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  <eadheader countryencoding="iso3166-1" dateencoding="iso8601"
	langencoding="iso639-2b" repositoryencoding="iso15511" relatedencoding="dc"
	findaidstatus="edited-full-draft"> 
	 <eadid countrycode="US" mainagencycode="NN"
	  publicid="-//the new york public library::manuscripts, archives and rare books division//text(US::NN::SCM::florence mills papers)//en">ScmMills.xml</eadid>
	 
	 <filedesc> 
		<titlestmt> 
		  <titleproper encodinganalog="245$a">Guide to the Florence Mills
			 Papers, 
			 <date>1896-1974</date></titleproper> 
		  <author encodinganalog="245$c">Processed by Lela J. Sewell-Williams;
			 machine readable finding aid created by FAKER</author>
		  <sponsor>Processed as part of the Blacks on Stage: African-American
			 Theater Arts Collections Project. Funding was provided by the National
			 Endowment for the Humanities, and the City and State of New York.</sponsor>
		</titlestmt> 
		<publicationstmt>  
		  <p>&#x00A9;<date>2000</date> The New York Public Library. Astor, Lenox
			 and Tilden Foundations. All rights reserved.</p>  
		</publicationstmt>
	 </filedesc> 
	 <profiledesc> 
		<creation encodinganalog="500">Machine-readable finding aid created 
		  <date>august 2000</date></creation> 
		<langusage>Description is in<language
		  encodinganalog="546">English.</language></langusage>
	 </profiledesc> 
  </eadheader> 
  <frontmatter> 
	 <titlepage> 
		<num>Sc MG 599</num> 
		<titleproper encodinganalog="245$a">Guide to the Florence Mills Papers, 
		  <date>1896-1974</date></titleproper> 
		<publisher encodinganalog="260$b">Manuscripts, Archives and
		  Rare Books Division <lb/><extptr entityref="logo" show="embed" actuate="onload"/>
		  <lb/> Schomburg Center for Research in Black Culture <lb/> The New York Public
		  Library <lb/>New York, New York </publisher><list type="simple">

<item>Schomburg Center for Research in Black Culture. New York Public Library.</item>
<item>515 Malcolm X Boulevard</item>
<item>New York, NY 10037-1801</item>
<item> (212) 491-2224</item>
<item><extref href="mailto:scmarbref@nypl.org" actuate="onload" show="new">
scmarbref@nypl.org</extref></item> 
<item><extref href="http://nypl.org/research/sc/scm/marb.html" actuate="onload" show="new">http://nypl.org/research/sc/scm/marb.html</extref></item>
</list> 
		<list type="deflist">
		  <defitem> 
			 <label>Processed by: </label> 
			 <item>Lela J. Sewell-Williams</item> 
		  </defitem> 
		  <defitem> 
			 <label>Encoded by: </label> 
			 <item>Steven G. Fullwood</item> 
		  </defitem> 
		  <defitem> 
			 <label>Date Completed: </label> 
			 <item>August 2000</item> 
		  </defitem> 
		  <defitem> 
			 <label>Printable version: </label> 
			 <item> 
				<extref href="http://www.nypl.org/research/chss/spe/rbk/faids/.pdf"
				 actuate="onrequest" show="new">http://www.nypl.org/research/chss/spe/rbk/faids/.pdf</extref>
				</item> 
		  </defitem> 
		</list> 
		<p>&#x00A9;<date>2000</date> The New York Public Library. Astor, Lenox and
		  Tilden Foundations. All rights reserved.</p>  
	 </titlepage>
  </frontmatter> 
  <archdesc level="collection" relatedencoding="isad(g)v2, marc 21"> 
	 <did> 
		<head>Descriptive Summary</head>
		<unittitle label="Title" encodinganalog="245$a">Florence
		  Mills papers, 
		  <unitdate type="inclusive" normal="1896/1974"
			encodinganalog="245$f">1896-1974</unitdate> 
		  <unitdate type="bulk" encodinganalog="245$g"> [bulk
			 1923-1927]</unitdate></unittitle> 
		<origination label="Creator">
		  <persname encodinganalog="100">Mills, Florence,
			 1895-1927 </persname></origination> 
		<physdesc label="Size">
		  <extent unit="linear feet" encodinganalog="3.1.5, 300">.9 linear feet</extent>
		  <extent unit="containers" encodinganalog="300"> (2 boxes
		  )</extent></physdesc> 
		<repository label="Repository" encodinganalog="852"> 
		  <corpname>The New York Public Library. <lb/><subarea>Schomburg Center
			 for Research in Black Culture</subarea><lb/><subarea> Manuscripts, Archives and
			 Rare Books Division</subarea></corpname> 
		  <address> 
			 <addressline>New York, New York</addressline> 
		  </address> </repository> 
		<abstract label="Abstract" encodinganalog="520"> Florence
		  Mills (1886-1927), world renowned entertainer during the 1920s. She starred in
		  Lew Leslie's 
		  <title>Plantation Revue</title> and 
		  <title>Blackbirds</title> after a successful run as the lead in 
		  <title>Shuffle Along</title>. Collection contains personal papers that
		  include biographical information and letters; and professional papers,
		  including letters, contracts and printed materials.</abstract> 
	 </did> <descgrp> 
	 <head>Administrative Information</head> 
	 <acqinfo encodinganalog="541"> 
		<head>Source</head> 
		<p>Helen Armstead-Johnson, December 1996.</p>  
	 </acqinfo> 
	 <custodhist encodinganalog="561"> 
		<head>Custodial History</head> 
		<p>The collection was donated to Helen Armstead-Johnson, by Ulysses S.
