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Johann Jakob Haid (German, 1704-1767)
Alles ist eitel (Everything is vain); Vergängliche Erdschätze (Worldly Treasures). Mezzotints, n.d.
Miriam and Ira D. Wallach Fund

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A member of a German family of artists and print publishers, best known for his large mezzotint portraits, Johann Jakob Haid presented a sumptuous allegory on vanity in these pendant mezzotint still lifes, “Everything Is Vain” and “Worldly Treasures.” Alles ist eitel reminds the viewer of the fugitiveness of life; the skull, hourglass, the extinguished candle (topped by a remarkably realized wisp of smoke), soap bubbles (also, brilliantly executed), and a sealed letter, reflect the iconography of 17th-century still-life painting. In Vergängliche Erdschätze Haid compiles an inventory of opulent “worldly treasures.” By burnishing a roughened copper plate, Haid suggests the glitter of bejeweled metal ewers and vases. Haid appears to have been aware of the work of a 17th-century English painter, printmaker and publisher, Robert Robinson, whose mezzotints of still lifes and vanitas subjects provided models for some of the accoutrements in Haid’s prints, seen here in rich, velvety black impressions.


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