Blog Posts by Subject: Music

The Great American Revue is coming to the end of its run at the Vincent Astor Gallery, LPA. Don't worry —  all of the artifacts will be returned to the Billy Rose Theatre Division, Jerome Robbins Dance Division, or Music Division, and the blog channel will continue. But, since the show itself is closing, I am dedicating this week's blogs to finales.

Vamos a celebrar lo que va del verano ¡al ritmo tropical hispano! Como ya sabemos, muchos de los peloteros mas famosos mundialmente provienen de la República Dominicana, tales como Albert Pujols, Sammy Sosa, Alex Rodriguez y muchas otras destacadas personalidades del deporte.

Post-WWII London, by the mid-to-late 1960s, was reimagining, rebuilding and rearranging. Its economy was strong, and nearly 30% of its population was aged 15-34. With these factors in play, and with that undefinable "something" that brings creativity and zest to a location for however brief a time, London emerged as the style capital of the world, its youth culture arising from the heady influences of new music and street fashion.

Pretend you’re just outside Tompkins Square Park. Enter the park on Avenue A, at 8th Street. Take the windy path through the park towards Avenue B. Okay, now sniff. What do you smell?

You smell dogs.

The Way it Is or Eurydice in the Avenues opens early morning summer in the Park. Three feckless dog walkers stand over the dead body of a girl in a polka-dot dress. Who else is going to find a dead body in Tompkins Square Park? Okay, drug-addicts, probably, but still. Dog walkers. Brilliant.

At the turn of the last century, as part of their effort to establish Times Square as the new entertainment center, Oscar and William Hammerstein installed a roof garden cabaret on top of their 42nd St. corner theater. Made possible by the invention of elevators and cooled air, roof gardens caught on as a temperate weather late night activity. William Hammerstein’s programming featured vaudeville stars and their imitators. You can see the logo for their Paradise Roof Garden on the Vaudeville Nation site — a young woman sipping an iced drink surrounded by Japanese lanterns. By 1913, the Ziegfeld Midnight Frolics were added to the summer show schedule until 

A quiz for musical theater fans: Name a musical, set at the close of the 19th century, in which two young men deceive a crotchety old man in order to escape his oversight and seek love and adventure in the big city. The young men, together with their female romantic partners and a romantically available widow, go to a fancy restaurant where, through a somewhat improbable chain of events, the old man is also present and expecting to meet a potential romantic partner himself. A scuffle breaks out at the restaurant, and at the conclusion of the scene the old man is left with a bill for the whole party — which he cannot pay because he has lost his wallet. The musical was extremely 

Impresario Andre Charlot brought London stars and songwriters to Broadway in January 1924. That show forms a neat connection between Noel Coward and the American revue scene, so we developed a small exhibition about it for LPA's 3rd floor reading room.

I was so excited when I saw that Presley and Melody would be performing at the Fort Washington Library on June 7, 2012. I have been waiting a year since they performed at the opening celebration of the Kingsbridge Library in June 2011. I started blogging last year, and this was definitely a children's program that I wanted to write about. I am somewhat a groupie fan of Presley and Melody, like I am of LuAnn Adams, a storyteller that performs in NYPL libraries.

Did Cole Porter steal the music for some of his most popular songs? Ira B. Arnstein thought so. He took Porter, and several other songwriters, to court for copyright infringement during the 1930s and 1940s.

If you're a fan of live music and comedy, there is no better city to live in than New York City. Every day there is something exciting going on, somewhere in the city. More importantly, a lot of these events are free or very cheap. In the past year, I have seen Foster the People, MGMT, Santigold, Metric, Jimmy Cliff, Matt & Kim, Crystal Castles, the Roots and the Silversun Pickups for absolutely free! I have also seen Lewis Black, Jim Gaffigan, Patton Oswalt, Janeane Garofalo, Wyatt Cenac and many more perform stand-up for $5 or less! Even better, sometimes these events also have free food and drinks. Keeping in the spirit of the Library to provide excellent free or cheap resources, 

I am always excited when I get a chance to host a class in the Music Division of The New York Public Library for the Performing Arts.  This year, my colleague and friend Fred Fehleisen (faculty member of Mannes College The New School for Music) was teaching a class on Johann Sebastian Bach, focusing on his cantatas.  He arranged with me to have a session meet in the Research Division (3rd floor) where I could highlight various topics covered in class by bringing rare books and scores which they might not ordinarily encounter.

The exhibition, The Great American Revue, focuses on Broadway revue series, 1907–1938. But, they were not the only shows on Broadway. During those three decades, dozens of musical comedies by African American songwriters, featuring African American casts were presented successfully in Broadway theaters. They were musical comedies, not revues. They were written for (and, frequently by) the African American character comedians and had complicated plots setting them in comic situations. These shows, had a huge influence on the revue series, primarily through their songwriters and arrangers who moved between the two worlds.

Permanent Vacation opens with a moving crowd of New Yorkers, still dressed '70s groovy. It might be a camera trick, but no one appears to be rushing. The music is slow, diffuse horn and bells. We meet 16-year-old Aloysious Christopher Parker, already dressed '80s rockabilly cool. His body is like a marionette's — all long limbs and loose joints. His voice is like an oboe, and his delivery is like slow air out of a tire. He dances to Earl Bostic's Up There in Orbit, on a toy phonograph, on the floor, in a narrow Lower East Side tenement room painted thickly yellow-white.

A Guest Blog By Ellen Peck

To music historian Richard Traubner, operetta evokes “gaiety and lightheartedness, sentiment and Schmalz” (Traubner, Operetta: A Theatrical History, revised edition, 2003). If any song in the history of American musical theatre has earned a reputation for schmaltz, it would have to be “Ah, Sweet Mystery of Life” from the 1910 Victor Herbert and Rida Johnson Young operetta Naughty Marietta.

I recently processed the papers of one of the musical theater's greatest stars, Joel Grey. His Tony and Oscar winning performances as the bizarre, androgynous master of ceremonies of a nightclub in Hitler's Berlin in Kander and Ebb's Cabaret (1966) and its 1972 film adaptation made him a star; and Grey has had a long, successful career, highlighted by hits like George M! (1968) and  Wicked (2003) ; and the revivals of Cabaret (1987), Chicago (1996) and Anything Goes (2011).

The topical revues of 1907 – 1938 satirized performance, society and politics. Everything happening in and around New York was fair game. So, it should not be surprising that Noël Coward came in for his share of parodies. Since LPA's current exhibition in the Donald & Mary Oenslager Gallery is Star Quality: The World of Noël Coward and our neighbors, Film Society of Lincoln Center, will dedicate next weekend to Coward's films, this week's blog focuses on one of those parodies.

Calypso, the traditional carnival music of Trinidad, is so infectious with its driving beat, upbeat rhythms and colorful lyrics, that it defies you not to get up and dance or sing or both.

I went to high school in the East Village from 1983 to 1987. This might sound kind of punk rock. Unfortunately, I totally missed out on CBGB in the late Seventies (see also: Punking Out) and early Eighties. And let's face it, I didn't go inside any real club for most of the Eighties either — I was underage, and too busy studying for the SATs. But I remember how the outsides looked. The streets and lines. The cars, still squared off boats from the Seventies. Of course, three-card monte. And lots and lots of vacant lots. Dirty, over-painted apartment facades with broken front doorknobs. Vinyl miniskirts. Wanting to look like Debbie Harry, not Madonna.

This list is a monthly compilation of my own personal favorite patron requests for music. I hope you will check out some of the great music that Library users have suggested we acquire!

Provided are some great preview tracks for each. Just click on the titles to be taken to the catalog.