Primitive Mysteries

]> PUBLIC "-//The New York Public Library//TEXT (US::NN::MUS::JPB 83-60::Louis Horst Collection)//MUL" "horst.xml" Inventory of the Louis Horst Collection [ca. 1892-1953] Music Division Staff; machine readable finding aid created by Apex Data Services and revised by Chatham Ewing, and Robert Kosovsky. Encoding funded by the generous support of the Gladys Krieble Delmas Foundation.

Machine readable finding aid derived from typescript by rekeying. Description is in English November, 1999 Initial assessment of APEX tagging completed by C. Johnson with notes to C. Ewing added for additional changes November, 1999 Changes finished by Chatham Ewing according to direction. July 2000 Additional changes made by Robert Kosovsky. October 16, 2006 EAD v1.0 finding aid converted to EAD 2002 using UC Berkeley's eadv1to2002.pl perl script. Inventory of the Louis Horst Collection [ca. 1892-1953] JPB 83-60 Music Division New York Public Library Music Division. New York Public Library. 40 Lincoln Center Plaza New York, NY 10023-7498 (212) 870-1650 http://nypl.org/research/lpa/mus/mus.html Processed by: Andrew Mark Wentink Date Completed: May 1973 Encoded by: Apex Data Services Additional revisions by: Chatham Ewing and Robert Kosovsky Date Completed: July 2000 Encoding funded by the generous support of the Gladys Krieble Delmas Foundation.

Descriptive Summary Louis Horst Collection, [ca. 1892-1953] JPB 83-60 4.5 linear ft. (18 boxes Horst, Louis Music Division. , The New York Public Library for the Performing Arts The Louis Horst Collection is a collection of manuscript and printed music used by Louis Horst, composer and dance accompanist. Located in the Music Division, it is the musical portion of the Louis Horst Papers in the Dance Collection. Multiple languages Administrative Information Source

The entire Louis Horst Collection was donated by the Horst Estate to the Dance Collection in 1964. Musical scores were transferred to the Music Division to form the present collection.

Access

There are no restrictions to access.

Publication Rights

For permission to copy or publish, please contact the Music Division.

Preferred Citation

Louis Horst Collection, JPB 83-60, Music Division, The New York Public Library, Astor, Lenox and Tilden Foundations.

Biographical Note

Louis Horst, American pianist, composer, musical director, author, and editor, was born in Kansas City, Missouri, on January 12, 1884. His parents, who had immigrated from Germany in 1882, were Conrad Horst, a trumpet player, and Carolina Nickell.

In 1892, the family moved to San Francisco where Horst attended the Adams Cosmopolitan School. He studied violin with John Josephs and John Marquand and piano with Samuel Fleischman.

Beginning in 1902, Horst played piano in dance halls and gambling houses, and was a pit musician at the Columbia Theater. He also played in a concert trio and accompanied violinists and singers.

In 1915, the Denishawn dance company visited San Francisco, and Horst was asked to be accompanist. Within months he became the company's music director, bringing him into contact with Martha Graham, Doris Humphrey, and Charles Weidman. In 1925, Horst resigned from Denishawn and went to Vienna to study with Richard Stöhr in order to increase his compositional skills. He found the experience too rigidly classical and returned to New York where he continued his studies with Max Persin and Wallingford Riegger.

In 1926, Horst was hired by Martha Graham. In time, he functioned as her accompanist, music director, composer, and mentor. Among the works he composed for Graham were Primitive Mysteries (1931), Frontier (1935), and El penitente (1940). During his tenure with Graham, Horst also served as accompanist and musical director for Helen Tamiris (1927-30), Doris Humphrey and Charles Weidman (1927-1932), as well as Agnes de Mille, Ruth Page, Hans Wiener, Michio Ito, Adolph Bolm, Harald Kreutzberg, and others. Horst left the Graham company in 1948.

Throughout his career Horst taught at various institutions, including Sarah Lawrence College (1932-40), Bennington College (1934-45), Teachers College, Columbia University (1938-41), Mills College (1939), Barnard College (1943, 1950-51), Connecticut College (1948-64), and The Juilliard School of Music (1951-64). He also lectured at the New School for Social Research (1931), and at the 92nd Street YM/YWHA (1939-42).

In addition to his activities related to dance, Horst composed scores to five films (titles surmised from the scores): Chile (1943), Atacama Desert (North Chile) (1945), Pacific Island (1949), Rural Women (1950), and Flower Arrangements of Colonial Williamsburg (1953). He also founded the journal Dance Observer in 1934.

Horst defined the forms and structural principles of modern dance. While he recommended than choreography be shaped according to the pre-existent musical architecture, he also composed in such a manner as to have the music follow the needs of the dance, giving the choreography primacy. Robert Sabin wrote that Horst's main principles were "economy of instrumentation, functional relationship to the dance, harmonic appropriateness to the emotional scheme of the work, [and] rhythmic integration."

Louis Horst died in New York City on January 12, 1964.

Scope and Content

The Louis Horst Collection contains Horst's compositions and arrangements as well as those works he used in accompanying and working with dancers and choreographers. His collaborations with Martha Graham are well represented, including American Provincials, Celebration, Lamentation, Horizons, El Penitente, Primitive Mysteries and other works. His associations with other choreographers include those from the outset of his career with the Denishawn company (including Group dance, and Tillers of the Soil). Some works were those probably used in teaching, such as his Exercises for dance movements.

The collection of published music allows the researcher to see the repertoire of music that Horst preferred. Some works contain musical annotations, and, in a few instances, choreographic notes. (Not all annotations are indicated on the finding aid.)

A number of works by Conrad Horst (Louis's father) are included in the collection.

Organization and Arrangement

The Louis Horst Collection is arranged in two series:

Series 1 contains manuscripts.

Series 2 contains printed music.

Within each series the arrangement is alphabetical by composer. Works by the same composer are arranged alphabetically by title.

Cardinal numbers which begin titles are disregarded (e.g. "Two Dances" are filed under Dances instead of under Two).

Horst, Louis -- Manuscripts. Music for concert dance -- Scores. Horst, Conrad. Horst, Louis. Dance music. Ballets. Graham, Martha. St. Denis, Ruth, 1880-1968. Container List Series 1: Manuscript Music 1 Alexay, A. [Alexander], arr. The Green Nautch. Ink; 3 p. [4 p. inserted]

For piano.

Arranged from authentic East Indian music.

Choreographed by Ruth St. Denis.

Although sometimes also known as The Green Nautch, this work is not to be confused with the Nautch Dance with music by C.W. Cadman, which is also known as The Green Nautch, Street Nautch, or Cadman Nautch. For possible Nautch music by Cadman, see Dance and Song under his name Series 1, folder 11.

2 [Anon.] Cerebral. Pencil; 1 leaf.

For piano.

3 [Anon.] Cournate, “Barrel Role.”. Pencil; [2] leaves.

For piano.

At head: Fast running 8th note upbeat.

4 [Anon.] Minuet. Pencil; 1 leaf.

For piano.

[Anon.] Pastoral.<lb/> See: Stricklen, E.J., [Miriam] Dance of the Golden Calf 5 [Anon.] Primitive. Pencil and ink; 1 leaf.

For piano.

Unidentified sketch on verso.

6 [Anon.] Secular Medieval. Pencil; [1 leaf]

For piano.

7 Bliss, J.A. Bacchanale. Ink; [4 p.]

For piano.

8 [Bowers, Robert Hood?] Spring Dance. Ink; [4 p.]

For piano.

At head of title: No. 9. (Possibly no. 9 of R.H. Bower's Untitled work or works)

9 [Bowers, Robert Hood?] [Untitled work.] Ink and pencil, 1 leaf.

For piano.

First six measures almost identical to those of R.H. Bower's “Samurai” in Untitled work or works.

Bowers, R.H. [Robert Hood] [Untitled work or works.] Ink; [13 pieces]

For piano.

Choreographed by Denishawn?.

1. Priest's Scene [penciled stage directions]--2. Samurai [in pencil: Entrance of Mr. Shawn in Tragedy]--3. Intermezzo [mutilated at bottom of page]--4. (Scene) Housekeeper and Entrance of Party--[Unnumbered and untitled]--5. Gown and Fan--6. Tea Scene--7. Flower Arrangement [Choreographed by Ruth St. Denis (1st perf. 1913)]--7[frac12]. (Dialogue and Business Setting Stage)--8. Poetess--#8. Flower Hat Dance [Choreographed by Ruth St. Denis (1st. perf. 1913)]--No. 8. Samurai Fight--10. Finale. (Most of this work, if not all, appears to be from O-Mika, a Denishawn dance on Japanese themes of which Poetess, Flower Hat Dance, and Flower Arrangement are excerpts.)

10 Bull, Richard, [1930-] Secular Medieval New London, Conn., August 1962. Ink; [2 p.]

For piano. Composed for Louis Horst.

11 Cadman, Charles Wakefield, [1881-1946] Dance. Ink; [3 p.]

For piano.

Choreographed by Denishawn?

At head: 25th June.

“Copyrighted by White-Smith Music Co., Boston” On back: Cue for dance-slips into shining sea; Cue for music-rippling music until S. speaks; Cue for Deva music-Let me kiss Cue for Nautch girls-then it's best he die; Cue for pantomimeget thee into thy darkness; Cue for chorus-these walls of pain.

12 Cadman, Charles Wakefield, [1881-1946] Song. First line: “Fair goes the dancing when the sitar's tuned.” Pencil; [4 p.]

For piano and voice.

Choreographed by Denishawn?

Verso of p. 4: Then it's best he die. Nautch Music. Pencil; 1 p.

13 Callaghan, Jos. L. [Untitled piece.] Parts for piano, cello, bass.

(Title appears to be erased from piece on each page.)

14 Crocker, Patricia. Whole-tone. July 17th '44. Ink; 2 leaves.

For piano.

Choreography for Crocker's Whole-tone by Yuriko (1944). Presented at Louis Horst's class in Modern Forms at Bennington College.

15 Daly, Fred. City Streets. Ink; [4 p.]

For piano.

Choreographed by Georgia Graham as City Rhythms.

16 Dawson, G.C. Nordic Incantation. Ink; 1 leaf.

For piano.

At head: K. Burt [choreographed by Karen Burt?]

17 Drigo, Riccardo, [1846-1930] Les Millions d'Arléquin. “Sérénade.” Ink; 1 leaf (violin part?

Choreographed by Ted Shawn (Valse Directoire) (1915).

This piece also in Published Music of collection.

18 Engel, A. Lehman. Traditions. Manuscript and photocopied parts.

Choreographed by Charles Weidman (1933).

19 Ewing, Max. Cowboys (Dance). Ink; 4 p.

For piano.

Choreographed by Charles Weidman (1929).

Indications in score for card game, twirling rope, horse bucks; somersault, “pony boy”, “rainbow”, washing up, haircombing.

20 Fine, Vivian, [1913-] Suite in Eb. 8 p.

For piano.

Prelude--Sarabande--Gavotte--Air--Gigue.

Last page mutilated.

21 Gebhard, Heinrich, [1878-1963] Saffic Dance. Ink; 5 p.

For piano.

22 Greenfeld, Carol. Archaic; Pavane: Arrogance; Pentatonic. (2 copies). ink.

For piano. Choreographed by Yuriko, 1944.

Choreographed by Patricia Powers (1944) presented for Louis Horst's class in Pre-classic and Modern Forms at Bennington College.

23 Grippo, Mario. [5 pieces:] Gigue; Introspective; Sarabande; Galliarde; Gigue. 1960-61. Pencil; [5 leaves]

For piano.

24 Grunn, [John] Homer, [1880-1934] Siamese Dance. Ink; [7 p.]

For piano.

25 Hellebrandt, Beatrice. The Universe (Cerebral Dance). Ink; 1 leaf.

For piano.

Choreographed by Margery Schneider.

26 Holst, G. von. [Holst, Gustave, 1874-1934?] Eastern Dance. Ink; [5 p.]

For piano.

27 Horst, Conrad. Amigos. Mexican Serenade. Ink; parts.

Conrad Horst was the father of Louis Horst.

28 Horst, Conrad. March. Army of Knights. Ink. Parts. 29 Horst, Conrad, arr. Ave Maria. by Fr. Schubert. Score and parts, in ink.

Arranged for military band. Also contains Ave Maria by Johann Sebastian Bach, arranged by Charles Gounod, on verso of parts, lacking score.

30 Horst, Conrad. March. C.P.B.C. Parts; ink. 31 Horst, Conrad. March. Front Section. Parts, in ink. 32 Horst, Conrad. March. N.S.O. Parts, in ink. 33 Horst, Conrad. March. Ophir Camp. Parts; ink. 34 Horst, Louis [1884-1964] American Provincials, Nov. 1934.

1. Act of Piety, ink, [4 p.]; 2. Act of Judgement, ink, 3 p. (includes negative photostats of each piece).

Choreographed by Martha Graham.

35 Horst, Louis. Andante Sostenuto. Ink, 1 leaf.

For piano.

36 Horst, Louis. Atacama Desert (North Chile), [1945] Full score; ink; Piano score; Ink; 21 p. (sketches).

Music to a film by Julien Bryan.

37 Horst, Louis. Autumnal (song), April, 1925. Ink; 2 p.

Poem by Henri Faust.

38 Horst, Louis. Two Balinese Rhapsodies, Oct. 1929. Ink; 5, 4 p.

For piano.

1. Religious Dance. 2. Pleasure Dance.

Choreographed by Ruth Page.

39 Horst, Louis. Blind Weavers (song), Mar. 2, 1926. Ink; 4 p. (2 copies).

Poem by Lucile Rice.

Dedicated to Mabel Zoeckler.

40 Horst, Louis. Born to Weep, October 1946. 11 p. 2 copies (neg. and pos. stats.) of entire piece and 1st page of manuscript.

For piano. Choreographed by Nina Fonaroff.

41 Horst, Louis, arr. Bouree (4). [2 p.] Neg. stats.

For piano. Appears to be section 4 of a larger work.

42 Horst, Louis. Caged, 1949. Blackline print; 8 p. 2nd copy neg. stats.

For piano.

Choreographed by Lin Pei-fen.

43 Horst, Louis. Celebration, April 1934. 2 p. neg. stats.

For piano.

Choreographed by Martha Graham.

44 Horst, Louis. Change (song), Dec. 4, 1925. 3 p. 4 copies: 2 ink, 1 pos. stat., 1 neg. stat.

Poem by Witter Bynner.

45 Horst, Louis. Chi-Chi. Valse. Piano and orchestra parts, in ink.

Contains indications for cues and bows.

46 [Horst, Louis?] Chiapanecas. [2 p.]; photocopy.

For piano.

47 Horst, Louis. Chile, August 1943. Full score, ink.

Music for a film by Julien Bryan.

48 Horst, Louis. Chile, August 1943. Piano score; ink; 22 p. Sketches; parts for violin and bass.

Music for the film by Julien Bryan.

49 Horst, Louis. Chorus of Youth, Nov. 1932. Ink; 11 p.

For piano. Choreographed by Martha Graham.

50 Horst, Louis. (6) Les Choux. V. 1 leaf ; neg. stat.

For piano.

Appears to be section 6 of a larger work. Annotatated with instrumentation, 1st and 2nd pantomimes, and “play 2 verses for dancing” indicated.

51 Horst, Louis. Columbiad, Dec. 1939. Ink; 8 p.

For piano. Choreographed by Martha Graham.

52 Horst, Louis. Dance for Television. Ink; 3 [4] p.

For piano.

Choreographed by Martha Graham.

Most of this piece is crossed out.

53 Horst, Louis. Dancer With Tambourine. , [1925] Ink; [4 p.]

For piano. Choreographed by Ruth St. Denis.

Original title of Byzantine Dancefrom Pompeiian Murals Suite.

1. Dawn (crossed out) [p. 1] -- 2. Dancer With Tambourine [p. 2-3] -- 3. Flora (incomplete, crossed out) [p. 4].

54 Horst, Louis. Dancing Shoes (A Popular Song), New York, June 1927. Ink; 3 p.

Words by Hugh Anderson.

