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andrewwilson@nypl.org's blog
Past Online Summer Reading Programs at NYPL has been edited
Since the 1890s libraries around the U.S. have encouraged readers to join summer reading programs. The programs eventually developed similar practices where libraries distributed paper book logs to readers, to track their summer reading. Readers would often receive small toys, stickers, school supplies, book bags or other small items as incentives for participating.
summerreading.org 2010 has been edited
SOMETHING NEW IN SUMMER READING 2010
At the end of summer 2009 NYPL set out to find ways that our online summer reading presence could give a bigger boost to our summer reading program. We conducted focus groups to see how we could capture the public’s interest online. Our users were clear about what they wanted. They wanted gaming and social networking elements. Logging-and-reviewing books was not enough. They wanted fun!
We needed a major redesign of summerreading.org to make the fun happen. Brooklyn Public and Queens Library, our partners in the project, were also in agreement. The fact that three separate large institutions agreed to cooperatively take a risk on a new and unproven idea was quite an accomplishment. NYPL took on the task of developing the new site in-house.
Caddell Dry Dock: 100 Years Harborside has been edited
Driving along Staten Island’s North Shore from St. George to Mariner’s Harbor one passes a string of marine industries: tug boat companies, dredging companies, marine electric companies, dry docks… ending at the sprawling Howland Hook container ship terminal. The marine industry has thrived along the shore of the Kill Van Kull since the days of sail. At points along the drive views of it’s early history can still be seen in the ruins of old wooden piers dry docks.

Many of the current marine businesses are hidden behind high walls and fences, visible only through their driveways. Driving by, one can occasionally catch a glimpse of a large propeller sitting in a yard or a ferryboat in dry dock but most of the work of the modern marine industries is hidden from public view. A new book seeks to change that. Readers can get a comprehensive overview of the past and present operations of New York Harbor’s oldest dry dock in Caddell Dry Dock: 100 Years Harborside.
Port Richmond Branch Library, The First 50 Years: 1905-1955 has been edited
This post is a revised and updated version of an article that originally appeared in The Staten Island Historian, Winter-Spring 2002, Volume 19, New Series 2 published by the Staten Island Historical Society.
* * * * *
Port Richmond Branch, 1911The Port Richmond Branch of The New York Public Library is rich with stories. It stands at 75 Bennett Street on the North Shore of Staten Island, N.Y., two blocks from the Kill Van Kull. A gift from the steel magnate Andrew Carnegie, the historic red brick building faces Veterans’ Park and P.S. 20 in the Port Richmond neighborhood. The library’s history and its service to the people of Port Richmond mirror the rapidly changing community life of Staten Island.
First Attempts
The Port Richmond library was built in an area that had only received sporadic library service throughout the 19th century. Staten Island interest in a public library began as early as 1833 when the Franklin Society established a social library in Factoryville (now West New Brighton). A variety of small private library collections and literary associations sprang up on the North Shore throughout the century: The Young Men’s Free Reading Room, The Castleton Free Circulating Library (in the Unitarian Church of New Brighton), and the Young People’s Literary Association of Tompkinsville. These groups tried, with only partial success, to fill the need for library service.
Around the turn of the century two groups on the South Shore, The Philomen Literary and Historical Society, a women’s group, and their male counterparts, The Philo Debating Society, joined with the Tottenville Library Association to make the first real headway in establishing a permanent public library presence on the island. They petitioned Andrew Carnegie for funds to construct a library that would be chartered by the University of the State of New York. This building is still in operation today as the Tottenville Branch of The New York Public Library — a branch that began a library-building boom on Staten Island. Next up: Port Richmond.
Mr. Carnegie’s Gift
Having amassed a fortune of about $300 million, Andrew Carnegie was about to embark on the greatest library construction project of all time. He sought to contribute his money to institutions that he felt could help those who wanted to better themselves. In 1897 he offered to finance the construction of a library for any community that petitioned him. Over the next several years, he would donate $56 million for the creation of 2,509 public libraries.
The New York Public Library would be one of the first in line for the money. Dr. John Billings, first director of The New York Public Library, convinced Mr. Carnegie that New York City required a library in every neighborhood, a revolutionary concept in its day. Mr. Carnegie gave $5.6 million for the construction of 56 branches in New York City. Only Port Richmond and Tottenville were originally slated for Staten Island.
Controversy
One might expect a gift of free libraries to be immediately welcomed by all, but some political peculiarities in the recently consolidated city of New York embroiled the action in controversy. Those were the days of the notoriously corrupt city government of Tammany Hall, with many competing factions desiring control of the money as well as credit for the creation of the new libraries. Several issues fueled the controversy. The first was the source of the money. Mr. Carnegie was not universally popular. The violent suppression of a strike in his Homestead steel plant in 1892 led the author and social critic Upton Sinclair to call the gift “blood money.” A second issue was who would control the money, the not-for-profit corporation of The New York Public Library (whose trustees were almost all anti-Tammany men), or City Hall? Third: Disagreements among the boroughs over how the money should be distributed. Fourth: Mr. Carnegie attached a condition to his gift: The city must pay the price of maintaining, staffing and stocking the shelves of the new libraries. Library opponents charged that Carnegie was giving the city a burden, rather than a gift. Fifth: What would be the role of the new libraries? Most people today have fairly similar notions about the role of a public library, but back then the whole concept was new and yet to be defined. Some people wanted the libraries to be strictly limited to book lending while others pushed for them to be complete community centers containing social clubs, lecture halls, classrooms, and even public baths.
City Support
Fortunately, overwhelming popular support for the new libraries pushed New York City leaders to quick action. Unlike some cities where debate raged on for years, the necessary compromises were made with good speed. Control of the Carnegie money was given to The New York Public Library, administered by The Astor, Lenox and Tilden Foundations, for the boroughs of the Bronx, Manhattan and Staten Island. The Brooklyn Public Library was established to administer Mr. Carnegie’s gift in Brooklyn and The Queens Borough Public Library was born in Queens. The city agreed to pick up the cost of operating the new libraries. The library’s role began to emerge — no baths or social clubs, but classes and lectures were OK. The main function was agreed to be book lending.
George Cromwell, first president of the newly created Borough of Richmond, set up an advisory committee to determine how the Carnegie money should be used on Staten Island. The committee included DeWitt Stafford, Gugy Æ Irving, W.K. Johnston, I.K. Morris, W.C. Kerr and J.M. Carrère, of the firm of Carrère and Hastings, architects of The New York Public Library building on Fifth Avenue, and Staten Island’s Borough Hall.
Two Libraries Are Not Enough
This committee determined that The New York Public Library’s original plan for just two libraries on Staten Island was not enough. Fortunately, the library found that it would be able to build more branches with the Carnegie money than it originally estimated. An average of $80,000 was projected for each library. Many Manhattan branches came in at much higher prices. But Port Richmond’s contracted cost came in at the bargain price of $25,398.92 for the building and equipment — and only $5,000 to purchase the site from its owner, Mr. José T.J. Xiques, a Staten Islander of Cuban descent. The city approved the purchase on July 28, 1902, and a contract was signed on Aug. 18, 1902. Arrangements were made to condemn the building that stood on the site. The title was closed on Oct. 20, 1902.
Thanks to cheap Staten Island real estate and pressure from Borough President Cromwell’s committee, plans were made for additional libraries to be built at Stapleton, St. George, West New Brighton, and New Dorp. A library building boom had begun.
Design of the new Carnegie buildings was divided among three architectural firms. Carrère and Hastings were assigned the Staten Island branches of Port Richmond, Tottenville, Stapleton, and St. George. They drew up a single design for the Port Richmond, Tottenville and Stapleton branches, which could be adapted to each site. The plan included wide-open, single-level public floors unlike the firm’s Manhattan branch designs, which consist of several smaller floors due to the scarcity of available land.
The Classical Revival design of the Staten Island branches is impressive. These buildings can be viewed as monuments to learning and to civic pride, rather than as book warehouses. They have tall ceilings (about 30’) and large arched windows that provide ample light. Outside, tall pillars flank the entrances.
Construction of the new Port Richmond Branch Library was well under way in 1904. The builder, E.E. Paul, simultaneously headed the construction sites at both Tottenville and Port Richmond.
A Message in a Bottle
In the spring of 1904 two classmates at the Curtis High School Annex, located in P.S. 20, were making nightly visits to the construction site to check on the progress of the building. They were Edmund Joseph Nolan and John Field. During these visits they became acquainted with George Ballantine, a construction worker. The three men decided to place a message in a bottle, a time capsule for future generations to discover, in the foundation under the spot where one of the pillars would be built. That time capsule still rests there today. Its contents remain a mystery.
Edmund Nolan, however, was not satisfied with leaving just one time capsule inside the building. Without telling his friends, he came back to the construction site on Easter Sunday, 1904, and stuffed a second note in a citrate of magnesia bottle and placed it in the foundation at the rear of the building. This note reads:
To Whom it May concern:
I, Edmund Joseph Nolan, residing at No. 7 Cottage Place, Port Richmond, place this paper in this building, hoping that in later years it may be found and read. Port Richmond is but a country village now, which by the time this is found may be a flourishing town of many librarys. I am 19 years of age and hope to have the good fortune to be alive to hear of its finding. If this is found, please publish the contents of this letter in some New York Paper. Santos Dumont of air-ship fame has not at this date completed his invention, nor has the perpetual motion machine been discovered. At this date Thomas Edison is our foremost inventor. Today is Easter Sunday. It takes 40 minutes to go from Port Richmond to Manhattan. A trolley line runs along the shore and one runs up Richmond Ave. to Bulls Head. The Rapid Transit starts at Mariners Harbor and terminates at St. George. Then it starts at St. George and terminates at Tottenville. It takes 30 minutes to Tottenville. Standing at the front of this building there are 18 houses in sight. If this is found please publish the contents of this letter and if it is returned again please give it to Andrew Carnegie for exhibition. I bid you Good Bye this 3rd day of April 1904—4 O’Clock RM.
Edmund Joseph Nolan
Please advertise for the person bearing this name when this is found and tell him where to come.
“Santos Dumont” and his “invention” are references to the Brazilian-born inventor Alberto Santos-Dumont and his airplane. The Wright brothers first flew their airplane on Dec. 17,1903, well before Mr. Nolan wrote his note, but received little publicity because few people believed their story. When Santos-Dumont made his first airplane flight in Paris, in November 1906 in his 14-BIS, the world hailed him as the inventor of the airplane.
