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Posts from the Rodgers and Hammerstein Archives of Recorded Sound

Music For Moderns at Town Hall, 1957

Anahid Ajemian and George Avakian put on an ambitious and eclectic concert series that blended the music and musicians of different worlds.Read More ›

"Archives of Sound" at the Library for the Performing Arts

Organization, description, and presentation of sound is the theme for this exhibit, and listeners are offered a peek into how archival audio is made available to the public.Read More ›

The Black Rock Coalition: Empowering Artists Who Break the Mold

In 1985 the Black Rock Coalition (BRC) was formed as an outlet for alternative Black musicians to showcase their talents.Read More ›

Frank Sinatra's "The House I Live In"

The Sinatra: An American Icon exhibition has many wonderful media stations for visitors—songs, excerpts from television specials, films trailers and featurettes, and a juke box. But the one that is garnering the most attention is “The House I Live In,” the RKO short subject that won Sinatra his first Oscar. Read More ›

"...a half-acre of strings..." Sinatra on the Radio

LPA is hosting public programs about listening to Sinatra on the radio, as thousands of Americans would do every week. Read More ›

Orquesta en su casa: LPA at Casita Maria

The Boro-Linc project is bringing performances and projects from the Lincoln Center campus to the other boroughs. Read More ›

From the Rodgers and Hammerstein Archives: Blood, Rats, and Scream Queens!

We love Halloween and want to celebrate it by sharing some great Halloween themed recordings we have in our holdings. Read More ›

Sesame Street at LPA: About That Tomato...

I love collaborative exhibitions because I learn so much about our partners. Working with Susie Tofte, the archivist of the Sesame Workshop and curator of the exhibition, I learned about the Workshop’s outreach programs for families dealing with the challenges of military service and incarceration. Now that the exhibition is available for viewing, I see that section’s impact on visitors who expected only fun, children’s content.Read More ›

In Praise of Hoots

At "Somebody Come and Play" you can see Big Bird, Cookie Monster, Bert and Ernie, the Count, Snuffy, and Oscar up close. And, by my special request, Hoots.Read More ›

Listening to the Silencing of the Bird Cliffs: Listening to Coexistence with Kinokophonography

Guest post by Elin Øyen Vister.Read More ›

Turn Left at Greenland: The Beatles Meet the Press

The Beatles were not only wonderful songwriters and singers, but they were experts at peppering their press conferences with wit—and avoiding real answers to meaningful questions.Read More ›

Kinokophonography Night at the Library for the Performing Arts: Hearing is Believing

There is something very unique about a listening program. It is not always typical to sit and listen without explanation or visual stimulation. On the evening of February 6th, about 50 people gathered in Bruno Walter Auditorium for New York's first Kinokophonography Night here at LPA, where we asked the audience to do just that: sit and listen.Read More ›

"She Loves You" b/w "I'll Get You" by The Beatles, Swan S-4152

Recorded July 1, 1963 in London, UK.Read More ›

The Most Significant Drum Head in Popular Music, Part 2

Upon taking physical possession of the piece, my mind was set on two objectives. The first was to prove to myself that the drum head really was what it appeared to be. And number two, proving to the collecting world in general that this was, in fact, the Sullivan show drum head. Read More ›

Kinokophonography: Discovery of Listening

Below is a guest post by Coryn Smethurst, a composer, film maker, philosopher, sound recordist, and longtime friend of the Kinokophone Collective. Mr. Smethurst is also the Co-founder and Administrator of the Sonic Arts Forum. In this post he shares an experience that changed the way he listens to the world. Read More ›

The Holy Grail of the Percussion World, Part 1

William F. Ludwig himself put it best when he said, “On February 9th, 1964, a new musical event burst from the TV screens across America. The Beatles had arrived, featuring Ringo Starr and his Ludwig Black Oyster drums. Literally overnight everyone wanted a drum set like Ringo’s. The drum boom was born!”Read More ›

Kinokophonography: A Closer Relationship With Listening...

Are you curious about The Library for the Performing Arts upcoming Kinokophonography Night, February 6, 6:30 p.m.? Below is a guest post by renowned sound artist Jez Riley French. Mr. French has submitted a work of recorded sound that is featured on our Kinokophonography Night program. He writes about his motivation, his work, and his process.Read More ›

Kinokophonography Night at the Library for the Peforming Arts

It was March of this year when I first heard from Amanda Belantera, who had begun her initial search for a New York City home for Kinokophonography Night. Amanda, along with the Kinokophone Collective, has produced Kinokophonography events throughout the UK and in Japan. Kinokophone organized the event as a place for recordists, phonographers, and listeners to gather and share in a night of sounds from all over the world. (Some favorites of the past have included a snail eating a peach, and the juxtaposition of underground 

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Those Mysterious Shadowy Dancers

This post answers a question about the image that the Library’s web page has been using when it highlights the Vandamm exhibition, Pioneering Poet of Light. I was thrilled when the web editors selected it, since it illustrates the title so well. So, here’s an extended caption, with musical accompaniment.

Three’s a Crowd was a revue, presented in the 1930-1931 season. Like The Band Wagon in last week's post, it was choreographed by the brilliantly innovative Albertina Rasch and paired a young Broadway/vaudeville veteran with a European ballet 

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Review of "Exploring The Rise and Fall of Paramount Records" LIVE at NYPL

The line formed early outside of Edna Barnes Salomon Reading Room as this particular event in the Live from the NYPL series was the hottest ticket in town on a cold fall night. Who would have thought that a round table discussion regarding the collapse of quirky record 

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