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Works by Past Fellows

Anderson, JervisBayard Rustin: Troubles I've Seen. New York: HarperCollins, 1997.
[Aaron Diamond Foundation, 1996-1997]

Barlow, William. Voice Over: The Making of Black Radio. Philadelphia: Temple University Press, 1998.
[National Endowment for the Humanities Fellow, 1991-1992]

Bethel, Elizabeth Rauh. The Roots of African American Identity: Memory and History in Antebellum Free Communities. New York: St. Martins Press, 1997.
[Schomburg Center Fellow, 1987-1988]

Biondi, Martha. To Stand and Fight: The Struggle for Civil Rights in Postwar New York City. Harvard University Press, May 2003.
[National Endowment for the Humanities Fellow, 1999-2000]

Birt, Rodger C. "A Life in American Photography." In VanDerZee: Photographer, 1886-1983, by Deborah Willis-Braithwaite. Harry N. Abrams, Inc. in association with the National Portrait Gallery, Smithsonian Institution, 1993.
[Rockefeller Foundation Fellow, 1986-1987]

Brown, Carolyn Anderson. We Were All Slaves: African Miners, Culture and Resistance at the Enugu Government Colliery, Nigeria. Heinemann, 2003.
[National Endowment for the Humanities Fellow, 1998-1999]

Browning, Barbara. Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture.   New York : Routledge, 1998.
[Aaron Diamond Foundation Fellow, 1992-1993]

Butler, Kim. "Defining Diaspora, Refining a Discourse," Diaspora 10:2 (Fall 2002), 189-219.
[National Endowment for the Humanities/Samuel I. Newhouse Foundation Fellow, 2000-2001]

Collins, Lisa Gail. The Art of History: African American Women Artists Engage the Past. Rutgers University Press, May 2002
[Independent Fellow, 2001-2002]

Dixon, Melvin. transl. The Collected Poetry of Leopold Sedar Senghor. Charlottesville: University Press of Virginia, 1991.
[Rockefeller Foundation Fellow, 1988-1989]

Drewal, Henry John. "Signifyin' Saints." In Santeria Aesthetics in Contemporary Latin American Art, 263-289, edited by Arturo Lindsay. Washington, DC: Smithsonian Institution Press, 1996.
[Aaron Diamond Foundation Fellow, 1994-1995]

Edwards, Brent. "The Ethnics of Surrealism," Transition 78 (June 1999): 84-135.

"The Uses of Diaspora," Social Text  66 (Spring 2001): 45-74.

The Practice of Diaspora: Literature, Translation and the Rise of Black Internationalism. Cambridge, Mass. Harvard University Press, 2003.
[National Endowment for the Humanities Fellow, 1997-1998]

El-Hamel, Chouki. “’Race’, Slavery and Islam in Maghribi Mediterranean Thought: The Question of the Haratin in Morocco.” In The Journal of North African Studies Vol. 7, No. 3 (Autumn 2002) pp.29-52.

Black Morocco: A History of Slavery, Race and Islam. Cambridge: Cambridge University Press, 2012.

[National Endowment for the Humanities Fellow, 2001-2002]

Ferrer, Ada. Insurgent Cuba: Race, Nation, and Revolution, 1868-1898. University of North Carolina Press, 1999.
[National Endowment for the Humanities Fellow, 1996-1997]

Fleetwood, Nicole. Troubling Vision: Performance, Visuality and Blackness. University of Chicago Press, 2011.                                                              [National Endowment for the Humanities/Ford Foundation, 2007-2008]

Frederick, Rhonda D. “Colon Man a Come”; Mythographies of Panama Canal Migration. Lexington Books, 2005.
[National Endowment for the Humanities Fellow, 2001-2002]

Goldsby, Jacqueline Denise. A Spectacular Secret: Lynching in American Life and Literature.  Chicago: University of Chicago Press, 2006.
[National Endowment for the Humanities Fellow, 2000-2001]

Gore, Dayo Folayan.  Radicalism at the Crossroads: African American Women Activists in the Cold War. New York: New York University Press, 2011.                                                                                                                                                                                         [National Endowment for the Humanities Fellow, 2004-2005]


Gort, Enid. Co-authored with Erica Judge, "Ambassadors and Diplomats." Encyclopedia of African-American Culture and History, ed. By Jack Salzman, David Lionel Smith and Cornell West, pp. 104-106.

