Blog Posts by Subject: Prints

Did you know that The New York Public Library has an official color? I didn't either, and I've worked here since the Dark Ages (before the Internet). But we do, as I found out when I ordered new business cards recently. The color is red.

That's fine with me—I've always liked red (political considerations aside), and besides it gives me an excuse to select as the Spencer Collection Book of the Month for April a small volume containing two illustrations in vivid red. It is appropriate also because Easter falls in April this year.

Maura and I are thrilled that artist and seamstress Abby Glassenberg will be our special guest at March 5th's Handmade Crafternoon.  She has stopped by Hand-Made to answer a few questions about the books and people who inspire and inform her work.

Katarina Bishop grew up all over Europe, but she isn’t an heiress. She has a Faberge egg, but she isn’t a Romanov. Kat is used to looking at a room and seeing all the angles, but that was before she stole a whole other life at the Colgan School only to walk away from it months later without a trace.

That was before everything went sideways.

Here is my coworker Jen's report on the 2010 Teen Art Gallery.

Saturday August 28th was New Dorp Library’s second Art Gallery that I’ve been allowed to host in the branch… Each year has been a wonderful ball full of stress and excitement! I was constantly worried about having enough finished pieces to fill the room with color and give people a chance to see inside each artist's mind.

When librarians at the New York Public Library assembled a vast portrait image collection in the early part of the 20th century, they incorporated some 1,358 images of or closely related to the French emperor, military and political ruler Napoleon Bonaparte, known as Napoleon I (1769-1821). The portrait collection they amassed, Historical and Public Figures: A General Portrait File to the 1920s, or simply the “Portrait File,” is part of the Prints Collection of the Miriam and Ira D. Wallach Division of Art, Prints and Photographs. It is currently being made available to researchers at the Library’s Digital Gallery.

Books with movable flaps, pop-up pages, and other "interactive" features are known to librarians as "Toy and movable books" and more than a thousand examples can be found in the Library's catalog. Most are modern children's books, but the genre has a surprisingly long history, pre-dating even the dawn of printing, and most early examples were meant to instruct or elucidate, not (only) to entertain.

"A collection ... of the finest illustrated books that can be procured, of any country and in any language ... bound in handsome bindings representing the work of the most noted book-binders of all countries..."

Our interactive reading of Candide continues with chapters 7-12. Here's a roundup of recent discussions...

"The diligence with which these gentlemen strip people!" American illustrator Mahlon Blaine chose the old woman's story as one of the full-page drawings for his 1930 edition of Candide. The exotic nude woman posed between two men in various states of undress is of a piece with Blaine's erotic illustrations for William Beckford's Oriental tale Vathek (1928) or for the Marquis de Sade's Justine (1931).

Staff of the New York Public Library recently hand picked a set of nearly 500 images, collected from across our Digital Gallery, composing them as a curated set of images at the Commons on Flickr. They represent the Hudson River Valley through several hundred years of history and complement Mapping New York's Shoreline, 1609-2009, now up in the Gottesman Exhibition Hall at the Stephen A. Schwarzman Building.

Just last week, the New York Public Library updated their Flickr Commons photostream. The newest images are from the Milstein Division and include construction photographs of the Woolworth Building as well as block by block street views of both Fifth Avenue (1911) and Broadway (1899).

Last week in the South Court training rooms, I gave my presentation “Changing Styles in Children’s Literature.” Although I’ve given this talk on various occasions over the last few years, doing it again always focuses my attention on the strange power of children’s books and sets my mind spinning back to my own dim past, when I would stare up at the family shelf of books in a kind of awed yet uncomprehending fascination.

I might not have been aware of much else, but I already knew that those books were the key to some unknown yet highly desirable place. They were full of pictures which created interesting puzzles for me to resolve and 

Did you enjoy following the adventures of our Design by the Book artists as they found inspiration at NYPL? Do you want to dig in to the Library's collections too, to find materials to fuel your own creativity? If so, then check out my User's Guide to NYPL for DIY Designers and Artisans--it will get you up to speed on the treasures and the quirks of the entire Library system. And with it in hand you can start your own hunt for inspiring stuff.

