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Posts from the Theatre on Film and Tape Archive

When They Trod the Boards: Giancarlo Esposito, Breaking Bad-Ass on Broadway

Being an actor doesn't shield you from having a conscience.

—Giancarlo Esposito

Giancarlo Esposito, as Gus Fring, stares down a sniper in the TV series Breaking Bad, 2011.Giancarlo, as Julio, sings in the Broadway musical Seesaw, 1973.A true NYC moment: Giancarlo and brother Vincent take a sidewalk hotdog break during the musical The Me Nobody Knows, 1971. Photo: NewsdayI don't know how the final season of the TV series Breaking Bad will end, but it is pretty clear that Walter White is on a one-way trip to hell. As the well-intentioned chemistry teacher turned 

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Life is a Cabaret! A Study Guide to a Great American Musical

If you're interested in doing research on a musical, the New York Public Library for the Performing Arts has an embarrassment of riches. To find all the information we have, you may have to look in many different places. Of course, your first move should be to consult with the knowledgeable staff at the 2nd Floor Drama Desk, who'll be able to guide your research.

As a way of providing a guide to doing research in general, I'll take a case in point, one of the great musicals, which NYPL has covered from every angle; John Kander and Fred Ebb's 1966 masterpiece, Cabaret. 

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Welcome to the Theatre, to the Magic, to the Fun!

OK quick, what Broadway show are these words from, and who sings them? You can probably figure out from a Google search that the show is Applause, the 1970 musical version of the movie All About Eve, with music by Charles Strouse and lyrics (including the above) by Lee Adams. And a visit to YouTube will give you a taste of Lauren Bacall huskily embodying diva Margo Channing in a Tony Awards clip. But suppose you want more — suppose you want to read the complete Applause 

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When They Trod the Boards: John Lithgow

We hereby announce the new blog series When They Trod the Boards, designed to highlight notable film or television actors who have a substantial background in stage work as documented in the collections of the Library's Billy Rose Theatre Division. We launch the series with John Lithgow and his new memoir, 

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Announcing: Musical of the Month

Growing up in St. Louis, Missouri, my favorite part of the week was visiting the Florissant Valley Public Library and checking out cast recordings. I remember flipping through the bins of LPs, staring down at the big black album with glowing cat eyes, and wondering what in the world that show might be about. It was always a little disappointing when the liner notes were missing or the plot summaries were 

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My Library: An Interview with Ben West of UnsungMusicalsCo., Inc

In the heart of Lincoln Center, the New York Public Library for the Performing Arts, nestled between the Metropolitan Opera and the Vivian Beaumont Theatre, thrives in its role as a vibrant circuit between historical research and cutting-edge performance. And few researchers illustrate the Library's unique vitality for the performing arts community better than Ben West.

Ben West is a regular at LPA, where theatre professionals who shape the performing arts scene come for inspiration through their research in the LPA’s

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Cine.ma - Writing Screenplays & Media Plays - Using online tools wherever you are

First in a series

Each day, professional, aspiring and student film and media-makers come through the doors of the Library for the Performing Arts (LPA) seeking resources that will aid in making their creativity become a reality.

If the 16th century focused on painting, the 19th on photography and the 20th on cinema, the 21st is all about integrated media.

Better stated, it is all about integrated performing arts media, and for the casual to the academic, there is no better place then

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