"Phelps-Stokes Fund." Encyclopedia of African-American Culture and History, ed. By Jack Salzman, David Lionel Smith and Cornell West, p. 2132.

"Franklin Hall Williams." Encyclopedia of African-American Culture and History, ed. By Jack Salzman, David Lionel Smith and Cornell West, p. 2842-43.
[Aaron Diamond Foundation Fellow, 1991-1992]

Govan, Sandra. "Gwendolyn Bennett." Biographical essay in Notable Black American Women, 1991.
[National Endowment for the Humanities Fellow, 1990-1991]

Goyal, Yogita. Romance, Diaspora, and Black Atlantic Literature. New York: Cambridge University Press, 2010.                                                    [National Endowment for the Humanities Fellow, 2003-2004]

Grant, Joanne. Ella Baker: Freedom Bound. New York: John Wiley, 1998.

"Ella Baker." In The Encyclopedia of African-American Culture and History, editors, Salzman, Jack, David Lionel Smith, Cornel West, 229-231. NY: Macmillan Library Reference, 1996.
[National Endowment for the Humanities Fellow, 1991-1992]

Gray, John. From Vodou to Zouk: A Bibiliographic Guide to the Music of the French-speaking Caribbean and its Diaspora. Nyack, N.Y.: African Diaspora Press, 2010. 

Jamaican Popular Music, from Mento to Dancehall Reggae. Nyack, N.Y.: African Diaspora Press, 2011

Afro-Cuban Music: A Bibliographic Guide.  Nyack, N.Y.: African Diaspora Press, 2012  [Schomburg Center/Samuel I. Newhouse, 2004-2005]

Graziano, John. "Black Musical Theater and the Harlem Renaissance Movement." In Black Music in the Harlem Renaissance: A Collection of Essays, editor, Samuel A. Floyd, Jr. Westport, CT: Greenwood Press, 1990.
[Rockefeller Foundation Fellow, 1987-1988]

Green, Venus. "Race and Technology: African-American Women in the Bell System, 1945-1980." In Technology and Culture, Volume 36, No. 2, April 1995.

Race on the Line: Gender, Labor, and Technology in the Bell System, 1880-1980. Duke University Press, 2001.
[National Endowment for the Humanities Fellow, 1993-1994]

Greene, Larry A. "Harlem, the Depression Years: Leadership and Social Conditions." In Afro-Americans in New York Life and History 17 (July 1993).

___________ and Diana Linden, "Charles Alston's Harlem Hospital Murals: Cultural Politics in Depression Era Harlem,"  Prospects, vol. 26 (Cambridge University Press, 2001)
[Aaron Diamond Foundation Fellow, 1990-1991]

Gross, Kali. Colored Amazons: Crime, Violence, and Black Women in the City of Brotherly Love, 1880-1910. Duke University Press, June 2006.
[National Endowment for the Humanities Fellow /Schomburg Center, 2000-2001]

Guerron Montero, Carla. "All in One Pot: The Place of Rice and Beans in Panama's Regional and National Cuisine." In Rice and Beans: A Unique Dish in a Hundred Places. Livia Barbosa and Richard Wilk, eds. London: Berg Publishers, 2012.
 
On Tourism and the Constructions of ‘Paradise Islands’ in Central America and the Caribbean.  Special Issue Island Tourism in the Americas.   Bulletin of Latin American Research 30(1):21-34, 2011. C. Guerrón Montero, editor. 
 
Introduction: Heritage, Identity, and Globalization: The Case of Island Tourism in the Americas. Special Issue Island Tourism in the Americas.   Bulletin of Latin American Research 30(1):1-6, 2011. C. Guerrón Montero, editor.
[National Endowment for the Humanities/Samuel I. Newhouse Foundation]
 


Guridy, Frank. Forging Diaspora: Afro-Cubans and African-Americans in a World of Empire and Jim Crow. University of North Carolina Press, 2010.

“From Solidarity to Cross-Fertilization: Afro-Cuban/African American Interaction During the 1930s and 1940s.” Radical History Review, Special Issue on Black Transnational Studies, 87 (Fall 2003), 19-48.
 