Santos-Dumont was eventually recognized as the first to fly an airplane on the continent of Europe. Many Brazilians still credit him as the airplane’s inventor. Later in his life, he became despondent over the use of the airplane as a weapon of war. He committed suicide in 1932.
The two notes were covered as construction continued on the building. A tall pillar was mounted over the first note and the back wall was built over the second.
The Library Opens
Port Richmond Opening ProgramThe library, the 29th branch of The New York Public Library’s Circulating Department, opened for patron registration on March 1,1905, but did not circulate books until March 20.
The opening ceremonies began at 3 P.M. on March 18, 1905. The library was filled with the sounds of a juvenile mandolin orchestra and glee club from P.S. 20. The traditional gathering of politicians was on hand, making speeches and giving thanks to Mr. Carnegie in front of a large American flag. Charles Fornes, president of the Board of Alderman, represented the Mayor of New York and acted as master of ceremonies. George Cromwell promised that “four other libraries” would soon be completed (a promise that was not kept for many years). Representing The New York Public Library were Dr. John S. Billings, Arthur S. Bostwick, Charles Howland Russell Esq., and William W. Appleton, of the Circulating Department.
Edwin Markham
The nationally known poet and Staten Island resident Edwin Markham, though unable to attend the opening because he was on a lecture tour, contributed a work, “The Praise of the Poets,” to be read on the occasion. On the 30th anniversary of the opening the Staten Island Advance stated that this was “specially-written” for the opening, but no work of this exact title is known to exist today. However, it may have been “The Poet’s Praise,” which appeared in the New England Magazine in May 1892. This poem begins:
His blithe and cheery spirit goes,
A brother of the budding rose.
No creed to fetter: hour by hour
Truth opens to him like a flower
Markham’s best-known poem, “The Man with the Hoe,” had become wildly popular after its publication in 1899. He was hailed in print as “the dean of American poetry,” “the foremost name in poetical literature since Tennyson and Browning,” and “America’s greatest living poet.” In 1922 he was chosen to read his poem, “Lincoln, The Man of the People,” at the opening ceremonies of the Lincoln Memorial in Washington, D.C. He occasionally gave signed copies of his works to the Port Richmond branch, including “The Man with the Hoe” and the Lincoln Memorial opening poem. His wife and son would also maintain contact with the library in the coming years. Markham’s name has been given to a few Staten Island institutions, such as I.S. 51 and the Markham Houses, but he is little known today.
The library looked somewhat different then than it does now. There was a backyard where the children’s and reference rooms stand today. Tall glass partitions with glass doors divided the main reading room into three sections. One side housed the Adult Collection, the other the children’s. The center section contained a large rounded circulation desk, with a small librarian’s office jutting out of the back of the building. The woodwork was painted white. Gas chandeliers with big glass globes hung from the ceiling. The basement contained a coal storage area, heater, storeroom, workroom, and two restrooms. Large candy-striped awnings were installed outside over the big arched windows. A brass plaque was posted near the front door commemorating Mr. Carnegie’s gift. Ivy soon grew to cover the front of the building.
The Young Library
The New York Public Library sent Miss Gertrude Cohen to supervise the organization of the new branch and its collection of about 5,000 books. This task was soon turned over to Port Richmond’s next branch librarian, Miss Agnes Morland Campbell.
On March 20, 1905, Mr. Herman Osmer, of 1254 Castleton Avenue, checked out the first book. The library was open every weekday and evenings on Monday, Wednesday, and Friday. It was circulating about 100 books per day by May 1905. Over two thirds of this was juvenile fiction. Circulation for 1905 totaled 54,436 books. Some “best-sellers” included Masquerader by Thurston, The Little Shepherd of Kingdom Come, Handy Andy David Harum, Gentleman from Indiana by Booth Tarkington, and Rebecca of Sunnybrook Farm. The neighborhood boys would wait in the library for hours for a chance to grab the next Horatio Alger book as soon as it came in.
Circulation would hit a high point in 1906, with 73,571 books borrowed that year. In 1907, the opening of the St. George and Stapleton branches caused circulation to drop sharply, to 25,667. It remained level through 1910, when the figure was 26,565. Also, a traveling library had been established in 1906. Headed by a Miss Dean, it set up collections in Sunday Schools, fire stations and other community locations, providing access to people in outlying neighborhoods. Staten Island had never had library service like this before.
By 1908 a new branch librarian, Julie E. Durnett, had taken over. Mrs. ED. Shumway was in charge of the children’s room. Many of the practices initiated during this period are still in effect. Regular story hours were already being held. Audiences of about 30 children would gather about twice a month to hear librarians tell such stories as “Snow White and Rose Red,” “Hans and the Four Giants,” “Candy Country,” and “The Happy Heart Family.” In March 1908, librarians were busy preparing the new Reading Room collection of non-circulating books for children to read in the library.
In October 1910, Mrs. Shumway, on a suggestion from the Hudson Park branch librarian, produced the first issue of the Current Events Bulletin for the Port Richmond branch. Events lists the activities at the branch each month and continues to this day. It has been expanded to a system-wide publication and is available on the Internet at www.nypl.org.
A popular item in the branch was the stereoscope, a 3-D picture viewer, which was left on a table with a collection of pictures (stereographs) for readers’ amusement.
What Is Suitable for Children?
A Port Richmond Story Hour (ca. 191--ca. 192-) The question of what materials are appropriate for children has probably been around since the first children were allowed in libraries. For many years, The New York Public Library banned children from using the adult room, not only to shield the adults from any misbehavior, but also to protect the children from reading things they were not “supposed” to read. Once children reached seventh grade, however, they were allowed in the adult room.
Librarians were very careful about what they allowed children to take out. In 1908 Mrs. Shumway noted, “7th and 8th grade girls will take nothing but fiction, the latest questionable novel if possible. What can one do when the girl presents her mother’s card...and says the book is for her mother, when you are quite sure it is for herself?” She asked Anne Carol Moore, The New York Public Library’s supervisor of work with children, “Do you approve of children looking at the newspapers?”
Discipline was another issue for the children’s librarian. Children who arrived at the Port Richmond branch with dirty hands were greeted with a wash basin and soap. “Candy apples are dealt with severely,” Mrs. Shumway declared.
Edwin Markham’s son Virgil was a regular visitor to the Port Richmond children’s room. In 1910 Mrs. Shumway noted, “Virgil is one of our boys.... He owns a large number of the best books, beautiful editions, lives in a highly literary atmosphere and his reading has been directed on strictly classic lines.... Yet, he has confided to me that he did not like any of his own books. He couldn’t tell why but he didn’t.”
Young Markham was interested in some of the less classical offerings of the Port Richmond children’s room, such as the St. Nicholas children’s magazine and books about animals. Mrs. Shumway suggested Howard Pyle’s Men of Iron. Upon returning it to the library he told her, “It was one of the best books I have ever read.”
Virgil’s mother, Mrs. Anna Catherine Markham, was also a regular visitor to the branch. Mrs. Sbumway complained, fairly or not, “She often spends the whole day...she has never glanced at the children’s room nor showed the slightest interest in what her boy was reading.... I suspect the child’s mind has been forced.... I am now plotting to introduce [him to] Robin Hood.” (Virgil presented his own version of his literary upbringing in “Literary Tradition on Staten Island,” a three-part article beginning in the October-December 1956 issue of the Staten Island Historian, Vol. XVII, No.4, p.33.)
The Atalanta Clubs
In 1912 Mrs. Shumway began the Atalanta Club, a kind of literary society for high school girls. The name “Atalanta” comes from the swift-footed Greek goddess — and from the first steam-powered ferryboat on Staten Island’s North Shore. Only fragments of the club’s minutes remain. These come from their initiation ceremony, which may have resembled a college sorority’s:
After the first fright was over all took to it very well. When Frances Hargreaves came she was so strong that, I am afraid, the others received more of the initiation than she for some even ran into corners behind chairs for protection from those enormous muscles. Now came the best part of all. We all gathered on chairs, windowseats, stairs and every place available, when we received the most delicious ‘eats.’ Oh! Such cake! And sandwiches and homemade ice cream.
Members of the club, which usually consisted of about 15 girls, would answer roll call by stating the name of a book they had just read. They recited poems and stories, attended plays, and staged debates. One debate topic was: “Resolved: The Public Library is harmful to schoolgirls.” It is unclear who carried the day on this one. The younger girls eventually formed their own club, “The Junior Atalanta Club.” The Atalanta clubs continued until 1919.
World War I
Sitting on park benches in front of Port RichmondThe coming of World War I changed the Port Richmond branch in many ways. Because the local shipbuilding firms were expanding to meet wartime needs — about 12,000 Staten Islanders worked in shipyards at the height of the war — the branch stocked many highly technical shipbuilding manuals. Text-book of Theoretical Naval Architecture, Rudimentary Treatise on Masting and Rigging of Ships and Oxy-acetylene Welding Practice were just a few of the selections one might encounter while browsing the shelves.
One librarian lamented that many of the technical shipbuilding titles were only printed in England and were very difficult to obtain. Many of the books the branch ordered never arrived. Three separate transport ships carrying the books were sunk crossing the Atlantic. But by the end of the war, the librarians felt “the [shipbuilding] collection excelled that of any other library in greater New York and vicinity.”
The war brought a boom to the Port Richmond economy. The Staten Island Advance reported in December 1917: “The month just ending marks the close of the busiest year in the history of the Port Richmond Library. Whether due to the influx of residents brought here by new industries or some other reason, the circulation is larger by several thousand than that of last year.”
Much of this influx was coming from Scandinavia. According to the Advance, “At the Port Richmond Branch is one of the best collections of Norwegian and Danish Books to be found in this vicinity, one reader coming all the way from Jersey City to make use of it.” The Port Richmond librarians visited English classes for the new immigrants to explain “the opportunities which the library offers in learning our language, history and government.” Easy English-language books on these subjects were gathered for use by the classes.
Although the local economy was on an upswing, there were wartime shortages. Lectures at the branch instructed residents on how to “economize and substitute for those foods they are asked to send to the Allies.” Books such as Wheat Substitutes and Household Organization for War Service were stocked for this purpose. Seed catalogs and books on vegetable gardening were offered to “answer almost any question that puzzles the beginner in this patriotic activity.” Outbreaks of disease were another community problem, sometimes forcing the branch to close. One especially bad outbreak of “infantile paralysis” forced the branch to close for most of July 1916.
