Meg Stemmler's blog

TA-NEHISI COATES, BAZ DREISINGER, PENIEL E. JOSEPH & VICTOR LAVALLE in conversation at LIVE from the NYPL
Thursday, April 9, 2009 at 7:00 PM in the Trustees Room (Rm 206)
of the Stephen A. Schwarzman Building on 5th Avenue and 42nd Street
Tickets www.smarttix.com or 212 868 4444

Making Sense of Black Nationalism in the Obama Era
With an African-American president in the White House—and the first black chairman voted to head the Republican National Committee—has black nationalism become irrelevant? Novelist Victor Lavalle explores the personal and political valences of the nationalist idea, and makes a case for embracing a more ecumenical view of black experience—including the freedom to move beyond traditional conceptions of blackness. Baz Dreisinger, author of Near Black: White to Black Passing in American Culture; Peniel E. Joseph, author of Waiting 'Til the Midnight Hour: A Narrative History of Black Power in America; and Atlantic Monthly contributing editor Ta-Nehisi Coates respond.
This event is co-presented by: BOOKFORUM

Ta-Nehisi Coates is a contributing editor for The Atlantic. He lives in Harlem with his partner and his son.

Baz Dreisinger is the author of Near Black: White to Black Passing in American Culture. She teaches at John Jay College of Criminal Justice. Together with Oscar-nominated filmmaker Peter Spirer, she produced and wrote the documentary
Black & Blue: Legends of the Hip-Hop Cop which investigates the New York Police Department’s monitoring of the hip-hop industry.

Peniel E. Joseph is associate professor of Afro-American Studies and history at Brandeis University. He is author of Waiting 'Til the Midnight Hour: A Narrative History of Black Power in America. His book Dark Days, Bright Nights: From Black Power to Barack Obama will be published in 2010.

Victor LaValle is the author of Slapboxing with Jesus and The Ecstatic. His novel, Big Machine, will be published in 2009.

Our participants recommend...

These sites:

TheRoot.com, DailyBeast.com, Racialicious, An overview of Drug Policy in the United States, WNYC interview with William Julius Wilson, NPR interview with Peniel E. Joseph, Black Power: Inside The Movement
Debrah Dickerson's website, and Melissa Harris-Lacewell's website.

These articles:

"The End of White America?" by Hua Hsu,"Passing and the American Dream" by Baz Dreisinger,"Beyond the Skin Trade: How does black nationalism stay relevant in the age of Barack Obama?" by Victor Lavalle and "Black Power" by Phillip M. Guerty in the Magazine of History.

And, these books:

Hip Hop Revolution by Jeffrey Ogbar, Color Conscious by Anthony Appiah, Black on White: Black Writers on What it Means to be White by David Roediger, The Great Negro Plot by Mat Johnson, Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 by Jeffrey B. Perry,
Black Politics / White Power: Civil Rights, Black Power and the Black Panthers in New Haven by Yohuru Williams, Bloody Lowndes: Civil Rights and Black Power in Alabama's Black Belt by Hasan Kwame Jeffries and
Sweet Land of Liberty: The Forgotten Struggle for Civil Rights in the North by Thomas J. Sugrue.

Opening night at LIVE from the NYPL kicked off with a sold-out event featuring Lawrence Lessig, Shepard Fairey and Steven Johnson discussing Remix. Check it out!

Watch the full length version of the LIVE from the NYPL program here.

Before the conversation in Celeste Bartos Forum got underway on Thursday, lawyer and renowned copyright expert Lawrence Lessig launched the evening with his erudite Remix / Copyright presentation. Lessig also exhibited several Barack Obama photographs, pointing out that they too could have been versions referenced by the artist Shepard Fairey when designing the iconic "Hope" image. After Lessig's impressive case against (old) IP law, Shepard Fairey took the stage and shared work from his collection, spoke about the Obama poster (acknowledging Mannie Garcia) and the significance of its creation and elaborated on phenomenology, a philosophy with which he identifies much of his work and creative process. Read Shepard Fairey's Manifesto.

Lawrence Lessig and Shepard Fairey took their seats next to moderater Steven Johnson and the three delved into a discussion that examined remix culture (both modern and of days passed), the concept of originality, copyright laws, the alleged infractions of sampling work, intellectual property rights, and played several clips of remixes -from Beyonce's Single Ladies' music video and its parody on Saturday Night Live to a piece created by Filmmaker Andrew Filippone, Jr. titled "Charlie Rose by Samuel Becket." Filippone, present at the program, contributed commentary.

Just before opening the conversation up to the audience, Steven Johnson read selected questions that had been submitted by the public via e-mail, like this one from DJ Spooky (aka Paul Miller):

Do you think technology has democratized the creative process and made it more of a social process? Can people ever be original again, or will everything be about sampling - graphic design material, video material, and sound?

Hear the answer, and the live audience Q&A here.

For more extensive recaps on the evening, check out: The New York Times, Blackbook, PSFK, Fast Company, Cause Global, X Reference, Public Library Association, Consumerist, WebMetrics Guru, Kenyanthropos and Time Out Magazine. Watch a pre-event interview filmed with the participants in the Green Room by WNYC.

