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Album open to a valentine of white cut paper in the shape of a lizard and foliage backed by red paper, with handwritten text in black ink across the bottom in two columns

Elizabeth Cobbold’s valentines

Nearly square textile of vertical stripes and triangles surrounded by multiple borders and including fabric of yellow, green, red, white, dark blue, and various plaids and stripes

Men’s shoulder cape, Saamaka textile

Helmet-like mask of dark wood carved in the round, with a face at the front, and surrounded by a skirt of yellow and brown raffia strands

Mask of the Sande Society
Wood, dark pigment, raffia, and string
Art and Artifacts Division, Schomburg Center for Research in Black Culture

Mask of the Sande Society

Masks like this are commissioned for the Sande, a powerful society composed of women of the Mende people of Sierra Leone. In this patriarchal culture, young women enter adulthood through Sande initiation, which is held at a women’s compound. It teaches song, dance, botany, and cooking, while also exploring sexuality and motherhood, in an environment that offers greater freedom than village life allows. But it begins with a surgical procedure that many cultures find deeply controversial: a clitoridectomy. Initiation concludes with feasting, communal celebration, and dancing by the Ndoli Jowei. An expert dancer, the Ndoli Jowei wears raffia garments and a sacred mask like this one, which embodies a river spirit, and dances silently while her Sande sisters sing around her.

: Art and Artifacts Division, Schomburg Center for Research in Black Culture

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Currently on View at Stephen A. Schwarzman Building

The copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.

Items in Women's Work

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  • Beadwork in triangular and geometric patterns of many colors, attached to a threaded “belt” and decorated at bottom with a row of cowrie shells dangling from gathered threads

    Women's Work Introduction

  • Album open to a valentine of white cut paper in the shape of a lizard and foliage backed by red paper, with handwritten text in black ink across the bottom in two columns

    Elizabeth Cobbold’s valentines

  • Helmet-like mask of dark wood carved in the round, with a face at the front, and surrounded by a skirt of yellow and brown raffia strands

    Mask of the Sande Society

  • Nearly square textile of vertical stripes and triangles surrounded by multiple borders and including fabric of yellow, green, red, white, dark blue, and various plaids and stripes

    Men’s shoulder cape, Saamaka textile

  • Beadwork in triangular and geometric patterns of many colors, attached to a threaded “belt” and decorated at bottom with a row of cowrie shells dangling from gathered threads

    Women’s ceremonial dance apron from Northern Cameroon

  • An illustration of multiple spiders of varying sizes on a leafy branch, with a large spiderweb and additional spiders in the background

    Maria Sibylla Merian’s Dissertation sur la generation et les transformations des insectes de Surinam 

  • An image of a woman leaning over her own reflection

    Mariette Pathy Allen’s Sherry

  • Beadwork in triangular and geometric patterns of many colors, attached to a threaded “belt” and decorated at bottom with a row of cowrie shells dangling from gathered threads

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