For voice and piano

55 Horst, Louis. La Danse des Morts, 1949. blackline print; 12 p.

For piano. Death and the Abbess -- Death and the Lady -- Death and the Maiden. (2nd copy: neg. stats)

Choreographed by Gertrude Lippincott.

56 Horst, Louis. Danse Impertinente, Peterboro, N.H., July 1923. Ink; 2 copies.

For piano.

Choreographed by Ruth Austin and Betty Horst.

57 [Horst, Louis?] Del Sacro Monte. Orchestra parts; ink. 58 Horst, Louis. East Indian Dance, New York, Jan. 14, 1927. Ink; 4 p.

For piano.

Choreographed by Martha Graham

Note: She like a Dancer puts her 'broidered' garments on.

59 Horst, Louis. 30 Exercises for Dance Movements (1st Series). Ink; 16 p. 2nd copy neg. stats.

For piano.

60 Horst, Louis. 40 Exercises for Dance Movements (2nd Series). Ink; 16 p. 2nd copy neg. stats.

For piano.

61 Horst, Louis [1884-1964] Flower Arrangements of Colonial Williamsburg, 1953. Ink, 38 p.

For piano.

Official film by Art Smith.

62 Horst, Louis [1884-1964] Flower Arrangements of Colonial Williamsburg, 1953 Full score; pencil (incomplete); music cue sheets with footage and description of scenes; 5 leaves.

Official film by Art Smith.

63 Horst, Louis. Fragments (Tragedy-Comedy), New York, April, 1928. Ink; 2 p. (2nd copy neg. stat.

For flute and gong.

Choreographed by Martha Graham.

64 Horst, Louis. Frontier, New York, April 1935. 5 p. 1st copy: pos. stat. 2nd copy: neg. stat.

For piano.

Choreographed by Martha Graham.

65 Horst, Louis. Graduation Piece, [1937]. 6 p. Blackline print; 2nd copy neg stat.

For piano.

Choreographed by Pearl Lack [i.e. Pearl Lang].

66 Horst, Louis. Gymnastica (Nos. 1 and 2). J. Fischer and Bro., 1933. 7 p.

For piano.

Choreographed by Portia Mansfield.

67 Horst, Louis. Gypsy Song for a Romantic Play, Steamboat Springs, Colo., Aug. 1928. Ink; 1 leaf.

For voice and piano.

68 Horst, Louis. Harvest Dirge, Vienna, Aug. 2, 1925. Ink; 4 p. 2 copies.

Song for voice and piano.

Poem by Alfred Kreymborg.

69 Horst, Louis. Horizons, New York, Feb. 1936. Ink.

For piano.

Choreographed by Martha Graham.

Contents: 1. Migration. 7 p.--2. Dominion [5 p.]--3. Building Motif. 4 p.--4. Dance of Rejoicing. 6 p. (followed by Interlude for Mobiles).

70 Horst, Louis. Hot Sunday, [1950] Ink [4 p.] (plus pos. and neg. stats.

For piano.

Choreographed by Gertrude Lippincott.

71 Horst, Louis. Humiliation, New York, Sept. 18, 1946. blackline print; 7 p. 2nd copy neg. stat.

For piano.

Choreographed by Edith Wiener.

72 Horst, Louis. If Love Were Love, [1950] 9 p. (Neg. stat.

For piano.

Choreographed by Gertrude Lippincott

Negative photostat contains title: My Own True Love. Positive photostat p. 1-2 has that title crossed out and replaced by If Love Were Love.

73 Horst, Louis. [Incidental Music for a Neighborhood Playhouse Dramatic Demonstration.] Ink; 4 p.

For piano.

1. An American Song -- 2. Mock Funeral March -- 3. Military March.

74 Horst, Louis. Introduction to Byzantine Dance, New York, Sept. 1924. Ink; 2 p.

For piano.

Introduction to no. 2 of Pompeiian Murals.

Note on p. 1: This introduction to Byzantine Dance is the property of Ruth St. Denis.

75 Horst, Louis [1884-1964] Japanese Actor (XVIIth Century), Steamboat Springs, Colo., July 2, 1928. Ink; 7 p.

For piano.

Choreographed by Charles Weidman.

76 Horst, Louis. Man With a Load of Mischief, [1947]. photostat (pos.); 11 p. 2nd copy neg. stat.

For piano.

Choreographed by Helen McGehee.

77 Horst, Louis. Militant Hymn. Ink; 3 p.

For piano.

Written for Martha Graham's American Document. The first performance in 1938 with music by Ray Green, does not appear to have included this solo, which was danced by Martha Graham, until 1943.

Horst, Louis. Mountain White. See: She'll Be Comin' Round the Mountain. Theme and Variations 78 Horst, Louis. Mule Pack Vienna, Aug. 11, 1925. Ink; [4 p.]

For voice and piano.

Poem by William Haskell Simpson.

Horst, Louis. My Own True Love. See: If Love Were Love 79 Horst, Louis. [Notebook, no. 1] 1 notebook.

Music copied from other sources (mostly folk and national tunes).

80 Horst, Louis. [Notebook, no. 2] 1 notebook.

Music copied from other sources (mostly folk and national tunes).

81 Horst, Louis. [Notebook, no. 3] 1 notebook.

Music copied from other sources (mostly folk and national tunes).

82 Horst, Louis. [Notebook, no. 4] 1 notebook.

Music copied from other sources (mostly folk and national tunes).

83 Horst, Louis, 2 Old Netherland Psalms. Transcribed by Louis Horst. Ink; 1 leaf.

For piano.

84 Horst, Louis. Ominous Horizon, Aug. 5, 1948. Ink and pencil; 6 p. (plus 1 blackline print and 1 neg. stat.

For piano. Choreographed by Theo [Tao] Strong.

85 Horst, Louis. On Listening to a Flute by Moonlight, New York, Nov. 1926. Ink; 2 p. 3 copies (1 neg. stat.

For flute.

Choreographed by Martha Graham.

86 Horst, Louis. Ouija Dance, Steamboat Springs, Colo., Aug. 22, 1931. Ink; 3 p. 2nd copy neg. stat.

For piano. Choreographed by Portia Mansfield.

87 Horst, Louis. Pacific Island, July 1949. Ink; 18 p. + 1 leaf.

For flute and prepared piano.

For a film by Julien Bryan.

Includes 1 p. diagram for preparing piano.

88 Horst, Louis, arr. Passion. Danza / by M. Magallanes. San Francisco, 14 Feb. 1908. Ink. (3, 3 p.) + 1st violin part.

For piano (2 versions).

89 Horst, Louis. Peasant Waltz. [2 p.] neg. stat.

For piano.

90 Horst, Louis. El Penitente, June-July 1940. 17 p. neg. stat.

For piano. Choreographed by Martha Graham.

91 Horst, Louis. The Pleasures of Counterpoint (No. 2), March 1933. Ink; 4 p.

For piano. Choreographed by Doris Humphrey.

92 Horst, Louis [1884-1964] Pompeiian Murals. Suite for Piano. 1923-24. Ink; 12 p.

1. Prelude to Dawn (crossed out) -- 2. Dancer With Tambourine -- 3. Flora (crossed out) -- 4. Bacchante.

Dedicated to Martha Graham.

No. 2 choreographed by Ruth St. Denis as Byzantine Dance (1925).

93 Horst, Louis. Prelude, Entrance and Lamentation for Electra, May 1931. Ink; [8 p.]

For piano.

Incidental music for the play Electra by Sophocles, produced by Robert Henderson, with Mrs. Patrick Campbell, Blanche Yurka and Martha Graham. Choreographed by Martha Graham, 1932.

On 1st page of Lamentation section: Much of the material in this composition was incorporated in “Dance for Furies,” Tragic Pattern,No. 3.

94 Horst, Louis. Primitive Mysteries, [1931] Ink; score, 9 p.

For flute, oboe, and piano.

Hymn to the Virgin; Crucifixus; Hosanna. (includes negative photostat of Hymn to the Virgin).

Choreographed by Martha Graham.

95 Horst, Louis. The Prophet Said Three. Blackline print, with autograph markings, 18 p.

For piano.

Music for a play by John Malcolm Brinnen.

Neg. stats. of each section, except “Square Dance.”

Dances choreographed by Harriette Anne Gray.

96 Horst, Louis. Pulling, Steamboat Springs, Colo., July 1933. Ink; 3 p.

For piano. Choreographed by Portia Mansfield.

97 Horst, Louis. Rhythmic Design, Steamboat Springs, Colo., July 25, 1928. Ink; [4 p.]

For piano.

Instrumentation indicated in pencil.

Choreographed by Portia Mansfield amd Chatlotte Perry.

98 Horst, Louis. Rhythmica, Colo., Aug. 1932. Ink; 2 p.

For piano. Choreographed by Portia Mansfield.

99 Horst, Louis. Rural Women, [1949-50] neg. stat., 12 p. (2nd copy of p. 1-6, 11, 12, pos. stat.

For piano.

Score for the film by Julien Bryan.

100 Horst, Louis. A Sahara Romance, Petersboro, N.H., August 1923. Ink; 4 p., 2 copies.

For piano. Dedicated to Betty.

101 Horst, Louis. Santo, 1949. 8 p. Blackline print, 2nd copy neg. stat.

For piano. Choreographed by June McLean.

102 Horst, Louis. Scéne Javanaise, Vienna, June, 22, 1925. Ink; 6 p.

For piano.

Choreographed by Martha Graham.

“Parts of this composition were incorporated in the `Balinese Rhapsodies' of Ruth Page, and are her property.” (p. 1)

103 Horst, Louis. Servant of the Pillars. blackline print; 8 p.; 2nd copy neg. stat.

For piano. Choreographed by Yuriko.

104 Horst, Louis. She'll Be Comin' Round the Mountain (theme and variations). Holograph, ink; 3 p.

For piano.

At end: 1935 and signature.

Choreographed by Agnes de Mille as Mountain White.

105 Horst, Louis [1884-1964] [Sketches for an Untitled Movie Score] Pencil and ink. 106 Horst, Louis. [Sketches, fragments, copies] 1 folder. 107 Horst, Louis. 2 Songs for a Play on Villon, New York, Sept. 1929. Ink; 4 p.

For piano.

Contents: 1. The Lord of Royal France - 2. The Motley Road.

108 Horst, Louis. Sorceress, May 5, 1950. Blackline print; 5 p., 2nd copy neg. stat.

For piano.

Choreographed by Charlotte Griswold.

109 Horst, Louis. 3 South American Dances. 7 p., neg. stat. (2nd copy of p. 2 and 3

For piano.

110 Horst, Louis. Spanish Oriental Dance. [2 p.] Photocopy.

For piano.

111 Horst, Louis. The Star Spangeled Banner. Ink; 1 leaf.

For piano.

112 Horst, Louis. Street Scene (from California Suite). Mills College, Calif., Aug. 1939. Ink; 1 leaf.

For piano.

113 Horst, Louis. Stride and Strike. Ink; 1 leaf.

For piano. Choreographed by Charlotte Perry.

114 Horst, Louis. Tale of Seizure, New York, Nov. 24, 1949. 10 p., blackline print. 3 copies.

For piano. Choreographed by Yuriko.

115 Horst, Louis. Tale of Seizure, New York, Nov. 24, 1949. Full score; pencil; 34, 9 p.

Choreographed by Yuriko.

116 Horst, Louis. Tango, South Bend, Ind., March 1925. Ink; 3 p. (2 copies).

For piano.

117 Horst, Louis. Tension and Release, New York, Oct. 1931. Ink; [4 p.]

For piano. Choreographed by Portia Mansfield.

118 Horst, Louis. Theodolina, Queen of the Amazons. 1940 6 p. pos. stats. (2nd copy incomplete; neg. stats.

For piano. Choreographed by Nina Fonaroff [Little Theodolina].

119 Horst, Louis. Thin Ivory Petals (song), Spring 1925. Ink; [3 p.] 2 copies.

Poem by C. Wentworth.

120 Horst, Louis, arr. The Three Billy Goats Gruff. [4 p.] ink.

For piano.

Former classmark: *MNZ-Amer.

121 Horst, Louis. Throwing (Dramatic Stylization No. 1), New York, Mar. 1933. Ink; 2 p.

For piano.

Choreographed by Portia Mansfield.

122 Horst, Louis. Toys, Vienna, June 25, 1925. Ink; 3 p. (1 neg. stat.

For voice and piano.

Poem by Arthur Symons.

123 Horst, Louis. Tragic Patterns. Ink.

For piano.

1. A Chorus of Supplicants. New York, May 1933. 3 p. -- 2. A Chorus for Maenads. New York, Apr. 1933. 2 p. -- 3. A Chorus for Furies. New York, Dec. 1932. 7 p.

Choreographed by Martha Graham.

124 Horst, Louis [1884-1964] The Transformations of Medusa, [1941] [9 p.] Pos. stats, 2nd copy neg stats.

For piano.

1. Maid of the Secret Isle -- 2. Lady of the Wild Things -- 3. Queen of the Gorgons.

Choreographed by Jean Erdman.

125 Horst, Louis. [Untitled Work I] 4 p., 6 p., 4 p. positive and negative photostats.

For piano.

Contents: Part 1 -- Part 2 -- Part 3.

126 Horst, Louis. [Untitled Work II] Holograph in ink; 6 p.

For piano.

(2nd copy of entire work--positive photostat; 3rd copy of p. 1-5-positive photostat). (Uses motive of Dance of the Furies of Tragic Patterns

127 Horst, Louis. [Untitled Work III] Holograph in ink; 9 p.

For piano.

128 Horst, Louis. A Viennese Nocturne : ballet-pantomime in 1 act. New York, Nov. 1925. Ink; 15 p. Typescript of scenario, 5 leaves, with carbon, 2 magazine illustrations.

For piano.

129 Horst, Louis. Yankee Doodle, American Prodigy. 8 p, blackline print. 2nd copy: photocopy.

For piano.

Altered version of Yankee Doodle Greets Columbus, 1492.

130 Horst, Louis. Yankee Doodle Greets Columbus, 1492, [1942] Ink; 10 p. 2nd copy: photocopy.

For piano.

Choreographed by Nina Fonaroff.

131 Horst, Louis. Ylang-Ylang, Carmel, Calif., July 1924. 2 p. (3 copies: ink, pos. stat., neg. stat.

For voice and piano.

Words by Bryant Coleman.

132 Ilgenfritz, McNair. Scherzo Waltz. Ink; 1 leaf (both sides).

For piano.

Choreographed by Ruth St. Denis (ca. 1913).

Choreographed by Doris Humphrey as Hoop Dance (1924).

133 Itow, Michio [arr.?] Fox Dance. Ink; [3 p.]

For piano.

Native Japanese melody, choreographed by Michio Ito (1916).

134 Ivanovici, Josif (1848-1905) Danubio Waltz [ = Valurile Dunarii = Danube Waves] Estudiantino by [Emile] Waldteufel : [Les] Pattineur [sic] by E. Waldteufel. Ink; [6 p.]

Part for violin [?]

135 Kadison, Pola. Dance Oriental, [1935] Ink; 3 p.

For piano.

Signed on t. p. and at end. Dated July 26/35.

136 Kempner, Franziska. Allemande : “Request.” Ink 1 leaf; (2 copies

For piano.

Choreographed by Elizabeth Parrish in Louis Horst's Pre-Classic Dance Forms Class Prsentation at Bennington College, 1944.

137 Kempner, Franziska. Dissonance. Ink; 1 leaf; 2 copies.

For piano.

Choreographed by Ethel Winter for Louis Horst's Modern Dance Forms Class Presentation at Bennington College, 1944.

138 Kempner, F. [Franziska] Introspective. Ink; [1 leaf.]

For piano.

Choreographed by Evelyn White for Louis Horst's Modern Dance Forms Class Presentation at Bennington College, 1944.

139 Kempner, F. [Franziska] Sarabande : “Intrigue.” Ink; 1 leaf.

For piano.

