2Mixed materialUse in library Sc MG 280 Box 2Schomburg Center - Manuscripts & Archives

Details

Additional Authors
Baraka, Amiri, 1934-2014.
Description
.4 lin. ft.
Summary
Amiri Baraka's Collection of Unpublished Poetry consists of over two hundred poems, which, according to Baraka, were written between 1959 and 1965. With the exception of three poems, all are unpublished. Most items bear holograph corrections, changes and deletions, and most are short poems of one page in length. Included in the collection is a four-page bibliography compiled by the author containing entries not noted in other publications. Additionally, there is a six-page manuscript entitled "Uncle Tom's Cabin: An Alternate Ending."
Donor/Sponsor
Schomburg NEH Automated Access to Special Collections Project.
Subjects
Genre/Form
Poems.
Source (note)
  • Phoenix Book Shop
Biography (note)
  • Imamu Amiri Baraka was a writer whose variety of forms include drama, poetry, music criticism, fiction, autobiography and the essay. As a major and controversial author, his ideas and art - especially, as the primary architect of the Black Arts Movement of the 1960's - have had a profound influence on the direction of subsequent African American literature.
Processing Action (note)
  • Accessioned
  • Cataloged
Call Number
Sc MG 280
OCLC
NYPW090000014-A
Author
Baraka, Amiri, 1934-2014.
Title
Amiri Baraka collection of unpublished poetry, 1959-1965.
Biography
Imamu Amiri Baraka was a writer whose variety of forms include drama, poetry, music criticism, fiction, autobiography and the essay. As a major and controversial author, his ideas and art - especially, as the primary architect of the Black Arts Movement of the 1960's - have had a profound influence on the direction of subsequent African American literature.
Baraka was born Everett LeRoi Jones in Newark, New Jersey, to working class parents; he attended Rutgers, Howard and Columbia Universities and the New School for Social Research. He taught at several universities and founded the Black Arts Repertory Theater School in Harlem in 1964. His literary career began in 1958 when he founded "Yugen" magazine and Totem Press. Although Baraka started publishing in the early 1960's, he did not achieve fame until the 1964 publication of his play "Dutchman," later made into a movie. Other important plays he wrote include "The Slave" (1964) and "Toilet" (1964). A prolific writer, Baraka published two books of poetry, "Preface to a Twenty Volume Suicide Note" (1961) and "The Dead Lecturer" (1964). The mid 1960s saw the publication of "The System of Dante's Hell," a novel and "Tales," a collection of short stories. Baraka also wrote a major social-aesthetic study of African-American music "Blues People: Negro Music in White America" (1963).
Baraka's career went through a series of dramatic stages; first were his Beatnik years in the late 1950s through the early 1960s, when this apolitical avant garde writer refused to take action in the world. Then he became a Black cultural nationalist, renouncing the white world in the mid-1960s through mid-1970s, and then to a Marxist-Leninist rejecting monopoly capitalism in the mid-1970s. In 1974, dramatically reversing himself, Baraka rejected Black nationalism as racist and became a Third World Socialist.
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Finding Aid
Added Author
Baraka, Amiri, 1934-2014.
Research Call Number
Sc MG 280
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