Posts by Arlene Yu

150 years after her birth in Fullersburg, Illinois on January 15, 1862, Marie Louise "Loïe" Fuller is less well known than her peers. Yet her work, flowing and abstract and free from the constraints of classical ballet, predated and paved the way for more familiar modern dance pioneers like Isadora Duncan and Ruth St. Denis.

The headlines about her death called her the first African American ballerina of the Metropolitan Opera, but Janet Collins was much more than that. A new biography, Night’s Dancer: The Life of Janet Collins, highlights the career of this pioneering artist, drawing partly on materials donated by Collins and others in the Library's Jerome Robbins Dance Division. Author Yaël Tamar Lewin will be speaking about her book on Thursday, February 16 at 6 p.m. in the Bruno Walter Auditorium, and we have put together a small exhibit of materials on Collins on the third floor of the Library for the Performing Arts in celebration of her life and work. The exhibit will only run 

A few weeks ago, NYPL's Jerome Robbins Dance Division made headlines when it received a major gift of materials from Mikhail Baryshnikov,* the celebrated dancer, actor, and founder of the Baryshnikov Arts Center.

We’ve only scratched the surface in terms of the processing needed to make the archive accessible to the public, but in the meantime, we’ve put together a sneak preview showcasing what we’ve found so far!

Mikhail Baryshnikov: An Archival Preview is on view in the Donald and Mary Oenslager Gallery at The New York Public Library for the Performing Arts until December 20, 2011. Take 

... sometimes we write them too!

NYPL is proud to announce a new book written by a Library staff member on the subject of film noir, just in time for the latest exhibition at the Library for the Performing Arts, Out of the shadows: The Fashion of Film Noir. 

In honor of April Fool's Day, I bring you an image of a jester and a ballerina which I found the other day in the Dance Division's photo collection. We don't know much about this photo, except that it's an example of the kinds of variety dancing performed in the early part of the 20th century.

Last Wednesday's New York Times article about the upcoming ­¡Sí Cuba! festival reminded me of a recent addition to the Dance Division of a film most of you have never heard of: it's a brand new documentary called Alicia Alonso: Orbit of a Legend, about the life and career of Cuba's most famous ballerina* and the founder of Ballet Nacional de Cuba (for * links in this post you'll need an NYPL library card number). The film had its world premiere this past December in Toronto, but is not yet being distributed in the U.S.