“'Enemies of the White Race’: The machadista State and the UNIA in Cuba.” Caribbean Studies, Special Issue on Garveyism in the Hispanic Caribbean, Vol. 31, No. 1 (2003) 107-139.
[National Endowment for the Humanities Fellow, 2002-2003]
                                                                                                                
Hall, Stephen Gillroy. A Faithful Account of the Race: African American Historical Writing in Nineteenth Century America. University of North Carolina Press, 2009.
[National Endowment for the Humanities, 2003-2004]
  
Hare, Bruce R. 2001 Race Odyssey: African Americans and Sociology. Syracuse University Press, December 2002.
[Independent Fellow, 1996-1997]

Harris, Leslie. In the Shadow of Slavery: African Americans in New York City. University of Chicago Press, February 2003.
[Independent Fellow, 1998-1999]

Hayden, Robert C. "Louis T. Wright, M.D.: Equal Opportunity...No More... No Less!" In The Journal of Negro History. 80th anniversary volume.

Mr. Harlem Hospital: Dr. Louis T. Wright. Littleton, MA: Tapestry Press, Ltd., 2003
[Aaron Diamond Foundation Fellow, 1994-1995]
 

Hernandez, Tanya.To Be Brown in Brazil: Education & Segregation Latin American Style,” 29 N.Y.U. Rev. L. & Soc. Change, 683-717 (2004-05).  

 
“The Value of Intersectional Comparative Analysis to the ‘Post-Racial’ Future of Critical Race Theory: A Brazil – U.S. Comparative Case Study,” 43 Ct. L. Rev. 1407-1437 (2011).
 
“Hate Speech and the Language of Racism in Latin America: A Lens for Reconsidering Global Hate Speech Restrictions and Legislation Models,” 32 U. Penn. J. Int'l Law 805-841 (2011). 
 
 Racial Subordination in Latin America: The Role of the State, Customary Law, and the New Civil Rights Response, Cambridge: Cambridge University Press,  2012.
 [Independent Fellow, 2002-2003]


Hicks, Cheryl D. Talk With You Like A Woman: African American Women, Justice, and Reform in New York, 1890-1935. University of Carolina Press, forthcoming December 2010.                                                                                                                                                                      [National Endowment for the Humanities Fellow, 2003-2004]

Hills, Patricia. Painting Harlem Modern: The Art of Jacob Lawrence. University of California Press, 2010.                                                                                                                                                                                                                                                                                          Hodes, Martha. “The Mercurial Nature and Abiding Power of Race: A Transnational Family Story.” In The American Historical Review Vol. 108, No. 1, February 2003.

The Sea Captain’s Wife: A True Story of Love, Race and War in the Nineteenth Century. W.W. Norton & Company, 2006.
[Irene Diamond Foundation Fellow, 1998-1999]

Horne, Gerald C. Black Liberation/Red Scare: Ben Davis and the Communist Party. Newark, Del.: University of Delaware Press, 1994.
[Rockefeller Foundation Fellow, 1988-1989]

Israel, Adrienne. Amanda Berry Smith: From Washerwoman to Evangelist. Lanham, MD: Scarecrow Press, Inc., 1998.
[National Endowment for the Humanities Fellow, 1990-1991]

James, JoyResisting State Violence: Radicalism, Gender and Race in US Culture. Minneapolis, Minn.: University of Minnesota Press, 1996.
[Aaron Diamond Foundation Fellow, 1994-1995]

James, Winston. "New Light on Claude McKay: a Controversy, a Document, and a Resolution," Black Renaissance/Renaissance Noire, vol. 2, no. 2, Summer 1999; an early version published in Jamaica Journal vol. 26, no. 3, December 1998.

"A Fierce Hatred of Injustice: Claude McKay's Jamaican Poetry of Rebellion " London and New York: Verso, Spring 2000.
[National Endowment for the Humanities Fellow, 1996-1997]

Jones, Ferdinand. "Psychological Profiles, Duke Ellington, Count Basie, Charlie Parker." Educational Notes, Providence Library Jazz Series, 1996, 1998, 2000.

(with Myra R. Jones) "Legends and Myths: Buddy Bolden and Psychologically Troubled Jazz Musicians." International Association of Jazz Educators Jazz Research Proceedings Yearbook, Volume XXX, 2000.

The Triumph of the Soul: Psychological and Cultural Aspects of African American Music. (Edited with Arthur C. Jones). Prager: Westport, CT, 2000.