		  Thompson, the widower of Florence Mills in 1970. It was subsequently donated by
		  Helen Armstead-Johnson, along with other theater-related collections to the
		  Schomburg Center.</p>  
	 </custodhist> 
	 <accessrestrict encodinganalog="3.4.1, 506"> 
		<head>Access</head> 
		<p>Unrestricted access</p>  
	 </accessrestrict> 
	 <processinfo> 
		<head>Processing Information</head> 
		<p>"Blacks on Stage: African-American Theater Arts Collections Project,"
		  funded by the National Endowment for the Humanities, and the City and State of
		  New York.</p>  
	 </processinfo> 
	 <prefercite encodinganalog="524"> 
		<head>Preferred Citation</head> 
		<p>Florence Mills Papers, Helen Armstead-Johnson Theatre Collection,
		  Manuscripts, Archives and Rare Books Division, Schomburg Center for Research in
		  Black Culture, The New York Public Library.</p>  
	 </prefercite> </descgrp> 
	 <controlaccess> 
		<head>Index Terms</head> 
		<controlaccess> 
		  <head>Names:</head> 
		  <persname encodinganalog="700" source="lcnaf">Thompson, Ulysses
			 S.</persname> 
		  <persname encodinganalog="700" source="lcnaf">Leslie, Lew, 1886-1963
			 </persname> 
		  <persname encodinganalog="700" source="lcnaf"> </persname> 
		</controlaccess> 
		<controlaccess> 
		  <head>Subjects: </head> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American
			 singers</subject> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American
			 entertainers</subject> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American
			 actresses</subject> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American
			 women</subject> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American in the
			 performing arts</subject> 
		  <subject encodinganalog="650" source="lcsh ">Singers </subject> 
		  <subject encodinganalog="650" source="lcsh ">Actresses</subject> 
		  <subject encodinganalog="650" source="lcsh ">Women</subject> 
		  <subject encodinganalog="650" source="lcsh ">Entertainers</subject> 
		  <persname role="subject" encodinganalog="600" source="aacr2 ">Helen
			 Armstead-Johnson Collection</persname> 
		  <subject encodinganalog="650" source="lcsh ">Afro-American
			 dancers</subject> 
		  <subject encodinganalog="650" source="lcsh ">Afro-Americans- songs and
			 music</subject> 
		</controlaccess> 
		<controlaccess> 
		  <head>Document Types:</head> 
		  <genreform encodinganalog="655" source="aat">Scrapbooks</genreform> 
		</controlaccess> 
	 </controlaccess> 
	 <bioghist encodinganalog="545"> 
		<head>Biographical note</head> 
		<p>Florence Mills, world renowned entertainer during the 1920s, began her
		  career at the age of five by winning a dance contest. By the age of eight, she
		  had made her stage debut, billed as "Baby Florence Mills," in the Williams and
		  Walker production of 
		<title>Sons of Ham</title>, singing "Miss Hannah from Savannah," taught
		to her by vaudeville artist Aida Overton Walker, wife of George Walker. A
		native of Washington, D.C., Mills performed "in the drawing rooms of various
		Washington diplomats" during the early years of her career. She went on to
		perform with the Bonita Company as one of the "picks" - the singing and dancing
		"pickaninnies." After leaving the Bonita Company, Mills and her two sisters,
		Olivia and Maude, formed a trio (1910), which eventually became a duo after the
		departure of Olivia. Maude later left the duo and Mills teamed up with Ada
		"Bricktop" Smith and Cora Green to form the Panama Trio. At some point the Trio
		performed on the same bill as the Tennessee Ten and Mills became involved with
		one of the troupe's members, Ulysses S. Thompson. In 1923, Mills and Thompson
		married.</p>  
		<p>Although Mills performed widely, a career transforming opportunity
		  came to pass when she replaced Gertrude Saunders as the lead in 
		<title>Shuffle Along</title> (1921). She became an instant success with
		both the Harlem community and the larger white audiences. After a year of
		performing in 
		<title>Shuffle Along</title>, she left to star in Lew Leslie's 
		<title>Plantation Revue</title> (1922), which was enlarged and renamed 