140 Leoncavallo, Ruggiero [1858-1919] Zaza : fantasie. 7 instrumental parts. 141 Lloyd, Norman [1909-] Accompaniments for Modern Dance, c1935 8 p.; photo reproduction.

For piano.

14 short pieces each with titles (“run, “gallop”, etc.; Pencil indications for division of pieces into Shoulder, arm, head series, Arm swing series, back and side fall series; leg swing).

142 Lloyd, Norman. Doris Humphrey ; Study in Falls. Ink; 3 p.

For piano.

143 Lloyd, Norman. Doris Humphrey ; Variations. (Design Scale). Ink; 1 leaf.

For piano.

144 Lloyd, Norman. Music for Charles Weidman's Techniques. [3 p.] Photoreproduction.

For piano.

Prelude and front elevation series; accompaniments for dance techniques.

145 Lloyd, Norman. Studies in Body Mechanics ; Charles Weidman. Ink; [4 p.]

For piano.

146 Lloyd, Norman. Supplement #2 ; A Short Rondo. [3p.] Photo reproduction.

For piano.

147 Loomis, Harvey W. [1865-1930] Incense Dance. Ink; 1 leaf.

For piano.

Choreographed by Ruth St. Denis (1910).

148 McCraw, C. B. Pavanne, 1945. Ink; [4 p.]

For piano.

149 McMillan, Ann. Scared. Ink; 1 leaf.

For piano.

150 Marcoux, L.[Lucine] Archaic ; Bouree ; Study in 5/4.

For piano.

151 Mascagni, Pietro [1863-1945] Cavalleria Rusticana. Intermezzo Sinfonico. [Violin part?] ink; 1 leaf.

Unidentified musical work on verso.

152 Meyrowitz, W. [Walter] [Ballets and Dances] Ink.

For piano.

Ballet (Palace) -- Cobra Dance -- Dance of the Clouds -- Entrance of Musicians -- Entrance of the High Priests -- In a Greek Temple -- Introduction (Egypta #1) [choreographed by Ruth St. Denis?] -- Isis [choreographed by Ruth St. Denis (1910)] -- Jephtha's Daughter [choreographed by St. Denis (1918] -- Lamentation -- The Lotus Pond [choreographed by Ruth St. Denis (1910)] -- The Nile -- Procession from Egypta [choreographed by Ruth St. Denis?] -- [Tillers of the Soil] (Sun Dance crossed out with pencil and Tillers written in) [choreographed by Denishawn (1916) -- [Untitled piece or pieces].

153 Miller, Freda D. Syncopation. photo reproduction, [2] p.

For piano.

154 Nevin, Arthur [1871-1943] Bakawali. Ink;

For piano.

(in 3 sections, each unpag.) Stage directions and dialogue on score.

Choreographed by Ruth St. Denis [1911?].

155 Oldden, Barbara. Dissonance/Anguish. Ink; 1 leaf.

For piano.

156 Powers, Maxwell M. Symphonic Poem : “Years of the Modern”. Full score, pencil; [15 p.] 157 Riegger, Wallingford [1885-1961] Evocation, [Op. 17]. Parts for Primo and Secondo (photo reproduction pasted on music mss.) 10 p.

For piano four-hands.

Choreographed by Martha Graham, 1st perf, Toronto, 1933.

Crossed out on title page: The Cry. [Op. 22, choreographed by Hanya Holm, 1935] Instrumentation indicated in pencil.

Source for information on choreography: R.F. Goldman, “The Music of Wallingford Riegger,” Musical Quarterly 36 (1950).

158 [Roth, Edmund?] Peacock, [1914?] Ink; 4 p.;

For violin and piano.

Violin part.

Choreographed by Ruth St. Denis as The Legend of the Peacock.

159 Stricklen, E.J. [E.G.] [Miriam] Dance of the Golden Calf, [1919]. Ink; [3 p.]

For piano.

Choreographed by Ted Shawn for Ruth St. Denis for Miriam: Sister of Moses, a play by Constance Smedley Armfield and Maxwell Armfield, with dances and processionals under the direction of Ted Shawn, produced in 1919.

Pastoral by unidentified composer on p. [4].

Waldteufel, Emile. [1837-1915] Estudiantino. See: Ivanovici, Josif. Danubio Waltz . Waldteufel, Emile. Les Patineur. See: Ivanovici, Josif. Danubio Waltz. 160 Welton, Allan. Galliarde. Ink; 1 p.

For piano.

161 Wilker, Drusa. American Sentiment. Ink; 1 l. (2nd copy neg. stat.

For piano.

Suggested musical accompaniment for “Immediacies of Modern Life: Americana” in Louis Horst's book, Modern Dance Forms.

162 Williams, Jean. Martyr (Medieval Dance). Ink; 1 leaf.

For piano. Choreographed by R. H. [Ruth H.] Bloomer.

163 Williams, Zoe. Air Primitive. Ink; [3 p.]

For piano.

164 Williams, Zoe. Cerebral ; Courante ; Minuet, [1939].

The Courante is possibly one by this composer entitled Contagion, which was choreographed by Merce Cunningham as a student piece in Louis Horst's Pre-Classic Dance Formsat Bennington School of the Dance at Mills College in 1939.

165 Williams, Zoe. Sarabande ; Whole Tone Study. Ink.

For piano.

166 Williams, Zoe. Dissonance ; Pavane. Ink.

For piano.

167 Williams, Zoe. Primitive. Ink; 1 leaf.

For piano.

168 Williamson, Esther. Pentatonic. Ink; 1 leaf.

For piano.

Series 2: Published Music 1 Aguilar, Pablo Chávez. Seis Preludios Incaicos para piano. Sheet music edition. New York: Carl Fischer, c1927. 15 p. 2 Aigrette. Barcelona Waltz. London: Mathais and Strickland, c1892. 9 p. 3 Albeniz, I[saac] [1860-1909] Album of Eight Pieces for the Pianoforte. Edited by C.B. Roepper. Boston: Boston Music Co.; New York: G. Schirmer, c1914. 47 p.

Cadiz--Cuba--Mazurka--Curranda--Zortzico--Leyenda-- Tango in D (original version) ed. by Hugo Ries--Seguidilla, ed. by Hugo Ries. [Seguidilla choreographed by Ted Shawn (1921)]

4 Albeniz, Isaac [1860-1909] Suite Espagnole: III. Sevilla(Sevillanas). Piano seul. Paris: Union Musicale Franco-Espagnole Eds., c1929. 9 p. 5 Arensky, Anton Stepanovitch [1861-1906] Péons op. 28, no.2 (Essais sur les rythmes oubliés)London: Augener Ltd., c1915. 5 p.

Edited and fingered by Thomas F. Dunhill. [Choreographed by Ronny Johansson: Allegro Vivace(1927)] Pencil marking on p. 3.

Bacon, Ernst, and Otto Luening. Coal Scuttle Blues. See entry under: Luening, Otto. 6 Ballabende. Modernes Tanzalbum für Pianoforte. Bd. 8: 14 verliebte Tänze.Leipzig: Carl Rühle's Musik-Verlag, [n.d.] 43 p. 7 Bantock, Sir Granville [1868-1946] Sapphischer Tanz. Piano solo oder Harfe. (Dramatische TänzeHeft II, Nr. 2) Berlin: Breitkopf and Härtel, c1909. 12 p.

[Possible choreographed by Ruth St. Denis: Sappho (1st perf. 1921)] [This music is recommended by Louis Horst for choreography on Greek themes in his Aug. 1929 “Music Mart” column in Dance Magazine.]

8 Bártok, Béla [1881-1945] Allegro Barbaro, Op. 49. Piano solo (1911). London: Boosey and Hawkes, c1939. 7 p.

[Choreographed by Edwin Strawbridge (1929)]

9 Bauer, Marion [1897-1955] Four Piano Pieces, Op. 21. New York: Cos-Cob Press, c1930. 12 p.

I. Chromaticon.--II. Ostinato.--III. Toccata.--IV. Syncope.

10 Bayer, Josef [1852-1913] Puppen-Walzer (Im Puppenladen): nach Themen aus dem Ballet: Die Puppenfeevon J. Hassreiter und F. Gaul (1888). Leipzig: Aug, Cranz, [n.d] 11 p. 11 Béclard d'Harcourt, Marguerite [1884-1964] Melodies populaires indiennes.Equateur, Pérou, Bolivie. (Piano, voice, flute). Milan: G. Ricordi, c1923. 152 p.

(I) Airs Chantés.--(II) Airs de flˇute. Separate flute part (14 p.)

12 Bernheim, Marcel. Danses Antiques pour piano. Paris: E. Demets, 1913. 14 p.

I. Aus Bois des Nymphes.--II. Prière.--III. Jeu de la Balle. [Choreographed by Ruth St. Denis: Cupid and Psyche (1923). (Source: Louis Horst, “Music Mart” column, Dance Magazine, July 1929)]

13 Bert, Alfred. Sunny South Waltz. New York: E. Ascherberg, c1894. 9 p. 14 Blanchet, E.R. [Émile R.] [1877-1943] Tocsin: 3 Aoˇut 1914. Passacaglia pour piano, op. 28. New York: Composers Music Corp., c1920.

Contains pencil markings: “move foward”, “move up”, “first” (p. 4). [Listed as suggested music for Chaconnes and Passacaglias in Louis Horst's book, Pre-Classic Dance Forms.]

15 Blumenfeld, Felix [1863-1931] Zwei Klavierstücke, Op. 53. Moscow, Vienna: Universal Edition, [n.d.]

1. Tanz.--2. Postludium.

16 Bordes, Charles [1863-1909] Dix Danses, Marches et Cortèges Populaires du Pays Basque Espagnol. Paris: A. Rouart, c1908. 15 p. 17 Bowles, Paul [1910-] Huapango (El Sol) No. 2 for piano solo (1937). Providence, R.I.: Axelrod, c1939. 18 Brahms, Johannes [1833-1897] Ungarische Tänze: no. 5 (erschienen 1869 ). Bearbeitung von Otto Singer (for piano). Leipzig: Anton J. Benjamin, c1928. 4 p. 19 Caba, Eduardo [1890-1953] Aires Indios: Nrs. 1, 2, 3 (De Bolivia) Piano. 2d, ed. Buenos Aires: Lottermoser, c1946. 14 p. 20 Cancionero Nativo:... 40 Composiciones del Folklore Argentino...Buenos Aires: Ed. Musicales Tierra Linda, c1946. 83 p. 21 Cantos Populares. Para piano. Duas series. Lisbon: Sassetti, [n.d] 15 p. 22 Capellen, Georg [1869-1934] Exotische Mollmusik für Klavier. Erstes Heft: Indien.Leizing: Breitkopf and Härtel, c1905. 15 p. 23 Capellen, Georg [1869-1934] Exotische Mollmusik für Klavier. Zweites Heft: Egypten, Abessinien, Arabien, Babylonien, Algier.Leipzig: Breitkopf and Härtel, c1905. 11 p. 24 Capellen, Georg [1869-1934], arr. Sechs Samoanische Volkslieder für Klavier mit oder ohne Gesang. Leipzig: Breitkopf and Härtel, c1905. 9 p. 25 Casella, Alfredo [1883-1947] Deux Contrastes, pour le piano. London: J.W. Chester, c1919. 5 p. 26 Casella, Enrique M. Suite Incaica. Para orquesta--reducción para piano. Buenos Aires: G. Ricordi, [1925?] 18 p. 27 Castelnuovo-Tedesco, Mario [1895-1968] Alt Wien; Rapsodia viennese per pianoforte. Roma: A. Forlivesi, c1934. 11 p. 28 Castro, Federico Sergio de [1922-] Dos Canciones: canto y piano: Canción de Cuna (Letra de Luis Bausero). Montevideo: Instituto de Musicologia, c1943. 5 p. 29 Cavan, Emilia S. Filipino Folk Songs. Collected and arranged by Mrs. Emilia S. Cavan. Harmonized by Prof. Francisco Santiago. Manila: Mission Press, 1924. 37, vi p. 30 Cecchetti, Enrico [1850-1928] Invitation a la Danse. (Le Triomphe de Terpsichore.Atto II no. 9) Arr. pour le piano par B.F. Keyll. [Russian imprint: G. Shmidt, printer? ca. 1893]. 5 p.

Pencil markings: “Valse rustic wedding” (p. 1); cross outs on each page in blue pencil, other pencil markings.

31 Chaminade, Cécile [1857-1944] Pas des Escharpes, together with Pasdu voile, 3rd air de Ballet. Revised and fingered by Hans T. Seifert. New York: Carl Fischer, c1905. 11 p. 32 Chaminade, Cécile [1857-1944] Valse-Caprice, Op. 33. Revised and fingered by Hans S. Linè. Chicago, New York: Nat'l Music Co., 1900. 10 p.

[Choreographed by Doris Humphrey (Valse Caprice). Also known as Scarf Dance (1919).]

33 3 Chansons du XVme Siècle. Paris: Au siege de la Societe des Chanteurs de Saint-Gervais, [n.d.] [14 p.]

I. Une mousse de Bysquaye (Josquin de Pres)--II. Il me fait mal de vous veoir languir (Pierre de la Rue)--III. Le grand désir d'aymer me tient (Loyset Compère).

34 Chilovsky, Nadia. Ten Dances in Labanotation. Illustrations and dance symbols by Nicholas Nahumck. Bryn Mawr, PA: Theodore Presser, 1955.

Intermediate studies in Labanotation. Also contains an explanation of basic symbols (Dance Notation Bureau, c1954).

Cimarosa, Domenico [1749-1801] See: Malipiero, Gian Francesco. La Cimarosiana 35 Clerice, Justino [1863-1908] Saut à la corde. [Piano] Paris: Enoch and Co., c1907. 5 p. 36 Clutsam, G.H. [George H.[[1866-1951] Dance of the Sea-Urchins. For piano. London: Ascherberg, Haywood and Crew, Ltd., 1910 7 p. 37 Coedès-Mongin, A. Danse a cing temps. Pour piano. 4 p.

(In very poor condition. No cover or imprint).

38 Coelho, Ruy [1891-] Dança Portugueza. Piano solo. London: J. and W. Chester, 1932. 4 p. Compère, Loyset [ca. 1440-1518] Le grand désir d'aymer me tient. See entry under: 3 Chansons du XVme Siècle 39 Cui, César [1835-1918] Orientale, Op. 50, no. 9. [Piano solo] Arranged by H.L. Harts. Boston, New York, etc.: White-Smith, c1926. 5 p. 40 Curtis-Burlin, Natalie [1875-1921], comp. Negro Folk-Songs. New York: G. Schirmer, 1818-19. 4 vols.

Bks. I-II: Spirituals.--III-IV: Work-and-Play-Songs.

41 Daniel, Salvador [1830-1871] Chansons Arabes: Mauresques et Kabyles transcrites pour chant et piano. Paris: Costallat and Cie, [n.d.] 35, 4 p. 42 Dauber, Dol. Les Castagnettes, Op. 71. Pasodoble u. One-step. (Piano). Vienna, Leipzig, etc.: “Wiener Boheme-Verlag”, c1921. 3 p. 43 Debussy, Claude [1862-1918]... Bruyéres: Extrait du 2me Livre de Préludes pour le piano. Paris: A. Durand and Fils, c1913. 5 p. 44 Debussy, Claude [1862-1918] Suite bergamasque. (1890) [Piano] Paris: E. Fromont, 1905. 27 p.

Contains pencil markings [for orchestration?]; “prelude” circled (p. 10.

Decker, D.H. The Feast of Raymi. See entry under: Perry, Charlotte. 45 Decker-Schenk, J. [Johann] [1826-1899] Orientalisches Album. 25 Kaukasische, Armenische, Persische und Türkische Melodien. Leipzig, Berlin: Jul. Heinrich Zimmerman, [n.d.]. 21 p. 46 Defosse, Henry. Equisses: 6 pièces pour piano, Op. 47. Paris: Alphonse Leduc, 1922. 16 p.

