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Modernist Painter Milton Avery's Little-Known Illustrations and Prints
on Display at The New York Public Library
Avery's Original Gouache Paintings for a Children's Book on View
for First Time
February 14, 2005 -- One of the foremost modernist
American painters, Milton Avery (1885-1965) produced nearly 60 drypoints, lithographs,
and woodcuts in
sporadic
periods from
1933
to 1963. And in 1946, at the instigation of his friend, painter Mark Rothko,
Avery created his only illustrations, a set of eight witty and colorful gouache
paintings for a children's book, unpublished during the artist's
lifetime. From February 18 through May 27, 2005, The New York Public Library
will present Milton Avery: The Flying Pig and Other Winged Creatures--An
Exhibition of the Artist's Illustrations and Prints, featuring a selection
of Avery's prints, acquired for the Print Collection from 1948 to 2004,
along with the original illustrations for a children's book. The illustrations,
which came to the Library's Spencer Collection in 2001 through the generosity
of Milton Avery's family, are being exhibited publicly for the first time.
The exhibition is on view in the Library's Humanities and Social Sciences Library
at Fifth Avenue and 42nd Street. Admission is free.
Avery's paintings are widely appreciated for their unique interplay of
abstracted shapes from nature and lyrical color harmonies. Born in Altmar, New
York, the artist spent his early years in or near East Hartford, Connecticut,
where he began a lengthy apprenticeship as a painter in search of an individual
style. In 1925 he moved to New York and first became fully aware of modernist
masters such as Picasso, Braque, and especially Matisse, from whom he probably
adapted his own new ways of dispensing with illusionistic modeling as well as
with literally descriptive colors. With growing success, Avery patiently developed
his art over the course of his long career. He finally arrived at what has come
to be seen as a grand late style, characterized in his paintings by an extreme
paring down to the most essential forms carefully constructed within perfectly
balanced, large-scale compositions.
Avery's art has also long been acknowledged as influential for the creation
of certain styles by the younger generation of Abstract Expressionists, perhaps
most evident in paintings by Mark Rothko and Adolph Gottlieb, and for the examples
his heightened, luminous colors may have provided in the formation of Color
Field painting in the 1950s and 1960s. In the eulogy he delivered at his friend's
memorial service in 1965, Mark Rothko said, "Avery
is first a great poet…There have been several others in our generation
who have celebrated the world around them, but none with that inevitability
where the poetry penetrates ever pore of the canvas to the ver last tip of
the brush."
This exhibition presents two far-too-little-known aspects of Milton Avery's
art, in a selection of twelve of his drypoints and woodcuts, acquired by the
Library's Print Collection from 1948 to 2004, and in a set of gouache paintings
made for a children's book in 1946, acquired by the Spencer Collection
in 2001. The painted illustrations represent a storytelling mode not seen in
any other works by Avery and are the only instance in which he produced a series
of pictures to accompany a text. They remained unpublished until 1994 when Avery's
daughter March Avery Cavanaugh invited her lifelong friend, children's
author Karla Kuskin, to write a new story to coincide with the original narrative
sequence of the images. Featuring scenes with a boy, a flying pink pig, a giant
caterpillar, a flying fish, a singing cat, howling wolves, and a reindeer, the
resulting book, entitled Paul, is the story of a boy whose parents are too busy
to listen to him sing his song. The illustrations, along with Karla Kuskin's
story, are scheduled for republication in 2005 under a new title, The Flying
Pig and Other Winged Creatures. The illustrations are shown here publicly for
the first time.
"Milton Avery's approach to printmaking was hands-on and direct without
much concern for complicated techniques," said Robert Rainwater, Miriam
and Ira D. Wallach Chief Librarian of Art, Prints and Photographs, Curator
of the Spencer Collection and organizer of the exhibition. "Even though
he was known as a great colorist in his paintings and watercolors, his palette
in
his prints, however, was largely limited to black and white, with the frequent
addition of a single primary color in the woodcuts, all of which were printed
without the aid of a press by the artist himself."
Acquisition of Milton Avery's illustrations in 2001 by the Library's
Spencer Collection was made possible as the partial gift of Sally Michel Avery,
courtesy Milton Avery Trust and Knoedler & Co., New York.
Milton Avery: The Flying Pig and Other Winged Creatures – An
Exhibition of the Artist's Illustrations and Prints is on view February 18
through
May 27, 2005, in the Stokes Gallery on the third floor of The New York Public
Library's Humanities and Social Sciences Library, Fifth Avenue and 42nd Street.
Exhibition hours are: Tuesday and Wednesday, 11 a.m. to 7:30 p.m.; Thursday
through Saturday, 10 a.m. to 6 p.m.; Sunday, 1 p.m. to 6 p.m. Closed Mondays
and national
holidays. Admission is free. For more information about exhibitions at The
New York Public Library, the public may call 212-869-8089 or visit the Library's
website at www.nypl.org
This exhibition has been made possible by the continuing generosity of Miriam
and Ira D. Wallach.