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Finding Aid for Yours for a Song Collection of Noncommercial Video Recordings
Guide to the Yours for a Song Collection of Noncommercial Video Recordings.
40 Lincoln Center Plaza
New York, NY 10023-7498
(212) 870-1663
rha@nypl.org
http://nypl.org/research/lpa/rha/rha.html
- Processed by:
- Loni Shibuyama
- Date Completed:
- 2005
- Encoded By:
- Loni Shibuyama
© 2002 The New York Public Library. Astor, Lenox and Tilden Foundations. All rights reserved.
Table of Contents
- Descriptive Summary
- Scope and Content Note
-
Item Descriptions
- Bolcom, William
- Brand, Oscar
- Coleman, Cy
- Comden, Betty
- Dawn, Dolly
- Feinstein, Michael
- Fisher, Doris
- Furia, Philip
- Hague, Albert
- Hergue, Renee
- Kreston, Judy
- Lahan, David
- Lahm, David
- Michaels, Nora
- Mintun, Peter
- Morath, Max
- Morris, Joan
- Renaldo, Richard
- Rodgers, Mary
- Stevens, Gary
- Warner, Russell
- Weber, Katharine
- White, Robert
- Winer, Deborah Grace
- Wodehouse, Artis
- Miscellaneous Footage
Descriptive Summary
Rodgers and Hammerstein Archives of Recorded Sound
Scope and Content Note
The collection consists of materials used in the production of the 1999 documentary, Yours for a Song, profiling the lives and work of four women songwriters of the Tin Pan Alley era; Kay Swift, Dorothy Fields, Dana Suesse, and Ann Ronell. Includes archival footage, interviews and/or musical performances by Cy Coleman, Albert Hague, Artis Wodehouse, Gary Stevens, Michael Feinstein, Nora Michaels, Philip Furia, David Lahm, Deborah Grace Winer, Katharine Weber, Max Morath, Joan Morris, Russell Warner, Peter Mintun, Richard Renaldo, Oscar Brand, and Doris Fisher, among others.
Arranged alphabetically by last name of interviewee or performer.
Note that some interviews span more than one cassette, and some cassettes contain more than one interview.
Item Descriptions
Bolcom interviewed together with Joan Morris.
Includes musical examples performed by Bolcom and Morris.
Donor's inventory numbers: 138, 139.
Bolcom with Max Morath and Joan Morris rehearsing at the piano.
Donor's inventory number: 140.
Shots taken from camera angle A.
Donor's inventory numbers: 142, 143.
Footage taken from the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Shots taken from camera angle B.
Donor's inventory numbers: 144, 145, 146.
Footage taken the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Second interview (of 2) on videocassette.
Brand interview begins at approx. 16 minutes (after Artis Wodehouse interview).
Donor's inventory number: 114.
Donor's inventory number: 115.
First interview (of 2) on videocassette.
Brand interview followed by Deborah Grace Winer interview.
Donor's inventory number: 116.
Donor's inventory numbers: 101, 102.
First interview (of 2) on videocassette.
Coleman interview followed by Gary Stevens interview.
Donor's inventory number: 103.
Donor's inventory numbers: 147, 148.
Donor's inventory numbers: 109, 110, 111.
Includes musical examples sung by Feinstein.
Donor's inventory numbers: 124, 125, 126.
Second interview (of 2) on videocassette.
Fisher interview begins at approx. 10 minutes (after Richard Renaldo interview).
Includes musical examples sung by Fisher.
Donor's inventory number: 154.
Includes musical examples sung by Fisher.
Donor's inventory number: 155.
Includes musical examples sung by Fisher.
Donor's inventory number: 156.
Donor's inventory number: 134.
Donor's inventory number: 135.
First interview (of 2) on cassette.
Furia interview followed by Russell Warner interview.
Donor's inventory number: 136.
Donor's inventory number: 149.
Hague interview followed by Hague and Renee Hergue rehearsal.
Donor's inventory number: 150.
Hague and Renee Hergue rehearsal begins at approx. 24 minutes (after Hague interview).
Donor's inventory number: 150.
Rehearsal with Renee Hergue.
Donor's inventory number: 151.
Hergue and Albert Hague rehearsal begins at approx. 24 minutes (after Albert Hague interview).
Donor's inventory number: 150.
Rehearsal with Albert Hague.
Donor's inventory number: 151.
Kreston performs with David Lahan.
Donor's inventory number: 160.
Part 2 of performance (donor's inventory number: 161) not included in original gift.
Lahan performs with Judy Kreston.