I. Soir D'ete.--II. Danse.--III. Le Marchand de Sable.--IV. Arlequin et Colombine.--V. Au Héros Inconnu.--VI. La Niña de las Penas-Chanson Gitanne.

Repeat signs penciled in (p. 13); measures crossed out on p. 13, 14; “run back” and “tremolo” (p. 15); 2nd system crossed out (p. 16)

47 Dello Joio, Norman [1913-] Suite for Piano. New York: G. Schirmer, c1945. 11 p. D'Harcourt, M. See: Béclard d'Harcourt, Marguerite. 48 Dittrich, Rudolf. Nippon Gakufu. 10 Japanese songs coll. and arr. for piano. Leipzig: Breitkopf and Härtel, c1895. 19 p. 49 Drigo, Riccardo [1846-1930] Sérénade. From Ballet, Les Millions D'Arléquin.New York: C. Fischer, c1909. 9 p.

[Choreographed by Ted Shawn: Valse Directoire (1915)] Pages marked with pencil.

(Possible violin part in manuscript [JPB 83-60])

50 Dukelsky, Vladimir [1903-1969] Surrealistic Suite. Piano. (1939) New York: Sprague-Coleman, c1940. 19 p. 51 Dyer, Susan. An Outlandish Suite for Violin and Piano. New York: J. Fischer and Bro., c1924. 24 p.

[Panhandle Tune (no. 4) of this suite is recommended music for “Americana” studies in Louis Horst's column “Music Mart” in Dance MagazineOctober 1929.]

52 Fairchild, Blair [1877-1933] Some Indian Songs and Dances. For piano. [Foreword by Gerald Reynolds]. Mainz, Leipzig: B. Schott's Söhne, c1927. 14 p. 53 Falla, Manuel de [1876-1946] Danse Rituelle du Feu. [Piano] London: J. and W. Chester; Paris: Max Eschig, c1921. 8 p.

(On cover: L'Amour Sorcier. El Amor Brujo)

[Choreographed by Edwin Strawbridge: Rituel de Feu (ca. 1929)]

54 Falla, Manuel de [1876-1946] Deux Danses Espagnoles; No. 1 tirées de la partition de La Vie Brève (La Vida Breve) [piano]. Paris: Max Eschig, c1923. 7 p. 55 Falla, Manuel de [1876-1946] Pantomime (El Amor Brujo). London: J. and W. Chester, c1921. 4 p. 56 Falla, Manuel de [1876-1946] Pièces Espagnoles pour Espagnoles: IV: Andaluza. Paris: A. Durand and Fils, 1909. 7 p. 57 Farwell, Arthur [1872-1952] The Domain of Hurakan, Op. 15 for pianoforte. Newton Center, Mass.: Wa-Wan Press, c1902. 17 p.

(Introduction: p. 1-4)

Based on Indian Melodies.

58 Farwell, Arthur [1872-1946] Impressions of the Wa-Wan Ceremony. (Piano). New York: G. Schirmer, c1906. i-iv: introductory text; 17 p. 59 Fauchey, Paul [1858-1936] La Furlana, Danse Venitienne. Piano Seul. Paris: Adolph Furstner, c1914. 5 p. 60 Fink, Wilhelm. Auf der Pussta. Csárdás. [Piano 4 hands] Leipzig, London: Bosworth, c1899. 61 Fleischer, Oskar [1856-1933] Die Reste der altgriechischen Tonkunst. Bearbeitet von Oskar Fleischer. Leipzig: Breitkopf and Härtel, c1899. 22 p.

Introductory note p. [3]-4.

62 Flynn, Howard. Pixie Town; Intermezzo. New York: Edw. Schuberth, c1922. 6 p. 63 Foster Stephen [1826-1864] Five Melodies transcribed for piano by Paul Nordoff. London: B. Schott, c1934. 2 vols. No. 1. Katie Bell (4 p.).--No. 2. Uncle Ned(3 p.). 2 copies.

[This arrangement of Katie Bell is listed as suggested musical accompaniment for “Americana” studies in Louis Horst's book Modern Dance Forms.]

64 Foulds, John [1880-1939] Essays in the Modes. Paris: Maurice Senart, c1928. 26 p.

1. Exotic--2. Ingenuous.--3. Introversive.--4. Military.--5. Strophic.--6. Prismic.

65 Friedenthal, Albert [1862-1921] Stimmen der Völker in Liedern, Tänzen und Charakterstücken. Collected and edited by Albert Friedenthal. Section 1: Folkmusic of the American Creoles. Berlin: Schlesinger'sche Buch and Musikhandlung (Rob. Lienau), c1911. 34 p. 66 Ginastera, Alberto [1916-] 12 American Preludes. In two volumes... New York: Carl Fischer, 1946. 2 vols. 67 Ginastera, Alberto [1916-] Danzas Argentinas pour piano. Paris: Durand, c1939. 14 p.

4 p. publishers thematic catalogue at end.

68 Glover, J.M. [James Mackey] [1861-1931] Danse des Etoiles. [Piano] London: E. Ascherberg, 1893. 4 p.

(Back cover missing).

69 Godard, Benjamin [1849-1895] Deuxieme Mazurka. New York: De Luxe Music, [n.d.] 70 Godfrey, [Sir] Dan [Daniel Eyers] [1868-1939] The Titania Valse (On airs from Oberon).[Piano] London: J. Shepherd, [n.d.] 11 p. 71 Godowsky, Leopold [1870-1938], ed. On the Bridge of Avignon. Adapted and edited with instructions as to interpretation and method of study by Leopold Godowsky. Poetic idea, general information and glossary by Emerson Whithorne. St. Louis, MO: Art Publication Society, c1915. 3 [1] p. 72 Gott, George C. Old Familiar Dances, with figures, compiled and arranged by George C. Gott. Boston: Oliver Ditson, c1918. 52 p.

Contains various markings (cuts, repeats, etc.) P. 9-11, 17-19, 36.

Grainger, Percy Aldridge [1882-1961], arr. Four Irish Dances. See entry under: Stanford, C. Villiers. 73 Grainger, Percy Aldridge [1882-1961] Sea Chanty Settings, No. 1: “One more day, my John.” Piano solo. New York: G. Schirmer, c1916. 6 p. 74 Grainger, Percy Aldridge [1882-1961], arr. “Spoon River” piano solo. (American folk song settings, no. 1) New York: G. Schirmer, 1922. 2 copies).

[Suggested music for “Americana” studies in Louis Horst's “Music Mart” column, Dance Magazine, Oct. 1929.]

75 Grassi, E.C. [Eugene Cinda] [1887-1941] Cing mélodies Siamoises. (1910) Paroles francaises de M. D. Calvocoressi. New York: A.Z. Mathot, c1913. 23 p. 76 Gretchaninoff, Alexander [1864-1956] Zwei Sonatinen für Piano, Op. 110, No. 1, G dur. (Ed. Schott, no. 1297) Mainz, Leipzig: B. Schott's Söhne, c1927. 7 p.

[Choreographed by Martha Graham: Two Variations: Country Lane, City Street (1929)]

(Contains various pencil markings.)

Grosz, Wilhelm [1894-1939] Foxtrot, Op. 20 (piano). Vienna: Universal Edition, c1926. 1 p.

(Bound with: Petyrek, Felix. Mein erster Foxtrot, and is in that folder.)

77 Gruenberg, Louis, [1884-1964] Jazzberries. Four Dances for Piano, Op. 25. Vienna, New York: Universal Edition, 1925.

1. Foxtrot.--2. Blues.--3. Waltz.--4. Syncopep.

(Blues and Syncopep are indicated on cover).

(Ded. to Marion Bauer).

[Choreographed by Helen Tamiris for #3 “Waltz” (Twentieth Century Bacchante (1928)]

78 Grunn, [John] Homer, [1880-1944], arr. From Desert and Pueblo: Authentic Navajo and Tewa Indian Songs. Collected and transcr. by Elizabeth Willis De Huff and Homer Grunn. Boston: Oliver Ditson, c1924. 23 p.

(Cover inscribed by Homer Grunn, Sept. 17 1925)

79 Grunn, [John] Homer, [1880-1944] Zuni Impressions, Op. 27. Indian Suite for the pianoforte. Boston Music Co., 1917.

The Flute God.--The Rainbow Spring.--A Mysterious Story.--Korkoshi Dance (Rain Ceremony).

80 Guion, David [1895-] Sheep and Goat Walkin' to Pasture: Cowboys' and Old Fiddlers' Breakdown. Transcribed for pianoforte. New York: G. Schirmer, c1922. 7 p.

(Contains pencil markings).

[Choreographed by Agnes De Mille: '49 (1929)]

[Choreographed by Ted Shawn for “Old Fiddlers' Breakdown”: Four Dances Based on American Folk Music: No. 1 (1930)]

[Suggested musical accompaniment for “Americana” studies in Louis Horst's book, Modern Dance Forms.]

81 Hargreaves, F. The Fairies Frolic. Danse de Salon pour piano. London: Cary and Co., c1910. 7 p. 82 Harsànyi, Tibor [1898-1954] Rythmes: Cing inventions pour piano. Paris: R. Deiss, c1929. 12 p.

[No. 2 of this work is suggested musical accomp. for “Jazz” studies in Louis Horst's book, Modern Dance Forms.]

83 Hemmer, Eugene [1929-] Introduction and Dance for Two Pianos. New York: American Music Edition, 1955. 12 p.

On inside cover: “The Introduction and Dance was composed in 1949 for Jeanne and Joanne Nettleton...”

2 copies: 1 inscribed to Louis Horst by Eugene Hemmer, the other missing cover.

84 Henriquez, Serita. Aus guter alter Zeit. Walzer... Hamburg: M. Dressing [printer], [n.d] 5 p. 85 Hindemith, Paul [1895-1963] Reihe kleiner Stücke, Op. 37. Klaviermusik zweiter Teil) Mainz: B. Schott's Söhne, 1927. 39 p.

(Contains some pencil markings, mainly fingerings, word “Tanz-Stück on p. 10.)

[Choreographed by Martha Graham: Tanzstück (1927). For “Prelude and Song” from this piece: Chor. by Martha Graham: Adolescence (1929).]

86 Hindemith, Paul [1895-1963] Tanzstücke fur Klavier, Op. 19. Ed. Schott no. 1418. Mainz: B. Schott's Söhne, 1928. 22 p.

(Contains some pencil markings--rhythmic and fingerings.)

87 Ho, Rodin. Buffalo Boy's Flute. Piano solo. Edited by Alexandre Tcherepnine. Peiping, New York: 1935. 7 p. 88 Holbrooke, Josef [Joseph Charles] 1878-1958] Four Futuristic Dances, Op. 66 for pianoforte. London: J. and W. Chester, 1917. 89 Honegger, Arthur [1892-1955] Le Cahier Romaud: 5 pieces pour piano. (1921-23) Paris: Ed. Maurice Senart, c1923. 8 p.

[Choreographed by Charles Weidman. Source: Louis Horst, “Music for the modern studio,” Dance Magazine, June 1930.]

90 Honegger, Arthur [1892-1955] Trois Contrepoints pour petite flˇute, hautbois (cor anglais) violon et violoncelle. Copenhagen: Wilhelm Hansen, 1926. 3 vols. 91 Honegger, Arthur [1892-1955] Sept Pièces pour Piano. (1919-20) Paris: Les Editions de la Sirène, c1921. 8 p.

(Beginning of 4th piece bears pencil marking: “left ft.” (p. 4).

92 Honegger, Arthur. Le Roi David. Psaume Symphonique D'apres le drame, de Rene Morax. Extraits de la partition chant et piano. 1ere série. Lausanne: Edition Foetisch, 1921.

[Chor. by Charles Weidman: King David (1963).]

93 Horst, Louis [1884-1964] Incidental Music for Noah. A play in three acts by Andre Obey. English text by Arthur Wilmurt. [Dances directed by Anna Sokolow and Louis Horst.] New York: Samuel French, 1936. 14 p.

(Contains many pencil markings for stage movement and dancing.)

94 Horvath, Geza. Kinderball. 5 leichte Tanzstücke für Anfanger im Klavierspiel. (Op. 11). No. 4: Walzer. Offenbach a/Main: Johann Andre, c1898. [5 p.] Huber, Conrad, arr. “His Majesty” Quadrille. See: MacKenzie, A.C. for complete entry. 95 Ingalbrecht, Désiré [Emile], fils [1880-] Equisses Antiques. Pour flˇute et harpe ou piano.Paris: E. Demets, [n.d] v. 1. Scaphé.--v.2. Driades [Choreographed by Martha Graham: Equisse Antique (1927)]

(Contains pencil markings--changed and erased notes.)

96 Jahn, Daniel. Eleven Choreographic etudes, for piano. Choreomusic. Edited by Dolores Fredrickson. New York: Motif Publications, c1959. 11 p.

Foreword by Louis Horst notes that most pieces were written at Conn. College for Horst's Modern Formscourse and first performed there, 1955-57. Also note by Norman Lloyd.

97 Jahn, Daniel. Seven Pre-Classic Dances for piano. Choreomusic. Edited by Dolores Fredrickson. New York: Motif Publications, c1959. 11 p.

Foreword by Louis Horst notes that all pieces except the Gigue were written at Conn. College for Horst's Pre-Classic Formscourse and first performed there, 1955-1957. Also note by Norman Lloyd.

Inscribed to Louis Horst from Daniel Jahn.

98 Johnson, J. [John] Rosomond [1873-1954] African Drum Dance, no. 1. London: J. Curwen and Sons, Ltd., c1928. 12 p. Josquin des Prés [ca. 1440-1521] Une mousse de Bysquaye. See: 3 Chansons du XVme Siècle. 99 Jugoslawisches Album. Piano solo. Zagreb, etc.: Universal Edition, c1935. 28 p.

Sonatina (˘Ziga Hirschler).-- Improvisation über ein Volkslied (Bo˘zidar Kunc).--Reigen (Boris Papandopulo).

100 Kadosa, Paul [1903-] Epigramme, Op. 3, piano. (1924) Acht kleine Klavierstücke. (Kompositionen für Klavier) Mainz: B. Schott's Söhne, c1930. 7 p. 101 Kodosa, Paul [1903-] Sonata II, Op. 9. Piano. (1926-27) Mainz: B. Schott's Söhne, c1930. 15 p. 102 Kastalsky, A. [Alexander] [1856-1926] Aus vergangenen Zeiten. Leipzig and Moscow: P. Jurgenson [n.d.]

Heft I: 1. China.--2. Indien.--3. Aegypten.--Heft II: 4. Judäa--5. Hellas.--6. An der Wiege des Islam.

Contains pencil markings: Judäa (circled p. #s) and Islam.

[Recommended for choreographed by Louis Horst in his “Music Mart” column, Dance Magazine July 1929.]

103 Kàzim, Necil. Bes Piyano Parçasi: Fünf Türkische Klavierstücke. Piano solo. (1929) Vienna, Leipzig: Universal Edition, c1930. 16 p. 104 Keeney, Wendell. Mountain Tune for the piano. New York: G. Schirmer, 1936. 7 p.

Pencil markings (changed tempo, and an ending marked on p. 6).

[Possible choreographed by Nelle Fisher: Kentucky Mountain Song (1942).]

105 Ketèlbey [Albert W.] [1875-1959] In a Persian Market. Piano-conductor and parts. (Photocopy)

Annotated with stage directions such as “watch arms.”

106 Kiefert, Carl. Morocco Bound Waltz. On airs from the musical-farcical-comedy by Messrs. Branscombe, Ross and Carr. London: Joseph Williams, c1893. 11 p. 107 Kiyose, Yasuji [1900-] Piano compositions. Edited by Alexandre Tcherepnine. Peiping, Vienna, c1935. 16 p. 108 Kodály, Zoltán [1882-1967] Sept pièces pour piano, Op. 11. Vienna: Universal Edition, c1921.

(Pencil markings on p. 1, 6, and 7.)

[Nos. 1 and 3 are suggested musical accompaniment for

“Earth Primitive” studies in Louis Horst's book, Modern Dance Forms.]

