Blog Posts by Subject: Art History

This Friday, teaching artist Josh Millis will begin his 10 session drawing class for adults 55+ at Jefferson Market Library. (This class is full, but check out the Creative Aging classes being held at other branches.)

Below is a list of artists whose work Josh will be showing to the program's participants over the course of the sessions. Take a look at some of the artists that the class will be using as inspiration, and please join us on May 17th for a culminating gallery show!

Harper Montgomery, a writer in the Wertheim Study, has curated a fascinating exhibition at Hunter College, going until May 4. At 68th and Lexington, it is a smallish (read: do-able) delight — Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978.

As part or our art and low-vision series we are excited to have The Museum of Modern Art (MoMA) present a series of free lectures and art-making workshops at the Andrew Heiskell Library this winter. The content of this program series is based on free monthly touch and verbal description tours conducted at MOMA for adults who are blind or partially sighted. MoMA also conducts programs such as these for families. All programs will take place in the first floor community room.

It's a small volume, neatly but unostentatiously bound in mottled calf. The gilt ornamentation is discreet, except for an impressive coat of arms on both boards. That becomes even more impressive when we identify it as the blazon of one of the standout personalities of 18th-century France, Jeanne Antoinette Poisson, marquise de Pompadour — elevated from her haute-bourgeois background and a boring union with a certain M. Lenormand d'Étioles (nephew of her mother's lover) to become the official maîtresse-en-titre to King Louis XV, who ennobled her under the ancient (but extinct) title of Pompadour.

In Sex and the City: The Movie, Carrie Bradshaw (Sarah Jessica Parker) ascends the iconic marble steps of The New York Public Library on Fifth Avenue and 42nd Street wearing a stunning Vivienne Westwood wedding gown. Her bridesmaids Miranda (Cynthia Nixon), Charlotte (Kristin Davis), and Samantha (Kim Cattrall) — all wearing vibrant designs by Zac Posen — are at Carrie's side as she enters the landmark building and prepares to exchange vows with Mr.

Jefferson Market Library's Summer Art Display, Valhalla Hospital: The Art of the Moody Wallen Band, exhibits over 50 line drawings, watercolors, acrylics, and oil paintings throughout the entire building, as well as a visual installation display and rotating video program every Thursday from 5 to 6 p.m. through August 18, inside the program room.

Did you know that The New York Public Library has an official color? I didn't either, and I've worked here since the Dark Ages (before the Internet). But we do, as I found out when I ordered new business cards recently. The color is red.

That's fine with me—I've always liked red (political considerations aside), and besides it gives me an excuse to select as the Spencer Collection Book of the Month for April a small volume containing two illustrations in vivid red. It is appropriate also because Easter falls in April this year.

About a week after my most recent post, something extraordinary happened. Regina Fiorito, a representative of the Estate of Martin Kippenberger (represented by the Galerie Gisela Capitain in Cologne) contacted the Library about it. "We would like to be in touch with Kathie Coblentz from the Spencer Collection, we read her blog today about a Kippenberger book. We (The Estate of Martin Kippenberger) were thrilled and have a missing piece of information for her." 

Black ink soaks through a transparent canvas to form an image drawn by the master, Pablo Ruiz Picasso. 

In Le Mystere de Picasso (1956), director Henri-Georges Clouzot creates a new type of art documentary: one which manages to capture art at the very moment of conception. The transparent canvas allows the camera to capture each stroke of the artist's brush in real-time, beginning in stark black-and-white, but then moving on to color. Later, Clouzot employs stop animation to account for the mixing and application of color in several pieces.  

When is a book not a book? For this month's Spencer Collection Book of the Month, I have a couple of answers in mind.

From the point of view of contemporary art, the answer might be, "When it's a book object."—"Art which makes use of the book format or the structure of the book; typically ... unique sculptural works that take the form of, or incorporate, books but that do not communicate in the ways characteristic of a conventional book." The Spencer Collection and the Library's other special collections possess a number of such works, and like snowflakes or unhappy families, no two are alike.

The permeable concepts of fame, publicity, and exhibitionism in the age of reality television and social networking are some of the themes explored in the exhibit The Talent Show—on view at MoMA PS1 in Long Island City, through April 4, 2011.

After I'd spent four Sunday evenings in January engrossed in the doings of the Earl of Grantham and his household on the PBS "Masterpiece Classic" series Downton Abbey, this month's choice for Spencer Collection Book of the Month was obvious: a book that lingered for more than three centuries in the company of barons and earls, before being exiled from their presence in exchange for cold, hard cash.

When I started blogging last May, I hoped to post frequently, but my "day job" of cataloging the books I'd like to write about kept getting in the way. This year, I made a New Year's resolution to blog more regularly. To get started, I thought I would pick a "Spencer Collection Book of the Month" at the beginning of each month and write a short post about it—just enough to share with my readers some of the things that make it special, because the Spencer Collection is a Special Collection at the New York Public Library, and so all of our books are special. Or above average, anyway. (For those not familiar with the Spencer Collection, see my first post: "A 

Pull out your black turtleneck and a beret! The Musuem of Modern Art presents through April 25, 2011 the exhibit Abstract Expressionist New York. Whether or not you think a painting by Jackson Pollock is a work of genius, or something your kid brother could easily do, this exhibit is a treat for the eyes. Suitable for the whole family, consider a visit sometime during or after the Holiday season.

New York in the 1970s, without cellphones, the internet, globalization, etc., was a very different place and arguably more vibrant (though I'm glad Central Park isn't like it used to be.)  Photographer extraordinaire Peter Moore tirelessly went about the City capturing just about everyone and everything, and became particularly known for his thorough photojournalism of the avant-garde scene, which included such influential groups as Fluxus and the Judson Dance Theater.  Tuesday will feature one facet of this multi-talented man's enormous body of work—The Avant Garde Festivals of Charlotte Moorman.

Tuesday is the second of the Wertheim Study scholars' lecture series: Singular and Collective: Radical Women Artists [in NYC during the 1970s].  This one, by Dr. Aseel Sawalha, is the collective part.  She's going to examine the scene from the perspective of anthropology, focusing on two women's arts collectives: The New York Feminist Art Institute (still going strong) and Heresies, which was both a school and a magazine, available at the Library and at home with a library card.   I'll bring the bound printed journal on Tuesday.

I'm looking forward to Tuesday.  Wouldn't you like to meet an artist who draws herself with bunny ears?

Katarina Bishop grew up all over Europe, but she isn’t an heiress. She has a Faberge egg, but she isn’t a Romanov. Kat is used to looking at a room and seeing all the angles, but that was before she stole a whole other life at the Colgan School only to walk away from it months later without a trace.

That was before everything went sideways.

He came from my hometown. As a teenager, he collected photographs of movie stars. A few years later, I clipped fan zines featuring Hayley Mills and the Beatles and the Rolling Stones and the Dave Clark 5 and Star Trek, which last title had a lot to do with his obsessions.