In November 1917 the Staten Island Advance headlined, “Port Richmond Branch issues list for our new citizens.” These new citizens were not immigrants. They were all women who had just received the right to vote in New York State. The article continued, “Women who are eager to fit themselves for their new responsibilities as voters will find the following books at the Port Richmond Library....” and went on to list various civics books. It would be another three years before women were guaranteed the right to vote by the U.S. Constitution.
Gift Books for the Troops
In surgical ward, U.S. Marine Hospital (ca.191--ca.192-)The branch aided the war effort by selling War Service Stamps (the World War I version of government savings bonds) to its readers. Librarians requested that local residents owning books on the war, learning French, aviation, telegraphy, fiction and other subjects, label them “War Service” and bring them to the branch for distribution to the troops. The Advance noted, “Gift books should be selected with care, for they are to serve virile, impressionable young manhood.” Residents donated over 1,500 books that were then given to soldiers and sailors through a program sponsored by the American Library Association. General Pershing had secured room for 50 tons of books per month on ships leaving for Europe. Upon arrival the books were distributed by army chaplains, the YMCA and Red Cross units.
Despite the increased demands the war placed on the library, branch funding was cut for other war needs. According to the Advance:
No department has suffered more on account of inadequate financial funding during the war period than The New York Public Library. At a time when books cost far more than ever before the fund from which books can be purchased has been reduced. Not being paid a living wage [a] large number of assistant librarians have been driven out of the service. A junior assistant in the circulation department can only be paid — the highest — $65 per month.
In 1918 the Advance reported that Mrs. Shumway, by then the branch librarian, resigned her position at Port Richmond and accepted “a much better one” at Mount Vernon, N.Y.
The 1920s
Unfortunately, very few branch records from the 1920s have survived. The Advance, however, described Port Richmond’s 20th anniversary celebration in 1925. Over 100 schoolchildren attended a lantern slide show about spring flowers. The highlight of the show was when the staff of the Staten Island Museum brought in a live owl that had been captured at the Moravian Cemetery.
Story hour attendance averaged about 40 children during this period. All second graders as well as first-year students at Port Richmond High School Annex in P.S. 20 were given instruction in the use of card catalogs during their first week of school. The library also provided deposit collections for schools, churches, and clubs. Book stock had risen to 12,000 by 1925, more than double its original 5,000 volumes.
A community event of note during this period was the construction of the library’s next-door neighbor, the Scandinavian Lutheran Church, in 1921.
Langston Hughes
The summer of 1922 brought another noted poet to Staten Island: Langston Hughes. He had dropped out of Columbia University and was unable to find work. In The Big Sea (1940) he wrote:
"I finally got work at a truck-garden farm on Staten Island. The farm belonged to some Greeks [two brothers and their wives], who didn’t care what nationality you were just so you got up at five in the morning and worked all day until it was too dark to see the rows in the field. …There was something about such work that made you feel useful and important—sending off onions that you had planted and seen grow from a mere speck of green, that you tended and weeded, had pulled up and washed and even loaded on the wagon—seeing them go off to feed the great city of New York. Your onions! …Sunday afternoons we had off. …Sometimes some of the fellows went into Port Richmond to find girls and wine."
Langston Hughes worked on the farm of John and Emmanuel Criaris at 2289 Richmond Avenue. He was known to have visited New York Public Library branches in Manhattan, but it is not known if he ever visited the Port Richmond branch.
The year 2002 marks the centennial of Langston Hughes’s birth. His fame looms large at Harlem’s renowned Schomburg Library (officially named The Schomburg Center for Research in Black Culture), which has dedicated its auditorium and an adjacent atrium to him. His ashes are interred there.
The 1930s
“Every day the staff hears of a family without food, another without a home, others living on practically nothing and dozens without any jobs,” wrote the branch librarian, Helen Wessells, in 1932. “It seemed proper that we should offer moral encouragement by means of the atmosphere of the branch and cheerful service.”
Requests for books on vocational guidance, woodworking, and home repair began to rise. “Many more high school and college students have registered and continue to use the library after graduation. Too many of them have been unable to get positions, therefore they use the library for their higher education.”
In the early 1930s many of the shipyards closed down. Some of the Norwegian population, unable to find employment, returned to Norway to live with relatives. The library suffered a “barometric fall” in circulation during the Great Depression. Book appropriations were cut “drastically.” By 1932 the entire branch staff consisted of only four people. Port Richmond’s librarians had to hitchhike or walk several miles to visit local schools because they could not afford carfare. In 1933 Isabelle Kershaw, the children’s librarian, wrote:
Many families have migrated to outlying areas of Staten Island, and to New Jersey. The book wagon has taken care of some of those distant families. ...So many of the men had been employed in the shipyards, and when they were closed the men were adrift, knowing no other trade and at a loss to know where to turn. The staff has known welfare workers, church workers and teachers who have told us of appalling conditions, but we have seen for ourselves tragic instances of poverty and illness which could not be alleviated. ...In many families, mothers have been able to secure work where fathers were not able to, and consequently quite small children assumed the care of the home and preparation of the meals for those children still younger.
Still, even in the most troubled times, the library provided moments of relief. Fifty to 100 children gathered for the weekly story hours down in the basement to hear stories by Kipling, Pyle, and others. Librarians would take the children on trips to the American Museum of Natural History, tour the fireboats docked at St. George, and visit the zoo. Two library clubs, one for boys and one for girls, were active with guest speakers, storytelling, and soap carving.
Visitors to the library during this period were greeted by a deep-sea diver’s suit, which was stuffed and standing in a corner. Children dubbed it the “Invisible Man.” The gift of a retired navy diver, the suit, surrounded by cables, charts, and seashells, posed a great challenge to the librarians, who had to figure out a way to decorate it at Christmas.
Port Richmond Library Yard, 1938The branch garden was at its peak during this time. A large willow tree in the backyard provided shade for readers on hot summer days. Cuttings from the yard combined with readers’ own flowers to fill the branch with “armloads of apple blossoms, lilies of the valley and peony buds.”
Some hopeful economic signs began to appear around 1934. A few of the shipyards began to reopen. Government jobs’ programs provided “CWA men” to help the overburdened staff shelve books and do general maintenance.
New economy measures were taken to stretch the budget. Referring to the new sharing of resources between branches, branch librarian Helen Wessells wrote, “Union! It seems to be the word for Staten Island libraries.” Joint book ordering with the West New Brighton and Stapleton branches was undertaken to avoid duplication of materials. Circuit collections, which rotated books between the branches every few months, were initiated to provide readers with a greater variety of books at each branch. A North Shore Readers’ Association was formed, with a West New Brighton-Port Richmond Unit, to aid the library. Work on a Staten Island Union catalog was begun at the West New Brighton branch and soon moved to Port Richmond to aid readers in locating the books that could no longer be found at their local branch.
A popular spot in the branch was a “Men’s Shelf” that held such books as Zane Grey’s westerns and a variety of nonfiction and technical manuals. “Books about ships and sailing and airplanes continue to be prime favorites with the boys of all ages,” wrote the children’s librarian, Eleanor Townsend. Honk the Moose was a big children’s hit as well as Mary Poppins, known to the smaller children as “Mary Pumpkins.” One reference title, Biology, edited by Port Richmond’s old friend Edwin Markham, was very much in demand.
Not all the popular titles were in English, however. In addition to the Norwegian and German collections there were a small Spanish collection, a Polish collection, and an Italian circuit collection that was “growing in popularity.”
Morning English classes for Italian women and evening English classes for Norwegian women were held at the branch. “Here is a very interesting collection of nationalities,” wrote librarian Katherine Love. “There are fair-haired Scandinavians, Scotch, English, Irish, Italian, Greek and Negro children and perhaps other nationalities which I have not noticed.” The branch was sometimes referred to as the “Port Richmond League of Nations.”
The 30th anniversary of the branch was celebrated in 1935. A special invitation list of early readers, including Herman Osmer, Port Richmond’s first reader, was compiled for an informal reception. An exhibit of 1905 best-sellers and pictures of the first year’s activities was put on display.
The New Addition
Port Richmond Branch in 1938After several false starts, the Works Progress Administration began construction of an addition to the rear of the building in 1938. This included a new children’s room, reference room, auditorium, and custodian’s apartment.
As the workers began excavating, they uncovered a citrate of magnesia bottle with Edmund Joseph Nolan’s time capsule in it. As Mr. Nolan had requested, the Staten Island Advance published an article announcing the discovery.
Mr. Nolan no longer lived on Staten Island but his two partners in placing the notes did — George Ballantine and John Field. John Field told the Advance the story of the time capsule’s placement in the library’s foundation. He hoped that Mr. Nolan, who would be 53 years old, would hear of its discovery wherever he was, and that this would bring about a reunion of the old friends. There is no record that Mr. Nolan ever heard of its discovery.
Construction of the new addition created the expected havoc in the branch, but it remained open despite having large holes ripped in the back walls. Inside, the old circulation desk and dividers were removed. Workers came in double shifts from early morning until 10 PM.
When the addition was completed in November 1939, the branch was described as a “miracle of transformation.” Large fireplaces glowed with warmth during the winter. High arched windows flooded the new rooms with light in the summer. Reference books that had at times been stored in the basement and in offices little bigger than closets now had a room of their own.
Downstairs, the new Chimes Playhouse provided a home for performers and public meetings. The name “Chimes” comes from the electric chimes that signaled the beginning of each program. The opening attraction was a performance of On Borrowed Time by the 101 Players.
Librarian Laura Hulse described the local youngsters’ reaction to the new children’s room: “Singly or in small groups the children drifted in.... They liked its shape and size, they liked its shiny floor and new furniture, and the shelves that they could reach and see.... They liked being away from the restrictions imposed by grown-ups. But for them the room was simply a background for the more important thing — the books.”
Port Richmond Improves
Things were improving in many ways for Port Richmond. The staff, which had been cut down to four members in 1932, rose to 19 members (plus numerous WPA workers) by 1937.
That year the Directory of New York State Manufacturers listed 34 medium and large concerns in the Port Richmond area. In 1938 the librarians noted, “Technical book circulation is definitely increasing [due to the] influx of workers brought to the Island by Bethlehem Steel to work in the former United Ship Yards.” The number of shipyard workers on Staten Island would soon equal the high of 12,000 that had been reached during World War I.
