Posts from or about the Stephen A. Schwarzman Building

The LIVE from the NYPL program featuring Richard Holmes in conversation with Paul Holdengräber was off to a rocky start last night; the technology controlling the microphones kept malfunctioning. Mr. Holmes joked that it probably had "something to do with homeland security." This prompted a few chuckles from the crowd. When the microphone started acting up again twenty minutes later, Richard commented, "this gives new meaning to [part of] the subtitle of the book; ‘the Beauty and Terror of Science.'" At this point, he had the audience roaring with laughter. On hand to talk about his new book, The Age of Wonder, two things could be gleaned from an evening listening to Richard…

Maureen Brennan was nominated for a Tony Award and won a Theatre World Award for her professional debut as Cunegonde in the 1974 revival of Leonard Bernstein's Candide (IBDB), directed by Harold Prince. She has since appeared on Broadway as Madeleine Manners in Going Up, Tina in Knickerbocker Holiday, Goldie Gates in Little Johnny Jones, and Stardust. Candide at 250 curator Alice Boone sent her the following questions about playing Cunegonde:

Our interactive reading of Candide continues with chapters 7-12. Here's a roundup of recent discussions...

"The diligence with which these gentlemen strip people!" American illustrator Mahlon Blaine chose the old woman's story as one of the full-page drawings for his 1930 edition of Candide. The exotic nude woman posed between two men in various states of undress is of a piece with Blaine's erotic illustrations for William Beckford's Oriental tale Vathek (1928) or for the Marquis de Sade's Justine (1931).

Throughout the 1920s and 1930s, this little book offered sage advice as well as entertaining distraction for those in England lucky enough to be able to be included in weekend getaways to the country. The Week-End Book was the work of Francis and Vera Meynell, who attempted to balance the competing interests of excellent book design and affordable production in the books they created for Nonesuch, their private press.