Posts by Kathie Coblentz

Contrary to what you may have heard — or thought you heard, at least — this year does not mark the centennial of The New York Public Library. The centennial marks the opening of what many still think of as the Library's "main branch" on Fifth Avenue and 42nd Street, the Beaux-Arts landmark recently rechristened the Stephen A. Schwarzman Building. But we could also call it the centennial of the Tilden Library, as I'll explain.

Did you know that The New York Public Library has an official color? I didn't either, and I've worked here since the Dark Ages (before the Internet). But we do, as I found out when I ordered new business cards recently. The color is red.

That's fine with me—I've always liked red (political considerations aside), and besides it gives me an excuse to select as the Spencer Collection Book of the Month for April a small volume containing two illustrations in vivid red. It is appropriate also because Easter falls in April this year.

About a week after my most recent post, something extraordinary happened. Regina Fiorito, a representative of the Estate of Martin Kippenberger (represented by the Galerie Gisela Capitain in Cologne) contacted the Library about it. "We would like to be in touch with Kathie Coblentz from the Spencer Collection, we read her blog today about a Kippenberger book. We (The Estate of Martin Kippenberger) were thrilled and have a missing piece of information for her." 

When is a book not a book? For this month's Spencer Collection Book of the Month, I have a couple of answers in mind.

From the point of view of contemporary art, the answer might be, "When it's a book object."—"Art which makes use of the book format or the structure of the book; typically ... unique sculptural works that take the form of, or incorporate, books but that do not communicate in the ways characteristic of a conventional book." The Spencer Collection and the Library's other special collections possess a number of such works, and like snowflakes or unhappy families, no two are alike.

After I'd spent four Sunday evenings in January engrossed in the doings of the Earl of Grantham and his household on the PBS "Masterpiece Classic" series Downton Abbey, this month's choice for Spencer Collection Book of the Month was obvious: a book that lingered for more than three centuries in the company of barons and earls, before being exiled from their presence in exchange for cold, hard cash.

When I started blogging last May, I hoped to post frequently, but my "day job" of cataloging the books I'd like to write about kept getting in the way. This year, I made a New Year's resolution to blog more regularly. To get started, I thought I would pick a "Spencer Collection Book of the Month" at the beginning of each month and write a short post about it—just enough to share with my readers some of the things that make it special, because the Spencer Collection is a Special Collection at the New York Public Library, and so all of our books are special. Or above average, anyway. (For those not familiar with the Spencer Collection, see my first post: "A 

On Sunday, December 5, the Stephen A. Schwarzman Building was the site of the 2010 Holiday Open House, the Library's annual thank-you celebration for donors at the Friends level ($40) or above. Besides enjoying building-wide party fun, attendees were offered a rare opportunity to glimpse a part of the Library that is normally hidden from public view: the building's central stacks that lie beneath the Rose Main Reading Room. As a "tour guide" on one of the 18 enormously popular stack tours, I thought it would be fun to share my "patter" with a wider audience.

Books with movable flaps, pop-up pages, and other "interactive" features are known to librarians as "Toy and movable books" and more than a thousand examples can be found in the Library's catalog. Most are modern children's books, but the genre has a surprisingly long history, pre-dating even the dawn of printing, and most early examples were meant to instruct or elucidate, not (only) to entertain.

"A collection ... of the finest illustrated books that can be procured, of any country and in any language ... bound in handsome bindings representing the work of the most noted book-binders of all countries..."