Children would gather at the branch to listen to The New York Public Library’s weekly radio storytelling broadcasts on WQXR. Several drama groups and glee clubs were holding regular rehearsals in the Chimes Playhouse, which hosted over 100 performances annually. One highlight was the premiere of a promotional film, The Staten Island Library Movie. It was shown to members of the joint West New Brighton-Port Richmond Readers’ Association. Edgar and Ingri D’Aulaire, Caldecott Medal-winning illustrators and authors, paid the children’s room a visit, bringing their baby with them. During the winter, Christmas stories and caroling were conducted in front of fir-trimmed fireplaces with Yule logs crackling.
World War II
Because of its large immigrant communities from Norway, Italy, and Poland, Port Richmond began to feel the effects of the war even before Pearl Harbor. Looking at world events in 1940, librarian Laura Hulse wrote:
...so much of disaster and tragedy has occurred, that civilization seems almost to have vanished. If it were not for the new generations constantly arising, there would seem indeed, to be very little hope for the future.... If one small children’s room of one branch library can, in its stock taking, find excuse for its being; if it has in any way helped to make more normal the home life of the children in the community it serves, even in a year of wars and injustice, then it must have done its part.
Port Richmond was swept up in war mobilization. The 1942 Branch Annual Report described the conditions: “Ship yards along the Kill Van Kull from Bement Avenue to the huge Bethlehem Steel Plant in Mariners Harbor are working a twenty-four hour period.” The librarians visited the classes in shipfitting conducted by the Training Division at the Bethlehem yard to make the workers aware of the branch’s shipbuilding collection. The report continued:
One is conscious of the sea and the part it plays in the lives of many readers in this branch. For many women whose husbands or sons are aiding the war effort as merchant seamen, days are filled with anxiety, and a book ‘to take my mind off what may have happened to his boat, he hasn’t been home for six months now’ was a recent request.
Fuel shortages reduced service to three days a week and put a stop to the traveling library service. Early in the war, children from P.S. 20 had to be escorted directly home after school due to a fear of air raids, preventing them from visiting the library. The 1943 Branch Annual Report noted:
The draft of the younger men beginning earlier in the year and continued and increasing pressure of war jobs and volunteer work have contributed to diminished use of the branch. Also the thousands of service men stationed on Staten Island or passing through enroute to overseas duty...have meant that organizations and individuals are kept busy providing a great variety of services for these men.
The most popular topics for the branch during the war were the “practical arts” of cooking, sewing, poultry raising, and gardening. This emphasis led to a shortage of some of the best-selling fiction of the day, causing one reader to complain, “You have books on how to win the war, how to raise poultry, what to know about the Merchant Marine, but what about a good book to read?”
The Chimes Playhouse was busy with meetings of volunteer groups like the North Shore American Women’s Voluntary Service, the Staten Island Community Chest and War Fund, the Red Cross, and the Bethlehem Craftsmen organization that supported Halloran Hospital. One program, “Poland Fights On,” attracted an audience of 75 persons. There was also time for non-war-related groups, like the Westerleigh Players and a couple of jazz orchestras that rehearsed there.
Norway Lives!
In 1943 Dr. Carl J. Hambro, President of the Norwegian Parliament-in-Exile and past President of the League of Nations, spoke at the opening night of a month-long library exhibit, Norway Lives! He attracted an audience of 200 Norwegians.
Dr. Hambro explained that, even though Norway had been occupied and had already lost 375 ships, Norwegian ships still carried 40 percent of the fuel and 30 percent of the provisions reaching the Allies in Europe. (The Port Richmond branch supplied the New York Orthopedic Hospital with Norwegian books for the wounded Norwegian sailors recuperating there.) The children from the library’s two Norwegian classes, conducted by Mrs. Holm Hansen, participated in the program dressed in traditional Norwegian outfits singing, dancing, and playing the piano and accordion. The shelves upstairs displayed Norse crafts.
The Advance wrote: “The opening night, with bright fires blazing on the hearths and the auditorium filled with people listening to the concert of the Norwegian Glee Club of Port Richmond, was an inspiring community event.”
Three of Port Richmond’s librarians volunteered to work at the Fort Wadsworth Post Library on Sunday afternoons. The branch librarian, Mrs. Mary Jane Bowles, was especially active, serving on the Staten Island Council for Democracy, a group of community leaders called together by Borough President Palma to promote better interracial and interfaith understanding on Staten Island. She also served on the Inter-Racial Committee of the Staten Island Council of Social Agencies, the Mayor’s Committee for the Wartime Care of Children, and a committee for the Women’s Division of the 6th War Loan, and chaired the committee for the Markham Houses’ Nursery School.
Peace Returns
The end of the war brought new challenges to the library. One challenge was the return of readers who had been unable to visit during the war. Mrs. Bowles reported that the “Port Richmond Branch has shared in the general upsurge in circulation and reference use since V-J day.”
One of the greatest challenges was to help returning veterans adjust to civilian life again. Mrs. Bowles recalled seeing one veteran looking over the help-wanted ads in Library Journal. She told him, “I certainly wish you good luck in whatever decision you make about your future.”
“Thank you,” he replied, and then, pausing for a moment before going out the door, added, “And about that good luck, well, I am here, am I not?”
Trade-related books, such as those on auto mechanics and refrigeration, began to replace shipbuilding manuals — whose circulation had already been in decline before the end of the war. (As local shipyards completed their tooling-up period, they did not require the same number of training materials.)
Recreational reading also increased, resulting in a higher demand for books on sailing, photography, rabbit-raising and painting. The most popular fiction works at the branch in 1944 were The Razor’s Edge, Strange Fruit and A Tree Grows in Brooklyn. The children’s room was the busiest on Staten Island in the postwar years.
Circulation rose by several thousand in both the adults’ and the children’s rooms, reaching 103,911 volumes in 1947, but was still below the peak of 172,117 reached in 1932. In 1948 the traveling library returned, expanding library service to Willowbrook, Westerleigh, and Mariners Harbor, as well as Port Richmond.
1947The Chimes Playhouse saw performances by Marie and Her Harmony Boys, The Nansen All-Girl Chorus, The Westerleigh Players, and several glee clubs. Amateur actors, musicians and tap dancers from the Bethlehem shipyards rehearsed there for revues to be presented at Halloran Hospital. The Staten Island Poetry Society, founded in 1947, held its meetings at the branch along with the Youth Council of The National Association for the Advancement of Colored People, the United Nations Forum, the U.S. Coast Guard Auxiliary, the Decker Avenue Civic Association, the Boy Scouts, the Girl Scouts and a Great Books group.
In 1948 Phyllis Whitney, the best-selling Staten Island author, spoke to a girls’ group. A lesser-known author, Mrs. Frances Tysen Nutt, stopped in to discuss her book Three Fields to Cross, an historical romance set on Staten Island during the American Revolution. One librarian noted that if not for the consideration of the custodian, the playhouse would be in use every night of the week.
The 1950s
The 1950s brought a new challenge to the library: television. In 1951 Mrs. Bowles wrote optimistically, “There does seem to be some indication that the novelty of television is wearing off for some of the people who forsook their usual reading habits in its favor. Former readers who have been conspicuously absent are now returning with the explanation that they have gotten tired of too much television.” However, she did recognize that “...the question of how many potential readers will be lost to the libraries because of this new and exciting competitor for all leisure-time activities is a serious one.”
One type of television show, the quiz show, actually brought people into the library to research potential questions. The librarians regarded these people with some suspicion. Mrs. Bowles wrote, “...quiz program hopefuls are a persistent lot, although most of them seem to be strangers to the library. Our policy with these is [to] indicate sources of information, refrain from doing [their] research and to keep a watchful eye on the dictionaries and encyclopedias.”
But in at least one instance she noted that their research at Port Richmond paid off. “A war bride returned Durant’s Story of Baseball with the good news that it had provided the correct answers for a television quiz program in which she had won $3,000 in prizes.”
The postwar period began the exodus of the Norwegian community. By 1955 the Norwegian collection was largely unused and its remnants were transferred to the Donnell Branch foreign-language collection in Manhattan. New readers were added from the Darrow Homes in Mariners Harbor.
Shigeo Watanabe
One highlight of 1955 was the arrival of Port Richmond’s most famous librarian, Mr. Shigeo Watanabe. The noted children’s author came to the United States on a Fulbright Scholarship to study library science. Though he only stayed a few months, Mrs. Bowles noted that “Port Richmond children took him into their hearts as have other children on Staten Island who have had the privilege of knowing this gifted Japanese children’s librarian. The staff too has been enriched by having him in the branch and we are happy that this part of his American experience could be acquired here.”
In June 1956 Mr. Watanabe wrote to Mrs. Frances Lander Spain, superintendent of work with children:
‘Hello, Mr. Tokyo. I still remember your stories,’ said a little girl....
Even though I am not ‘Mr. Tokyo’ (have you ever been called as Miss New York?) but humble Mr. Watanabe (Mr. Smith in Japanese), there is nothing more encouraging when one starts his work with children than their welcoming attitude.
These were questions new friends of mine asked when they approached me for the first time —two first grade boys with twinkling eyes, full of curiosity:
‘Mister, are you a Puerto Rican?’
I said, ‘No, I am not,’ with a bit of a Spanish accent.
‘Oh, you are a German then?’
(I only wish I had known how to say in German), ‘Oh, no, I don’t think so,’ answered I.
‘But you can’t be a Chinese, because you have not a pig tail.’
(Do I have to answer for this?)
However, it did not take a long time for them to know who I was and what I was — I do not believe that any one of them had seen a male children’s librarian anyway.
In 1956 Mr Watanabe was chosen as one of the Outstanding Storytellers at the American Library Association Conference in Miami Beach. In 1957 he returned to Japan, where he became a major force in introducing American and English children’s literature, with over 100 translations to his credit. His “I Can Do It All by Myself” books were very popular with American preschoolers in the 1980s.
Sources
The quotations by librarians in this article were taken from their monthly and annual reports, housed in the Manuscripts and Archives Division of The New York Public Library’s Center for the Humanities, Fifth Avenue and 42nd Street, New York, N.Y. Other sources include:
Atalanta Club minutes.
The Big Sea, by Langston Hughes (1940).
Biography Resource Center at www.nypl.org
The Edwin Markham Collection at the Horrmann Library, Wagner College, Staten Island, N.Y.
