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Posts by Alice Boone

Cunegonde and Coloratura: Harolyn Blackwell on Musical Technique

Harolyn BlackwellCunegonde's aria "Glitter and Be Gay" from Leonard Bernstein's operetta Candide is a performance of a performance, a show-stopping coloratura solo in which the character describes how she has been "forced to bend my soul to a sordid role" of being the caged slave of the Grand Inquisitor and Don Issachar. The character switches back and forth between her disgust at her situation and her temptation at the jewelry, furs, and 

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'You have not known misfortunes such as mine!': Storytelling and Trauma in Candide

Jessica AlpertCandide is a story composed of other stories, as the hero spends much of his world travels listening to others. Few stories are as long and involved as the old woman's in chapters 11 and 12, and she even spurs other characters to tell their stories of misfortune and tragedy at the end of her tale: "I advise you to divert yourself, and prevail upon each passenger to tell his story."

Jessica 

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Candide on Broadway: An Interview with Maureen Brennan

Maureen Brennan as Cunegonde, 1974 (click to go to online gallery)Maureen Brennan was nominated for a Tony Award and won a Theatre World Award for her professional debut as Cunegonde in the 1974 revival of Leonard Bernstein's Candide (IBDB), directed by Harold Prince. She has since appeared on Broadway as Madeleine Manners in Going Up, Tina in Knickerbocker Holiday, Goldie Gates in Little Johnny Jones, and Stardust. I 

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Forced to bend my soul to a sordid role: women and violence in Candide

Mahlon Blaine illustration for 'Candide', 1930 (click for larger view)Our interactive reading of Candide continues with chapters 7-12. Here's a roundup of recent discussions...

"The diligence with which these gentlemen strip people!" American illustrator Mahlon Blaine chose the old woman's story as one of the full-page drawings for his 1930 edition of Candide. The exotic nude woman

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Novelist as Contrarian: James Morrow Reads Voltaire

Note: for those of you just joining us, the following is a digest of the latest round of comments on Candide 2.0, an interactive edition of Voltaire's book mounted in conjunction with the Library's exhibition Candide at 250: Scandal and Success.

James Morrow names his 10th-grade World Literature teacher, James Giordano, as his literary hero. In the reader’s guide notes to his novel, The Last 

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Candide 2.0: A Reading Experiment Begins

For the next ten weeks, the New York Public Library will host a public, interactive reading of Candide, in connection to its ongoing exhibition at 42nd St.. This edition will look familiar to readers who remember the story, or even just its famous lines about “the best of all possible worlds” and “we must cultivate our garden.” But the innovative format, which facilitates reader annotations and discussions in the digital margins, will also 

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