Among the diehard fans of Shepard Fairey at the program, this guest takes the cake. And, yes Shepard Fairey signed her back (which she will make permanent with her next tattoo). See photos of Fairey's work on Flickr by HARGO.

Special Thanks to the Brooklyn Brewery for generously sponsoring the public reception at this LIVE from the NYPL Remix evening. LIVE from the NYPL would also like to thank our bookseller,192 Books, photographer, Peter Foley and our Artist in Residence, Flash Rosenberg.

Continue the conversation! Please post your commentary and questions. You can also direct questions to Lawrence Lessig, Steven Johnson and Shepard Fairey on this blog.

Photo of Leigh Bond taken by Peter Foley

At the LIVE from the NYPL Sold-Out event on Thursday, February 26th, the artist Shepard Fairey will be in conversation with Lawrence Lessig and Steven Johnson about Remix: Making Art and Commerce Thrive in the Hybrid Economy. He'll speak specifically about his extensive body of work and share highlights of his collection with the audience.
Fairey, known for his influential street art and strong political messages, has been drawing even more attention recently for frequenting the headlines. The core of a swirling controversy is Fairey's battle with the Associated Press over the AP's claims of copyright infringement connected to Fairey's iconic Obama image, of which Fairey immediately responded to with a countersuit. The dispute continues to garner reactions from the press, where every facet of interpretation seems to be covered. Writer Robert Pincus examines the issues with his piece, An artist turns a photo into an iconic image- but is it fair use? and the public is summoned to weigh in on the issues with their comments and arguments on Lawrence Lessig's blog.

Shepard Fairey's first retrospective exhibition, Supply and Demand opened on February 6, 2008 at The Institute of Contemporary Art in Boston. On the same day of his ICA kickoff, things for Fairey were stirred up with an arrest made by the Boston PD who presented him with warrants accusing him of tagging and graffiti. The art critic, Peter Schjeldal, wrote his response to the exhibition in the article "Hope and Glory" printed in the New Yorker this month.

Join in on the Fairey Frenzy by posting your comments here, on the LIVE from the NYPL blog. And, OBEY by making a Shepard Fairey portrait of YOURSELF.

REMIX re • mix
Pronunciation v. ree-miks; n. ree-miks
verb, -mixed, -mix ing, noun
–verb (used with object)
1. to mix again.
2. to mix and re-record the elements of
(a musical recording) in a different way.
–noun
3. a remixed recording.
Origin: 1660–70
Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2009.

What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined?

LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season on February 26th with a spirited discussion of the emerging remix culture.

→ Remix: Making Art and Commerce Thrive in the Hybrid Economy ←
February 26th, 7pm (buy tickets)
Celeste Bartos Forum
The New York Public Library
5th Avenue and 42nd Street (enter on 42nd St.)
$25 general admission and $15 library donors, seniors and students with valid identification

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Our guides through this new world—who will take us from Jefferson's Bible to André the Giant to Wikipedia—will be Lawrence Lessig, author of Remix, founder of Creative Commons, and one of the leading legal scholars on intellectual property issues in the Internet age; acclaimed street artist Shepard Fairey, whose iconic Obama "HOPE" poster was recently acquired by the National Portrait Gallery; and cultural historian Steven Johnson, whose new book, The Invention of Air, argues that remix culture has deep roots in the Enlightenment and among the American founding fathers.

Stay tuned for most posts about this event!

Shepard Fairey, often described as a street artist, first began to appear in the news for wheat pasting (adorning public spaces with the artist's own posters with a water and wheat mixture), sticker tagging, and the numerous accompanying arrests. His portrait of Barack Obama that came to symbolize the historic campaign of the president is now on display at the National Portrait Gallery in Washington, D.C. His artwork is also in the collections of the Museum of Modern Art, the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London. A retrospective of Fairey’s work opened in February 2009 at the Boston Institute of Contemporary Art.

Steven Johnson is the author of The Ghost Map; Everything Bad Is Good for You; Mind Wide Open: Your Brain and the Neuroscience of Everyday Life; Emergence: The Connected Lives of Ants, Cities, and Software; and Interface Culture: How New Technology Transforms the Way We Create and Communicate. He is also the founder of several influential websites, including FEED, Plastic, and, currently, outside.in. His most recent book is The Invention of Air: A Story of Science, Faith, Revolution, and the Birth of America.

Lawrence Lessig is a Professor of Law at Stanford Law School and founder of the Center for Internet and Society. He writes in the areas of constitutional law, contracts, and the law of cyberspace, especially as it affects copyright. Lessig was named one of Scientific American's Top 50 Visionaries, for arguing "against interpretations of copyright that could stifle innovation and discourse online." He is the author of Code v2, Free Culture, The Future of Ideas, and Code and Other Laws of Cyberspace. His most recent book is Remix: Making Art and Commerce Thrive in the Hybrid Economy.

Photos of Shepard Fairey by Jill Greenberg and Steven Johnson by Nina Subin

This event is co-sponsored by Wired Magazine.

Buy Tickets: Smarttix or call 212-863-4444

Stay tuned for more posts!