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The Cullman Center Institute for Teachers

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The Cullman Center Institute for Teachers offers two distinct programs for professional development that give teachers an opportunity to enrich their understanding of history and literature and to learn about doing research in one of the world's great libraries. The Institute is located in The New York Public Library's landmark building on Fifth Avenue at 42nd Street at The Cullman Center for Scholars and Writers.

The Cullman Center Spring and Summer Seminars are limited to 15 participants each. All educators are welcome to apply; but we give priority to New York City public middle and high school English and history teachers, librarians and administrators.

Summer Seminar participants receive a $300 stipend, all required books and materials, a private office with networked computer at the Cullman Center, and breakfast and lunch each day. There is also an opportunity to recieve graduate credit through Adams State College. Click here for details.

The deadline to apply to this year's seminars has passed. Please check back in the fall for our spring 2013 seminars. 

SUMMER SEMINARS 2012

Adam Shatz Adam Shatz

Black Bohemia: Poetry, Painting and Jazz on the Lower East Side, 1955-1965

Monday, July 16, 2012, 9 a.m. - 5 p.m.

THIS IS A WEEK-LONG SEMINAR (MONDAY JULY 16 - FRIDAY JULY 20)

ADAM SHATZ, Instructor

From the late 1950s through the mid-1960s, New York below 14th Street was home to a thriving -- and increasingly politicized -- black bohemian scene. Black writers, painters, and jazz musicians moved downtown in search of cheaper rents and a more tolerant racial atmosphere, and were soon mixing with their white counterparts in bookshops, taverns, and jazz clubs. By 1965, the scene had imploded, with the assassination of Malcolm X and the rise of black nationalism. This course will chart the rise and fall of this passionate but volatile experiment in interracial collaboration, with a focus on the life and work of the poet, critic, and playwright LeRoi Jones/Amiri Baraka. Readings will include memoirs of the period, plays, poetry, and criticism; we will also listen to music by jazz musicians who participated in the scene.

Laura Shapiro, photo by Gabrielle Linzer Laura Shapiro, photo by Gabrielle Linzer

Writing Food: A Writing Workshop in Creative Non-Fiction

Monday, July 23, 2012, 9 a.m. - 5 p.m.

THIS IS A WEEK-LONG SEMINAR (MONDAY JULY 23 - FRIDAY JULY 27) 

LAURA SHAPIRO, Instructor

A wide range of literary genres is open to writers who are deeply curious about food and who find it a peerless– in fact, irresistible – window onto history, experience, and character. This seminar will be held in conjunction with “Lunch Hour: NYC,” a major exhibition of food-related items from the Library’s collections, and will examine the work of such influential culinary storytellers as MFK Fisher, Anthony Bourdain, and Laurie Colwin. We will also draw on contemporary voices from the online world and discuss the importance of culinary research in The New York Public Library and beyond. Throughout the week, participants will compose their own food histories, criticism, and reportage. 

Rivka Galchen Rivka Galchen

Liberating Constraints: A Creative Writing Workshop

Monday, July 30, 2012, 9 a.m. - 5 p.m.

THIS IS A WEEK-LONG SEMINAR (MONDAY JULY 30 - FRIDAY AUGUST 3)

RIVKA GALCHEN, Instructor

Shakespeare wrote soliloquies in iambic pentameter; Freud composed some of the 20th century’s best writing in the form of medical case histories; Elvis turned gospel into rock ’n roll; and Dr. Seuss wrote Green Eggs and Ham on a bet that he could write a book using just fifty different words. A narrow passage allows the wind to whistle-- at least sometimes! We’ll read texts by Kobo Abe, Roberto Bolaño, Anthony Burgess, and others, identifying the constraint under which each operates and noting when the author violates that constraint. Participants will complete several writing exercises before composing their own short fiction in a constraint of their choosing.

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