"Jazz and the Resilience of African Americans." The Triumph of the Soul: Psychological and Cultural Aspects of African American Music. [F. Jones and A.C. Jones Eds.] Prager: Westport, CT, 2000.
[Schomburg Center Fellow, 1986-1987]

Kelley, Robin D.G. Theolonius Monk: The Life and Times of an American Original. New York: Free Press, 2009.                                                                                           [National Endowment for the Humanities, 2000-2001] 
 
Kerr-Ritchie, Jeffrey. "Gender, Unfree Labor, and Globalization," in Nature, Society, and Thought. 15:3 (2003).

Rites of August First: West Indian Emancipation and American Antislavery. Baton Rouge: Louisiana State University Press, 2006.
[National Endowment for the Humanities/Schomburg Center Fellow, 2002-2003]

King, Debra Walker. African Americans and the Culture of Pain. Charlottesville: University of Virginia Press, 2008.
[Irene Diamond Foundation Fellow, 1998-1999]

King, Nicole. C.L.R. James and Creolization: Circles of Influence. Jackson University Press of Mississippi, 2001.
[Independent Fellow, 1996-1997]

Lamont, Michelle. The Cultural Territories of Race : Black and White Boundaries, edited and with an introduction by Michèle Lamont. Chicago: University of Chicago Press, 1999.
[Independent Fellow, 1992-1993]

Leeming, David. James Baldwin: A Biography. NY: Knopf, 1994.
[Ford Foundation Fellow, 1989-1990]
 
Lezra, Esther. The Colonial Art of Demonizing Others: A Global Perspective. New York: Routledge, 2014.                                        [National Endowment for the Humanities/Andrew W. Mellon Foundation Fellow, 2011-2012]

Lindberg, Kathryne Victoria. “Rebels to the Right/Revolution to the Left: Ezra Pound and Claude McKay in ‘The Syndicalist Year’ of 1912” in Ezra Pound and African American Modernism. Ed. Michael Coyle. Orono, Maine: The National Poetry Foundation, 2001.

"Cleaver, Newton and Davis, Re: Reading of Panther Lyrics, " The World in Time and Space: Towards a History of Innovative American Poetry in Our Time, Edward Foster and Joseph Donahue, eds. Jersey City, NJ: Talisman House, 2002. 547-75. 
[Irene Diamond Foundation Fellow, 1999-2000]

Lindfors, Bernth O. "The Signifying Flunkey: Ira Aldridge as Mungo." In The Literary Griot 5 (1993).

"Nothing extenuate, nor set down aught in malice: New biographical information on Ira Aldridge." In African American Review 28, 1994.

“Ira Aldridge’s London Debut.” In Theatre Notebook Vol. 60. No. 1, 2006.
 
Ira Aldridge: The Early Years, 1807-1833. Rochester: University of Rochester Press, 2011.
[Aaron Diamond Foundation Fellow, 1990-1991]
 
 
Lindquist, Malinda Alaine. Race, Social Science and the Crisis of Manhood, 1890-1970: We are the Supermen. New York: Routledge, 2012
[National Endowment for the Humanities 2006-2007]
  

McCaskill, Barbara. "'Yours Very Truly:' Ellen Craft the Fugitive as Text and Artifact." In African American Review 28 (1994): 509-29.

Introduction, "William and Ellen Craft in Transatlantic Literature and Life," in Running a Thousand Miles for Freedom; Or, The Escape of William and Ellen Craft from Slavery.  Athens: The University of Georgia Press, 1999.

“‘Trust No Man!’: But What About a Woman?: Ellen Craft and a Genealogical Model for Teaching Douglass’s Narrative.”  In Approaches to Teaching the Narrative of the Life of Frederick Douglass, Ed., James C. Hall.  New York: Modern Language Association, 1999.
[Aaron Diamond Foundation Fellow, 1992-1993]

Malone, Jacqueline D. "The FAMU Marching 100." In Black Perspective in Music 18 (1990): 59-80.

Steppin' On the Blues: The Visible Rhythms of African American Dance. Urbana: University of Illinois Press, 1996.
[Aaron Diamond Foundation Fellow, 1991-1992]
 
Mathieu, Sarah-Jane. North of the Color Line: Migration and Black Resistance in Canada, 1870-1955. Chapel Hill: University of North Carolina Press, 2010.
[National Endowment for the Humanities Fellow, 2002-2003]
 

Miller, Ivor Lynn. Voice of the Leopard: African Secret Societies and Cuba. Jackson: University of Mississippi Press, 2009.

"Secret Society Goes Public: The Relationship Between Abakua and Cuban Popular Culture." African Studies Review. April 2000.

