Posts from the Schomburg Photographs and Prints Division

The exhibition, The Great American Revue, focuses on Broadway revue series, 1907–1938. But, they were not the only shows on Broadway. During those three decades, dozens of musical comedies by African American songwriters, featuring African American casts were presented successfully in Broadway theaters. They were musical comedies, not revues. They were written for (and, frequently by) the African American character comedians and had complicated plots setting them in comic situations. These shows, had a huge influence on the revue series, primarily through their songwriters and arrangers who moved between the two worlds.

The New York Public Library is pleased to announce the awarding of Short-Term Fellowships to support the following scholars from outside New York who will research the Library's archival and special collections between July 1, 2012 and June 30, 2013.

“The writer cannot be a mere storyteller; he cannot be a mere teacher; he cannot merely X-ray society’s weaknesses, its ills, its perils. He or she must be actively involved shaping its present and its future.”

Nigerian environmentalist, author, and television producer Ken Saro-Wiwa lived and died by the words above. Born on October 10, 1941, Kenule “Ken” Beeson Saro Wiwa was an Ogoni (an ethnic minority in Nigeria). Ogoniland, located in the Niger Delta, is rich in oil that has been looted by the petroleum industry — with the explicit consent of the Nigerian government — for decades. As a result, the Niger Delta is listed as one