"The objective of satire," a writer once told me, "is death."
But death - especially immediate death - is never as entertaining as a good crippling.
In 1708, the Irish satirist Jonathan Swift executed a multi-part media hoax against the astrologer and almanac-maker John Partridge, and although Swift didn't kill him directly, he certainly succeeded in making, as he called it, "sin and folly bleed." Swift disliked Partridge, claiming he was a quack whose almanacs purported to scientifically predict the events of the coming year. He also ... Read More ›