Opening night at LIVE from the NYPL kicked off with a sold-out event featuring Lawrence Lessig, Shepard Fairey and Steven Johnson discussing Remix. Check it out!

Watch the full length version of the LIVE from the NYPL program here.

Before the conversation in Celeste Bartos Forum got underway on Thursday, lawyer and renowned copyright expert Lawrence Lessig launched the evening with his erudite Remix / Copyright presentation. Lessig also exhibited several Barack Obama photographs, pointing out that they too could have been versions referenced by the artist Shepard Fairey when designing the iconic "Hope" image. After Lessig's impressive case against (old) IP law, 

At the LIVE from the NYPL sold-Out event on Thursday, February 26th, the artist Shepard Fairey will be in conversation with Lawrence Lessig and Steven Johnson about Remix: Making Art and Commerce Thrive in the Hybrid Economy. He'll speak specifically about his extensive body of work and share highlights of his collection with the audience.

Fairey, known for his influential street art and strong political messages, has been drawing even more attention recently for frequenting the headlines. The core of a swirling controversy is Fairey's battle with the Associated Press over the AP's claims of copyright infringement connected to Fairey's iconic Obama image, of 

Steven Johnson will be moderating next week's LIVE from the NYPL event, "Remix: Making Art and Commerce Thrive in the Hybrid Economy" — Thursday, February 26 at 7pm at the Celeste Bartos Forum at The New York Public Library

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The great thing about next Thursday's NYPL event on remix culture is the fact that the topic is at once incredibly timely, and yet at the same time it has deep historical roots. It's timely for the obvious reasons. We're going to be talking with the artist Shepard Fairey, whose work has 

What is the future for art and ideas in an age when practically anything can be copied, pasted, downloaded, sampled, and re-imagined? LIVE from the NYPL and WIRED Magazine kick off the Spring 2009 season on February 26th with a spirited discussion of the emerging remix culture. Remix: Making Art and Commerce Thrive in the Hybrid Economy February 26th, 7pm (buy tickets) Celeste Bartos Forum The New York Public Library 5th Avenue and 42nd Street (enter on 42nd St.) $25 general admission and $15 library donors, seniors and students with valid identification

One of Calvin Tompkins' Bachelors has shuffled off stage left. As the New York Times obituary makes clear, Rauschenberg's impact on the Visual and Performing Arts is pretty much incalculable.

I can't remember when I didn't know of Rauschenberg's work, having probably been exposed to a few pieces in my teens on a weekend getaway to the Art Institute of Chicago, but one of my favorite experiences that encompasses Rauschenberg and his cadre of New York pals was seeing the Merce Cunningham Dance Company perform at Lincoln Center in 1999. There in one place--literally and figuratively--were Marcel Duchamp, John Cage, David Tudor, Merce Cunningham, Jasper Johns, Morton Feldman, 

Did these little fellows see their shadows, I wonder?

Happy Groundhog Day to you! This image is just one of more than 150 more lithographed images of four-legged beasts that appeared in Audubon's Viviparous Quadrupeds of North America in the 1840s. The Library has made the art from this work available for easy browsing in the NYPL Digital Gallery, so go and check out the other animal portraits. (I'm partial to the prairie dogs myself.)

Lithography was developed in Germany in 1798 by Aloys Senefelder, and this manual printing method uses a flat stone surface, water, and greasy medium to create the image. To learn more about lithography, read Bamber Gascoigne's 

The Morgan Library

One of the gems of the city is the Morgan Library located on Madison and 36th Street, literally just around the corner and down the block. I fell in love with the place 26 years ago and I have never stopped loving it. To me it is the one of the most intimate spots in the city, more so before the Renzo Piano reconstruction but still really wonderful.

I like it for a couple reasons: first because the shows are never big; they can’t be. It is always a one-room experience and that is just about right for my eyes. Secondly, to see the actual personal rooms of Morgan never fails to completely humble me to the extent of what great,