"Religious Symbolism in Cuban Politican Performance." The Drama Review: A Journal of Performance Studies. New York University, 2000.
[National Endowment for the Humanities Fellow, 1999-2000, 2007-2008]

Miller, James A. Remembering Scottsboro: The Legacy of an Infamous Trial. Princeton: Princeton University Press, 2009.                                                                                                                                                                                                                                                            
A chapter in Radical Revisions: Rereading 1930s Culture, eds. Bill Mullen and Sherry Lee Linkon. Urbana: University of Illinois Press, 1996.
[National Endowment for the Humanities Fellow, 1993-1994]
                                                                                                                                                                                                                                                                                                                                  
Miller, Monica L. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham: Duke University Press, 2009.                                                                                                                                                                                                                                                           
 
"Slaves to Fashion: Black Dandyism in the Atlantic." Diaspora. Duke University Press, 2009.
[National Endowment for the Humanities Fellow, 2004-2005]
 

Miller, Patrick Bryant. "To 'Bring the Race Along Rapidly': Sport, Student Culture and Educational Mission at Historically Black Colleges during the Interwar Years." In History of Education Quarterly 35, 1995.                                                                                                                                                                                                                                                                                                                                           
 
___________ and David K. Wiggins. The Unlevel Playing Field: A Documentary History of the African American Experience in Sport. Champaign, IL: University of Illinois Press, 2003
[National Endowment for the Humanities Fellow, 1992-1993]
 

Mitchell, Michele. Righteous Propagation: African Americans and the Politics of Racial Destiny after Reconstruction. Chapel Hill:  University of North Carolina Press, 2004.
[National Endowment for the Humanities Fellow, 2001-2002]
 
Plummer, Brenda G. Rising Wind: Black Americans and U.S. Foreign Affairs, 1935-1960. Chapel Hill, NC: University of North Carolina Press, 1996.

___________ "Castro in Harlem: A Cold War Watershed." In Rethinking the Cold War: Essays on Its Dynamics, Meaning, and Morality, eds. Thomas McCormick and Allen Hunter. Philadelphia, PA.: Temple University Press, 1998.
[National Endowment for the Humanities Fellow, 1993-1994]

Rachleff, Melissa J. "Photojournalism in Harlem: Morgan and Marvin Smith and the Construction of Power." In Visual Journal (1996).
[Aaron Diamond Foundation Fellow, 1993-1994]

Roberts, Samuel Kelton, Jr. Infectious Fear: Politics, Disease and the Health Effects of Segregation. Chapel Hill: University of North Carolina Press, 2009.
[National Endowment for the Humanities/Schomburg Center Fellow, 2001-2002]

Rothman, Barbara Katz. Weaving a Family: Untangling Race and Adoption. Beacon Press, 2005.
[Independent Fellow, 2001-2002]

Sandler, Kathe. Documentary film, A Question of Color, 1993.
[Independent Fellow, 1986-1987]

Savage, Barbara Dianne. Your Spirits Walk Beside Us: The Politics of Black Religion. Cambridge: The Belknap Press of Harvard University Press, 2008.
[National Endowment for the Humanities/Schomburg Center Fellow, 2001-2002]
 
Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.
[National Endowment for the Humanities, 2007-2008]
 
Shukla, Sandhya. “Loving the Other in 1970s Harlem: Race, Space and Place in Aaron Loves Angela,” symploke, Vol.18, Numbers 1-2 (2011).
                                                               


“Harlem’s Pasts in its Present,” for Politics, Publics, Personhood: Ethnography at the Limits of Neoliberalism, ed. Carol Greenhouse (Philadelphia: University of Pennsylvania Press, 2009).
[National Endowment for the Humanities, 2005-2006]

Smith, Shawn Michelle. Photography on the Color Line: W.E.B. Du Bois, Race, and Visual Culture. Duke University Press, 2004
[Irene Diamond Foundation Fellow, 1999-2000]

Spears, Arthur K. "The Grammaticalization of Disapproval in Black American English." In CUNYForum: Papers in Linguistics 15, 1990.

Race and Ideology: Language, Symbolism, and Popular Culture. Wayne State University Press, 1999.

"Teaching 'Minorities' about Language and Culture." Race and Ideology. Detroit: Wayne State University Press. Ed. 1999.
[Ford Foundation Fellow, 1989-1990]

Stewart, Jeffrey Conrad. “The New Negro as Citizen" in The Cambridge Companion to the Harlem Renaissance, ed. by George Hutchinson [forthcoming] (Cambridge University Press, 2007).