“Historical Foundations of Public Library Service on Staten Island, New York,” by Lisa De Palo. Current Studies in Librarianship, Spring/Fall 1999, Vol. 23, Nos. 1 & 2, pp. 4-15.
The History of The New York Public Library Astor, Lenox and Tilden Foundations, by Harry Miller Lydenberg. New York: The New York Public Library, 1918.
Interview with Marjorie Johnson
Interview with Kay Lande Selmer
Staten Island Advance, 1905-2002.
Staten Island Chamber of Commerce.
PORT RICHMOND’S BRANCH
LIBRARIANS AND THEIR YEARS
OF SERVICE, 1904-1959
Compiled by Andrew Wilson
Miss Gertrude Cohen
(December 1904)
Miss Agnes Morland Campbell
(Exact dates unknown)
Mrs. Julia E. Durnett
(April 19057-July 1917)
*Mrs. ED. Shumway
(1918?)
Miss Ethel Savacool
(August 1917?-April 1922)
Miss Bessie McGregor
(April 1922-September 1925)
Miss Florence Normile
(October 1925-February 1929)
Mrs. Helen E. Wessells
(March 1929-August 1941)
Mr. Edwin C. Jackson (acting)
(September1941 -July 1942)
Mrs. Mary Jane Bowles
(August 1942-April 1959)
*Library archives do not list Mrs. E.D. Shumway as branch librarian, but she is credited with title of “head librarian” in the Staten Island Advance article about her resignation in May 1918.
THE NEW YORK PUBLIC LIBRARY
ON STATEN ISLAND:
BRANCHES AND DATES
Tottenville
7430 Amboy Road
NYPL opening: Nov. 26 1904
Opened as Tottenville Free Library, with a collection of 230 books, on Feb. 6,1899, in two rooms of a clapboard house at 137 Johnson Avenue (now 204-206 Johnson Avenue). Chartered by the State University of New York. Present building: Carnegie gift, 1904. Full renovation: June 1991. Designated NYC Landmark: May 1995.
Port Richmond
75 Bennett Street
NYPL opening: March 18. 1905
Carnegie gift. Designated NYC Landmark: Oct. 13,1998.
Stapleton
132 Canal Street
NYPL opening: June 17. 1907 Carnegie gift.
St. George
5 Central Avenue
NYPL opening: June 26. 1907
Carnegie gift. Reopened as a Regional Headquarters on June 6, 1952. Full renovation 1985; at St. Mark’s Place during renovation.
West New Brighton
976 Castleton Avenue
NYPL opening: June 17. 1917
Opened as a “home station” in 1913 at 1006 Castleton Avenue. Opened as a “sub-branch” on June17, 1917, at 998 Castleton Avenue. Also mentioned in 1917: “Travelling
Library Station” at 1195 Castleton Avenue. 1918: 85 State Street. Present building opened on Feb. 1, 1933.
Great Kills
56 Giffords Lane
NYPL opening: ca. 1921
Opening may have been earlier. A second opening, on Jan. 2,1927, is recorded. In 1935, a “portable wooden sub-branch with a brick addition” is described. Located on Hillside Terrace during the 1940s. Rented quarters at 3936 Amboy Road, Sept. 8, 1952. Ground broken for current site on March 30, 1953. Present location since Sept. 24, 1954.
New Dorp
309 New Dorp Lane
NYPL opening: Nov. 4. 1926
1907: Community library in Trinity Parish House. 1909: Receiving books from traveling library. 1910: Moves to real estate office of James Watson Hughes on Rose Avenue. 1916: In garage of Emil Peterson on Sixth Street. 1920: Becomes NYPL “sub-station.” 1925: New Dorp Board of Trade assumes responsibility for the library building. 1926: Moves to 155 Third Street, becomes NYPL “sub-branch” known as “James Watson Hughes Memorial Library” after the late husband of Isabella Hughes, donor of the land and $30,000. 1954: Becomes full NYPL branch. Present location since March 23, 1972. Full renovation: September 1998.
Huguenot Park
830 Huguenot Avenue
NYPL opening: 1929
Opened in a small white building measuring only 13’ x 15’, NYPL’s smallest branch. Had originally operated in 1902 as part of a variety store. Ran with volunteers until 1926. 1929: NYPL takes over books and service. 1964: Became full NYPL branch. Jan.17, 1976: Temporarily closed due to budget cuts. March 22, 1977: Destroyed by fire. April 4,1978: Reopened. Jan. 2,1985: Opened in present building.
Prince’s Bay
Dates: 1929-1983/1984
A station was sponsored by the Prince’s Bay Women’s Club in 1915. In 1929, NYPL took over books and service at 6054 Amboy Road, quarters donated by the South Shore Veteran Fireman’s Association. A librarian was shared with Huguenot Park. Closed 1983/1984.
Todt Hill-Westerleigh
2550 Victory Boulevard
NYPL opening: 1950/1 951
Bookmobile stop in late 1940s. In 1950/1951 opened in the Todt Hill Houses, New York City Housing Authority, at 255 Westwood Avenue. Moved in 1963 to 1891 Victory Boulevard. In present location since Nov. 5, 1984. April 1991: Additional story added.
Dongan Hills
1617 Richmond Road
NYPL opening: Dec. 9. 1957
Opened in storefront at 1576 Richmond Road, closed on July 19, 1974. March 20, 1975: Reopened at present location.
South Beach
21-25 Robin Road
NYPL opening: March 1950
Opened in the recreation area of the South Beach Houses, New York City Housing Authority, at 155 Norway Street. June 1953: “Sub-branch” moved to 100 Sand Lane. 1989: Destroyed by fire. Dec. 19, 1990: Reopened. At present location since Feb. 8, 2000.
Richmondtown
200 Clarke Avenue
NYPL opening: Oct. 9. 1996
Opened in the former Gateway Cathedral building with staff transferred from Great Kills, for which it was originally planned as a replacement. Community action kept Great Kills branch open.
Traveling Library/Bookmobile
Dates: 1906-1983
The Staten Island Extension Office, headquartered at the St. George Branch, ran the “Book Wagon” or bookmobile, which serviced deposit collections at numerous community agencies. According to a S.I. Chamber of Commerce publication, in 1926 there were three sub-branches, three community stations and 50 deposit stations at public and parochial schools, firehouses, homes and factories, including Police Headquarters, the U.S. Army base at Miller Field, U.S. Marine Hospital, S.S. White Dental Works and American Linoleum Manufacturing Co. These collections ranged in size from 25 to 250 volumes.
During World War II, fuel shortages caused suspension of service, which was resumed in 1948.
Several different bookmobiles were used over the years. One was purchased from Gertenslager and put into service on Dec. 15,1950. It was then making 18 stops and traveling about 200 miles each week. Another was purchased in 1964. It was 35 long and carried 5,000 volumes. Service was discontinued in fall 1983.
At Home In Staten Island: A Tale of Two Literary Englishmen and Their Children has been edited
Charles Dickens & Charles Dickens Jr., Charles Mackay & Marie Corelli
A poem appeared in the weekly London periodical All The Year Round of April 11, 1869. It is called AT HOME IN STATEN ISLAND. There’s no author identified other than a “home-sick Englishman” There’s a bracketed paragraph at the beginning of the poem that seems inserted like an editor’s note. It describes the differences between the landscapes of England and Staten Island in the terms of one who is familiar with both. The editor was Charles Dickens:
AT HOME IN STATEN ISLAND.
[For the proper understanding of the following
verses, written by a home-sick Englishman while
resident in Staten Island, near New York, it may
be necessary to state that in North America there
are neither daisies, nor primroses, nor skylarks, nor
nightingales, nor any bird with a musical note except
the mocking bird, which is not often heard north
of Maryland. The "dogwood" and the "catalpa,"
of which mention is made, are flowering trees of
great beauty in the vernal landscape.]
_____________________________________
My true love clasped me by the hand,
And from our garden alley,
Looked o'er the landscape seamed with sea,
And rich with hill and valley.
And said, "We've found a pleasant place
As fair as thine and my land,
A calm abode, a flowery home
In sunny Staten Island .
"Behind us lies the teeming town
With lust of gold grown frantic ;
Before us glitters o'er the bay,
The peaceable Atlantic .
We hear the murmur of the sea —
A monotone of sadness,
But not a whisper of the crowd,
Or echo of its madness.
"See how the dogwood sheds its bloom
Through all the greenwood mazes,
As white as the untrodden snow
That hides in shady places.
See how the fair catalpa spreads
Its azure flowers in masses,
Bell-shaped, as if to woo the wind
To ring them as it passes.
"See stretching o'er the green hill side,
The haunt of cooing turtle,
The clambering vine, the branching elm,
The maple and the myrtle,
The undergrowth of flowers and fern
In many-tinted lustre,
And parasites that climb or creep,
And droop, and twist, and cluster.
"Behold the gorgeous butterflies
That in the sunshine glitter,
The bluebird, oriole, and wren
That dart and float and twitter:
And humming birds that peer like bees
In stamen and in pistil,
And, over all, the bright blue sky
Translucent as a crystal.
"The air is balmy, not too warm,
And all the landscape sunny
Seems, like the Hebrew Paradise,
To flow with milk and honey.
Here let us rest, a little while —
Not rich enough to buy land,
And pass a summer well content
In bowery Staten Island ."
" A little while," I made reply
" A little while — one summer:
For, pleasant though the land may be
To any fresh new comer,
I miss the primrose in the dell,
The blue-bell in the wild wood,
And daisy glinting through the grass,
The comrade of my childhood.
" I miss the ivy on the wall,
The grey church in the meadow,
The fragrant hawthorn in the lanes,
And all the beechen shadow.
And more than all that proves to me
It never can be my land,
I miss the music of the groves
In leafy Staten Island.
" There's not a bird in glen or shaw
That has a note worth hearing ;
Unvocal all as barn-door fowls,
Or land-rails in the clearing.
Give me the skylark far aloft To heaven up-singing, soaring ;
Or nightingale, at close of day,
Lamenting but adoring !
" Give me the throstle on the bough,
The blackbird and the linnet,
Or any bird that sings a song
As if its heart were in it.
And not your birds of gaudier plume,
That you can see a mile hence,
And only need, to be admired,
The priceless charm of silence.
" There's drone, I grant, of wasps and bees,
And sanguinary hornets,
That blow their trumps as loud and shrill
As regimental cornets.
And all night long the bull-frogs croak
With melancholy crooning,
Like large bass-viols out of gear,
And tortured in the tuning.
