Blog Posts by Subject: Dance

How do we love Christopher Walken? On his 70th birthday, let us count the ways. Star of film, TV, and NYPL's own iBook Point, somehow everyone has a favorite film that stars him, be it The Deer Hunter, True Romance, or Pulp Fiction. The consummate villain, he faced off Batman and James Bond with his signature dead stare that transforms at the drop of a hat into a Rockwellesque boyish grin. By the time his fancy footwork stupefied us in Spike Jonze's Fatboy Slim video, few knew Walken was already a 30-year Broadway veteran, sharing the stage with Liza Minnelli and Raul Julia. What? Read on, share movie quotes, or just look at the pictures!

For some twenty years, the Jerome Robbins Dance Division curators have been speaking with Mikhail Baryshnikov, one of the most celebrated dancers of the Twentieth Century, about the possibility of acquiring his collection.

I was struck by the gorgeous, exalted look of the dancers in the illustration on the cover of this book. Isamu Noguchi, an artist, made the stage set for the ballet, Martha Graham was the choreographer, and Aaron Copland was the American composer who helped create the ballet Appalachian Spring. The first performance of this classic ballet was on October 30, 1944 at the Library of Congress. The three created a dance about America, a story communicated through movement. Martha creates unusual dance moves, and her choreography is not always popular. As she says:

"My dancers never fall to simply fall. They fall to rise."

Recently, when friends ask me what collection I am working on and I give my answer — "The Mikhail Baryshnikov Archive" — I've been receiving unexpected reactions. Everyone seems to have a Baryshnikov story. People who I know have never been to the ballet, who couldn't name another dancer if pressed, have something to say. My younger friends were not even born when he took America by storm, and yet they still know. The Nutcracker. Turning Point. A surprising number of them have seen him dance, due to his continued and prolific touring. I would be lying if I said I was not extremely excited when I found out we were receiving his papers here 

Four hours of homework a night, dance three times a week... and school. But it is worth it for one thirteen-year-old dancer who has been dancing since she was four. Dancing makes her feel free, and she loves expressing her emotions through movement. Her Ailey friends keep her company in the dance studio, and she chats with another set of friends at school. She loves being in the dance studio, and she may become a professional dancer one day.

Jean Léon Destiné, master Haitian dancer, choreographer and drummer, died on January 22, 2013. The staff members of the Jerome Robbins Dance Division mourn his passing. And as the Dance Division Curator, I will truly miss him. He was also a great friend of the Dance Division. During his long career as advocate and artist for Haitian dance he donated materials to the Dance Division, gave lecture/demonstrations at the Performing Arts Library, and was recorded by the Jerome Robbins Archive of the Recorded Moving Image. We are delighted to have these materials in our collection, so that dancers, researchers and scholars can come here and view these photographs, clippings, 

The Dance Division is ON FIRE this spring with programs and exhibitions featuring dance from around the world, all at the Library for the Performing Arts! An exhibit on flamenco, 100 Years of Flamenco in New York, will open on March 12 in the Vincent Astor Gallery, and another on Cambodian ballet, Memory Preserved: Glass Plate Photographs of the Royal Cambodian Dancers, will open on March 28 in the Plaza Corridor Gallery. Be sure to visit to check those exhibits out, and save the dates below for our FREE public programs (all at the Bruno Walter Auditorium, unless otherwise specified):

An oral history interview is a lot more than just any old conversation or sound recording. Although the definition of oral history is dynamic, it usually refers to the collecting of individual histories, according to specific ethical and methodological guidelines, and the responsible preservation and archiving of those recordings. While human history has been collected and shared orally for thousands of years, oral history as a modern organized activity is said to date only to 1948 when Allan Nevins began the now highly respected program at Columbia University. If you would like to learn more about the lively field of oral history, the Oral History Association is a wonderful 

The New York Public Library for the Performing Arts has an extensive dance collection. I love the kinesthetic artistry of physical movement. I was curious about dance libraries and museums, and below are some that I found.

