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Cullman Center for Scholars
and Writers
The 2008 Summer Seminars
for
High School Teachers
“In all the years of teaching, I never had my own
classroom. For a week at the Cullman Center, I had my own office
with a computer. This week was a luxurious
exercise in learning with the finest people and research materials. I had forgotten
the passion and the joy that learning gives.”
– P. Sassone, Martin Van Buren High School,
2005 Participant
Applications are no longer being accepted for the 2008 courses
The Summer Seminars program at the Cullman Center for Scholars and Writers offers teachers the chance
to spend a week enriching their understanding of history, literature,
and research in one of the world’s greatest libraries.
The Cullman Center, located in The New York Public Library’s
landmark building on Fifth Avenue at 42nd Street, is the setting
for a series of stimulating, informal daily seminars led by some
of the world’s finest writers, literary critics, and historians.
Participants will also learn how to use the extraordinary resources
of the Library and be given time to do their own research and writing
in a congenial setting.
Amenities provided for Seminar participants include:
A $300 stipend
All required books and course materials
Use of a private office (with networked computer)
Catered breakfasts and lunches during the Seminar week
The Cullman Center’s Seminars are limited to fourteen participants
each. High school English teachers, history teachers, librarians, and administrators
are invited to apply.
The 2008 Courses
Reading to Write: A Creative Writing Workshop
Monday, July 21 to Friday, July 25
“
The greatest part of a writer’s time is spent in reading,” wrote
Samuel Johnson, “...a man will turn over half a library to make one
book.” This course will use close readings of novels and short stories
to examine the craftsmanship choices authors make – about character,
dialogue, voice, description, and tone. The instructor will assign daily
writing exercises and some library research. Participants may bring work-in-progress
to the class, although applicants need not have manuscripts – only
an interest in writing fiction. Readings will focus on short excerpts of
work by Jean Rhys, Ralph Ellison, Edith Wharton, Fyodor Dostoevsky, and
others.
Jennifer Egan, Instructor, is the author of three novels,
The
Invisible Circus, Look at Me (which was a finalist for the National Book Award), and
The Keep, as well as a short story collection,
Emerald City. Her short fiction
has been published in
The New Yorker, Harper’s, and
McSweeney’s,
among other magazines. She has received fellowships from the National Endowment
for the Arts and the John Simon Guggenheim Memorial Foundation.
Also a journalist, she writes frequently for The New York Times
Magazine.
Slavery, Emancipation, and the Slave Narratives
Monday, July 28 to Friday, August 1
The slave narrative is a complex and rewarding genre, of interest
to both English and history teachers, and one that encompasses biography,
fiction, and autobiography. Before the Civil War approximately 65 slave
narratives were published, including now-classic indictments of slavery
by Frederick Douglass, Harriet Jacobs, Solomon Northup, and William Wells
Brown.
In striking contrast, the narratives written after the war, by
Booker T. Washington and others, focus on the writer’s triumphs over
the past and visions of a more prosperous future. We will study
ante- and postbellum narratives, as well as secondary readings, to better
comprehend
the lived experience of slaves in the transition from bondage to
freedom.
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David W. Blight, Instructor, is Class of 1954 Professor of American History
and Director of the Gilder Lehrman Center for the Study of Slavery, Resistance,
and Abolition at Yale University. His books include Race and Reunion:
The Civil War in American Memory, which received seven book awards, including
the Bancroft Prize, the Abraham Lincoln Prize, and the Frederick Douglass
Prize; Beyond the Battlefield: Race, Memory, and the American
Civil War; Frederick Douglass’s Civil War: Keeping Faith in Jubilee; and, most
recently, A Slave No More: Two Men Who Escaped to Freedom.
The Cullman Center is made possible by a generous endowment from Dorothy
and Lewis B. Cullman in honor of Brooke Russell Astor, with major support
provided by Mrs. John L. Weinberg, The Andrew W. Mellon Foundation, The
Estate of Charles J. Liebman, Mel and Lois Tukman, John and Constance Birkelund,
The Samuel I. Newhouse Foundation, and additional gifts from The Gilder
Lehrman Institute of American History, Helen and Roger Alcaly, The Mrs.
Giles Whiting Foundation, William W. Karatz, The Achelis and Bodman Foundations,
and Lybess Sweezy and Ken Miller.