Blog Posts by Subject: Music

When thou commandest me to sing,
It seems that my heart would break with pride;
And I look to thy face,
And tears come to my eyes.

—Rabindranath Tagore*

A guest post By Laura Frankos
Oh, Boy!: Kern, Bolton, Wodehouse and the Princess Theatre Musicals
The Genesis of the Series

In 1913, the Shuberts added another theatre to their empire at 104 West 39th Street, on the edge of the theatre district. Architect William Albert Swaney, who had built the Winter Garden for the brothers, designed an intimate 299-seat house, with an understated Georgian exterior of red brick and limestone and five stories of office space for rental income. The theatre, dubbed the Princess, spent its first seasons as "the Theatre of Thrills," as manager Ray Comstock mounted a series of unsuccessful Grand Guignol one-acts. Its 

The Music Division has an amazing amount of sheet music, much of which is not listed in the online catalog. Over the years, some of this sheet music has been compiled into different collections. One of these collections called, P.I. Marches or Popular Instrumental Marches, contains marches that were arranged for the piano.

Who is Harlem Witness? St. George Library Center found out not too long ago when local Staten Island musician Shawn "Harlem Witness" DeBerry performed his Gospel-Rap set to audience full of eager concert goers. Shawn also provided us with a little bit of information about his musical background and the personal aspirations he has for his craft. 

A guest post by Professor William Everett.

His statue stands in Times Square, the only one located at the "Crossroads of the World." This legendary showman did it all—actor, writer, composer, producer, manager, sheet music publisher. If one individual had to be chosen as an embodiment of the breadth of the stage entertainment industry at the turn of the twentieth century, an ideal choice would be George M. Cohan (1878-1942).

The Great American Revue is coming to the end of its run at the Vincent Astor Gallery, LPA. Don't worry —  all of the artifacts will be returned to the Billy Rose Theatre Division, Jerome Robbins Dance Division, or Music Division, and the blog channel will continue. But, since the show itself is closing, I am dedicating this week's blogs to finales.

Vamos a celebrar lo que va del verano ¡al ritmo tropical hispano! Como ya sabemos, muchos de los peloteros mas famosos mundialmente provienen de la República Dominicana, tales como Albert Pujols, Sammy Sosa, Alex Rodriguez y muchas otras destacadas personalidades del deporte.

Post-WWII London, by the mid-to-late 1960s, was reimagining, rebuilding and rearranging. Its economy was strong, and nearly 30% of its population was aged 15-34. With these factors in play, and with that undefinable "something" that brings creativity and zest to a location for however brief a time, London emerged as the style capital of the world, its youth culture arising from the heady influences of new music and street fashion.

Pretend you’re just outside Tompkins Square Park. Enter the park on Avenue A, at 8th Street. Take the windy path through the park towards Avenue B. Okay, now sniff. What do you smell?

You smell dogs.

The Way it Is or Eurydice in the Avenues opens early morning summer in the Park. Three feckless dog walkers stand over the dead body of a girl in a polka-dot dress. Who else is going to find a dead body in Tompkins Square Park? Okay, drug-addicts, probably, but still. Dog walkers. Brilliant.

At the turn of the last century, as part of their effort to establish Times Square as the new entertainment center, Oscar and William Hammerstein installed a roof garden cabaret on top of their 42nd St. corner theater. Made possible by the invention of elevators and cooled air, roof gardens caught on as a temperate weather late night activity. William Hammerstein’s programming featured vaudeville stars and their imitators. You can see the logo for their Paradise Roof Garden on the Vaudeville Nation site — a young woman sipping an iced drink surrounded by Japanese lanterns. By 1913, the Ziegfeld Midnight Frolics were added to the summer show schedule until 

A quiz for musical theater fans: Name a musical, set at the close of the 19th century, in which two young men deceive a crotchety old man in order to escape his oversight and seek love and adventure in the big city. The young men, together with their female romantic partners and a romantically available widow, go to a fancy restaurant where, through a somewhat improbable chain of events, the old man is also present and expecting to meet a potential romantic partner himself. A scuffle breaks out at the restaurant, and at the conclusion of the scene the old man is left with a bill for the whole party — which he cannot pay because he has lost his wallet. The musical was extremely 

Impresario Andre Charlot brought London stars and songwriters to Broadway in January 1924. That show forms a neat connection between Noel Coward and the American revue scene, so we developed a small exhibition about it for LPA's 3rd floor reading room.

I was so excited when I saw that Presley and Melody would be performing at the Fort Washington Library on June 7, 2012. I have been waiting a year since they performed at the opening celebration of the Kingsbridge Library in June 2011. I started blogging last year, and this was definitely a children's program that I wanted to write about. I am somewhat a groupie fan of Presley and Melody, like I am of LuAnn Adams, a storyteller that performs in NYPL libraries.

Did Cole Porter steal the music for some of his most popular songs? Ira B. Arnstein thought so. He took Porter, and several other songwriters, to court for copyright infringement during the 1930s and 1940s.

If you're a fan of live music and comedy, there is no better city to live in than New York City. Every day there is something exciting going on, somewhere in the city. More importantly, a lot of these events are free or very cheap. In the past year, I have seen Foster the People, MGMT, Santigold, Metric, Jimmy Cliff, Matt & Kim, Crystal Castles, the Roots and the Silversun Pickups for absolutely free! I have also seen Lewis Black, Jim Gaffigan, Patton Oswalt, Janeane Garofalo, Wyatt Cenac and many more perform stand-up for $5 or less! Even better, sometimes these events also have free food and drinks. Keeping in the spirit of the Library to provide excellent free or cheap resources, 

I am always excited when I get a chance to host a class in the Music Division of The New York Public Library for the Performing Arts.  This year, my colleague and friend Fred Fehleisen (faculty member of Mannes College The New School for Music) was teaching a class on Johann Sebastian Bach, focusing on his cantatas.  He arranged with me to have a session meet in the Research Division (3rd floor) where I could highlight various topics covered in class by bringing rare books and scores which they might not ordinarily encounter.

The exhibition, The Great American Revue, focuses on Broadway revue series, 1907–1938. But, they were not the only shows on Broadway. During those three decades, dozens of musical comedies by African American songwriters, featuring African American casts were presented successfully in Broadway theaters. They were musical comedies, not revues. They were written for (and, frequently by) the African American character comedians and had complicated plots setting them in comic situations. These shows, had a huge influence on the revue series, primarily through their songwriters and arrangers who moved between the two worlds.

Permanent Vacation opens with a moving crowd of New Yorkers, still dressed '70s groovy. It might be a camera trick, but no one appears to be rushing. The music is slow, diffuse horn and bells. We meet 16-year-old Aloysious Christopher Parker, already dressed '80s rockabilly cool. His body is like a marionette's — all long limbs and loose joints. His voice is like an oboe, and his delivery is like slow air out of a tire. He dances to Earl Bostic's Up There in Orbit, on a toy phonograph, on the floor, in a narrow Lower East Side tenement room painted thickly yellow-white.

A Guest Blog By Ellen Peck

To music historian Richard Traubner, operetta evokes “gaiety and lightheartedness, sentiment and Schmalz” (Traubner, Operetta: A Theatrical History, revised edition, 2003). If any song in the history of American musical theatre has earned a reputation for schmaltz, it would have to be “Ah, Sweet Mystery of Life” from the 1910 Victor Herbert and Rida Johnson Young operetta Naughty Marietta.