Donor's inventory number: 160.
Part 2 of performance (donor's inventory number: 161) not included in original gift.
Donor's inventory numbers: 132, 133.
Michaels and band perform on stage.
Donor's inventory numbers: 157, 158.
Donor's inventory number: 159.
Includes musical examples perforned by Mintun.
Donor's inventory numbers: 127, 128.
Mintun interviewed together with Robert White.
Includes musical examples performed by Mintun and Robert White.
Donor's inventory numbers: 129, 130, 131.
Morath with William Bolcom and Joan Morris rehearsing at the piano.
Donor's inventory number: 140.
Includes musical examples performed by Morath.
Donor's inventory number: 141.
Shots taken from camera angle A.
Donor's inventory numbers: 142, 143.
Footage taken from the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Shots taken from camera angle B.
Donor's inventory numbers: 144, 145, 146.
Footage taken the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Morris interviewed together with William Bolcom.
Includes musical examples performed by Morris and Bolcom.
Donor's inventory numbers: 138, 139.
Morris with William Bolcom and Max Morath rehearsing at the piano.
Donor's inventory number: 140.
Shots taken from camera angle A.
Donor's inventory numbers: 142, 143.
Footage taken from the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Shots taken from camera angle B.
Donor's inventory numbers: 144, 145, 146.
Footage taken the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Donor's inventory number: 152.
Donor's inventory number: 153
First interview (of 2) on videocassette.
Renaldo interview followed by Doris Fisher interview.
Donor's inventory number: 154.
Donor's inventory numbers: 122, 123.
Second interview (of 2) on videocassette.
Stevens interview begins at approx. 9 minutes (after Cy Coleman interview).
Donor's inventory number: 103.
Donor's inventory number: 104
Donor's inventory number: 105.
Second interview (of 2) on videocassette.
Warner interview begins at approx. 9 minutes (after Philip Furia interview).
Donor's inventory number: 136.
Donor's inventory number: 137.
Shots taken from camera angle A.
Donor's inventory numbers: 142, 143.
Footage taken from the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Shots taken from camera angle B.
Donor's inventory numbers: 144, 145, 146.
Footage taken the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Donor's inventory numbers: 106, 107, 108.
Shots taken from camera angle A.
Donor's inventory numbers: 142, 143.
Footage taken from the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
Shots taken from camera angle B.
Donor's inventory numbers: 144, 145, 146.
Footage taken the last day of the opening of the Gershwin Room at the Library of Congress.
Consists of Katharine Weber and Russell Warner discussing the career of Kay Swift and her work with the Gershwins; and performances by William Bolcom, Joan Morris, and Max Morath.
White interviewed together with Peter Mintun.
Includes musical examples performed by White and Peter Mintun.
Donor's inventory numbers: 129, 130, 131.
Second interview (of 2) on videocassette.
Winer interview begins at approx. 11 minutes (after Oscar Brand interview).
Donor's inventory number: 116.
Donor's inventory number: 117.
Donor's inventory number: 118.
Donor's inventory number: 119.
Donor's inventory number: 120.
Donor's inventory number: 121.
Donor's inventory number: 112.
Includes musical examples performed by Wodehouse.
Donor's inventory number: 113.
First interview (of 2) on videocassette.
Wodehouse interview followed by Oscar Brand interview.
Includes musical examples performed by Wodehouse.
Donor's inventory number: 114.
Excerpt from the feature film G.I. Joe, produced by Lester Cowan; directed by William A. Wellman.
Musical score by: Ann Ronell and Louis Applebaum.
Donor's inventory number: 404m.
Donor's inventory number: 301.
Tape consists of multiple reels of home movie footage (shot during the 1930s-1940s) transferred to one videocassette.
Contents: Social gathering (1st reel) -- With friends: playing music, swimming, playing tennis (2nd reel) -- On movie studio lot (3rd reel) -- Footage taken on the set of the Wizard of Oz (in color) (4th reel) -- With friends: swimming, tennis, social gathering (5th reel).
From A Melody Makers Series, produced by Master Art Products, Inc.; directed by Ben Schwartz.
Cast: Jimmy McHugh, Dorothy Fields and Ben Alley.
Donor's inventory number: 314.
On videocassette with: Harold Arlen home movies.
From the feature film Strike Me Pink, produced by Samuel Goldwyn; directed by Norman Taurog.
Donor's inventory number: 301.
Music: Harold Arlen ; Lyrics: Lew Brown.
Cast: Ethel Merman and Sunny O'Day.