" And then those nimble poisonous fiends,
The insatiable mosquitoes
That come in armies noon and night,
To plague, if not to eat us.
The devil well deserves his name,*
That sent them to the dry land ;
Let us away across the sea,
Far, far from Staten Island !"
" Ah, well !" my true love said and smiled, " There's shade to every glory ;
There's no true paradise on earth
Except in song or story.
The place is fair, and while thou'rt here,
Thy land shall still be my land,
And all the Eden earth affords
Be ours in Staten Island ."
___________________
*Beelzebub, the lord of the flies
All The Year Round is where the public first got to read A Tale of Two Cities and Great Expectations . Mingled among that company it’s not surprising that AT HOME IN STATEN ISLAND has received little attention. AT HOME is not listed in any bibliographies of Dickens own works and none of his biographies mention a visit to Staten Island. One year prior to the publication of AT HOME Dickens had visited New York City on his second United States reading tour.
Dickens closest confirmed encounter with Staten Island is described in Charles Dickens as I knew him : the story of the reading tours in Great Britain and America, 1866-1870 by George Dolby. Dickens was departing New York aboard the Liverpool-bound Cunard steamship Russia “which had steamed down the bay, and was lying at her moorings, off Staten Island, awaiting mails and passengers...”
The day was April 22, 1868. Dickens writes in the Uncommercial Traveller :
"It was high noon on a most brilliant day in April, and the beautiful bay was glorious and glowing. Full many a time, on shore there, had I seen the snow come down, down, down … But a bright sun and a clear sky had melted the snow in the great crucible of nature; and it had been poured out again that morning over sea and land, transformed into myriads of gold and silver sparkles.
The ship was fragrant with flowers…such gorgeous farewells in flowers had come on board, that the small officer`s cabin on deck, which I tenanted, bloomed over into the adjacent scuppers, and banks of other flowers that it couldn't hold made a garden of the unoccupied tables in the passengers` saloon. These delicious scents of the shore, mingling with the fresh airs of the sea, made the atmosphere a dreamy, an enchanting one."
William WinterAt his side was Staten Islander William Winter, theater critic of the New York Tribune. Winter wrote in Old Friends: Being Literary Recollections of Other Days :
"It was my privilege, many years ago, to clasp the hand of Charles Dickens and to hear from his lips the cordial assurance of his personal regard. " If you come to England," he said, " be sure to come to me; and it won't be my fault if you don't have a good time." The great novelist said those words as we sat together aboard a little tug-boat, on the morning of April 22, 1868, steaming to the Russia, which was anchored in the bay of New York, and about to sail for England."
They travelled together through Manhattan by carriage to the tug:
"It was a lovely morning. The air was genial, the broad expanse of the Hudson and the bay sparkled in brilliant sunlight, and the whole silver scene was vital with motion and cheerful sound. .. When Dickens alighted from the carriage and glanced at the river he uttered the joyous exclamation: " That's home! " We were soon aboard the tugboat, — called "The Only Son," — and as we sailed down the river it pleased the novelist to talk with me about many things. I had heard all his Readings in New York, and had written about them, and on that subject he had many pleasant words to say.
The man was with us, unsophisticated and unadorned. He wore a rough travelling suit and a soft felt hat; his right foot was wrapped in black silk, for he had been suffering from gout; and he carried a plain stick. After he had boarded the steamship, and while he was talking with the captain and other officers, the members of our little party assembled in the saloon with what he afterward jocosely described as " bitter beer intentions." Soon he approached our group and, addressing me, he said : " What are you drinking? " I named the fluid, and, responding to his request, filled a tumbler for him. He shook hands with us, all around, with a grasp of iron, emptied his glass, put it on the table, and turned to greet the old statesman Thurlow Weed, who had just then arrived: whereupon, immediately, I seized that glass, and, to the consternation of the attendant steward, put it into my pocket, — mentioning, as I did so, Sir Walter Scott's appropriation of the glass of King George IV, at the civic feast in Edinburgh, long ago. The royal souvenir, it is recorded, fared ill, for Sir Walter sat upon it and broke it. The Dickens souvenir survives and is still in my possession. When the farewells had been spoken and we had left the ship, Dickens stood at the rail, his brilliant eyes (and surely no eyes more brilliant were ever seen) suffused with tears, and, placing his hat on the end of his stick, he waved it to us till distance had hidden him from view. I never saw him again."
There is a vague reference to Charles Dickens actually visiting Staten Island published in Staten Island And Its People (1929, Vol. 1, p. 253) by William T. Davis and Charles W. Leng. It says only “[Charles Gilbert] Hine…adds Charles Dickens to the distinguished list of [Staten Island] visitors.” Leng and Davis don’t say whether it was on Dickens first or second visit to the US. Their source, Hine, is the co-author of Legends, Stories, and Folklore of Old Staten Island (with William T. Davis, 1925) and several other local histories of Staten Island. There doesn't seem to be any existing record of where Hine may have published an account of a Dickens visit or what his source for the information might have been. It could have come from the account of the Russia being moored off Staten Island or just been an assumption that the "home-sick Englishman" in Dickens' publication was Dickens himself. One more possibility is that the reference refers to a visit paid to William Winter by Charles Dickens' son Charles Culliford Boz Dickens or simply Charles Dickens Jr. (1837-1896) Winter lived on Fort Hill in Staten Island's New Brighton neighborhood. Winter wrote: "On one occasion of exceptional and peculiar interest, when Charles Dickens, the younger, dined with us in our home, March 3, 1883...[The tumbler] was placed in his hands, and thus, after the lapse of fifteen years, the farewell glass of the illustrious father was touched by the lips of the reverent and honored son. "
Charles Jr., one of ten Dickens children, served as an assistant editor of All The Year Round under his father and became the editor upon his death in 1870. Much later, in December 2005, Gerald Charles Dickens (1963-), the author's great-great-grandson and an impersonator of his famous ancestor, also made an appearance on Staten Island as part of "DickensFest" at Snug Harbor Cultural Center. Staten Island seems to be a destination for the Dickens family, anyway. Sadly, there doesn't seem to be any record of what happened to the farewell tumbler.
There doesn't seem to be any verifiable record that Dickens visited Staten Island or that he wrote AT HOME IN STATEN ISLAND. Fortunately, the name of the poet is revealed in a reprint of AT HOME in Henry Wadsworth Longfellow's book called Poems of Place (1886). The collection features poems based on geographic locations around the world. Poems of Place identifies the home-sick Englishman as Charles Mackay (1814-1889). He was actually born a Scotsman but lived most of his life in England. Charles Mackay was a friend of Dickens. They had worked together on the staff of the Morning Chronicle in the 1830s when Mackay was the editor and Dickens was a new writer just beginning his career. There doesn't appear to be any correspondence between Dickens and Mackay while he was on Staten Island from February 1862- December 1865. It seems likely that he wrote the poem during his stay and did not submit it for a few years but it could have also been written later based on his memory. By the time of publication of AT HOME in 1869 their correspondence had resumed, mainly brief notes about books and works for All The Year Round. In August of 1868 Dickens expressed thanks to Mackay for his "congratulations" apparently referring to his return to England from New York. AT HOME doesn't seem to be mentioned in his surviving letters.
Mackay was a noted poet, journalist and the author of a book that's considered a classic in its field, Memoirs of Extraordinary Popular Delusions and the Madness of Crowds (1841). Much of the book deals with economic bubbles. Today, we may think of dot com or sub-prime mortgage bubbles. He focused on historical bubbles like "Tulipomania", the tulip bulb bubble of 1637. He summed up his thesis this way: "Men, it has been well said, think in herds; it will be seen that they go mad in herds, while they only recover their senses slowly, and one by one!" Another take on the subject can be found in James Surowiecki's recent bestseller The Wisdom of Crowds: Why the Many Are Smarter Than the Few and How Collective Wisdom Shapes Business, Economies, Societies and Nations (2004). The investment broker Charles Schwab sides with Mackay: "I consider Extraordinary Popular Delusions... a must-read not only for all investors - but for all thinking people. As Charles Mackay's classic so clearly demonstrates, follow the herd and you may just be headed straight for the slaughterhouse." NY Times best selling author Michael Lewis includes Extraordinary Popular Delusions as one of his six all-time best books on economics in The Real Price of Everything (2008). Several of Mackay's poems, including "Cheer Boys Cheer" and "The Good Time Coming" , were set to music by his friend Henry Russell and became hit songs around 1850, selling hundreds of thousands of copies. He published Life And Liberty in America about a tour he made in 1859.
Pavilion Hotel (1870?-1890?)Charles Mackay returned to America in February 1862 to serve as the Civil War correspondent for the Times of London and remained until December 1865. He had an invitation from William H. Seward to live at his home but it is not clear why he chose to live on Staten Island. Immediately upon his arrival the American papers disclosed that Mackay was sympathetic to the Southern cause. It may be that Mackay knew of the community of Southerners centered around the Pavilion Hotel in New Brighton, Staten Island. Many were stranded for the duration of the war. Staten Island's most prominent Southern sympathizer was a former First Lady, the widow of President John Tyler, Julia Gardiner Tyler, who lived in West New Brighton. Although he despised slavery, Mackay clung to the belief that the Southern States had the right to determine their own policies without interference from the federal government. This viewpoint probably limited his access to Union officials and hurt his effectiveness as a reporter. While on Staten Island, Mackay's most notable achievement came from his work on an entirely different conflict, the struggle for Irish independence from Britain. He brought news to the readers of the Times of a new Irish nationalist organization called the Fenian Brotherhood. The Fenians were a secret organization founded in 1858 and a predecessor of the Irish Republican Brotherhood. They actively promoted armed uprising to secure Irish independence.
It was in August of 1862 that Thomas A. DeVyr, a pro-British Irishman, showed Mackay a letter he had received from an unfamiliar organization called the "Fenians". Curious about the origins of the letter, Mackay decided to investigate. Out of concern for DeVyr's safety, Mackay enlisted the aid of an anonymous person from the Courier des Etats Unis, a French newspaper in New York City. He reasoned that someone from a nation so often at odds with Britain, would be above suspicion. The deception succeeded and Mackay exposed the Fenians' operations in the Times of London. Mackay's former paper, the Illustrated London News, reported:
"The New York correspondent of the Times (Mackay) states that the Fenians are remarkably active in the northern States, and that large funds are being collected and sent to Ireland, or expended in the purchase of arms....The day has been fixed for the establishment of a provisional government: 200,000 men are sworn to sustain it; the American and Irish officers who have joined the movement are silently making their way into Ireland; and operations are to be inaugurated sooner, much sooner, than any of you can believe. Each steamer on her arrival at Queenstown from New York or Boston is boarded by the police, who, as a telegram states, search the passengers' luggage for arms or treasonable documents."