Next week (on October 24, 26 and 27, 2012) I have the honor of performing at the Museum of Modern Art's Marron Atrium in Voluntaries by choreographer Dean Moss and visual artist, Laylah Ali. These performances are part of MoMA's Some sweet day dance exhibition series. Voluntaries examines the legacy of John Brown, a white abolitionist who attempted an armed slave revolt in Harper's Ferry, Virginia, in 1859, resulting in his capture and execution. This piece is my first project working as a dancer/performer with Dean, Laylah, and the company. We have been developing this work in rehearsals for over a year, most recently at Baryshnikov Arts Center on a dance 

Booktalking Fast Sam, Cool Clyde, and Stuff by Walter Dean Myers, 1975

Somehow he became known as "Stuff." Anyhow, one of the funniest things he ever observed was Cool Clyde, aka "Claudette" jiving with Fast Sam, who was "getting into his thing" on the dance floor in a competition. One by one, couples were asked to sit down by the announcer jovially saying, "Hey, hey. Let's give a big hand to..." and then he announced the couple's names. The pace of dancing would rise to a frenetic pace in the few seconds before the announcement, each couple throwing a few more daring moves in fervent hope that it would not be them to drop next. As 

Original Choreography: We were very lucky to have the Young Dancemakers Company visit the New York Public Library for the Performing Arts (LPA) for a TeenLIVE event. I think that it is fantastic that young people are creating their own choreography. In addition, I had not been to LPA for a couple of years, so I was excited to see how it has changed. The Young Dancemakers Company is a free summer program, and it is in its 17th year. NYC teens from 15 public schools each year rehearse their dances for three weeks and then perform for free in different locations across the city. I was excited to see the choreography of the dancers. (I have learned a little 

In the interview excerpt above, New York Times dance critic Alastair Macaulay discusses the challenges of writing about dance, using examples of moments in the ballets Swan Lake and The Sleeping Beauty that made profound impressions on him.

The theme of interpretation—in essence, how movement creates meaning—goes to the heart of dance as an art form. Interpretation comes center stage in Speaking of Dancing, a new series of interviews recorded by the Oral History Project of the Jerome Robbins Dance Division. The Speaking of Dancing project was made possible through a generous gift from Anne H. 

The Great American Revue is coming to the end of its run at the Vincent Astor Gallery, LPA. Don't worry —  all of the artifacts will be returned to the Billy Rose Theatre Division, Jerome Robbins Dance Division, or Music Division, and the blog channel will continue. But, since the show itself is closing, I am dedicating this week's blogs to finales.

"That Bacchanal Rag"

Layers on layers of references that could not fit into a caption:

The Passing Show of 1912 established the topical nature of Broadway revues. The authors, George Bronson-Howard and Harold Atteridge, combined references to contemporary politics, New York's cultural life, and both Broadway personalities and their fictional characters (in this case, producer/playwright David Belasco and Peter Grimm, a character that he wrote for David Warfield. Ned Wayburn, who served as both director and Dance Director codified his experiments with interpolation: staging cohesive sequences that allowed performers to present their specialties.  

Dance is a subject on many people’s minds these days, with television series such as Dancing with the Stars, So You Think You Can Dance, and America’s Best Dance Crew becoming fixtures on network and cable channels. Now there’s also Breaking Pointe, Bunheads, and All the Right Moves, the latter two premiering soon.

But while music has Beethoven and theater has Shakespeare, how many people know much about the history of dance and the makers of dance? Or where or how to look to learn about these subjects?

Archival collections can harbor surprises — which makes the job of processing them fun!  The personal archives of artists not only document their careers and personal lives, but often contain material reflecting their interests and their times.

Join us on Tuesday afternoon for a screening of King of Jazz (Universal, 1930) at LPA. Hollywood's Rave Revues is a film series programmed by John Calhoun in conjunction with the exhibition The Great American Revue, across the lobby in the Vincent Astor Gallery.

The first of our Spring Oral History Project interviews was just recorded and it was a true breath of fresh air. On March 19 and 26, 2012, Eva Yaa Asantewaa sat down to interview Marya Warshaw.