Archives Out of the Box

The most important factor in Floriant's obscurity is its complete lack of originality. As an imitative rather than an original work, Floriant holds little appeal for either the academic or the amateur. Yet it is precisely Floriant's derivative nature that shines a new light on the practices of rewriting and reinterpretation when they are taken to their logical extremes. In fact, Floriant can be read as a subtle allegory on medieval practices of translation and adaptation. In this blog post, I will consider the ways in which Floriant dramatizes the popular notions of translation as transportation, treachery, and immortality. I will conclude with a reading of Floriant as a satire  

The New York Public Library's Manuscripts and Archives Division is honored to safeguard a copy of the Declaration of Independence penned by Thomas Jefferson. Because the Declaration was featured in the Library’s 2011 Centennial Exhibition, it will not be on display in July 2012. However, the occasion offers a chance instead for a closer look at the document through the Library’s website. In the days immediately following its ratification on July 4, 1776, Jefferson made several copies of the Declaration that had been submitted to the Continental Congress and underlined those passages to which changes had been made. This blog post will summarize the 

Floriant et Florete, a thirteenth-century Arthurian romance, is preserved in a single manuscript that has been held, since 1941, in the Archives and Manuscripts Division of the New York Public Library. Although neglected by scholars and unknown to common readers, its text is not only interesting as an entry in the annals of Arthurian history, it is also fascinating as a work of literary pastiche.

I think I know why Joel Grey's 1975 star vehicle Goodtime Charley flopped, but I'm less clear about The Grand Tour. The story is powerful and charming. The star performance, was by all accounts one of the most special anyone had ever seen. And Herman's score is terrific — maybe not fully up to his standard of Hello, Dolly, Mame and Mack and Mabel (ok, that one was also a flop, but emphatically not because the score wasn't great) — but it's certainly as good as the score of his next show, La Cage Aux Folles, which was a huge hit.

When you think of the word, "psychedelic," what first comes to mind? Depending on your age and experience, you might think of the term coined by psychiatrist Humphry Osmond to describe "mind-manifesting" reactions from a class of psychotropic drugs. You might also think of the term to describe the graphic design and art created out of the post-drug 1960s and early 1970s. One might associate it with visuals aimed to alter perception, such as kaleidoscopes, lava lamps, neon colors, strobes, and possibly a Pink Floyd laser light show.

The New York Public Library is pleased to announce the awarding of Short-Term Fellowships to support the following scholars from outside New York who will research the Library's archival and special collections between July 1, 2012 and June 30, 2013.

Archival collections can harbor surprises — which makes the job of processing them fun!  The personal archives of artists not only document their careers and personal lives, but often contain material reflecting their interests and their times.

Earlier this year, the NYPL Manuscripts and Archives division acquired the papers (PDF finding aid) of the acclaimed novelist and children's book author Lore Segal. The collection contains letters and literary manuscripts documenting her life as a Jewish refugee in England during World War II and her subsequent writing and teaching career. Among the papers is a small, but delightful, batch of items from the late Maurice Sendak.

Early into my project, I opened a box and found a folder that caught my eye. It was labeled “Minor White.” A famous American photographer (b. 1908, d. 1976), White is known for his work with Aperture Magazine, the California School of Fine Arts in San Francisco and the George Eastman House in Rochester, New York. Most research libraries and museums with major American photography collections own his works, including the NYPL Division of Arts, Prints and Photographs.

Anna Peterson, a graduate student at the University of Michigan's School of Information, recently helped us organize some correspondence of the USSC's Hospital Directory office in Philadelphia. Here are Anna's impressions of a letter she found in the collection during her internship with the Manuscripts and Archives Division:

I recently processed the papers of one of the musical theater's greatest stars, Joel Grey. His Tony and Oscar winning performances as the bizarre, androgynous master of ceremonies of a nightclub in Hitler's Berlin in Kander and Ebb's Cabaret (1966) and its 1972 film adaptation made him a star; and Grey has had a long, successful career, highlighted by hits like George M! (1968) and  Wicked (2003) ; and the revivals of Cabaret (1987), Chicago (1996) and Anything Goes (2011).

Annotations throw a wrench in dating materials, and Timothy Leary liked to annotate... everything. Aware of his demise after being diagnosed with cancer in 1995, he wrote notes and signed printed matter, clippings and correspondence from his personal files. Although he authored the autobiographies High Priest and Flashbacks, it will be his annotations that provide the more immediate, intimate “flashback.”

For example, Leary was suspended from the University of Alabama in 1942 (he was reinstated October 1944), prompting him to enroll in the short-lived Specialized Army Training Program offered at Ohio State University. He enlisted in the Army on 16 

May 3rd marks the centenary of the birth of poet and novelist May Sarton. Sarton’s most important novel, Mrs. Stevens Hears the Mermaids Singing, tells the story of septuagenarian Hilary Stevens, a poet whose life is retold episodically during an interview with two writers from a literary magazine.

Unless you’re a classic film buff, you’ve probably never heard of Frank McHugh, and most of the hundred odd movies he appeared in during the 1930s, 1940s and 1950s have fallen into obscurity. Born into a theatrical family, McHugh (1898-1981) grew up touring in a Vaudeville act with his brother and sister. He honed his acting skills in the 1920s, performing in regional/stock productions and on the Broadway stage. He landed in Hollywood in 1930, along with the rash of New York theatre actors talking pictures created a demand for.

McHugh quickly became one of Warner Brothers’ most reliable supporting players. His diminutive stature, sunny face, 

The first of our Spring Oral History Project interviews was just recorded and it was a true breath of fresh air. On March 19 and 26, 2012, Eva Yaa Asantewaa sat down to interview Marya Warshaw.

People ask me what my work entails as I process the Timothy Leary papers. As I pore through the boxes, I am faced with over 400 linear ft. of material created and collected by Leary which I must process to make available for research. I encounter various media, such as photographs, video tapes, computer disks, prints and posters. I encounter quite a bit of paper.

The 1840s marked a period of unfettered expansion and exploration in America. Whether inspired by the romantic nationalism of John O'Sullivan's "Manifest Destiny," or by the more material goal of striking gold at Sutter's Mill, nearly half a million Americans pushed westward by land and by sea in search of new ground, new opportunities, and new lives. Within these larger historical currents, researchers can find the stories of individual travelers, many of whom recorded their experience of emigration in journals and diaries.

It's a small volume, neatly but unostentatiously bound in mottled calf. The gilt ornamentation is discreet, except for an impressive coat of arms on both boards. That becomes even more impressive when we identify it as the blazon of one of the standout personalities of 18th-century France, Jeanne Antoinette Poisson, marquise de Pompadour — elevated from her haute-bourgeois background and a boring union with a certain M. Lenormand d'Étioles (nephew of her mother's lover) to become the official maîtresse-en-titre to King Louis XV, who ennobled her under the ancient (but extinct) title of Pompadour.

Welcome to Transmissions... where I'll update the public on the processing of the Timothy Leary Papers, held by The New York Public Library.