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Posts by Barbara Cohen-Stratyner

How the Vote Was Won, and Exported

The history behind these comedic British Suffrage plays and their warm reception in the United States.Read More ›

Sesame Street and the People In Your Neighborhood

Beyond the animation cels, drawings, media and the amazing experience of seeing the Muppets up close, the exhibition, "Somebody Come and Play,” lets us see and hear the way that research and entertainment/production values inform each other to create memorable moments. And, since the 1970-1971 season, those moments have include Jeffrey Moss’ song “Who are the People in Your Neighborhood?”Read More ›

Rated B (for Behavior and Blogging)

Sesame Street's Crumby Pictures series teaches “executive function,” which means both self-control and learning ways to cue behavior and decision making. They focus on Cookie Monster, whose control issues focus on cookies. Read More ›

Monsterpiece Theatre

It may have been inevitable, but Cookie Monster was selected to host, in a direct parody of Masterpiece Theatre's original host, Alistair Cooke.Read More ›

Happy Halloween to The Count

But the Muppet most closely associated with numbers is, of course, the Count. The Count who loves to count.Read More ›

Sesame Street at LPA: About That Tomato...

I love collaborative exhibitions because I learn so much about our partners. Working with Susie Tofte, the archivist of the Sesame Workshop and curator of the exhibition, I learned about the Workshop’s outreach programs for families dealing with the challenges of military service and incarceration. Now that the exhibition is available for viewing, I see that section’s impact on visitors who expected only fun, children’s content.Read More ›

In Praise of Hoots

At "Somebody Come and Play" you can see Big Bird, Cookie Monster, Bert and Ernie, the Count, Snuffy, and Oscar up close. And, by my special request, Hoots.Read More ›

Hirschfeld's Play of the Week

On exhibition on the 3rd floor currently are 3 of the lithographs—illustrating the Play of the Week productions of Henry IV, part 1, The Dybbuk, and Rashomon.Read More ›

Punk and the [Anti-]Prom

Every year, my interns and I have the pleasure of working with the students at the High School for Fashion Industries in conjunction with the Library’s wonderful Anti-Prom projects, managed by our colleagues in Teen services. Past themes have included Goth, Monsters, Super Heroes, and Glam. This year was Punk.Read More ›

Vandamm in Color and Colour

Florence Vandamm was one of the greats of black and white photography, capable of modulating infinite gradations of greys. The Vandamm Theatrical Photograph Collection, and the prints elsewhere in the research divisions, support that judgment. But that doesn't mean that she and the studio didn't shoot in color. Not so. She studied and practiced color photography.Read More ›

The Beatles as Fashion Gurus

Last week, LPA hosted a public program on The Beatles and their circle as an influence on fashion in England and here. Phyllis Magidson, Curator of Costume and Textiles for the Museum of the City of New York, and I developed an illustrated conversation on their transitions from Rockers to Mods to Hippies with an occasional visit to Teddy Boys. The black, needle-nose ankle boots stuck around until the trips to India.Read More ›

Turn Left at Greenland: The Beatles Meet the Press

The Beatles were not only wonderful songwriters and singers, but they were experts at peppering their press conferences with wit—and avoiding real answers to meaningful questions.Read More ›

Florence Vandamm: Dance Photographer?

The representation of the professional and artistic career of Florence Vandamm has a major gap, which we are doing our best to fill in. Her London scrapbook goes from 1908–1915. The Vandamm Theatrical Photographs collection documents her work in New York City, from 1924 on. We have filled in some of the gap with the Sybil Thorndike material (see earlier posts) and discoveries of images printed in magazines, such as British and New York Vogue, Vanity Fair and The Spur.Read More ›

I Read the Journal-American Today, Oh Dear: Beatles Files Part 1

Ladies and Gentlemen…The Beatles will be on view at The New York Public Library for the Performing Arts (LPA) from February 6 through May 10, 2014. A project of The GRAMMY Museum® at L.A. LIVE and Fab Four Exhibits, it commemorates The Beatles’ first tour of North America. The title and inspiration are taken from their appearance on The Ed Sullivan Show, February 9, 1964. It covers the brief time in which the Beatles toured for live concerts.Read More ›

Vandamm's Pygmalion

By the time that you read this post, the exhibition Pioneering Poet of Light: Florence Vandamm & the Vandamm Studio will have been de-installed. The photograph and key sheets will be returned to the Performing Arts Library divisions. But the blogging will continue since there are thousands of photographs representing thousands of shows, dances and people.Read More ›

Power: The American Way

George S. Kaufman and Moss Hart, co-authors of some of Broadway’s most enduringly funny comedies, also collaborated on a topical pageant, The American Way, which opened at Broadway’s Center Theater, January 1939.Read More ›

The Most Significant Drum Head in Popular Music, Part 2

Upon taking physical possession of the piece, my mind was set on two objectives. The first was to prove to myself that the drum head really was what it appeared to be. And number two, proving to the collecting world in general that this was, in fact, the Sullivan show drum head. Read More ›

Vandamm and Machinal

Machinal is back on Broadway. Sophie Treadwell’s best known play is enjoying a successful revival at the Roundabout Theater. Although a journalist, Treadwell used elements of experimental playwriting to show the central character stuck on the machinery that limited the lives of 1920s women. Her choices doom her. Go to see it if you can.Read More ›

The Holy Grail of the Percussion World, Part 1

William F. Ludwig himself put it best when he said, “On February 9th, 1964, a new musical event burst from the TV screens across America. The Beatles had arrived, featuring Ringo Starr and his Ludwig Black Oyster drums. Literally overnight everyone wanted a drum set like Ringo’s. The drum boom was born!”Read More ›

Focus on Stage Lighting: Faust

This week’s post serves as a caption for the alternative image that the Library’s opening web page has been using when it highlights the Vandamm exhibition, Pioneering Poet of Light. Again, the web editors selected well, since the photograph of Faust illustrates the title so well.Read More ›
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