Blog Posts by Subject: Music

I'm happy to present a review of how the Music Division contributed to knowledge for 2011-2012. Although my information is based on the fiscal year ending June 30, 2012, December seems like an appropriate time to post this information.

In the Research Guide, Part I, I advised that the easiest way to find information at LPA is by name or title. I advised that the research can benefit by compiling a list of every person in or involved in a production and serendipity can come your way. That third dancer from the left can become a star and/or obsessive collector or just happen to have the right piece of information in a clipping file. Sometimes, however, you can do your research prep and be looking in a logical place when you find something that should not logically be there.

I listen to many interesting things in my job, and I love it. As an AV cataloger at NYPL (Rodgers and Hammerstein Archives of Recorded Sound), I have listened to many archival recordings at the library for the past 8 years. Some of my highlights:

I just quit smoking for the fifth time. For me, it's all or nothing. I could never be one of those people — dilettantes! — who are able to smoke socially and then go for indefinite periods of time without a cigarette. I suppose this has to do with physiology, personality, and the times in which I grew up.

I've always been curious about Neil Peart. You could say he's the George Harrison of the band Rush. He's the quiet one, but he is anything but silent. In addition to the complex time keeping duties the drummer extraordinaire is also the band's lyricist. With the song's varied themes ranging from philosophy to fantasy you have to assume he is well read.

The mid/late '80s was a strange time for rock and roll. Pioneers seemed to be stuck in their own unique ruts, whether it was band friction, drugs and failing health, being fed up with the record industry or just plain bad albums. Glam Rock was at its zenith, video had killed the radio star, rap was in its fetal stage and a majority of people had no new acts to latch on to.

When thou commandest me to sing,
It seems that my heart would break with pride;
And I look to thy face,
And tears come to my eyes.

—Rabindranath Tagore*

A guest post By Laura Frankos
Oh, Boy!: Kern, Bolton, Wodehouse and the Princess Theatre Musicals
The Genesis of the Series

In 1913, the Shuberts added another theatre to their empire at 104 West 39th Street, on the edge of the theatre district. Architect William Albert Swaney, who had built the Winter Garden for the brothers, designed an intimate 299-seat house, with an understated Georgian exterior of red brick and limestone and five stories of office space for rental income. The theatre, dubbed the Princess, spent its first seasons as "the Theatre of Thrills," as manager Ray Comstock mounted a series of unsuccessful Grand Guignol one-acts. Its 

The Music Division has an amazing amount of sheet music, much of which is not listed in the online catalog. Over the years, some of this sheet music has been compiled into different collections. One of these collections called, P.I. Marches or Popular Instrumental Marches, contains marches that were arranged for the piano.

Who is Harlem Witness? St. George Library Center found out not too long ago when local Staten Island musician Shawn "Harlem Witness" DeBerry performed his Gospel-Rap set to audience full of eager concert goers. Shawn also provided us with a little bit of information about his musical background and the personal aspirations he has for his craft. 

A guest post by Professor William Everett.

His statue stands in Times Square, the only one located at the "Crossroads of the World." This legendary showman did it all—actor, writer, composer, producer, manager, sheet music publisher. If one individual had to be chosen as an embodiment of the breadth of the stage entertainment industry at the turn of the twentieth century, an ideal choice would be George M. Cohan (1878-1942).

The Great American Revue is coming to the end of its run at the Vincent Astor Gallery, LPA. Don't worry —  all of the artifacts will be returned to the Billy Rose Theatre Division, Jerome Robbins Dance Division, or Music Division, and the blog channel will continue. But, since the show itself is closing, I am dedicating this week's blogs to finales.

Vamos a celebrar lo que va del verano ¡al ritmo tropical hispano! Como ya sabemos, muchos de los peloteros mas famosos mundialmente provienen de la República Dominicana, tales como Albert Pujols, Sammy Sosa, Alex Rodriguez y muchas otras destacadas personalidades del deporte.

Post-WWII London, by the mid-to-late 1960s, was reimagining, rebuilding and rearranging. Its economy was strong, and nearly 30% of its population was aged 15-34. With these factors in play, and with that undefinable "something" that brings creativity and zest to a location for however brief a time, London emerged as the style capital of the world, its youth culture arising from the heady influences of new music and street fashion.

Pretend you’re just outside Tompkins Square Park. Enter the park on Avenue A, at 8th Street. Take the windy path through the park towards Avenue B. Okay, now sniff. What do you smell?

You smell dogs.

The Way it Is or Eurydice in the Avenues opens early morning summer in the Park. Three feckless dog walkers stand over the dead body of a girl in a polka-dot dress. Who else is going to find a dead body in Tompkins Square Park? Okay, drug-addicts, probably, but still. Dog walkers. Brilliant.

At the turn of the last century, as part of their effort to establish Times Square as the new entertainment center, Oscar and William Hammerstein installed a roof garden cabaret on top of their 42nd St. corner theater. Made possible by the invention of elevators and cooled air, roof gardens caught on as a temperate weather late night activity. William Hammerstein’s programming featured vaudeville stars and their imitators. You can see the logo for their Paradise Roof Garden on the Vaudeville Nation site — a young woman sipping an iced drink surrounded by Japanese lanterns. By 1913, the Ziegfeld Midnight Frolics were added to the summer show schedule until 

A quiz for musical theater fans: Name a musical, set at the close of the 19th century, in which two young men deceive a crotchety old man in order to escape his oversight and seek love and adventure in the big city. The young men, together with their female romantic partners and a romantically available widow, go to a fancy restaurant where, through a somewhat improbable chain of events, the old man is also present and expecting to meet a potential romantic partner himself. A scuffle breaks out at the restaurant, and at the conclusion of the scene the old man is left with a bill for the whole party — which he cannot pay because he has lost his wallet. The musical was extremely 

Impresario Andre Charlot brought London stars and songwriters to Broadway in January 1924. That show forms a neat connection between Noel Coward and the American revue scene, so we developed a small exhibition about it for LPA's 3rd floor reading room.

I was so excited when I saw that Presley and Melody would be performing at the Fort Washington Library on June 7, 2012. I have been waiting a year since they performed at the opening celebration of the Kingsbridge Library in June 2011. I started blogging last year, and this was definitely a children's program that I wanted to write about. I am somewhat a groupie fan of Presley and Melody, like I am of LuAnn Adams, a storyteller that performs in NYPL libraries.