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first page of the Code Noir reads Le Code Noir across top and continues in French

The Code Noir

A large ship anchors the background of this happy scene depicting scantily clad natives willfully trading furs etcetera for bibles, mirrors, and the like

Commerce Between the Indians of Mexico and the French at the Port of Mississippi

a European- looking boy stands in a loincloth holding a war club in his right hand and a bow in his left

"Natives in Summer"

 

Antoine-Simon Le Page du Pratz (Dutch or French, ca. 1695–1775)
"Natives in Summer"
From History of Louisiana
Paris: De Bure, l’âiné [etc.], 1758
Engraving

Upon arriving in Louisiana in 1718, the self-styled architect Antoine-Simon Le Page du Pratz obtained a land grant from the Mississippi Company, purchased two enslaved Africans and a Chitimacha woman who likely bore his children, and established himself as a tobacco planter in Natchez, where he learned the Natchez language and communed with Indigenous leaders. In 1728, he relocated to New Orleans to manage the plantation of France’s newly reestablished Indies Company. As a result, he avoided the Natchez revolt of 1729, when members of the Indigenous polity killed some 230 French colonists. Published many years later, and considered to be among the most accurate accounts of Louisiana at the time, his three-volume History of Louisiana nonetheless perpetuates stereotypes like that of the “noble savage.” Seen here is such an idealized youth, who looks European—apart from his hair, loincloth, and weapons.

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The New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries.

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  • first page of the Code Noir reads Le Code Noir across top and continues in French

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  • a European- looking boy stands in a loincloth holding a war club in his right hand and a bow in his left

    "Natives in Summer"

     

  • A large ship anchors the background of this happy scene depicting scantily clad natives willfully trading furs etcetera for bibles, mirrors, and the like

    Commerce Between the Indians of Mexico and the French at the Port of Mississippi

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