Click to search the Andrew Heiskell Braille and Talking Book Library Skip Navigation
Your Library Needs You!

Musical of the Month

Share

Each month, a libretto of an important early American musical in a variety of electronic formats, plus associated photographs, vocal scores, and the occasional audio file.

Musical of the Month: Tenderloin

The show opened at the 46th Street (now the Richard Rodgers) Theater in October 1960 to mixed reviews and closed the following spring after only 271 performances. It has received respectful attention in performances off-Broadway and in City Center’s Encores! series, but has never been revived on Broadway. What exactly went wrong?Read More ›

Jerry Bock's Demo Recordings: Fiddler on the Roof

A few months ago, I posted three demo recordings of Fiorello! from the Jerry Bock recordings in the Rodgers and Hammerstein Archives of Recorded Sound. This month, in honor of Fiddler's 50th anniversary, I am happy to share six demos of Fiddler on the Roof. Read More ›

Musical of the Month: Fiddler on the Roof

In the following blog post, Alisa Solomon examines three typescripts of Fiddler on the Roof that can be studied at the Library for the Performing Arts. Her book, Wonder of Wonders: A Cultural History of Fiddler on the Roof, is available to borrow.Read More ›

Musical of the Month: Show Boat

In the following blog post, Professor Todd Decker examines four of the early typescripts of Show Boat that can be studied at the Library for the Performing Arts. He uses the Library's call numbers to identify the four copies. There are two copies in box 5 of the Billie Burke/Florenz Ziegfeld papers, one of which was once separated from the papers under the classmark: RM7430. One is in our collection of older musical theater libretti (NCOF+) and other remains separate under classmark (RM7787). Digital images of all four copies, presented here with the kind permission of the rights Read More ›

Sampler of Songs from "Are You With It?"

Last December, Ben West, artistic director of UnsungMusicalsCo., wrote a guest Musical of the Month blog post to accompany both the first-ever publication of the libretto of Are You With It? and a remarkable reading performed in the Bruno Walter Auditorium at the Library for the Performing Arts. I enjoyed the reading so much that I immediately asked Ben if he would be willing to record part of the score with his incredibly talented cast. Given our almost non-existent budget, we could only record three songs (selected by Ben), but this little taste gives a tantalizing sense of this Read More ›

Musical of the Month: The Body Beautiful

Spoiler alert: The following blog reveals details about the plot of Rocky. If you’ve seen the movie, there are no surprises here, but if you haven’t seen it yet, go buy a ticket to the musical, and come back soon.Read More ›

Jerry Bock's FIORELLO! Demos

Original Cast of Fiorello! / Photo by Joseph AbelesWhen Jerry Bock died in 2010, his papers (drafts, correspondence, business records, etc.) came to the library as he had planned. A year or so later, his friend and lawyer, Richard Ticktin, compiled many of Bock's personal audio recordings onto a hard drive and passed a copy to the library. While we are still in the process of processing and preserving this material, I'm very excited today to share with you a preview of the treasures in this collection. Using the library's player below, you can listen to three tapes Bock made while 

... Read More ›

Musical of the Month: Fiorello!

There’s a new mayor in town—a man from a party locked out of the Gracie Mansion for over a decade who ran on a platform opposing the establishment and promising to improve the lot of the city's poor and disenfranchised. Thus ends Fiorello!, the hit 1959 musical with a score by Jerry Bock and Sheldon Harnick. Read More ›

Announcing LIBRETTO!

I am very pleased to announce the first release of Libretto, a prototype open source, ebook reader for reading musicals on Android devices!Read More ›

Musical of the Month: Are You With It?

A guest post by Ben West of UnsungMusicalsCo.

The cast of Are You With It? (Photo by The Graphic House)November 1945. The New York Post calls it "a long-awaited musical comedy hit;" Universal purchases the film rights for more than $100,000; and The New York Times urges its readers to "hurry, hurry folks and get your tickets. On second thought, it probably isn't necessary to break a neck: this carnival should be hereabouts for a long time to come."

If you've never heard of this raucous entertainment 

... Read More ›

Musical of the Month: Bless You All

A guest post by Ben West of UnsungMusicalsCo.

Between March 1946 and December 1948, six highly successful musical revues opened on Broadway, playing a combined total of 2,653 performances and marking a brief resurgence of the once fashionable form. The rapturous response to these half-dozen hits was quite likely the driving force behind the pack of ten new entries that stormed the scene in the three years that followed (1949-1951).

However, with the exception of the Bert Lahr-Dolores Gray vehicle

... Read More ›

Three Songs From Barefoot Boy With Cheek

Photo by The Graphic House (Theater Photo Collection B)A guest post by Ben West of UnsungMusicalsCo.

