Blog Posts by Subject: Architecture

Though there’s very little chance, apparently, of accurately predicting the future, it seems we’re hardwired to try.  History, reason, and desire seem to be the main tools in this quixotic venture. It helps if you don’t go too far, as The Economist does. But for longer visions, the results are often, in hindsight, hilarious.

Who doesn't like a skyscraper? Acrophobists. But who else can resist those clean (usually) lines, impressive (always) feats of engineering, massive symbols of power (the jury's out on that one)?  New Yorkers are lucky that we have, still have, so very many admirable ones about. Perhaps my favorite is one close to the Stephen A. Schwarzman Building — the Springs Building.

Most New Yorkers, when asked to name NYC landmarks, will conjure up the familiar array of iconographic symbols that make up our city: the Statue Liberty, the Empire State Building, Times Square, the Ground Zero Memorial, etc. — but having grown up in Washington Heights, I can’t help but place the George Washington Bridge among the great monuments of Gotham pride. Ever since its completion in 1931, this stunning suspension bridge has remained a sight that never gets old, one which seems so in harmony with its surroundings, and whose effortless beauty belies a remarkable feat of engineering.

Contrary to what you may have heard — or thought you heard, at least — this year does not mark the centennial of The New York Public Library. The centennial marks the opening of what many still think of as the Library's "main branch" on Fifth Avenue and 42nd Street, the Beaux-Arts landmark recently rechristened the Stephen A. Schwarzman Building. But we could also call it the centennial of the Tilden Library, as I'll explain.

On microfilm, in olde worlde language, in undecipherable hand writing. Who cares? This is digitized, right? Yes, sometimes, often, and not yet. Being a librarian, I spend a lot of time rummaging through old documents, seemingly dull and indecipherable tracts that often prove to be invaluable sources of the good stuff. Land conveyances are just such a document. The New York Genealogical and Biographical Society recently donated to the New York Public Library's Milstein Division, a microfilmed collection of land conveyances, complete with some wonderful indexes, that collate all transactions between 1654 and 1857 associated with a particular name, e.g. all the 

Did you know that the Jefferson Market library has an archive of images, papers and press clippings dating back to the 1800s?  This collection of Greenwich Village history has recently been processed and made available to the public by archivist and librarian Barbara Knowles-Pinches, who began working at Jefferson Market in 2009.  The digitizing process has just begun; images and a finding aid will be available online in the near future. Here, Barbara tells us about some of her favorite items from the archive. 

On Sunday, December 5, the Stephen A. Schwarzman Building was the site of the 2010 Holiday Open House, the Library's annual thank-you celebration for donors at the Friends level ($40) or above. Besides enjoying building-wide party fun, attendees were offered a rare opportunity to glimpse a part of the Library that is normally hidden from public view: the building's central stacks that lie beneath the Rose Main Reading Room. As a "tour guide" on one of the 18 enormously popular stack tours, I thought it would be fun to share my "patter" with a wider audience.

Katarina Bishop grew up all over Europe, but she isn’t an heiress. She has a Faberge egg, but she isn’t a Romanov. Kat is used to looking at a room and seeing all the angles, but that was before she stole a whole other life at the Colgan School only to walk away from it months later without a trace.

That was before everything went sideways.

 
Last week, the Tottenville community lost a piece of its history. On September 9, the century old Manor House, a beautiful waterfront mansion located at 500 Butler Boulevard, was demolished. Although the Butler Manor Civic Association attempted to preserve the historic house, it was torn down by its new owner to make way for the building of luxury homes.

I am at the corner of 42nd Street and Fifth Avenue. According to plate 78 of my map atlas—Williams Perris’s 1857 “Maps of the City of New York”—the massive (2) block long stone structure at the southwest corner of this Manhattan intersection is not the grand Beaux Arts NYPL Schwarzman Building but the Distributing Reservoir of the Croton Aqueduct Department.

Sam is a researcher who makes use of both research and circulating collections at the NYPL. We hope he gets another grant so that he can write "The Library Space as Public Living Room (With Great DVDs): An Anthro-Architectural Analysis."

