Blog Posts by Subject: English and American Literature

I'll miss him, for he was such a quintessential New York, and a terrific ambassador for the City. I met my colleague MN in the hallway (no, not at the hydration station, formerly water cooler) and we chatted about him. She had seen a picture flash by of his tombstone, apparently all set up to go, and reported it was very simple and elegant. I asked if it had an epitaph, for I'm rather fond of them as a quasi-art form. Neither of us knew that but here are four of my favorites. Do you have any faves to share?

Most recently discovered, just last week, is Charles Waterton (1782–1865). I've not read enough to evaluate him as a writer (of which all authors tremble in dread), but he certainly led an interesting life. Of a very ancient Catholic family including St. Thomas More and Margaret of Scotland among his ancestors, he became interested in nature in 1804 when he travelled to British Guiana to oversee his uncle's estates.

"Why, we must have been blind all our lives; here were the most wonderful things possible going on under our very noses, but we saw them not." —Walther Besant.

I'm a literary Anglophile. There — I've confessed and we can move on. One of their really cool genres is nature writing. They do it in such a quiet and smooth style, as if they've lived in field and woods all their lives. (Dah!)

Thank you for joining us for our final week of Edith Wharton short stories in The Reader's Den!

Like "The Other Two" and "Autres Temps," Wharton's 1934 story, "Roman Fever" deals with its characters' perceptions of themselves and others, and their attitudes towards the past.

During my vacation from the library, between Christmas and New Year's Day, I learned a remarkable lesson. You can get along very well without NEWS. For a full week, I entered a blissfully news-free vacuum. No NPR; no relentless checking of Google News; no Sunday New York Times beyond Arts and Leisure and the Book Review. I didn't care if it was the twenty-first century or the fifteenth. Without that drumbeat of doom in my head all the time, I could focus on what was really important: family, friends, dining, museums, and music.

At the start of Autres Temps, Mrs. Lidcote is arriving in New York on a steamer ship from Italy, after a long, self-imposed exile. Having fled New York's society years ago, when she became an outcast following her divorce, she is returning only after receiving news of her daughter's divorce and remarriage.

As Edith Wharton's 1904 story, The Other Two, opens, Waythorn has just returned from his honeymoon with his new wife, Alice. This is his first marriage, but her third. Although it seems a bit scandalous, he has gone in to the marriage fully aware of, and fairly unconcerned with, how Alice is viewed in society: she is well liked, but with reservation.

Charles Dickens: The Key to Character, on view through January 27, 2013, at the Schwarzman Building, explores the men, women, and children who populate the fictional universe of English author Charles Dickens (1812-1870). William Moeck, the exhibition's curator, teaches British literature at Nassau Community College in Garden City, New York. We spoke with him about what he learned while selecting items from NYPL's Berg Collection of English and American Literature and the collections of the Library for the Performing Arts.

Happy New Year and welcome to 2013 in The Reader's Den!

Edith Wharton (1862-1937) was born in Greenwich Village into the wealthy New York Society that she would be famous for depicting in The House of Mirth and The Age of Innocence. Although she spent much of her life living in Newport, RI, Lenox, MA, and Europe, especially France, where she spent years in her later life, she is best known for her treatment of the stiff, conformist, aristocratic world of New York that she knew so well.

It's amusing to keep track of the critters, and helps me read more non-fiction, novel-hound that I am. The Library has most of these books, but I've only linked a few, as not to clutter and overburden the post. At the end of the list I award prizes, or "the Barkies," for various categories. But just two things first: Re-reads (always a good idea) are in bold, and if you have a taste for rhetorical but highly passionate drama, do read some Thomas Otway (1652-85).

This is the last week of our book discussion of Extremely Loud and Incredibly Close by Jonathan Safran Foer. In my first post, I mentioned that it is a post-9/11 novel, published in 2005, but during the past month of discussion, I haven't focused on that aspect of the work. The book talks about Oskar's reaction to the 9/11 tragedy and his father's death at the World Trade Center as well as the reactions of his mother, the people Oskar interviews while trying to find the lock for his key, and various other characters. Foer's intent is to describe the aftermath of 9/11, rather than the event itself, although he uses some details of the event in his story.

Now that you have read more of Extremely Loud and Incredibly Close (if not all of it), you may have noticed some of its quirky phrases (such as “heavy boots” and “feeling like a hundred dollars”). Part of my interest in reading new (for me) authors is noticing how they use language: what kind of sentence structure — long or short, simple or complex; what kind of words — familiar or out of the ordinary or a combination; lots of descriptive language or spare simplicity; how the individual characters express themselves and what that reveals about them; lots of dialogue between characters or lots of interior monologues.

Timothy Leary first made acquaintance with William S. Burroughs in Tangier, Morocco in the summer of 1961.[1] During this heady time, Leary was reaching out to beat poets and artists for participation in his early drug experiments at Harvard University, and Burroughs made an obvious comrade. Despite Burrough's disappointment with Leary's scientific method, their friendship managed to survive through the years. They occasionally reunited and maintained a life-long correspondence.

Now that you have had a chance to meet Oskar, what do you think of him? Many readers have compared him to Holden Caulfield in Catcher in the Rye by J. D. Salinger. Others think he’s far too precocious for a nine-year-old and have suggested the author used his own inner child as the narrator.

Mixed Bag: Story Time for Grown-Ups is a short story read-aloud program that meets every two weeks on Wednesday at lunch time (1:00 p.m). Mixed Bag PM meets at 7:00 p.m. on Tuesday every two weeks. In December we are reading Holiday Classics, including an excerpt from A Christmas Carol by Charles Dickens and "The Night Before Christmas" by Clement Clarke Moore.

I just quit smoking for the fifth time. For me, it's all or nothing. I could never be one of those people — dilettantes! — who are able to smoke socially and then go for indefinite periods of time without a cigarette. I suppose this has to do with physiology, personality, and the times in which I grew up.

Oskar Schell, a precocious nine-year-old who lives in New York City, is the protagonist In Jonathan Safran Foer’s popular post-9/11 novel, Extremely Loud and Incredibly Close. Oskar's active mind keeps endlessly creating new inventions, most of them somehow related to saving lives and making connections with other people. In other words, he's trying to find a way to prevent “the worst day” from ever happening and thus regain the human connection he lost when his father was killed in the World Trade Center attacks on September 11, 2001. As Oskar says, he is "wearing heavy boots." 

Mixed Bag: Story Time for Grown-Ups is a short story read-aloud program that meets every two weeks at lunch time (1:00 p.m). Mixed Bag PM meets at 7:00 p.m. on Tuesdays every two weeks. During the month of October in honor of Halloween, the focus is on Roald Dahl, with four short stories and an excerpt from The Witches.