"Black Orientalism and The Invisible Man of the Harlem Renaissance", in Letterature d'America Trimestrale Anno XXII, n. 93-94, 2002: 37-54.
[National Endowment for the Humanities Fellow, 1998-1999]

Suggs, Jon-Christian. Whispered Consolations: Law and Narrative in African-American Life. University of Michigan Press, Spring 1999.

"Romanticism, Law, and the Suppression of African-American Citizenship," in Race and Production of Modern American Nationalism, ed. Reynolds J. Scott-Childress. New York: Garland, 1999.

"'Blackjack': Walter White and Modernism in an Unknown Boxing Novel." Michigan Quarterly Review. Fall 1999.
[National Endowment for the Humanities Fellow, 1994-1995]

Talalay, Kathryn M. Composition in Black and White: The Life of Philippa Schuyler. NY and London: Oxford University Press, 1995.
[Rockefeller Foundation Fellow, 1988-1989]

Taylor, Ula. "Amy Jacques Garvey: Introduction." In Words of Fire, ed. Beverly Guy-Sheftall NY: New Press, 1995.

The Veiled Garvey: The Life and Times of Amy Jacques Garvey. Chapel Hill: University of North Carolina Press, 2002.

"Amy Jacques Garvey: Community Feminist." Journal of Gender and History.
[National Endowment for the Humanities Fellow, 1993-1994]

Torres, Alexandra C. (Sasha). Black, White and In Color: Television and Black Civil Rights. Princeton University Press, 2003.
[Aaron Diamond Foundation Fellow, 1997-1998]

Vendryes, Margaret Rose. Barthe A Life in Sculpture. Jackson: University Press of Mississippi, 2008.

“Inveterate Outsiders: African-American Women Artists Get Their Due” in the International Review of African American Art (Summer 2005).

“Vindicating Black Masculinity: Barthé’s James Weldon Johnson Memorial,” International Review of African American Art (Hampton University, vol. 18, no. 2, 2002).

“The Lives of Richmond Barthé,” in The Greatest Taboo: Homosexuality in Black Communities (Alyson Publications, 2000).
[Irene Diamond Foundation Fellow, 1998-1999]

Walker, Sheila S. The following are slide presentations that were developed as the result of her residency at the Center:

"African Religions in Brazil"
"Afro-Brazilian Religion and Society"
"Presents for Yemanja in the Candomble"
"Afro-Latin American Religions"
"African Religions in the Caribbean"
[Rockefeller Foundation Fellow, 1986-1987]

Walker-Hill, Helen Siemens. From Spirituals to Symphonies: African-American Women Composers and Their Music. Westport, Conn. Greenwood Press, 2002.
[National Endowment for the Humanities Fellow, 1995-1996]

Watkins-Owens, Irma. “Early-Twentieth-Century Caribbean Women, Migration and Social Networks in New York City" in Islands in the City, West Indian Migration to New York. Berkeley: University of California Press, 2001.
[National Endowment for the Humanities Fellow, 1995-1996]

Wilder, Craig Steven. In the Company of Black Men: The African Influence on African American Culture in New York City. NYU Press, 2001.                                 [Ford Foundation Fellow, 1998-1999]                                                                                                                                                                                                                        
Williams, Chad. Torchbearers of Democracy: African American Soldiers in the World War I Era. Chapel Hill: University of North Carolina Press, 2010.                      [National Endowment for the Humanities Fellow, 2006-2007]
 

Wilson, Joseph F. ed. Tearing down the color bar: a documentary history and analysis of the Brotherhood of Sleeping Car Porters. NY: Columbia University Press, 1989.
[Schomburg Center Fellow, 1987-1988]
 

Yellin, Jean Fagan. Incidents in the Life of a Slave Girl: Written By Herself. By Harriet A. Jacobs. edited by L. Maria Child. Edited and with an introduction by Jean Fagan Yellin. Cambridge: Harvard University Press, 2000.
 

"Through her brother’s eyes: Incidents and ‘A True Tale’" in Harriett Jacobs and Incidents In The Life Of A Slave Girl: New Critical Essays. Eds. Deborah Garfield and Rafia Zafar. Princeton University Press, 1996.
[Ford Foundation Fellow, 1989-1990]

 

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