109 Koechlin, Charles [1867-1950] Nouvelles Sonatines pour le piano, Op. 87, no. 1. Paris: Editions Maurice Senart, c1926. [6 p.]

(Contains pencil markings.)

110 Koechlin, Charles. Sonate pour deux flˇutes, Op. 75. Paris: Editions Maurice Senart, c1922. 7 p. 111 Komitas, R.P. Danses. (Musique Populaire Armenienne. Novelle Série, Cahier I.) Paris: Editions Maurice Senart, c1925. 15 p. 112 Kósa, György [1897-] Bagatellen (3 traurige und 3 lustige). Piano solo. (1924) Vienna, New York: Universal Edition, c1926. 12 p.

(No. 6: “Wut” contains pencil markings; p. 12 is marked off.)

[Choreographed by Martha Graham: Merry Bagatelles/Melancholy Bagatelles (1929).]

113 Kósa, György. Klein Jutka. 12 Klavierstücke (1928). Vienna, Leipzig: Universal Edition, c1929. 16 p. 114 Krein, Julien [1913-] Huit préludes, Op, 5 pour piano. Beha, Vienna, etc.: Universal Edition A.G., 1928. 13 p.

[Nos. 4, 2 and 7: Choreographed by Martha Graham: Sketches from the People (1929).]

115 Krènek, Ernst [1900-] Fünf Klavierstücke, Op. 39. (1925) Vienna, Leipzig: Universal Edition A.G., 1926. 11 p. 116 Krènek, Ernst [1900-] 12 Short Piano Pieces, written in the twelve-tone technique, Op. 83. New York: G. Schirmer, c1939. 20 p. 117 Kroll, Louis. Idiosyncrasies for piano. New York: O. Flaschner, c1928. 21 p. 118 Labroca, Mario [1896-1973] Ritmi di Marcia. Piano solo. (1922) Vienna, New York: Universal Edition, c1926. 9 p. 119 Laina, P. Turrión; jota. (Colección de Bailes Espagnoles Arreglados para piano, tal como se Bailan, por F. Garcia Navas.) Madrid: Casa Dotesio, [n.d.]

(Penciled-in tempo.)

120 Lane, Eastwood [1879-1951] Sold Down the River: An American Ballet. (Piano). New York: J. Fischer, c1928. 45 p.

Contains cues and scenario.

Preamble.--Uncle Tom and Legree.--Little Eva.--Topsy's Dance. Sand Shuffle.--Uncle Tom's Dance--Sold Down the River.--Dirge.

--Little Eva Goes to Heaven.

[In his “Music Mart” column (Dance Magazine Oct. 1929), Louis Horst wrote that this piece was composed for Ted Shawn.]

121 Lavin, Carlos. Mythes Araucans, pour piano. (1926) Paris: Ed. Max Eschig, c1929. 16 p.

[Contains pencil markings (p. 9 and 10.)

122 Lavin, Carlos. Suite Andine. Pour piano. Paris: Max Eschig, c1929. 12 p. 123 Lehmer, Derrick Norman. Seven Indian Songs from the Yosemite Valley. (Flute, voice and piano). Berkeley: U. of Calif., c1924. 18 p.; Flute obbligato part 4 p.

Miwok songs.

Introductory text on p. [1] by Lehmer.

124 Leifs, Jón [1899-1968] Isländischer Tänze, Op. 11, nos. 1-4. Piano solo. Leipzig: Kistner and Siegel, 1932. 7 p. 125 Leifs, Jón [1899-1968] Vier Klavierstücke, Op. 2. (1922) Leipzig: Kistner and Siegel, 1931. 7 p. 126 L'enfant, Ed. Évolution; suite de danses en 1 acte. Choreographie de Mlle. Louise Virard. (Piano). Paris: Choudens, c1928. 62 p.

Intro.--Marche des Sisters Barrisson.--Jazz.--Valse Classique.

Cake-Walk.--Mannequins.--Flirt-Polka.--Sport (Boston)--Grand Valse Finale.

127 Lenormand, Rene Pièces Exotiques pour piano, Op. 92. Paris: J. Hamelle, [n.d.]. 15 p. 128 Leopold, B. Souvenir D'Athènes. Fantasie-selection sur des mèlodies populaires grecques. Piano-direction. Leipzig: Jul. Heinr. Zimmerman, [n.d.] 15 p. 129 Leybach, J. [Ignatius Xavier Joseph] [1817-1891] Première Saltarella, Op. 59. Pour le piano. Mainz: B. Schott's Söhne, [n.d.] 9 p. 130 Loomis, Harvey Worthington [1865-1930] Lyrics of the Red Man: Sketches on American Indian Melodies, Op. 76. Books I and II. New York: G. Schirmer, c1912. 2 vols. 131 Löw, Josef [1834-1886] Böhmische Tänze: für Pianoforte zu vier Händen. Op. 457, no. 1 in a moll. Bremen, New York: Fischer, [n.d.] 11 p. 132 Luening, Otto [1900-] Coal Scuttle Blues, by Otto Luening and Ernst Bacon. For two pianos. New York: Assoc. Music Publishers, c1944. 20 p.

(2 copies, one lacking cover.)

133 Lutz, [Wilhelm] Meyer, Quaker Dance. (piano). London, New York: E. Ascherberg and Co., c1892. 4 p.

“Danced with Immense Success by the Gaiety Quartette in `Cinder-Ellen-Up-Too-Late'.”

134 Mackenzie, A.C.[Alexander Campbell] [1847-1935] “His Majesty” Quadrille, or (The Court of Vingolia) on airs from Messrs. F.C. Burnand and R.C. Lehmann. Arranged by Conrad Huber. London: Joseph Williams, c1897. 5 p. 135 Maleingreau, Paul de [1887-1956] Préludes à l'Introït; pour orgue sans pédale. Op. 25. Paris: Ed. Maurice Senart, c1924-30. vol.; Typescript leaf of definitions of Introit, and O.T./N.T. defs. of Pentecost.

[Suggested muscial accomp. for “Religious Medieval” in Louis Horst's book, Modern Dance Forms.]

136 Malipiero, Gian Francesco [1882-1973], arr. La Cimarosiana: Ballet Suite. Cinq fragments symphoniques. Arr. for piano by Eric Blom. London: J. and W. Chester, Ltd., 1922. 11 p.

Signature on cover: Robert Sabin.

137 Malipiero, Gian Francesco [1882-1973] Maschere che Passano. Per pianoforte (1918). London: J. and W. Chester, c1920.

Contains many pencil markings.

138 Martinů, B. [Bohuslav] [1890-1959] Equisses de Danses. 5 pièces pour piano. Mainz, Leipzig: B. Schott's Söhne, c1933. 14 p. 139 Martin˙u, Bohuslav [1890-1959] Preludes pour piano, en forme de danse. Paris: Alphonse Leduc, c1930. 4 p.

Contains some pencil markings.

140 Matsyama, Yoshinori. Cinq Chansons Caracteristiques Japonaises. Paris: Editions Maurice Senart, c1922. 11 p. 141 Michaïlow, A. Toccata; für Klavier. Moscow, Beha, etc: Universal Edition, A.G., 1931. 11 p.

Contains many pencil markings; measures crossed out.

Cover is stamped: Helen Tamiris Collection.

142 Mignone, Francisco [1887-] Quatro Peças Brasilieras, para piano. Milan: G. Ricordi, 1930. 13 p.

1. Maroca.--2. Maxixando.--3. Nazareth.--4. Toada.

143 Migot, Georges [1891-1976] Ad usum delphini; pour le piano. Paris: Durand and Fils, c1929. 12 p. 165 Milhaud, Darius [1892-1974] Rag-Caprice. Vienna, New York, etc: Universal Edition, c1923. [4 p.]

(Bound with: Petyrek, Felix. Mein erster Foxtrot, and can be found in that folder.)

144 Milhaud, Darius [1892-1974] Trois Rag-Caprices; pour piano. (1922) Vienna: Universal Edition, c1923. 11 p.

Dedicated to Jean Wiener.

No. 2 is a suggested musical accompaniment for “Jazz” studies in Louis Horst's book, Modern Dance Forms.

145 Miller, Horace Alden. Four Indian Themes. (Piano solo). New York: Breitkopf and Härtel, c1917. 10 p. 146 Mompou, Federico [1893-] Cançó i dansa. Part I. New edition By Paul Kay (piano). Providence, RI: Axelrod-Music, c1938. 4 p. 147 Mompou, Federico [1893-] Dialogues. (Pour piano). Paris: Max Eschig, c1926. 7 p. 148 Mompou, Federico [1893-] Trois Variations. (Piano). Paris: Max Esching, c1926. 5 p. 149 Mossolow, A. [Mossolov, Alexander] [1900-1973] Trois pièces et deux dances, Op. 23. (Piano). (1927) Leningrad: Triton-Edition, c1928. 7 p. 150 Mouquet, Jules [1867-1946] Danse Grecque: flute and piano, Op. 14. Paris: Henry Lemoine, c1907. 7 p.; 3 p.

flute part.

[Suggested music for choreography on Greek themes (Louis Horst in his “Music Mart” column, Dance MagazineAug. 1929)]

151 Mouquet, Jules [1867-1946] Divertissement Grec: Suite sur les touches blanches pour piano, Op. 23. Paris: Henry Lemoine, c1909. 20 p.

[Suggested music for choreography on Greek themes (Louis Horst in his “Music Mart” column, Dance MagazineJuly 1929)]

152 Mouquet, Jules [1867-1946] Etudes Antiques pour piano: Modes Grecs, Op. 35, no. 2. Paris: H. Lemoine, c1913. 15 p. 153 Mouquet, Jules [1867-1946] Etudes Antiques pour piano: Première partie: Modes primitifs. Op. 35, no. 1. Paris: Henry Lemoine, c1913. 11 p. 154 Musik aus früher Zeit (1350-1650). Für Klavier. Hrsg. von Willi Apel. Mainz, Leipzig: B. Schott's Söhne, c1934. 2 vol.

Heft I: Deutschland und Italien.--Heft II. England, Frankreich, Spanien.

155 Necke, Hermann. Kolo; Altserbischer Schokazzentanz mit einer interessanten Einleitung über den Charakter des Tanzes. (Piano). Leipzig: Carl Rühle, c1911. 7 p. 156 Neugeboren, H. Quatre pièces sur des thèmes populaires roumains, pour piano. Paris: Alphonse Leduc, c1930. 11 p. 157 Niemann, Walter [1876-1953] Variationen über eine altholländische Sarabande fur Klavier zu 2 Handen. Op. 118, no. 2. Leipzig: C.F. Peters, 1930. 16 p. 158 Norden, Leo. Plaudereien: Klavierstücke für die junge Welt, Op. 30. Leipzig: D. Rahter, c1907. Nordoff, Paul [1909-1977], arr. See: Foster, Stephen. Five melodies transcribed for piano. 159 Novak, Vitezslav [1870-1949] Exoticon. Kleine Suite für Klavier, Op. 45. Vienna, Leipzig: Universal Edition, c1911. 21 p. 160 Palmgren, Selim [1878-1951] Contradiction, Op. 76, no. 5. (Compostions for the piano) New York: Composers' Music Corp., c1922. 3 p. 161 Palmgren, Selim. March to the Gallows. Op. 79, no. 9. (Compositions for the piano) New York: Composers' Music Corp., c1922. 6 p. 162 Palmgren, Selim. Prelude in D flat: “War,” Allegro Marziale for Pianoforte. London: J. and W. Chester, [1938?] 4 p. 163 Pavley-Oukrainsky Ballet School. Music for barre exercises. Chicago: H.T. Fitzsimons, c1928. 18 p.

Pencil markings, pages marked off.

164 Perry, Charlotte. The Feast of Raymi: A Peruvian play for children with choreography and music by Charlotte Perry; musical settings by D.H. Decker. New York: J. Fischer and Bro., c1942. In 3 sections: Main text of play with stage directions 10 p.; dance descriptions 9 p.; music 8 p. 165 Petyrek, Felix [1892-1951] Mein erster Foxtrot. (Piano) Vienna: Universal Edition, c1927. [1 p.]

(Also in folder: Milhaud, Darius. Rag Caprice, which is on verso of this piece, and Grosz, Wilhelm. Foxtrot.The 3 works on p. 27-32, apparently were part of a collection.)

166 Petyrek, Felix [1892-1951] Drei Tänze für Flöten. (1924) Vienna, New York: Universal Edition A.G., c1925. 9 p.

1. Hirtenweise für eine Flöte.--2. Opfertanz für zwei Flöten.--3. Variationen für zwei Flöten.

167 Philipp, I. [Isidor] [1863-1958], arr. 6 Danses et airs anciens: transcriptions libres pour piano, Op. 76. Paris: Heugel, c1930. 23, 4 p.

I. Prélude (B. Pasquini)--II. Air (B. Pasquini)--III. Danse dans le style espagnol F. Caroso)--IV. Sicilienne et Gavotte (P. Castrucci)--V. Largo (L. Vinci)--VI. Menuet varié (L. Vinci).

168 Piercy, W. Gipsy Idyll. Suite (piano). London: Bosworth, c1930. 7 p. 169 Pista, Dankó. Opera-Csárdás. [Piano] Budapest: Zipser És König, [n.d] 7 p. 170 Ponridy, G. [Ponridis, Georges, 1892-] Rhythmes Grecs: lere suite pour piano. Paris: Éditions Maurice Senart, c1928. 20 p. 171 Potpeschnigg, Heinrich. Aus der Steiermark. Vier Ländler und Coda (Piano). Berlin: Verlag von Ries and Erler, [n.d] 172 Pouget, Léo. Popular Dance: La Sabotière de Gyska. (Piano) Paris: Costallat, c1912. 4 p.

(Pencil on cover: Ballet).

173 Poulenc, Francis [1899-1963] Suite Française pour piano d'après Claude Gervaise (16 siècle). Paris: Durand, c1935. 15 p. 174 Powers, Maxwell M. Patterns (Sarabande-Allemande-Gigue). Piano solo. New York: Mercury Music Corp., c1943. 4 p. 175 Prokofiev, Sergei [1891-1953] Menuetto. Op. 32, no. 2 for piano (1918). Leipzig: Breitkopf and Härtel, c1922. 3 p. 176 Prokofiev, Sergei [1891-1953] [4 pieces] Piano solo, Op. 3. (1910-12) Leipzig: Anton J. Benjamin, c1925. 9 p.

1. Erzählung.--2. Scherz.--3. Marsch.--4. Trugbild. (In poor condition. Pages of “Trugbild” are marked with “x”)

177 Pugioli, Giuseppe. 5 Chansons Arabes. Transcrites pour piano. Milan: Ricordi, [n.d] 5 vols. (13, 25, 7, 7, 7 p.

Volumes 3, 4, 5, 6, and 7.

178 Pugioli, Giuseppe. 6 Melodie Arabe. Trascritte per piano-forte. Milan: Ricordi, [n.d] 2 vols (12, 15 p.

Volumes 1 and 2.

179 Randegger, Alberto Jr. Bohemian Dances for Violin and Pianoforte, Op. 21, 22, 23. Berlin: Bote and Bock; London: Willocks and Co., Ltd., c1904. 4 vols.

(2nd vol. contains penciled note)

180 Rathaus, Karol [1895-1954] 6 Kleine Klavierstücke, Op. 11. Vienna, New York: Universal Edition, c1926. 20 p.

1. Vorspiel auf dem Theater.--2. Ganz allein im Walde.--3. Trauermarsch auf den Tod eines Riesen.--4. Eine kleine Serenade.--5. Schlangenbeschwörer.--6. Schweine.

181 Ravel, Maurice [1875-1937] Ma Mère L'Oye: 5 pièces enfantines pour piano à 4 mains. Paris: Durand, c1910. 18 p. 182 Rebikov, Vladimir [1866-1920] Dans la Forêt, Op. 43 (piano). Moscow, Leipzig: P. Jurgenson, [n.d.] 15 p.

Erased pencil on p. 15: “chorus until speech.”