Robert A Caro’s tome The Power Broker: Robert Moses and the Fall of New York is a thick, unwieldy book at 1344 pages. It sits on my shelf with yellowed pages. I bought it shortly after I moved to New York City 30 years ago. I enjoy history and learned after I moved here that Robert Moses was an important piece of the NYC history puzzle. The book upon first reading was lost to me. I had no real understanding of New York City at that point and Robert Moses’ story was simply too complex and out of context for me. When I think about the enormity of Caro’s book I think of the enormity of the personage of Robert Moses himself. I have started The Power Broker a couple of 

Those who use the resources of the Art & Architecture Collection come in splendid variety: old and young, sophisticated and naive, happily curious and relentlessly searching. We love it, for where else could you be asked "just what is that building in back of that Madonna" followed by a search for more of Grandmama's old Limoge china (oh, those porcelain marks - so confusing!).

Interested in learning how books were made during the hand-press era? If so, please join me at the Library this evening for an illustrated history of the craftsmanship of paper making, printing, and bookbinding. I’ll be gathering some how-to books on book arts from our collections to share with you too, to help you get started making books.

There's no need to register, and it’s a free class—here are the details:

Wednesday June 10th, 6:00 to 7:00pm (classroom will open at 5:45pm)
New York Public Library Celeste Bartos Education Center
First Floor, South Court Classrooms Stephen A. Schwarzman Building
Fifth Avenue & 42nd 

I first learned about Stanford White in E. L. Doctorow’s book Ragtime. It was the lurid tale of lust and murder regarding Stanford White that remained in my mind until I moved to New York City many years ago. Over a long period of time, I have come to learn Stanford White was much more than the scandal that I first associated with him. Stanford White was a master designer and instrumental in many of the great architectural works of the city.

Folk singer Pete Seeger looked up 'log cabin' at The New York Public Library when he wanted to build a home in upstate New York, according to a recent New Yorker interview (Wilkinson, Alec. "The Protest Singer." New Yorker v.82, no. 9 (April 17, 2006): p44). Curious, I repeated his query in the library catalog starting with a simple search for "log cabin*" (the asterisk wildcard finds both singular and plural). Now I've posted a guide to these resources, attached below and downloadable from the library's website. I wonder if Seeger learned his cabin craft from How to Build Your Home in the Woods (1952). More recent, The Science Industry and 

During the weekend of June 7th, the National Park Service literally moved the home of Alexander Hamilton, known as the Hamilton Grange National Memorial, two blocks over to the hillside corner of St. Nicholas Park. 

The federal style country home built by the architect, John McComb Jr., was completed in 1802 and named "The Grange" after the Hamilton family's ancestral home in Scotland. Though this is not the first time that the Hamilton Grange has moved…in 1889 it was moved from its original location in upper Manhattan to Convent Avenue. The decision to relocate the home once again stemmed from the neighboring buildings that sandwiched the 

Ever wish you could see what was happening on the other side of the Atlantic Ocean…well now you can go down to the Fulton Ferry Landing near the Brooklyn Bridge and take a peek at what is going on in London. 

The Telectroscope by the artist Paul St George, a brass and wood telescope, 37 feet long by 11 feet tall…will visually connect New Yorkers to people in London, where an identical scope will sit on the banks of the Thames in the shadow of Tower Bridge. Spectators who step right up will have a real-time, life-size view across the pond 24 hours a day. From Telescope Takes a Long View, to London by Melena Ryzik in the NYTimes

The power of the Manhattan Bridge cannot be denied. It is an orchestration of rivet studded girders, harp like cables and beautiful beaux art design and it spans the East River like a dancer leaping across a stage. Her audience is the city of New York and specifically its Brooklyn residents. I ride across her expanse daily via the subway. I always position myself by a window. Once the train is delivered from darkness, I stop what I am reading and look out: out the windows, through the massive metal beams, beyond the walkway and out into the city. It is a ride I never tire of because the beauty is apparent and it is relatively short lived. Slowly the train descends into the tunnel