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Anderson, Jervis. This was Harlem. New York: Farrar, Straus and Giroux, 1982.
Barbeau, Arthur E. The Unknown Soldiers: Black American Troops in World War I. Philadelphia: Temple University Press, 1974.
Bontemps, Arna, ed. The Harlem Renaissance Remembered. New York: Dodd & Mead, 1972.
Burrill, Bob. Who's Who in Boxing. New Rochelle, NY: Arlington House, 1974.
Charters, Ann. Nobody: The Story of Bert Williams. New York: Macmillan Company, 1970.
The Crisis; a record of the darker races [periodical], New York: Crisis Pub. Co, 1910 - present.
Cullen, Countee. Colo. New York: Harper and Brothers, 1925.
Dover, Cedric. American Negro Art. New York: the New York Graphic Society Art Library, 1960, 1969.
Driskell, David C. Two Centuries of Black American Art. New York: Alfred A. Knopf, 1976.
Driskell, David C. Hidden Heritage, Afro-American Art, 1800-1950. San Francisco: The Museum Association of America, 1985.
Ellington, Duke. Music is My Mistress. Garden City, NY: Doubleday, 1973.
Ferguson, Blanche E. Countee Cullen and the Negro Renaissance. New York: Dodd, Mead, 1966.
Fine, Elsa Honig. The Afro-American Artist, A Search for Identity. New York: Hacker Art Books, 1973.
Fonvielle-Bontemps, Dr. Jacqueline. Forever Free, Art by African American Women 1862-1980. Normal, IL: Illinois State University, 1980.
Garvey, Marcus. Philosophy and Opinions of Marcus Garvey. Edited by Amy Garvey. New York: Universal, 1923.
Grudin, Eva Ungar. Stitching Memories; African-American Story Quilts. Williamstown, MA: The Presidents and Trustees of Williams College, 1900.
Harris, Middleton A., with the assistance of Morris Levitt, Roger Furman and Ernest Smith. The Black Book. New York: Random House, 1974.
Harrison, Daphne Dural. Black Pearls: Blues Queens of the 1920s. Princeton, NJ: Rutgers University Press, 1988.
Hartigan, Linda Roscoe. Sharing Traditions, Five Black Artists in 19th Century America. Washington, DC: the Smithsonian Institution Press, 1985.
Haskins, James. Black Theatre in America. New York: Crowell, 1982.
Hayden, Robert. Preface to The New Negro. Edited by Alain Locke. New York: Atheneum, 1969.
Huggins, Nathan. Harlem Renaissance. New York: Oxford University Press, 1971.
Hughes, Langston. The Big Sea. New York: Hill and Wang, 1963.
Hughes, Langston and John Henrik Clarke, eds. Harlem a Community in Transition. New York: Citadel Press, 1964.
Hughes, Langston, and Milton Meltzer. Black Magic: A Pictorial History of the Negro in American Entertainment. Englewood Cliffs, NJ: Prentice-Hall, 1967, 1971.
Hughes, Langston. "The Negro Artist and the Racial Mountain," Nation, Vol. CXXII (June 16-23, 1926).
Hurston, Zora Neale. Dust Tracks on the Road. New York: Arno Press and NYT, 1969.
Hurston, Zora Neale. Their Eyes Were Watching God. Chicago: University of Florida Press, 1978.
Igoe, Lynn M. 250 Years of Afro-American Art, an Annotated Bibliography. New York: R.R. Bowker Company, 1981.
Johnson, James Weldon. Along This Way. New York: Viking Press, 1961.
Johnson, James Weldon. Black Manhattan. New York: Knopf, 1930.
Kellner, Bruce, ed. The Harlem Renaissance: A Historical Dictionary for the Era. Westport, CT: Greenwood Press, 1984.
Lewis, David Levering. When Harlem Was in Vogue. New York: Knopf, 1981.
Locke, Alain L. "Harlem," Survey Graphic, (March 1925): p. 630.
Locke, Alain L. The Negro In Art. New York: Hacker Art Books, 1969. Washington, D.C.: Associates in Negro Folk Education, 1940.
Logan, Rayford W. and Michael R. Winston. Dictionary of American Negro Biography. New York: W.W. Norton & Company, 1982.
Mathews, Marcia M. Henry Ossawa Tanner. Chicago: University of Chicago Press, 1969.
Maynard, Aubre de L. Surgeons to the Poor: The Harlem Hospital Story. New York: Appleton-Century Crofts, 1978.
McGhee, Reginald. The World of James Van der Zee. Dobbs Ferry, NY: Morgan and Morgan, 1973.
McKay, Claude. Harlem: Negro Metropolis. New York: 1940. New York: Harcourt Brace, 1968.
McKay, Claude. A Long Way Way from Home. New York: Harcourt, B & W, 1970.
Opportunity, 1923-1949.
Osofky, Gilbert. Harlem: The Making of a Ghetto. New York: 1890-1930. New York: Harper, 1966.
Ottley, Roi, and William J. Weatherby, eds. The Negro in New York: An Informal Social History, 1626-1940. New York: Oceana, 1967; Praeger, 1969.
Rogers, J.A. World's Great Men of Color. Vols. I-III. New York: MacMillan, 1973.
Sampson, Henry T. Blacks in Black Face. Metuchen, NJ: Scarecrow Press, 1980.
Schoener, Allon. Harlem on My Mind. New York: Random House, 1968.
Sinnette, Elinor DesVerney. Arthur Alfonso Schomburg: Black Bibliophile and Collector, a Biography. Detroit: New York Public Library and Wayne State University Press, 1989.
Southern, Eileen. Biographical Dictionary of Afro-American and African Musicians. Westport, CT: Greenwood Press, 1982
Studio Museum in Harlem, The Harlem Renaissance, Art of Black America. New York: Harry N. Abrams, Inc., 1987.
Survey Graphic, Vol. 6, No. 6 (March 1, 1925): p. 11.
Van der Zee, James, Owen Dodson and Camille Billops. The Harlem Book of the Dead. Dobbs Ferry, NY: Morgan and Morgan, 1978.
Waters, Ethel, with Charles Samuels. His Eye is on The Sparrow. Garden City, NY: 1951.
Weekley, Carolyn and Graham Hayward. Joshua Johnson: Freeman and Early American Portrait Painter. Baltimore: Maryland Historical Society, 1987.
Wheat, Ellen Harkins. Jacob Lawrence, American Painter. Seattle, Washington: Seattle Art Museum, 1986.
Willis-Thomas, Deborah. Black photographers, 1840-1940 : an Illustrated Bio-bibliography. New York: Garland Publications, 1985.
Wintz, Carry C. Black Culture and the Harlem Renaissance. Houston: Rice University Press, 1988.
Woodson, Carter G. The Mis-Education of the Negro. Trenton, NJ: Africa World Press, 1990.
Young, A.S. "Doc." Negro Firsts in Sports. Chicago: Johnson, 1963.