183 Rebikov, Vladimir [1866-1920] Trois Idylles pour Piano, Op. 50. Moscow, Leipzig: P. Jurgenson, [n.d.] 7 p.

1. Hymne au soleil -- 2. Dans un vaste éspace -- 3. Parmi les fleurs.

184 Rebikov, Vladimir [1866-1920] Méloplastique: Mouvements plastiques. Suite pour piano. Moscow, Leipzig: P. Jurgenson, [n.d.] 16 p.

In pencil on p. 8: “Group number.”

[This piece is recommended for choreography on Greek themes in Louis Horst's “Music Mart” column, Dance Magazine, Aug. 1929.

185 Rechid, Djemal. Scènes Turgues sur des airs populaires de Danses d'Anatoile. Pour piano. Paris: Heugel, c1928. 41 p. 186 Reimann, Heinrich, [1850-1906], hrsg. Internationales Volksliederbuch. Vol. 1 and 2. Eine Sammlung Ausländischer Volkslieder (for Voice and Piano). Berlin, Leipzig: N. Simrock, [n.d.]. 187 Respighi, Ottorino [1879-1936] Antiche Danze ed Arie. Riduzione per pianoforte. Milan: G. Ricordi, c1919.

I. Balletto detto “Il Conte Orlando” (Molinaro) -- II. Villanella (Ignoto) -- III. Gagliarda (Galilei) -- IV. Italiana (Ignoto) -- V. Siciliana (Ignoto) -- VI. Passacaglia (Roncalli).

188 Reutter, Hermann [1900-] Kleine Klavier Stücke, Op. 28. Mainz, Leipzig: B. Schott's Söhne, c1928. 18 p.

Some erased pencil markings.

189 Reutter, Hermann [1900-] Missa Brevis für Alt, Violine und Violoncello, Op. 22. Mainz, Leipzig: B. Schott's Söhne, c1930. 27 p. 190 Reutter, Hermann [1900-] Die Passion in 9 Inventionen, aus den “Biblischen Szenen” für Klavier, Op. 25. Mainz, Leipzig: B. Schott's Söhne, c1930. 10 p.

No. 2, Christus in Gethsemane is marked with an “X” in pencil.

191 Rhené-Baton [1879-1940] Au Pardon de Rumengol, pour piano. Op. 25. (1921) Paris: Durand, c1922. 39 p.

[“Ronde” from this piece choreographed by Martha Graham: Ronde (1927)]

192 Rhené-Baton [1879-1940] Cortège Funèbre d'un Samuraï, pour piano à 2 mains, Op. 37. Paris: Durand and Fils, c1925. 5 p. 193 Rhené-Baton [1879-1940] Danse pour Anne de Bretagne, Op. 44. Pour piano. Paris: Durand and Fils: c1926. 11 p. 194 Rhené-Baton [1879-1940] Marche des Rois Mages, Op. 39. Pour piano à 2 mains... Paris: Durand and Fils, c1925. 5 p. 195 Riegger, Wallingford [1885-1961] New and Old: Twelve pieces for piano; complete with an analysis and explanation of Modern Terms. London: Boosey and Hawkes, [n.d.] 38 p. 196 Rolon, José [1883-1945] Tres Danzas indigenas Mexicanas (Jaliscienses) pour piano. Paris: Max Eschig, c1930. 11 p. 197 Röntgen, Julius [1855-1932] Holländisches Volksleben, Op. 81. (Piano) Leipzig: D. Rahter, c1927. 30 p. 198 Rosen, Nina. Sieben Orientalische Weisen, aus dem Munde des Volkes in Teheran. Köln: P.J. Tonger, [n.d.] 199 Royle, Popplewell. Iola: The New Dance “Iolanthe.” [Piano] London: E. Ascherberg, c1891. 5 p. 200 Rumba Land Album. A choice collection of the best known Rhumbas. New York: Edward B. Marks, c1922. 47 p. 201 Rummel, J., arr. Bells of Corneville Valse (Robert Planquette). London: J. Williams [n.d.] 5 p. 202 Rummel, Walter Morse [1887-1953] Hesternae Rosae. London: Augener Ltd., c1913. 42 p.

(Vol II: IX Chansons de Troubadours des XII and XIIIeme siècles)

203 St. Quentin, Edward. Aladdin: A Chinese Dance. London: Robert Cocks and Co., [n.d.] 7 p. 204 Salomon, A. Zaspiak-Bat. Suite Basque pour piano. Paris: Hamelle, [n.d.] 11 p. 205 Santoliquido, Francesco [1883-1971] La Danzatrice Araba. For piano solo. New York: Edward B. Marks, [n.d.] 5 p. 206 Sartorio, Arnoldo. Invitation à la Mazurka: Morcau de Salon pour piano... Op. 290. Leipzig: Cranz, [n.d.] 9 p. 207 Satie, Erik [1866-1925] Croquis et Agaceries d'un Bonhomme en Bois. Pour piano. Paris: E. Demets, c1913. 10 p.

I. Tyrolienne turque -- II. Danxe maigre -- III. Españaña.

208 Satie, Erik [1866-1925] Danses gothiques. Pour piano. (Oeuvres Posthumes) Paris: Rouart Lerolle, c1929. 7 p.

(Contains pencil markings).

209 Satie, Erik [1866-1925] Descriptions Automatiques pour piano. Paris: E. Demets, c1913. 8 p.

I. Sur un vaisseau -- II. Sur une lanterne -- III. Sur un casque. (Contains some pencil markings)

210 Satie, Erik [1866-1925] Embryons Desséchés. Paris: E. Demets, c1913. 11 p.

(Contains pencil markings; eng. translation in pencil)

211 Satie, Erik [1866-1925] Heures Séculaires et Instantantées. (Piano) (1914) Paris: E. Demets, c1917. 7 p.

I. Obstacles venimeux -- II. Crepuscule matinal (de midi) -- III. Affolements granitiques. (Eng. translation of notes in score written in ink)

212 Satie, Erik [1866-1925] Messe des Pauvres. (Orgue ou piano) Paris: Rouart Lerolle, c1929. 11 p.

(Oeuvres Posthumes)

Contains erased pencil markings in “Chant ecclésiastique” section.

213 Satie, Erik [1866-1925] Les Pantins Danset (Oeuvres Posthumes pour piano). (1913) Paris: Rouart, Lerolle, c1929. 3 p. 214 Satie, Erik [1866-1925] Trois Poèmes d'Amour (pour piano et chant). Paris: Rouart, Lerolle, c1916. 3 p. 215 Satie, Erik [1866-1925] Prélude en Tapisserie (Oeuvres Posthumes pour piano). (1906) Paris: Rouart, Lerolle, c1929. 3 p.

(Contains a few pencil markings)

216 Satie, Erik [1866-1925] Premier Menuet. (Piano) (1920) Paris: Les Editions de la Sirène, c1922. 3 p. 217 Satie, Erik [1866-1925] [Premiere and 3ème Sarabande] (Piano) (1887) Paris: Rouart, Lerolle, [n.d.] 2 vols.

(Contains many pencil markings: “repeat”, etc.)

218 Satie, Erik [1866-1925] Sonneries de la Rose + Croix. (Piano) Paris: Rouart, Lerolle, [n.d.] 12 p. 219 Satie, Erik [1866-1925] Véritables Préludes Flasques (pour un Chien) pour Piano. Paris: Max Eschig, c1912. 6 p.

(Contains some pencil markings)

220 Scharwenka, Philipp [1847-1917] Polnische Tanzweisen für das Pianoforte zu vier Händen. Bremen: Praeger and Meier, [n.d.] 23 p. 221 Schmitz, E. Robert [1889-1949] 12 Miniature Sketches in Archaic Mood. Op. 8, no. 3, for piano. New York: C. Fischer, 1948. 15 p. 222 Schönberg, Arnold [1874-1951] Suite für Klavier, Op. 25. Vienna, New York: Universal Edition A.G., c1925. 24 p. 223 Schulhoff, Erwin [1894-1942] Ogelala: Ballettmysterium in einem Aufzug nach einem antikmexikanischen Original. Aus der Sammlung “Les drames ballets du Tun” von Abbé Brasseur de Bourbourg (Paris, 1862), frei bearbeitet von Karel J. Benes. Vienna, New York: Universal Edition, c1925. 57 p. 224 Schulhoff, Erwin [1894-1942] Partita. (Compositions pour piano) Vienna, New York: Universal Edition, c1925. 23 p. 225 Schuman, William [1910-] Three-Score Set. For the Piano. New York: G. Schirmer, c1943. 5 p. 226 Schumann, Gustave. Tarantelle pour piano, Op. 11. Berlin: Bote and Bock, [n.d.] 13 p.

(Contains many pencil markings, and is sectioned in pencil with Roman numerals)

227 Scott, Cyril [1879-1970] Lotus Land, Op. 47, no. 1 Piano conductor). Transcribed for orchestra by Eldridge Newman. [London]: Elkin and Co., Ltd., c1935. 7 p.

[Choreographed by Michio Ito (1928); Choreographed by Yvonne Georgi: Salome (1929); Choreographed by Jean Börlin (ca. 1930)]

228 Scriabin, Alexander [1872-1915] Prélude, Op. 33, no. 3 and 4. 3 [5-7] p.

(No cover or imprint)

Pages marked with pencil.

229 Scriabin, Alexander [1872-1915] Prélude, Op. 74, no. 4. Leipzig, Milan: Anton J. Benjamin. [2]-3 p.

Pages marked with pencil.

230 Seelig, Carl, comp. Grotesken-Album. (Piano) Vienna, New York: Universal Edition, c1921. 42 p.

Zwei Improvisationen über ungarischen Bauernmelodien, Op. 20 (Bartok) -- Walzer; Polka (Walter Grosz) -- Zwei groteske Stücke (Alois Haba) -- Tanzstudie (Ernst Krenek) -- Excentric (Felix Petyrek) -- Wurstelprater (Petyrek) -- Der Offizielle Empfang (Petyrek) -- Zwei kleine Klavierstücke (Karl Rathaus) -- Aus Terrassen (Rudolf Reti) -- Burleske, Op. 11, Nr. 3 (Egon Wellesz).

231 Seelig, Paul J. Bimokoordho. March Javanaise, Op. 14. Piano, 4 hands. Leipzig: Hug and Co., [n.d.] 11 p. 232 Seelig, Paul J. 3 Danses Javanaises. (Piano) Leipzig: Hug and Co., c1928. 15 p. 233 Seelig, Paul J. 3 Gesänge aus der Malayischen Epik, Op. 23 (voice and piano). Leipzig: Hug and Co., c1913. 13 p.

Malayan text with German translations.

234 Seelig, Paul J. Lagoe-Lagoe. Lyrische Stücke aus dem Sunda Archipel. Op. 18, für Pianoforte. Heft I. Leipzig: Hug and Co., [n.d.] 13 p. 235 Seelig, Paul J. Lagoe-Lagoe. Lyrische Stücke aus dem Sunda Archipel. Op. 21 für Pianoforte. Heft 2. Leipzig: Hug and Co., [n.d.] 236 Seelig, Paul J. Lagoe-Lagoe (Krontjong Album). Lyrische Stücke a.d. Sunda Archipel. Op. 26 (Piano). Heft III. Leipzig: Hug and Co., c1921. 13 p. 237 Seelig, Paul J. Lagoe-Lagoe. Op. 33. Heft IV. Leipzig: Hug and Co., c1921. 14 p. 238 Seelig, Paul J. Lagoe-Lagoe. Javanese Songs. Lyrische Stücke a.d. Sunda Archipel (Op. 34). Heft V. Leipzig: Hug and Co., c1921. 11 p. 239 Seelig, Paul J. Rhapsodie Javanaise. Piano. Bearbeitet von E.R. Hansen. Leipzig: Hug and Co., c1913. 12 p.

(Contains some pencil markings)

240 Seelig, Paul J. Tembang Sunda. Liebeslieder, Op. 28. Piano. Leipzig: Hug and Co., c1922. 7 p. 241 Shelley, Harry Rowe [1858-1947] The Snake-Charmer; Oriental Picture. (Piano-conductor) Arr. by Adolf Schmid. New York: G. Schirmer, c1924. 4 p. 242 Shostakovich, Dmitri [1906-1975] Trois Danses Fantastiques, Op. 1 (pour piano). Moscow: Staatsmusik Verlag, R.S.F.S.R., 7 p. 243 Shostakovich, Dmitri [1906-1975] 24 Preludes for Piano, Op. 34. Edited with special annotations by Vivian Rivkin. New York: Leeds Music, c1945. 43 p. 244 Skilton, Charles Sanford [1868-1941] Three Indian Sketches for Piano. New York: Carl Fischer, c1919. 17 p.

1. Kickapoo Social Dance -- 2. Sioux Flute Serenade -- 3. Winnebago Revel.

(Erased pencil markings.)

245 Slavenski, Josip [1896-1955] Aus dem Balkan: Gesänge und Tänze (piano). Mainz und Leipzig: B. Schott's Söhne, c1926-28.

Vol. I: 1910-1917 -- Vol. 2: 1927.

[Two numbers of this suite choreographed by Martha Graham: Immigrant (1928)]

246 Slavenski, Josip [1896-1955] Jugoslawische Suite für Klavier, Op. 2. Mainz: B. Schott's Söhne, c1926. 21 p. 247 Slavit, Lewis. An American Country Dance. New York: Edward Marks, c1942. 4 p.

(For piano solo)

248 Sowerby, Leo [1895-1968] Money Musk: A Country Dance tune, set for piano. [Boston]: C.C. Birchard and Co., c1924. 9 p.

Suggested musical accomp. for “Americana” studies in Louis Horst's “Music Mart” column, Dance Magazine, Oct. 1929.

249 Staempeli, Edward. Six Pieces pour le piano. Paris: Sirene Musicale, c1933. [2] p.

(13-15; marked in ink as 14-16)

250 Stanford, C. Villiers [1852-1924] Four Irish Dances, arr. for piano by Percy Grainger. New York: J. Fischer, c1916. 3 vols.: 1, 3 and 4.

1. A March Jig -- 3. The Leprechaun's Dance -- 4. A Reel. Vol. 3 is incribed on cover: To Harriette Brower by Percy Grainger.

251 Stoughton, R.S. [Roy Spaulding] In India: Suite for Organ. Boston: White-Smith Music Publ., c1918. 25 p.

1. The Grove of the Palms -- 2.By the Ganges -- 3. The Dancing Girls of Delhi -- 4. Incantation -- 5. In the Palace of the Rajah.

[Choreographed by Ruth St. Denis: The Black and Gold Sari (1928) (In the Palace of the Rajah, no. 5). Source: Louis Horst, “Music Mart” Dance MagazineJune 1929. (Horst in this column also cites “Dancing Girls of Delhi” (no. 3, but cited as no. 2) as music for a Denishawn group dance).]

252 Stoughton, R.S. [Roy Spaulding] The Spirit of the Sea. A Ballet. Legend by Ruth St. Denis. New York: G. Schirmer, c1926. 27 p.;

Frontispiece of Ruth St. Denis and Ted Shawn in the original production of “The Spirit of the Sea.”

