Blog Posts by Subject: Music

Last year I wrote a popular blog post entitled "OMG! I Love That Song!: A Guilty Pleasure Playlist" where I confessed my song shame only to find out that many of you shared the exact same musical taste. Than this past February, several of my choices also ended up winning Grammys. I should have named that blog "A Not-so-Guilty Pleasure Playlist" instead. This year this post is once again a "no judgment zone" and I am declaring my love for the songs that I have on constant replay and can't get out of my head. Chances are they're on your player too and if they're not they should be. Okay, now I'm judging you.

Hear the audio version of this blog post. Narration: Kevin Gillins. Music performed by La Capella Reial de Catalunya; Le Concert des Nations; conductor: Jordi Savall.

I am looking at Monet's Weeping Willow series and want to describe these works to people who cannot see. I think music, with its sensual and dramatic language will most elegantly convey the power of these works.

Oliver Sacks once said in his book, Musicophilia:

"The power of music whether joyous or cathartic must steal on one unawares, come spontaneously as a blessing or a grace..."

Music has incredible power. People today listen to music all the time, walking down streets and sitting in subway cars. We can't escape music.

For many of us, certain songs have this mystical power of throwing us into the past to a certain time and place. It might be a wonderful memory or a memory we would rather not remember. Regardless, we begin to understand that our brain and music have a pretty special relationship.

Today I'm going to write about trade shows. I'm going to use as an example the recent trade show/exhibition for the violin (really, string instrument) trade, MondoMusica New York 2013.

What are Trade Shows? The name says it all. Businesses and businesspeople getting together at an event organized for the chance to network, display their wares, buy and sell — to each other and, possibly, the public.

Do you have a gently-used iPod that you'd like to donate to a good cause? Because the Kingsbridge Library's Teen Advisory Group is going to be collecting used iPods on behalf of the Music & Memory program.

Many of us were saddened to hear of the passing of Van Cliburn on Wednesday, February 27. A pianist who excelled in music of the romantic repertoire, Cliburn rocketed to fame when he won the International Tchaikovsky Piano Competition, held in Moscow in 1958 at the height of the cold war. Upon his return, he was not just a musical figure but one who took on an additional social and political meaning.

The Collection and Exhibit

The Rodgers and Hammerstein Archives of Recorded Sound at the New York Library for the Performing Arts currently houses a collection of more than 3,000 wax and celluloid cylinders. These cylinders range from very early, non-commercial, white and brown wax cylinders, to commercial moulded black wax cylinders, to Indestructible moulded celluloid cylinders and, finally, to the later Edison Blue Amberol celluloid cylinders.

I play the piano a little bit and am working on AS's Six Little Pieces, op. 19. Little they are — all six take less than five minutes to play. Easy they are not — the slightest error in nuance ruins them. Written in 1911, they are among his 'atonal' works, a vague term but basically describing those works in which the usual major/minor tonalities were avoided. I don't quite know why so many people have an aversion to this music, and its successor, serial music. So what if it is a bit like hearing a foreign language you don't speak — after a few hearings it begins to get coherent. And if it takes longer than that, so what: just lie back, close your eyes and think 

Our markets, our democracy, our science, our traditions of free speech, and our art all depend more heavily on a Public Domain of freely available material than they do on the informational material that is covered by property rights. The Public Domain is not some gummy residue left behind when all the good stuff has been covered by property law. The Public Domain is the place we quarry the building blocks of our culture. It is, in fact, the majority of our culture.
—James Boyle, The Public Domain, p.40f, 2008, quoted on the Public Domain Manifesto.

I'm happy to present a review of how the Music Division contributed to knowledge for 2011-2012. Although my information is based on the fiscal year ending June 30, 2012, December seems like an appropriate time to post this information.

In the Research Guide, Part I, I advised that the easiest way to find information at LPA is by name or title. I advised that the research can benefit by compiling a list of every person in or involved in a production and serendipity can come your way. That third dancer from the left can become a star and/or obsessive collector or just happen to have the right piece of information in a clipping file. Sometimes, however, you can do your research prep and be looking in a logical place when you find something that should not logically be there.

I listen to many interesting things in my job, and I love it. As an AV cataloger at NYPL (Rodgers and Hammerstein Archives of Recorded Sound), I have listened to many archival recordings at the library for the past 8 years. Some of my highlights:

I just quit smoking for the fifth time. For me, it's all or nothing. I could never be one of those people — dilettantes! — who are able to smoke socially and then go for indefinite periods of time without a cigarette. I suppose this has to do with physiology, personality, and the times in which I grew up.

I've always been curious about Neil Peart. You could say he's the George Harrison of the band Rush. He's the quiet one, but he is anything but silent. In addition to the complex time keeping duties the drummer extraordinaire is also the band's lyricist. With the song's varied themes ranging from philosophy to fantasy you have to assume he is well read.

The mid/late '80s was a strange time for rock and roll. Pioneers seemed to be stuck in their own unique ruts, whether it was band friction, drugs and failing health, being fed up with the record industry or just plain bad albums. Glam Rock was at its zenith, video had killed the radio star, rap was in its fetal stage and a majority of people had no new acts to latch on to.

When thou commandest me to sing,
It seems that my heart would break with pride;
And I look to thy face,
And tears come to my eyes.

—Rabindranath Tagore*

A guest post By Laura Frankos
Oh, Boy!: Kern, Bolton, Wodehouse and the Princess Theatre Musicals
The Genesis of the Series

In 1913, the Shuberts added another theatre to their empire at 104 West 39th Street, on the edge of the theatre district. Architect William Albert Swaney, who had built the Winter Garden for the brothers, designed an intimate 299-seat house, with an understated Georgian exterior of red brick and limestone and five stories of office space for rental income. The theatre, dubbed the Princess, spent its first seasons as "the Theatre of Thrills," as manager Ray Comstock mounted a series of unsuccessful Grand Guignol one-acts. Its 

The Music Division has an amazing amount of sheet music, much of which is not listed in the online catalog. Over the years, some of this sheet music has been compiled into different collections. One of these collections called, P.I. Marches or Popular Instrumental Marches, contains marches that were arranged for the piano.

Who is Harlem Witness? St. George Library Center found out not too long ago when local Staten Island musician Shawn "Harlem Witness" DeBerry performed his Gospel-Rap set to audience full of eager concert goers. Shawn also provided us with a little bit of information about his musical background and the personal aspirations he has for his craft.