		<title>From Dover to Dixie</title>. After a Broadway run, the production
		retitled 
		<title>From Dixie to Broadway</title>, toured London and in 1924 returned
		to New York. In 1926, Lew Leslie starred Mills in 
		<title>Blackbirds</title>, which also toured London as well as Paris. In
		London as in New York, Mills was received by enthusiastic audiences and praised
		for her outstanding talent. On various occasions the Prince of Wales came to
		see the show. Her English popularity was so vast that dolls were named after
		her and "shops designated light brown goods as the Florence Mills' shade."</p>  
		<p>Upon returning to New York on October 12, 1927, Mills was hospitalized
		  suffering from pelvic tuberculosis. She died on November 1, 1927, after
		  undergoing an unsuccessful operation. The news shocked the world and shook the
		  Harlem community. Five thousand people attended Mills' funeral at Mother Zion
		  A.M.E. Church in Harlem. It was reported that more than 100,000 people packed
		  the streets for her funeral procession. The newspapers reported that as the
		  procession reached 145th Street, "a low flying airplane released a symbolic
		  flock of blackbirds." Mills was buried in the Woodlawn Cemetery in the Bronx,
		  New York. </p>  
	 </bioghist> 
	 <scopecontent encodinganalog="520"> 
		<head>Scope and Content Note</head> 
		<p>The Florence Mills Papers spans the years, 1896-1974, with the bulk of
		  material encompassing the years, 1923 -1927. The collection reflects her life
		  as a world renowned entertainer, and is divided into two series: PERSONAL and
		  PROFESSIONAL PAPERS. Included are letters, contracts, programs, fan mail,
		  clippings and a scrapbook.</p>  
	 </scopecontent> 
	 <arrangement encodinganalog="3.3.4, 351"> 
		<head>Organization</head> 
		<p>The Florence Mills Papers are organized in the following series:</p>  
		<list type="simple"> 
		  <item>Personal Papers</item> 
		  <item>Professional Papers</item> 
		</list> 
	 </arrangement> 
	 <relatedmaterial encodinganalog="3.5.3,544 1"> 
		<head>Related Collections</head> 
		<list> 
		  <item> 
			 <archref>Ulysses S.Thompson Collection, Helen Armstead-Johnson
				Theater Collection. Schomburg Center.</archref></item> 
		  <item> 
			 <archref>Florence Mills Artifacts, Helen Armstead-Johnson Theater
				Collection. Schomburg Center .</archref></item> 
		  <item>Florence Mills Portrait Collection, Helen Armstead-Johnson
			 Theater Collection. Photographs and Prints Division, Schomburg Center.</item> 
		</list> 
	 </relatedmaterial> 
	 <dsc type="combined"> 
		<head>Series Descriptions and Container List</head> 
		<c01 level="series"> 
		  <did> 
			 <unittitle encodinganalog="245$a">Personal
				Papers</unittitle> 
		  </did> 
		  <arrangement encodinganalog="351"> 
			 <p>Alphabetical</p>  
		  </arrangement> 
		  <scopecontent> 
			 <p>The PERSONAL PAPERS, 1896-1967 (bulk dates 1922-1927) series,
				consists of biographical information, letters, 1922-1927, and miscellaneous
				materials. The Letters contained in the file include an invitation for Mills to
				judge a Charleston dance competition as well as an appreciation letter for her
				participation in a street fair benefiting crippled children. The miscellaneous
				file contains receipts for charitable donations by Mills, calling cards,
				invitations and a ticket to a performance of 
			 <title>Plantation Revue</title>.</p>  
		  </scopecontent> 
		  <c02 level="file">  
			 <did> 
				<container type="box">1</container> 
				<container type="folder">1</container> 
				<unittitle encodinganalog="245$a">Biographical -
				  Birth Certificate, Burial Plot and Passport<unitdate type="inclusive">, 1896,
					 1926, 1967</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02 level="file">  
			 <did> 
				<unittitle encodinganalog="245$a">Letters</unittitle>
				
			 </did> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">2</container> 
				  <unittitle encodinganalog="245$a">Personal, 
					 <unitdate>1922, 1926</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">3</container> 