253 Strauss, Eduard [1835-1916] Tanz-Candidaten Walzer für Klavier, Op. 293. Leipzig: Jul. Heinr. Zimmerman, c1985. 11 p. 254 Strauss, Richard [1864-1949] Der Rosenkavalier, Op. 59. Concert Waltz arr. for piano by Otto Singer. London, New York, etc.: Boosey and Hawkes, Ltd., c1943. 15 p. 255 Streabloog, L. Le Petit Carnaval, Op. 105. 6 Danses Faciles for piano. Mainz, Leipzig: B. Schott's Söhne, [n.d.] 16 p. 256 Stutschewsky, Joachim [1891-] Palastinensische Skizzen. Piano solo. Vienna, Leipzig: Universal Edition A.G., c1931. 12 p. 257 Symons, Dom Thomas. Belinda's Second Suite for Piano. Paris: Editions Maurice Senart, c1927. 18 p. 258 Szanto, Theodor [1877-1934] In Japan: Four studies in Japanese harmony, based on native songs, for the pianoforte. London: Elkin and Co., Ltd., c1922. 11 p. 259 Szanto, Theodor [1877-1934] Zwei Japanische Melodien aus der Oper “Taifun.” Piano solo. Vienna, New York: Universal Edition, c1924. 5 p. 260 Tansman, Alexandre [1897-] Sonata Rustica. Piano solo. Vienna, New York: Universal Edition, c1926. 17 p. 261 Tansman, Alexandre [1897-] Sonatine Transatlantique en trois parties: Fox-trot; Spiritual and blues; Charleston. Paris: Alphonse Leduc, c1930. 262 Tcherepnin, Alexander [1899-1977] Feuilles Libres pour piano. Paris: A. Durand, c1924. 9 p. 263 Tcherepnin, Alexander [1899-1977], ed. Modern Japanese Piano-Album. Peiping, Vienna, c1935. 12 p. 264 Tcherepnin, Alexander [1899-1977] Petite Suite pourpiano. Paris: A. Durand and Fils, c1923. 16 p. 2 copies. 265 Tcherepnin, Alexander [1899-1977] Voeux, pour piano, Op. 39. Paris: A. Durand, c1926. 11 p. 266 Tellam, Heinrich. Cosmopolite-Valse. (Piano) Nice: Decourelle, [n.d.] 9 p. 267 Toch, Ernst [1887-1964] 10 Einfache Etüden für Klavier. Op. 58. Mainz: B. Schott's Söhne: c1931. 19 p. 268 Toch, Ernst [1887-1964] 10 Konzert Etüden für Klavier. Op. 55. Mainz: B. Schott's Söhne, c1931. 16 p. 269 Toch, Ernst [1887-1964] 10 Vortrags Etüden. Piano. (Op. 56) Heft I and II. Mainz: B. Schott's Söhne, c1931. 2 vols. 270 Translateur, S. Marionetten-Spiel, Op. 139. Berlin: Schlesinger'sche Buch and Musikhandlung (Rob. Lienau), c1906. 6 p. 271 Troyer, Carlos, transcr. Traditional Songs of the Zuñi Indians. Phila: Theo. Presser, c1904-1914. 14 vols.

Vol. #9794, “Ghost Dance of the Zuñis”: Choreographed by Ted Shawn: Zuni Indian Ghost Dance (1931).

272 Turina, Joaquin [1882-1949] Cinq Danses Gitanes. Piano. Paris: Rouart, Lerolle, c1930. 18 p. 273 Turina, Joaquin [1882-1949] Le Cirque Suite pour Piano. Mainz: B. Schott's Söhne, c1932. 14 p. 274 Valverde [y San Juan], Joaquin, fils [1875-1918] Danse du Paraguay, (La Paraguya). Orchestree par L. Diodet. Paris: Casa Dotésio, c1907. 6 p. 275 Van de Wall, Constant. 2me Rapsodie Javanaise, Op. 51. (Piano). Paris: Ed. Maurice Senart, [n.d.] 8 p. 276 Vanasek, Benedict. A Musical Calendar of Astral Birth Scales. New York: B. Vanasek, c1936. 4 (oversize fold-out) p. 277 Vianna, Fructuoso [1896-] 7 Miniaturas (sobre temas Brasilieros) Piano. San Paulo, Brasil: L.G. Miranda, [n.d.] 12 p. 278 Villa-Lobos, Heitor [1887-1959] Alma Brasiliera (Chôros No. 5). Piano. New edition by Felix Guenther. New York: Edward B. Marks, c1942. 8 p. 279 Villa-Lobos, Heitor [1887-1959] Chansons Typiques Brésiliennes... despuis les chants Indiens... (Nos. 1, 2, 6, 8, 10.) Paris: Ed. Max Eschig, c1929-30. 5 vols. 280 Villa-Lobos, Heitor [1887-1959] O Chicote do Diabinho (The Devil's Whip).) Piano. New ed. by Paul Kay. Providence, RI: Axelrod-Music, c1938. 4 p. 281 Villa-Lobos, Heitor [1887-1959] Dancas Caracteristicas Africanas. Farrapos, Op. 47; Kankukus, Op. 57; Kankikis, Op. 65. Rio: Arthur Napoleão, [n.d.] 3 vols. 282 Villa-Lobos, Heitor [1887-1959] O Ginête do Pierrôzinho. No. 1 do Carnaval das Crianças (1920). Rio: Sampaio Araujo and Ca., [n.d.] 3 p. 283 Villa-Lobos, Heitor [1887-1959] Os Guizos do Dominó Sinho. No. 4 do Carnaval das Crianças. Rio: Casa Arthur Napoleão, [n.d.] 3 p. 284 Villa-Lobos, Heitor [1887-1959] As peripécias do Trapeirozinho. Carnaval das Crianças, no. 5 (1919) Piano. Rio: Arthur Napoleão, [n.d.] 5 p. 285 Villa-Lobos, Heitor [1887-1959] Pobre Cega. Cirandas No. 5. (Piano) 1926. Rio: Sampaio Araujo, [n.d.] 3 p. 286 Villa-Lobos, Heitor [1887-1959] Tres Poêmas Indigenas. Piano Paris: Max Eschig, c1929. 17 p.

(Contains many pencil markings: indications for kneeling, turning, hand clasp; timings; crossed out measures.)

287 Villa-Lobos, Heitor [1887-1959] [A Próle do Bébé] The Baby's Family. Series One for Piano. New York: Edward B. Marks, 1946. 40 p. 288 Villa-Lobos, Heitor. A Próle do Bébé (no. 1): Branquinha. Rio: Sampaio Araujo, [n.d.] 9 p. 289 Villa-Lobos, Heitor. A Próle do Bébé. No. 2: Os Bichinos.1. A Baratinha De Papel (1921) Paris: Max Eschig, c1927. 4 p.

Contains pencil markings; “faster” on p. 4.

290 Villa-Lobos. Heitor. Saudades das sélvas brasilieras. Piano. Paris: Max Eschig, c1927. 11 p. (2 copies 291 Villa-Lobos, Heitor. Suite pour chant et violon, piano. (1923). Paris: Max Eschig, c1925. 12 p.

I. A Menina e a Cançâo -- II. Quéro ser Alégre -- . III. Sertaneja. Contains erased pencil markings.

292 Villa-Lobos, Heitor [1887-1959] As traquinices do mascardo Mignon. (No. 6 do Carnaval das Crianças. 1919) Rio: Sampaio Araujo, [n.d.] 3 p. 293 Voigt, M. Menuett, für Pianoforte, Op. 5. Berlin: N. Simrock, c1896. 5 p. 294 Voormolen, Alexander [1895-] Éléphants, une étude pour piano. (1919) Paris: Rouart, Lerolle, c1920. 5 p. 295 Voss, Charles [1815-1882] Une Distraction du diable: Galop de concert, piano. Op. 300. Hamburg: Aug. Cranz, [n.d.] 14 p. 296 Wallin, A.U. Som Alvorna Dansa. (Elfenreigen). Valse Boston, Hamburg: Orion-Verlag, [n.d.] 297 Warlock, Peter [pseud. of Philip Heseltine, 1894-1930] Capriol. Suite for String Orch. based on dance tunes from Arbeau's Orchésographie (1588)London: J. Curwen and Sons, c1927. 20 p.

(Contains notes on cover and in score, in pencil and ink.

298 Weber, Carl Maria von [1786-1826] Aufforderung zum Tanz. Op. 65. Piano solo. Rev., Otto Singer. Leipzig: Anton J. Benjamin. 9 p. 299 Weber, Ludwig [1891-1947] Tönsatze für Klavier. (1929) Mainz, Leipzig: B. Schott's Söhne, c1931. 19 p. 300 Weinberger, Jaromir [1896-1967] Polka and Fugue from the Opera “Shvanda.” Full score transposed. Vienna: Universal Edition, c1929. 62 p.

(Foreword and analysis [p. ii]

301 Wellesley, Arthur. “Danse aux Jabawauks.” (Caprice) Piano. London: Fr. Harris, c1910. 7 p. 302 Wellesz, Egon [1885-1974] Achilles auf Skyros: Ballett in einem Aufzug, Op. 33. Klavierauszug zu zwei Händen. Vienna, New York: Universal Edition, c1925. 39 p.

With scenaro and stage directions.

303 Wellesz, Egon [1885-1974] Alkestis: Drama in einem Aufzuge nach Euripides von Hugo von Hofmannsthal. Op. 35. Klavierauszug mit Text. Vienna, New York: Universal Edition, c1923. 131 p. 304 Wellesz, Egon [1885-1974] Die Bacchantinnen. Oper in 2 Akten. Op. 42. Klavier-Auszug. Berlin: Bote and Bock, c1930. 261 p. 305 Wellesz, Egon [1885-1974] Eklogen. Vier Klavierstücke. Op. 11. Vienna, New York: Universal Edition, c1921. 11 p.

1. Nänie -- 2. Intermezzo -- 3. Burleske -- 4. Epilog.

306 Wellesz, Egon [1885-1974] Die Nächtlichen. Tanzsinfonie. Op. 37. Klavierauszug zu 2 Händen. Vienna, New York: Universal-Edition, c1924. 35 p. 307 Wellesz, Egon [1885-1974] Fünf Tanzstücke. Op. 42. Piano solo. Vienna, Leipzig: Universal Edition, c1929. 18 p. 308 Whitefield, Bernard. Texas Toccatas. For piano solo. Boston: Boston Music Co., c1946. 3 vols. 309 Wiéner, Jean. Sonatine Syncopée. Lourd--Blues--Brilliant; pour piano. Paris: Max Eschog, c1923. 17 p. 310 Windsperger, Lothar [1885-1935] Kleine Klavierstücke, Op. 37. Heft I. Mainz, Leipzig: B. Schott's Söhne, 35 p.

(2 copies; one missing p. 5-6)

311 Worsley, Clifton. “Gentilesse.” Valse-Serenade. (Piano). Madrid: Union Musical Española, c1917. 4 p. 312 Yamada, Kosçak [1886-1965] Three Old Japanese Art Dances for piano solo. With a prefatory note by Fredrick H. Martens. New York: Carl Fischer, c1919. 11 p.

1. Crane and tortoise (Tsuru Kame) [Choreographed by Michio Ito (1918); Chor. by Ito: Pair of Fans (Reset for group dance, 1927)] -- 2. Four Seasons in Kyoto (Kyo No Shiki) [Chor. by Michio Ito (1918); Reset for group as Single Fan (1927) -- 3. Song of the Plovers (Chidoro no Kyoku) [Chor. by Michio Ito (1918)] Contains erased pencil markings.

Signature of Martha Graham on inside cover.

313 Yamada, Kosçak [1886-1965] Suite-Japonaise. (Piano-Conductor). Arranged from original score by Chas. J. Roberts. New York: Carl Fischer, c1919. 9 p.

1. Sarashi (Dance of the Bleachers) -- 2. O Edo (Travellers' Chorus [Chor. by Michio Ito: Spring Rain (1928)] -- 3. Kappore (Peasant Dance) [Chor. by Michio Ito: Kappore (1918)].

Contains erased pencil markings.

314 Yebar-Ener. La Zapatilla: Tango Argentin. (Piano). Paris: Durand, 1911. 4 p.

(Preface by Andre de Fouquieres)

315 Yvain, Maurice. La-Haut. One-Step pour piano seul, sur les motifs du succes de l'Operetta-Bouffe “La Haut.” Paris: Francis Salabert, c1923. [2 p.] 316 Zwerkov, E.E. arr. 15 Russian Folk Dances, selected and arr, for piano. London: J. and W. Chester, Ltd. [n.d.] 27 p.

Contains pencil markings (nos. 1 and 16.)

