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Finding Aid for Mary Wigman letters to Walter Sorell, 1964-1973.

Guide to the Wigman, Mary, 1886-1973. Letters to Walter Sorell, 1964-73.

(S) *MGZMC-Res. 29
Jerome Robbins Dance Division. New York Public Library.
40 Lincoln Center Plaza
New York, NY 10023-7498
(212) 870-1657
dance@nypl.org
http://nypl.org/research/lpa/dan/dan.html
Processed by:
R. A. Carr
Date Completed:
Feb. 1, 1978
Encoded by:
Apex Data Services; revised by Dan Santamaria
Date Completed:
September 27, 2003; revised 2004
Encoding funded by the generous support of the Gladys Krieble Delmas Foundation.

© 2004 The New York Public Library for the Performing Arts. Astor, Lenox and Tilden Foundations. All rights reserved.

Table of Contents

Descriptive Summary Table of Contents

Title
Wigman, Mary, 1886-1973. Letters to Walter Sorell, 1964-73.
Collection ID
(S) *MGZMC-Res. 29
Creator
Wigman, Mary
Size
108 (13 folders) items
Repository
The New York Public Library for the Performing Arts
Jerome Robbins Dance DivisionNew York, New York
Abstract

Administrative Information Table of Contents

Source

Gift. Gift of Walter Sorell. Material received: 1974.

Access

The collection is open to research.

Restrictions on Use

For permission to publish, contact the Curator, Jerome Robbins Dance Division, The New York Library for the Performing Arts.

Preferred Citation

Wigman, Mary, 1886-1973. Letters to Walter Sorell, (S) *MGZMC-Res. 29, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts.

Biographical History Table of Contents

Mary Wigman, German modern dancer and choreographer, was born Mary Wiegmann, November 13, 1886 in Hanover. She trained first with Emile Jaques-Dalcroze in Hellerau and Dresden and later with Rudolf von Laban in Anscona, Switzerland and in Munich. Her debut as a concert dancer and choreographer occurred in 1919. Successful performances encouraged her to open her own school in Dresden, where among her first students were Yvonne Georgi, Gert Palucca, and Harald Kreutzberg. By 1925, her students included Ruth Abrahamowitsch, Hanya Holm, and Tilly Losch. Her students performed as a company, touring Western Europe throughout the 1930's. Wigman performed at the Berlin Olympics of 1936, but the National Socialists closed her school, and she became a teacher at the Leipzig Music Academy. After World War II, she returned to Berlin, re-opening her school in 1948, which became the center for the German modern dance movement. She choreographed over one hundred dances for herself and her dancers but also worked in various German opera houses, staging productions of Gluck in Leipzig and Mannheim and a famous joint performance of Carl Orff's Carmina Burana and Catulli Carmina in 1955. She died in Berlin September 18, 1973.

Scope and Content Note Table of Contents

A collection of letters written by Mary Wigman, in German, to Walter Sorell, translator of her book Die Sprache des Tanzes. Also included are: letters to Mr. Sorell from other correspondents including Hanya Holm, John Martin, Juana de Laban and Margherita Wallmann discussing Mary Wigman, her book and Mr. Sorell's projected biography of Hanya Holm; a letter to Mary Wigman from Frederica T. Gibbon; an essay by Mary Wigman, “Dance pedagogy: letter to a young dancer,” in English.

Container List Table of Contents

f. 1     
1964-65 Mary Wigman to Walter Sorell
f. 2     
1966 Mary Wigman to Walter Sorell
f. 3     
1967 Mary Wigman to Walter Sorell
f. 4     
1968 Mary Wigman to Walter Sorell
f. 5     
1969 Mary Wigman to Walter Sorell
f. 6     
1970 Mary Wigman to Walter Sorell
f. 7     
1971 Mary Wigman to Walter Sorell
f. 8     
1972 Mary Wigman to Walter Sorell
f. 9     
1973 Mary Wigman to Walter Sorell
f. 10     
n.d. Mary Wigman to Walter Sorell
f. 11     
n.d. Mary Wigman to Walter Sorell
f. 12     
Miscellaneous correspondence to Walter Sorell and Mary Wigman
f. 13     
Essay by Mary Wigman

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