				  <unittitle encodinganalog="245$a">Miscellaneous, 
					 <unitdate type="inclusive">1924,
						1926-1927</unitdate></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		</c01>  
		<c01 level="series"> 
		  <did> 
			 <unittitle encodinganalog="245$a">Professional
				Papers</unittitle> 
		  </did> 
		  <arrangement encodinganalog="351"> 
			 <p>Alphabetical</p>  
		  </arrangement>  
		  <scopecontent> 
			 <p>The PROFESSIONAL PAPERS, 1921-1974 (bulk dates 1921-1929) series,
				documents Mills' performance history. The series is divided into four subseries
				which includes Letters, Professional Files and Printed Material. Within the
				Letters subseries are many messages of support and good wishes via telegrams
				which Mills received from fans, friends, fellow performers and others, among
				them Arthur F. Lyons, Hazel Coles and Maude Russell. The Professional Files
				contain contracts for 
			 <title>Shuffle Along</title>, 1921 and 
			 <title>Plantation Revue</title>, 1922. Printed Materials include
			 programs for Mills' performances nationally and abroad, as well as a souvenir
			 program for the Florence Mills Memorial Fund, 1927 and clippings. </p>  
			 <p>The Scrapbook primarily contains clippings, bulk dates 1921-1927.
				The clippings feature Mills' professional (national and international) and
				personal life. Several caricatures of Mills can also be found in the scrapbook.
				A few clippings feature Ulysses S. Thompson, Mills' husband and fellow
				performer.</p> 
		  </scopecontent> 
		  <c02 level="file">  
			 <did> 
				<unittitle encodinganalog="245$a">Letters</unittitle>
				
			 </did> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">4</container> 
				  <unittitle encodinganalog="245$a">Letters /
					 Telegrams, 
					 <unitdate type="inclusive">1923-1927</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">5</container> 
				  <unittitle encodinganalog="245$a">Fan Mail, 
					 <unitdate type="inclusive">1923,
						1925-1927</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">6</container> 
				  <unittitle encodinganalog="245$a">Acknowledgments, 
					 <unitdate type="inclusive">1923,
						1925-1927</unitdate></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02 level="file">  
			 <did> 
				<unittitle
				encodinganalog="245$a">Professional</unittitle> 
			 </did> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">7</container> 
				  <unittitle encodinganalog="245$a">Contracts, 
					 <unitdate type="inclusive">1921-1922</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">8</container> 
				  <unittitle encodinganalog="245$a">Lyrics, 
					 <unitdate>undated</unitdate></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		  <c02 level="file">  
			 <did> 
				<unittitle encodinganalog="245$a">Printed
				  Material</unittitle> 
			 </did> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">9</container> 
				  <unittitle encodinganalog="245$a">Clippings, 
					 <unitdate type="inclusive">1914, 1925-1927, 1967,
						undated</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">1</container> 
				  <container type="folder">10</container> 
				  <unittitle encodinganalog="245$a">Programs, 
					 <unitdate type="inclusive">1921, 1923, 1925 -
						1927</unitdate></unittitle> 
				</did> 
			 </c03> 
			 <c03 level="file"> 
				<did> 
				  <container type="box">2</container> 
				  <unittitle encodinganalog="245$a">Scrapbook, 
					 <unitdate type="inclusive">1922-1929, 1946, 1969,
						1974</unitdate></unittitle> 
				</did> 
			 </c03> 
		  </c02> 
		</c01>  
	 </dsc> 
	 <separatedmaterial encodinganalog="544 0"> 
		<head>Separated Materials</head> 
		<list> 
		  <head>Schomburg Arts and Artifacts Division</head> 
		  <item>Metallic mesh gold purse and pencil drawing portrait </item> 
		</list> 
		<list> 
		  <head>Schomburg Photographs and Print Division</head> 
		  <item>Photographs and a print of Florence Mills reproduced from the New
			 York Amsterdam News (print includes birth and death dates)</item> 
		</list> 
	 </separatedmaterial> 
  </archdesc> 
</ead> 