When I was approached about recording Barefoot Boy With Cheek, I jumped at the opportunity. Based on the best-selling novel by Tony Award nominee Max Shulman, the zany 1947 romp has quickly become one of my favorite musicals. Sidney Lippman and Sylvia Dee's score is top-drawer Broadway brass and Mr. Shulman's book is both endlessly witty and brilliantly constructed. Yet, the original George Abbott production never received a cast album. Barefoot Boy is truly an unsung musical. As 

... Read More ›

Musical of the Month: Barefoot Boy With Cheek

Photo by The Graphic House (Theater Photo File B)A guest post by Ben West

“A young alumnus of the University of Minnesota and an old hand from Harvard and Broadway have turned out a wonderfully amusing musical comedy called Barefoot Boy With Cheek. A horde of exuberant young singers, dancers and actors, all of them bursting with vigor and brimming with talent, bounced it around the stage of the Colonial Theatre last night and rolled the customers out into the aisles. It’s the newest of the hits and one of the happiest.”

... Read More ›

Musical of the Month: The Fig Leaves Are Falling

A guest post by Ben West.

The Company (Photo by Dixie Sheridan)Strange as it may seem given its frank narrative and its traditional sound, The Fig Leaves Are Falling is not a conventional musical. This colorful, vivacious and disarmingly sweet 1969 confection is—at its core and in its construction—a unique and exciting entertainment that marvelously straddles the worlds of 1960s musical comedy and 1940s revue. It was, in fact, Fig Leaves' 

... Read More ›

Musical of the Month: Listen to Very Good Eddie

I'll be posting a April's Musical of the Month later this week, but before I do, I wanted to share the results of a little experiment.

I recently discovered a new music streaming subscription called Rdio which, for a monthly subscription fee (currently about $5), allows one unlimited access to all of the songs in their catalog. It's more or less the same idea as Spotify, but with one really cool feature for programmers: an open and easy to use API (application programming interface) for playing music within 

... Read More ›

Musical of the Month: Very Good Eddie

The 1915 cast of Very Good Eddie (White Studio / Theater B Files)Last August, musical theater historian Laura Frankos detailed the history of the Princess Musicals in her introduction to Oh, Boy! This month's musical, Very Good Eddie, was the second of this set of smaller-and-smarter musicals produced at the Princess Theater on 39th street (following Nobody's Home and immediately preceding Oh, Boy!).

The musical is an adaptation of Over Night, a play written by co-bookwriter, Philip Bartholomae, 

... Read More ›

Musical of the Month: Make Mine Manhattan

A guest post by UnsungMusicalsCo director, Ben West

The CompanyPhotograph © Dixie Sheridan Currently in its fifth year, UnsungMusicalsCo. (UMC) is a not-for-profit production company that I founded with the aim of researching, restoring and presenting obscure but artistically sound works from the Golden Age of musical theatre. It should be noted upfront that I am perhaps more liberal than most in my definition of the Golden Age, by which I mean those 40 glorious years between the Follies: Mr. Florenz Ziegfeld's in 1931 and Mr. Stephen 

... Read More ›

Musical of the Month: Night Boat

A guest post by Levi Branson

Ernest Torrence and the chorus (Theater Photo File B)

By 1920 Jerome Kern had achieved success as a noteworthy American composer with a uniquely American career. His melodies graced many entertainment platforms, but he was most prominently represented on the musical stage. His early composing career included scores for the successful Princess Theatre musicals as well as song interpolations into others' musicals. In 1919 a Charles Dillingham production paired him with a songwriter and librettist who would become a frequent collaborator in the 

... Read More ›

Musical of the Month: Sally

A guest post by Maya Cantu

Marilyn Miller in "Sally" "America at the close of the Great War was a Cinderella magically clothed in the most stunning dress at the ball... immense gains with no visible price tag seemed to be the American destiny," as historian Ann Douglas has noted. In the expansively optimistic and prosperous America of 1920, there could hardly have been a musical — or heroine — more suited to its times than Jerome Kern and Guy Bolton's Sally, a Jazz Age Cinderella story clothed in opulent enchantment.

At the dawn of the 

... Read More ›

Musical of the Month: Evangeline

A guest post by Brian D. Valencia

Evangeline Ad - Ann Arbor Courier 1-18-1888 (Old News, Ann Arbor)

Evangeline, or The Belle of Acadia rounds out the Musical of the Month blog's consideration of the four most popular American-devised musicals of the late 19th century. Only The Black Crook  (1866) surpassed Evangeline in frequency, longevity, and popularity—and  

... Read More ›
Page 1 of 3 Next