317 [Miscellaneous, loose covers, etc.: 1 folder.] Additions to Finding Aid Index of Choreographers Austin, Ruth, and Horst, Betty, Danse Impertinent. Mus: Horst, Louis, Danse Impertinente. Series 1, folder 56 Bloomer, Ruth H., Martyr (Medieval Dance). Mus: Williams, Jean. Series 1, folder 162 Börlin, Jean, Lotus Land. Mus: Scott, Cyril, Lotus Land, Op. 47, no. 1. Series 2, folder 227 Burt, Karen [?] Mus: Dawson, G.C. Nordic Incantation Series 1, folder 16 Cunningham, Merce [?] Courante: Contagion. Mus: Williams, Zoe, [3 pieces:] Courante. Series 1, folder 164 De Mille, Agnes, `49. Mus: Guion, David, Sheep and Goat Walkin' to Pasture. Series 2, folder 80 De Mille, Agnes, Mountain White. Mus: Horst, Louis, She'll be Comin' `Round the Mountain: Theme and Variations. Series 1, folder 104 Denishawn See also entries under St. Denis, Ruth, and under Shawn, Ted. Denishawn, [Group dance] Mus: Stoughton, R.S. “The Dancing Girls of Delhi” from his In India: Suite for Organ. Series 2, folder 251 Denishawn, Tillers of the Soil. Mus: Meyrowitz, Walter, [Ballets and Dances] Series 1, folder 152 Erdman, Jean, The Transformation of Medusa. Mus: Horst, Louis, Series 1, folder 124 Fisher, Nelle, Kentucky Mountain Song. [?] Mus: Keeney, Wendell, Mountain Tune for Piano. Series 2, folder 104 Fonaroff, Nina, Born to Weep. Mus: Horst, Louis. Series 1, folder 40 Fonaroff, Nina, Little Theodolina. See: Theodolina, Queen of the Amazons. Fonaroff, Nina, Theodolina, Queen of the Amazons. Mus: Horst, Louis. Series 1, folder 118 Fonaroff, Nina, Yankee Doodle, American Prodigy. Mus: Horst, Louis, (see also Mus: Yankee Doodle Greets Columbus, 1492) Series 1, folder 129 Georgi, Yvonne, Salome. Mus: Scott, Cyril, Lotus Land, Op. 47, no. 1. Series 2, folder 227 Graham, Georgia, City Rhythms. Mus: Daly, Frederic, City Streets. Series 1, folder 15 Graham, Martha, Adolescence. Mus: Hindemith, Paul, “Prelude” and “Song” from Reihe Kleiner Stücke, op. 37. Series 2, folder 85 Graham, Martha, American Document. See: Militant Hymn. Graham, Martha, American Provincials. Mus: Horst, Louis. Series 1, folder 34 Graham, Martha, Celebration. Mus: Horst, Louis. Series 1, folder 43 Graham, Martha, Chinese Poem. See: On Listening to a Flute by Moonlight. Graham, Martha, Chorus of Youth. Mus: Horst, Louis. Series 1, folder 49 Graham, Martha, Columbiad. Mus: Horst, Louis. Series 1, folder 51 Graham, Martha, Dance for Television. Mus: Horst, Louis. Series 1, folder 52 Graham, Martha, Dance of the Furies (from Electra). Mus: Horst, Louis, “Lamentation” from Prelude, Entrance and Lamentation for Electra. See also: Electra (Incidental Dances). Series 1, folder 93 Graham, Martha, East Indian Dance. (“She like a dancer puts her `broidered garments on.” Mus: Horst, Louis. Series 1, folder 58 Graham, Martha, Electra (Incidental Dances from). Mus: Horst, Louis. Prelude, Entrance and Lamentation for Electra. Series 1, folder 93 Graham, Martha, Equisse Antique. Mus: Ingelbrecht, Désiré Emile, fils: Equisses Antiques, no. 2: “Driades.” Series 2, folder 95 Graham, Martha, Evocation. Mus: Riegger, Wallingford: Evocation, Op. 17. Series 1, folder 157 Graham, Martha, Fragments (Tragedy-Comedy). Mus: Horst, Louis. Series 1, folder 63 Graham, Martha, Frontier. Mus: Horst, Louis. Series 1, folder 64 Graham, Martha, Horizons. Mus: Horst, Louis. Series 1, folder 69 Graham, Martha, Immigrant. Mus: Slavenski, Josip, [Two numbers from suite:] Aus dem Balkan. Series 2, folder 245 Graham, Martha, Militant Hymn (solo from American Document (Part 5: The After piece). Mus: Horst, Louis. Series 1, folder 77 Graham, Martha, On Listening to a Flute by Moonlight (Solo from Three Poems of the East. Also called: Chinese Poem). Mus: Horst, Louis. Series 1, folder 85 Graham, Martha, El Penitente. Mus: Horst, Louis. Series 1, folder 90 Graham, Martha, Primitive Mysteries. Mus: Horst, Louis. Series 1, folder 94 Graham, Martha, Ronde. Mus: Rhene-Baton, “Ronde” from Au Pardon de Rumengol. Series 2, folder 191 Graham, Martha, Scéne Javanaise. Mus: Horst, Louis. Series 1, folder 102 Graham, Martha, Sketches from the People. Mus: Krein, Julien, Huit Preludes, Op. 5: Nos. 4, 2, 7. Series 2, folder 114 Graham, Martha, Tanzstück. Mus: Hindemith, Paul, Reihe kleiner Stücke, Op. 37. Series 2, folder 85 Graham, Martha, Three Poems of the East. See: On Listening to a Flute by Moonlight [1st poem] and East Indian Dance “ She like a dancer puts her `broidered garments on” [2nd poem] Graham, Martha, Tragic Patterns. Mus: Horst, Louis. Series 1, folder 123 Graham, Martha, Two Variations: Country Lane, City Street. Mus: Gretchaninoff, Alexander, Sonatina in G, Op. 110, No. 1: Movements 1 and 3. Series 2, folder 76 Gray, Hariette Ann. [Dances from] The Prophet Said Three. Mus: Horst, Louis. Series 1, folder 95 Griswold, Charlotte, Sorceress. Mus: Horst, Louis. Series 1, folder 108 Hassreiter, Joseph and Gaul, F, The Fairy Doll. Mus: Bayer, Josef, [Waltzes from] Die Puppenfee. Series 2, folder 10 Horst, Betty and Austin, Ruth, Danse Impertinent. Mus: Horst, Louis, Danse Impertinente. Series 1, folder 56 Humphrey, Doris, Hoop Dance (Also known as Scherzo Waltz) Mus: Ilgenfritz, McNair, Scherzo Waltz. Series 1, folder 132 Humphrey, Doris, The Pleasures of Counterpoint (No. 2). Mus: Horst, Louis. Series 1, folder 91 Humphrey, Doris, Scarf Dance. See: Valse Caprice. Humphrey, Doris, Scherzo Waltz. See: Hoop Dance. Humphrey, Doris, Study in Falls. Mus: Lloyd, Norman, Doris Humphrey/Study in Falls. Series 1, folder 142 Humphrey, Doris, Valse Caprice. Mus: Chaminade, Cecile, Valse Caprice, Op. 33. (Dance also known as Scarf Dance) Series 2, folder 32 Humphrey, Doris, Variations. Mus: Lloyd, Norman, Doris Humhrey/ Variations. Series 1, folder 143 Ito, Michio, Chidori no Kyoku. Mus: Yamada, Kosçak, “Song of the Plovers” from Three Old Japanese Art Dances. Series 2, folder 312 Ito, Michio, Fox Dance. Mus: Itow, Michio, [arr.?] [Native Japanese Melody] Series 1, folder 133 Ito, Michio, Kappore. Mus: Yamada, Kosçak, “Kappore (Peasant Dance)” from Suite Japonaise. Series 2, folder 313 Ito, Michio, Kyo-no-Shiki. Mus: Yamada, Kosçak, “4 Seasons in Kyoto” from Three Old Japanese Art Dances Series 2, folder 312 Ito, Michio, Lotus Land. Mus: Scott, Cyril, Lotus Land, Op. 47, no. 1. Series 2, folder 227 Ito, Michio, Pair of Fans. Mus: Yamada, Kosçak, “Crane and Tortoise” from Three Old Japanese Art Dances. Series 2, folder 312 Ito, Michio, Single Fan. Mus: Yamada, Kosçak, “4 Seasons in Kyoto” from Three Old Japanese Art Dances. Series 2, folder 312 Ito, Michio, Spring Rain. Mus: Yamada, Kosçak, “O Edo (Travellers' Chorus)” from Suite Japonaise. Series 2, folder 313 Ito, Michio, Tsuru Kame. Mus: Yamada, Kosçak, “Crane and Tortoise” from Three Old Japanese Art Dances. Series 2, folder 312 Johansson, Ronny, Allegro Vivace. Mus: Arensky, Anton Stepanovich, Peons, Op. 28, No. 2. Series 2, folder 5 Lang, Pearl, Graduation Piece. Mus: Horst, Louis. Series 1, folder 65 Lippincott, Gertrude, La Danse des Morts. Mus: Horst, Louis. Series 1, folder 55 Lippincott, Gertrude, Hot Sunday. Mus: Horst, Louis. Series 1, folder 70 Lippincott, Gertrude, If Love Were Love. Mus: Horst, Louis. Series 1, folder 72 Lippincott, Gertrude, Jazz Piece 5/4 Hot Sunday. See: Hot Sunday. Mansfield, Portia, Gymnastica Nos. 1 and 2. Mus: Horst, Louis. Series 1, folder 66 Lippincott, Gertrude, Ouija Dance. Mus: Horst, Louis. Series 1, folder 86 Mansfield, Portia, Pulling. Mus: Horst, Louis. Series 1, folder 96 Mansfield, Portia, and Perry, Charlotte, Rhythmic Designs. Mus: Horst, Louis, Rhythmic Design. Series 1, folder 97 Mansfield, Portia, Rhythmica. Mus: Horst, Louis. Series 1, folder 98 Mansfield, Portia,Tension and Release. Mus: Horst, Louis. Series 1, folder 117 Mansfield, Portia,Throwing (Dramatic Stylization No. 1). Mus: Horst, Louis. Series 1, folder 121 McGehee, Helen, Man With a Load of Mischief. Mus: Horst, Louis. Series 1, folder 76 McLean, June, Santo. Mus: Horst, Louis. Series 1, folder 101 Page, Ruth, Two Balinese Rhapsodies. Mus: Horst, Louis. Series 1, folder 38 Parrish, Elizabeth, Allemande: “Request.” Mus: Kempner, Franziska. Series 1, folder 136 Pei-Fen, Lin, Caged. Mus: Horst, Louis. Series 1, folder 42 Perry, Charlotte, The Feast of Ramyi. Mus: Perry, Charlotte. Series 2, folder 164 Perry, Charlotte and Mansfield, Portia, Rhythmic Designs. Mus: Horst, Louis, Rhythmic Design. Series 1, folder 97 Perry, Charlotte, Stride and Strike. Mus: Horst, Louis. Series 1, folder 113 Powers, Patricia, Pavane: “Arrogance.” Mus: Greenfeld, Carol, [3 Pieces:] Pavane: “Arrogance.” Series 1, folder 22 St. Denis, Ruth. See also enties under Denishawn St. Denis, Ruth. Bakawali. Mus: Nevin, Arthur. Series 1, folder 154 St. Denis, Ruth. Black and Gold Sari. Mus: Stoughton, R.S., “In the Palace of the Rajah” from In India: Suite for Organ. Series 2, folder 251 St. Denis, Ruth. Byzantine Dance. Mus: Horst, Louis, Dancer With Tambourine. Series 1, folder 53 (Also under Pompeiian Murals and in that folder: Series 1, folder 92) St. Denis, Ruth. Cupid and Psyche. Mus: Bernheim, Marcel, Danses Antiques pour Piano. Series 2, folder 12 St. Denis, Ruth, Dancer with Tambourine. See: Byzantine Dance. St. Denis, Ruth. Egypta. [?] Mus: Meyrowitz, Walter, “Introduction (Egypta)” from [Ballets and Dances] Series 1, folder 152 St. Denis, Ruth, Flower Arrangement [From O-Mika] Mus: Bowers, R.H., [Untitled work or works] Series 1, folder (Also known as Japanese Flower Arrangement) St. Denis, Ruth. Flower Hat Dance [from O-Mika] Mus: Bowers, R.H. [Untitled work or works] Series 1, Box 1. St. Denis, Ruth. The Green Nautch. See: The Nautch. St. Denis, Ruth. The Incense. Mus: Loomis, Harvey W., Incense Dance. Series 1, folder 147 St. Denis, Ruth. Introduction to Byzantine Dance. Mus: Horst, Louis. Series 1, folder 53 (See also Byzantine Dance) St. Denis, Ruth. Isis. Mus: Meyrowitz, Walter, [Ballets and Dances] Series 1, folder 152 St. Denis, Ruth. Japanese Flower Arrangement. See: Flower Arrangement. St. Denis, Ruth. Jeptha's Daughter. Mus: Meyrowitz, Walter [Ballets and Dances] Series 1, folder 152 St. Denis, Ruth. The Legend of the Peacock. [?] Mus: [Roth, Edmund?] Peacock. Series 1, folder 158 St. Denis, Ruth. The Lotus Pond. Mus: Meyrowitz, Walter [Ballets and Dances] Series 1, folder 152 St. Denis, Ruth. The Nautch. Mus: Alexay, A., arr. The Green Nautch. Series 1, folder 1 St. Denis, Ruth. O-Mika [excerpts from, or possible entire work] Mus: Bowers, R.H. [Untitled work or works] Series 1, folder St. Denis, Ruth. Peacock. See: The Legend of the Peacock. St. Denis, Ruth. Poetess. See: Thirteenth-Century Poetess. St. Denis, Ruth. Sappho. [?] Mus: Bantock, Sir Granville, Sapphic Dance. Series 2, folder 7 St. Denis, Ruth. Scherzo Waltz. Mus: Ilgenfritz, McNair. Series 1, folder 132 St. Denis, Ruth. Spirit of the Sea. Mus: Stoughton, R.S. Series 2, folder 252 St. Denis, Ruth. Thirteenth-Century Poetess [from O-Mika] Mus: Bowers, R.H. “Poetess” from [Untitled work of works] Series 1, Box 1. St. Denis, Ruth. The Yogi. Mus: Meyrowitz, Walter [Ballets and Dances] Series 1, folder 152 Schneider, Margery, The Universe (Cerebral Dance). Mus: Hellebrandt, Beatrice. Series 1, folder 25 Shawn Ted. See also entries under Denishawn. Shawn Ted. Dance of the Golden Calf. See: Miriam: Sister of Moses. Shawn Ted. Four Dances Based On American Folk Music: No. 1. Mus: Guion, David, “Old Fiddlers' Breakdown” from Sheep and Goat Walkin' to Pasture. Series 2, folder 80 Shawn Ted. Josephine and Hippolyte. See: Valse Directoire. Shawn Ted. Miriam: Sister of Moses: “Dance of the Golden Calf.” Mus: Stricklen, E.G. [Miriam] Dance of the Golden Calf. Series 1, folder 159 Shawn Ted. Samurai [?] Mus: Bowers, R.H. [Untitled work or works] Series 1, folder Shawn Ted. Seguidilla. Mus: Albeniz, I., “Seguidilla” from Album of Eight Pieces for the Pianoforte. Series 2, folder 3 Shawn Ted. Sold Down the River. Mus: Lane, Eastwood. Series 2, folder 120 Shawn Ted. Valse Directoire. Mus: Drigo, Rodrigo, “Serenade” from Les Millions d'Arlequin. Series 1, folder 17 (1 leaf of possible violin part); Series 2, folder 49 (Dance also known as Josephine and Hippolyte) Shawn Ted. Zuni Indian Ghost Dance. Mus: Troyer, Carlos, “Ghost Dance of the Zuñis” (vol. #9794) from Traditional Songs of the Zuñi Indians. Series 2, folder 271 Sokolow, Anna (with Louis Horst), [Incidental dances for] Noah. (A Play by Andre Obey, 1935) Mus: Horst, Louis, Incidental Music for Noah. Series 2, folder 93 Strawbridge, Edwin, Allegro Barbaro. Mus: Bártok, Béla, Allegro Barbaro, Op. 44. Series 2, folder 8 Strawbridge, Edwin, Rituel de Feu. Mus: Falla, Manuel de, Danse Rituelle du Feu. Series 2, folder 53 Strong, Tao, Ominous Horizon. Mus: Horst, Louis. Series 1, folder 84 Tamiris, Helen. Twentieth-Century Bacchante. Mus: Gruenberg, Louis, “Waltz” (No. 3) from Jazzberries. Series 2, folder 77 Virard, Louise, Évolution. Mus: L'enfant, E. Series 2, folder 126 Weidman, Charles, Le Cahier Romaud. Mus: Honegger, Arthur.[?], Series 2, folder 89 (Source: Horst, Louis, “Music for the modern studio” Dance Magazine June 1930.) Weidman, Charles, Cowboys. Mus: Ewing, Max. Series 1, folder 19 Weidman, Charles, Japanese Actor (XVIIth Century). Mus: Horst, Louis. Series 1, folder 75 Weidman, Charles, King David. Mus: Honegger, Arthur, Le Roi David. Series 2, folder 92 Weidman, Charles, Music for Charles Weidman's Techniques. Lloyd, Norman. Series 1, folder 144 Weidman, Charles, Studies in Body Mechanics. Mus: Lloyd, Norman. Series 1, folder 145 Weidman, Charles, Traditions. Mus: Engel, Lehman. Series 1, folder 18 White, Evelyn, Introspective. Mus: Kempner, Franziska. Series 1, folder 138 Wiener, Edith, Humiliation. Mus: Horst, Louis. Series 1, folder 71 Winter, Ethel, Dissonance. Mus: Kempner, Franziska. Series 1, folder 137 Yuriko, Pentatonic. Mus: Greenfeld, Carol. Series 1, folder 22 Yuriko, Servant of the Pillars. Mus: Horst, Louis. Series 1, folder 103 Yuriko, Tale of Seizure. Mus: Horst, Louis. Series 1, folder 114 Yuriko, Whole-Tone. Mus: Crocker, Patricia. Series 1, folder 14 Bibliography of Sources. Caldwell, Helen. Michio Ito, the Dancer and his Dances. Berkeley: U. of California Press, c1977. Dreier, Katherine S. Shawn: The Dancer. New York: A.S. Barnes, 1933. Goldman, R.F. “The music of Wallingford Riegger” Musical Quarterly 36 (1950) Horst, Louis. “Music Mart” column, Dance Magazine 1929. Horst, Louis. Pre-Classic Dance Forms. New York: Dance Observer, c1937. Horst, Louis and Russell, Caroll. Modern Dance Forms in Relation to the Other Modern Arts. Brooklyn, NY: Dance Horizons, 1967. Kerner, Leighton and Wenink, Andrew, assisted by Don McDonagh. “Choreochronicle” in McDonagh, Don. Martha Graham, New York: Popular Library, c1975. McDonagh, Don. Complete Guide to Modern Dance. New York: Popular Library, 1977. New York Public Library. Dictionary-Catalog of the Dance Collection. Boston: G.K. Hall, 1974 (Supplements 1975-) Schlundt, Christena L. The Professional Appearances of Ruth St. Denis and Ted Shawn: A Chronology and Index of Dances, 1906-1932. New York: New York Public Library, 1967. Shelton, Suzanne. Divine Dancer: A Biography of Ruth St. Denis. Garden City, NY: Doubleday, 1981. Sherman, Jane. Denishawn: the Enduring Influence. Boston: Twayne, 1983. Sherman, Jane. The Drama of Denishawn Dance. Middletown, Conn.: Weleyan U. Press, 1979. Terry, Walter. Miss Ruth. New York: Dodd, Mead, 1969. Unpublished Sources in the Dance Collection: Horst, Louis [comp.] Scrapbooks. Clipping file on Louis Horst. Separated Material

The Horst music collection has been separated from the Louis Horst Collection housed in the the Dance Collection, The New York Public Library for the Performing Arts.

The Louis Horst Collection, 1928-1964, Classmark: (S) *MGZMC-Res. 22