However, the exposé had little effect in the U..S. The federal government largely ignored (or possibly encouraged) the actions of the Fenians as a reprisal for Britsh support for the Confederacy.
Headquarters of the Fenian Brotherhood,
Union Square, New York (1865)The growth of the Fenian Brotherhood led to some curious, and now largely forgotten, events in U.S. history. The first was an invasion of Canada. In 1865 the Illustrated London News warned of the Fenian threat: "Great alarm prevails in Canada as to the Fenian projects. The Fenians had threatened a rising there, and, it was said, had a steamer ready for offensive purposes." On May 31, 1866 a Fenian army of 800 to 1,500 men, mainly Irish-American Union Army veterans, swarmed across the border from Buffalo. Their "Secretary of War" was General Thomas W. Sweeny, a hero of the Battle of Shiloh on temporary leave from the U.S. Army and they were commanded by Colonel John O'Neill. Their aim was to hold the Canadian transportation system hostage in exchange for Irish independence. The Fenians briefly captured Fort Erie in Ontario before United States forces intervened, cutting off their reinforcements and supply lines. Most of the Fenians were given free railroad tickets home by the U.S. government and were allowed to keep their weapons. Sweeny was briefly detained before being reinstated as a U.S. Army General. Smaller raids across the border were launched from Vermont, Maine, and Minnesota. The Fenians also sent the ship "Erin's Hope" from the East River to Ireland bearing a large supply of weapons in 1867. The NYPL Digital Gallery has a collection of portraits of Irish and Irish-American Fenians from Mountjoy Prison in Dublin.
The Fenian Ram with a one-man test model in the foreground in the Paterson Museum.
Eventually the Fenians would build a weapon that could have easily destroyed any ship afloat. They had their own submarine. It was launched in New York Harbor in 1881, more than a decade before the U.S. Navy had its first submarine. With hopes of attacking British shipping the Fenians hired John Holland, now called "the father of the modern submarine", to build a craft that looks like something Jules Verne might have dreamed up. The Fenians were unable to keep their secret weapon secret for long. The sight of a 31 foot long submarine diving and surfacing in the harbor and lower bay soon attracted the attention of the press. The papers dubbed it "The Fenian Ram". The sight of the sub off Stapleton, Staten Island scared the captain of the paddle wheel ferry St. Johns so much that he turned his boat around and headed back to shore. The Fenian Ram reached its greatest depth, 60 feet, off Stapleton and remained there for more than two hours. It carried a crew of 3, weighed 19 tons and had an 11 foot pneumatic gun designed by John Ericson, builder of the Union's first iron-clad ship, Monitor.
The Ram never saw battle. A splinter group of the Fenians, upset over a payment dispute, used a tug boat and a fake pass forged with Holland's signature to tow the Ram away, along with another one-ton test sub, from the Morris Canal in Jersey City. All went well until the tug reached the site of the present-day Whitestone Bridge where an open hatch on the test sub flooded and it sank. The Ram was towed on to New Haven but the Fenians were unable to operate it. The harbor master declared it a hazard and prohibited its further use. Holland knew the sub was inoperable without his expertise and declared "I'll let her rot in their hands". The Ram did eventually perform one mission for the Fenians- as a fundraising exhibit in Madison Square Garden in 1916. The Fenian Ram can still be seen today in Paterson, New Jersey, Holland's hometown, at the Paterson Museum.
As a foreigner, who expressed reservations about the Northern cause in time of war Mackay angered lots of people. Mackay wrote that the editor of the Herald, James Gordon Bennett Sr., "went so far as to hint to the soldiers of Camp Scott on Staten Island, near to which I resided ...that it might be a just punishment to burn my house over my head." Camp Scott was a federal army camp in the present "Old Town" neighborhood. According to Mackay the animosity started because the Times of London had misquoted him as calling both the North and South "cowards" in the Civil War .
There is another mention of a fictional Englishman on Staten Island in All the Year Round. Again, no author is listed but it expresses sentiments similar to Mackay's and it is possible that Mackay is the author of this story in the January 23, 1864 edition:
ADVENTURES OF A FEDERAL RECRUIT.
"As an Englishman, travelling through the State of New York… possessing only the clothes I then stood in, and some three dollars, in American notes… What could I do? I was reckless; I was disheartened... I was in a guard-house on Staten Island. How or why I came to be there, I knew not... "
The story is about an Englishman who is drugged and imprisoned at Camp Scott by members of an Irish Brigade who berate him with anti-English insults while pressuring him to enlist. After six weeks he escapes through a barrage of bullets fired by the camp guards. He's shot but runs blindly in the darkness until he reaches the Port Richmond to Bayonne Ferry. To his dismay, the ferry is guarded by Federal troops. He then tries to bribe a local boatmen for passage across the Kill Van Kull. The fearful boatman raises the alarm, "Deserter!"...
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Some of "Wilson's Boys"
in wooden camp at Staten Island (1861)About this Image:["From a sketch by our special artist." Written on border: "June 29, 1861." The Illustrated London News describes this image: On page 602 is depicted a characteristic group of "Wilson's Boys" encamped at Staten Island. "This corps," ['Special Artist' Frank Vizetelly?] writes, "might properly be styled the 'Chevalier Guard,' being composed principally of the chevaliers d'industrie of New York: they have no regular uniform yet, though I do not know but what their present costume is the most picturesque. The other day when their Colonel dismissed them from parade he took out his watch, and, looking at it, said suggestively to his men, 'This is the kind of watch they have in Baltimore boys.' This announcement was hailed by enthusiastic cheering." A second image of the camp is available from the ILN website.]
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Mackay wrote little of his life at home on Staten Island other than a few passages in his autobiographies Forty Years' Recollections of Life, Literature, and Public Affairs (1877) and Through the Long Day: Or, Memorials of a Literary Life During Half a Century(1887). Through the Long Day contains some disparaging comments on his Irish servants and the payoffs he had to make to the Fenians to employ them:
"During my second visit and residence of four years in the country I travelled over less ground. My head-quarters were at New York, with a residence in Staten Island...I had two "Biddies" in my employ in Staten Island, one as cook and the other as housemaid,...Irish female servants, familiarly known as "Biddies," who receive high wages for rendering inefficient and saucy service in American households, which they do their best or worst to render uncomfortable by their ignorance... and also a negro lad named "Legree"; but poor Legree — who had been hunted down in New York during the Anti-Negro riots, and had taken refuge with a Southern gentleman, my next-door neighbour in Staten Island — was not permitted by the Biddies to take his meals in the kitchen, but was ruthlessly consigned to an out-house or a coal-shed, to eat alone, unworthy to associate with his superior Irish and white fellow-creatures. The " Biddy " rent or tax, so long levied by the head-centres and the tail-centres of the Fenian organization in America, has fallen off considerably..."
One can only guess how Mackay's servants felt about serving an English employer with such strong views on the Irish. He recounts another example of the ill will between the two nationalities. Sitting on the ferry listening to an Irishman recounting to other passengers, in a deliberately loud voice, how the British Press in America were stirring up animosity towards America and that should any such correspondent (like Mackay) "be found on the deck of a steamer he should be thrown overboard, or, if found on land should be strung up from the nearest lamp-posts."
Mackay also felt that race relations between blacks and whites were better in the South than the North because there was more interaction between the two groups, even if that relationship was one of master and slave. In Forty Years' Recollections he wrote of Staten Island during the New York City draft riots:
"My next door neighbour in a country villa in Staten Island, which I had hired for the summer, was a native of Virginia, a slave-owner, and of strong Southern sentiments, whom the outbreak of the civil war had found in New York with his family, and who had not been able to return to his native State and cast in his lot with his own people. The negroes, of whom there were many in Staten Island, betook themselves to the woods, where they encamped, resolved to do battle with their enemies; but one family, knowing my neighbour to be a Southern man and once an owner of slaves, boldly threw themselves on his protection, and implored him to give them shelter against the multitude. The request was cheerfully granted, and though his house was besieged by the crowd who threatened him with death if he would not give up the fugitives, he fed and defended them until the storm blew over."
William Winter described Mackay as "a compact, burly, ruddy-faced little man, and a commonplace, matter-of-fact speaker, sincere and sensible." Mackay counted among his American friends Henry Wadsworth Longfellow, Ralph Waldo Emerson and Oliver Wendell Holmes. The "true love" of AT HOME is probably Mary Elizabeth Mills (?-1875), Mackay's second wife, who was probably also known as "Ellen" or "Nellie" and is only described as having "Italian coloring". Census records list her birthplace as Madrid so she may have been of Spanish descent. Ellen is believed to have been either a local washerwoman or the wife of a colleague named Mills. Mackay's first wife, Rosa Henrietta Vale left him in 1853, probably because of an affair with Ellen, and died in 1860. Mills and Mackay married on February 27, 1861. Though details are sketchy it is believed that Charles and Ellen had an "illegitimate" child, Mary "Minnie" Mackay, on May 1, 1855 more than a year after the separation of Rosa Henrietta and Charles.
There are no definitive answers to questions about Minnie's parents, though. Another theory places Minnie as the daughter of Rosa Henrietta, born after their separation, possibly in Italy, and adopted by Mackay and Mills upon Rosa Henrietta's death. The New York Times published a letter in 1910 that states Minnie was the daughter of an impoverished English mechanic named Cody who gave little Marie Cody to the Mackays because he couldn't support her. Another theory says she may have been Mackay's own granddaughter by his daughter from his first marriage, Rosa Jane, who died in Italy in 1855, and a London set designer named Corelli.
Charles Mackay wrote of his trip to the U.S. "I took my faithful and dearly-beloved wife and infant daughter along with me." Their daughter, Mary "Minnie" Mackay (1855-1924) must be the "infant" he mentions. His whole trip to the United States was probably motivated by the need to support his new family. Despite his earlier successes he was not wealthy. Note the line in AT HOME "Not rich enough to buy land...in Staten Island". He received a 100 pound pension from Parliament to help him support himself while on the Island in recognition of "his contributions to poetry and general literature." Minnie lived with her parents on Staten Island from early 1862 to late 1863, from about age 6 to 8 until Mackay brought Minnie and Ellen back to England. Mackay then returned by himself to Staten Island. Minnie would grow up to be the most-read author in England.
