"The objective of satire," a writer once told me, "is death."
But death - especially immediate death - is never as entertaining as a good crippling.
In 1708, the Irish satirist Jonathan Swift executed a multi-part media hoax against the astrologer and almanac-maker John Partridge, and although Swift didn't kill him directly, he certainly succeeded in making, as he called it, "sin and folly bleed." Swift disliked Partridge, claiming he was a quack whose almanacs purported to scientifically predict the events of the coming year. He also hated him for writing propaganda against the Anglican Church, in which Swift was an ordained priest.
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