Miss Marie CorelliMinnie was later known publicly as Marie Corelli, the "adopted child" of Charles Mackay. Though barely known today, Marie Corelli was not always so anonymous. R. Brandon Kershner, an English Professor at the University of Florida, writes that she grew up to be "an unparalleled literary phenomenon and it is arguable that during her time she was, after Victoria, the most famous woman in England." The vast majority of the Victorian-era reading public eagerly awaited the publication of her next bestseller. Notable fans included William Gladstone, Alfred Tennyson, Winston Churchill, and numerous royalty of the day- Queen Victoria, Queen Alexandra, the Queen of Italy, the Empress Frederick of Germany. Oscar Wilde told her "you certainly tell of marvellous things in a marvellous way". Henry Miller predicted a future revival of interest in her works. Most literary critics, on the other hand, have a very different opinion. The trashing of Marie's writing was a regular occurrence with each new novel she produced.
She incorporated what might now be called "New Age" ideas into melodramatic tales mixing romance, Christian theology, reincarnation, the occult and psychic phenomenon. Her novels include A Romance of Two Worlds, The Sorrows of Satan, The Mighty Atom, Soul of Lilith, The Secret Power and Vendetta. She published over 30 books, over half of them best-sellers. It's estimated she sold about 100,000 books annually in her prime, more than double what any competing author sold. Her most quoted line is: “I never married because there was no need. I have three pets at home which answer the same purpose as a husband. I have a dog which growls every morning, a parrot which swears all afternoon, and a cat that comes home late at night.” In one photograph her beloved dog is pictured chewing up a mouthful of her negative press clippings. She was as familiar to English readers as Charles Dickens at the height of her fame. By the end of her life her sales had dropped sharply. In 1906 G.K. Chesterton summed up the effect of Corelli's writing this way: "The man in the street has more memories of Dickens, whom he has not read, than of Marie Corelli, whom he has."
Marie Corelli publicly highlighted her mysterious Italian heritage. She once claimed to be "half American and half Italian" and the daughter of a Count Corelli, descended from seventeenth-century Venetian composer Arcangelo Corelli. She claimed to know her Italian godfather and uncle. At the age of thirteen she began writing an opera called “Ginerva da Siena” and incorporated lots of Italian phrases into her novels. A signed portrait of the Queen of Italy hung on her wall. She owned an authentic Venetian gondola, piloted by a gondolier in full Venetian costume who ferried her around the Avon river near her home in Stratford-upon-Avon, England.
There are a few clues about what she was like as a child. In 1866 she apparently was too difficult for her nanny and was sent to a convent school in Paris. She wrote of herself at age eleven: "I managed to develop into a curiously independent little personality, with ideas and opinions more suited to some clever young man. I distinctively did all I could to make myself a personality to be reckoned with. For this reason I devoured books whatever their qualities and fed my brains with the thoughts of dead men...I was indeed a very lonely child...I had to play by myself and invent my own sports and games" She also described herself as "pampered, petted and spoilt" She is said to have adored her father but wrote little about Ellen Mackay.
Marie Corelli always denied visiting the United States. Giving out verifiable facts about her childhood could have lead to the public discovery of her "illegitimate" birth. Yet, there is no other record of anyone else who could be the daughter Charles Mackay described. She reprimanded anyone who accidentally referred to Charles or Ellen Mackay as her parents. Upon the death of Charles she had a meeting with his lawyers where she learned something of his past. She wrote to a friend "if you ever wish to know the history of my relationship with the dear old man who has gone, I will sincerely tell it to you, though to do so, will possibly cast aspersion on the memory of him and my dear sweet Venetian mother; that is why I hold my peace...there are romances in every life, though not until ten days ago did I know there was such a romance in mine." The tangled stories about her personal life undoubtedly contributed to her strained relationship with the press. Because she never spoke publicly or wrote about her time on Staten Island there is no record of her experiences there.
AT HOME was not the only poetry Charles Mackay wrote on Staten Island. He produced a whole book of it. The Illustrated London News announced in November 1863:
"Charles Mackay, who for twenty months has been residing in the United States as Special Correspondent of the Times, returned by the last Cunard steamer on temporary leave of absence. That the Doctor should have remained so long unmolested and undenounced in the Northern States is rather complimentary to the impartiality and love of fair play of the Federals, whose peculiarities he has painted in vigorous but certainly not in rosy colours...Dr. Charles Mackay, who has been in England for some few weeks, is about to return to New York to resume his correspondence for the Times. As rumours from "good-natured friends" have been afloat concerning Times dissatisfaction with their correspondent's Southern tendencies, our readers will be glad to hear them so thoroughly disproved. Still more pleased will they be to hear that a new volume of poems by Dr. Mackay will be published immediately, under the artistic title of Studies from the Antique and Sketches from Nature" (1864). The first half of the collection contains poems about Greek mythology. The second half is dedicated to themes of nature. "Heart-Sore in Babylon" is dated "New York 1863". The second edition, from 1867, adds a preface that gives some background to the first edition.
There doesn't seem to be any mention of Mackay or AT HOME in the local historical records, so Staten Islanders may not have been aware of it when the poem first appeared. Despite what one may think of Charles Mackay's other endeavors, AT HOME still resonates, especially the concluding passages:
"Ah, well!" my true love said and smiled, " There's shade to every glory ;
There's no true paradise on earth
Except in song or story.The place is fair, and while thou'rt here,
Thy land shall still be my land,
And all the Eden earth affords
Be ours in Staten Island."
There isn't a lot of poetry written about Staten Island. Islanders who have read the poem recently have commented on how meaningful it is to them. The forests and bird life are still there in greater quantities than most of the city. The mosquitoes are still an issue, despite development and pesticides. It is also still a place of people in transition as Mackay was. The borough is home to so many people who have their roots in other places or view the Island as a only temporary stop on the way to someplace different. The poem is a reminder to appreciate the place you are now. Ed Wiseman, Executive Director of Historic Richmond Town now has a copy of the poem on his office wall. Beth Gorrie of the "literary karaoke" Staten Island OutLOUD is planning a performance of it. It's good to see the small beginnings of a revival...at home in Staten Island.
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More of Charles Mackay's poems can be found here .
Thanks to Patricia Salmon and Cara Dellatte at the Staten Island Museum for finding the reference to Charles Gilbert Hine. Thanks to Bruce Balistrieri and Robert Veronelli at the Paterson Museum for their help gathering information about the Fenian Ram. Thanks to Robert Armitage of NYPL, Leonard Marcus, Fred Kaplan, Mary Moran, Richard Curry and Patrick McCarthy, for help tracking down the authorship of AT HOME.
FOR FURTHER READING
Guide to the Marie Corelli collection of papers at The New York Public Library,1893-1955
Charles Dickens: The Life of The Author
Two excellent books, used in this post, are:
Teresa Ransom, The Mysterious Marie Corelli: Queen of the Victorian Bestsellers, 1999 (This includes a picture of Marie as a child before her stay on Staten Island.)
Richard K. Morris, John Holland, 1841–1914: Inventor of the Modern Submarine, 1966
Staten Island Aerial Photos from 1924 has been edited
If you like the "Satellite View" feature in Google Maps then you should enjoy these aerial photographs of New York City. In 1924 Arthur Tuttle flew over the city snapping pictures of every building and landmark there was. His images of NYC rooftops clearly show the outline of all the buildings. The atlas containing his photos is called:
Here are a couple of samples cropped from larger images:
The Staten Island Ferry Terminal (from image 21A):

Sailor's Snug Harbor (from image 21B):

You can't search this album by borough or neighborhood names. You must use the section numbers and letters listed on this map to locate the neighborhoods depicted in the images:
Staten Island is pictured in sections 20, 21, 26, 27, 32, 33, 34 and 35. Use the "Pan and Zoom" feature to bring out all the details.
Thanks to Matt Knutzen, whose comment led me to this map which wasn't included in my other post on Staten Island maps in the Digital Gallery.
Historical Staten Island Maps in the Digital Gallery has been edited
There's a great selection of Staten Island maps and Atlases in the NYPL Digital Gallery. Using the "Pan and Zoom" feature the maps can be enlarged to the point where you can read street names and even the names of residents of individual houses. "Pan and Zoom" is not available on all maps, however.
Here are some of the maps and atlases available:
Published in 1874, this Atlas contains 35 maps of neighborhoods on Staten Island including property lines, names of property owners, and outlines of individual buildings.
Borough of Richmond, Topographical Survey. (1906-1913)
Published between 1906 and 1913, this survey contains 89 maps and an index page. Maps include elevation lines, building outlines, even trees. The smallest labels are difficult to read even under maximum zoom.
A map of the old Marine Hospital located on the grounds of the present Bayley Seton Hospital showing separate buildings for a Yellow Fever Hospital and a Small Pox Hospital.
Bounded by Union Tompkins Avenue and South Street in the Stapleton/Clifton neighborhoods, the map includes the hospital piers in New York Harbor. The picture above is from a later date.
An accurate map of Staten Island : with that part of New York, Long Island and the Jerseys which is the rendesvous of the two grand armies and the supposed present seat of action / by a mercht. who resided in America 15 years.
Published in October 1776 this map shows the New York area at the time of the Revolutionary War. A rough outline of Staten Island shows the locations of Castle Town, Old Town, New Town, Richmond and ferries at the Narrows and present-day Tottenville.
Map of Staten Island and of Manhattan, with blue stars [locations of branches?], 1913, 1916.
Taken from an old lantern slide this street map of Staten Island has marks for the St. George, Stapleton, Port Richmond and Tottenville branches of The New York Public Library. "Pan and Zoom" is not available and street names are not labeled.
Chart and plan of the harbour of New York & the couny. adjacent, from Sandy Hook to Kingsbridge : comprehending the whole of New York and Staten Islands, and part of Long Island & the Jersey shore, and shewing the defences of New York both by land and sea / Jno. Lodge, sculp.
A 1781 map of the New York area. "Pan and Zoom" is not available so it is difficult to read some of the labels.
A map showing Revolutionary War activities. "Pan and Zoom" is not available so it is difficult to read some of the labels.
There are a few other maps in the Digital Gallery in which Staten Island is featured as part of a larger map.

